| Nalu, Amber and James P. Bliss. "Comics as a Cognitive Training Medium for Expert Decision Making." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 55. (2011): 2123–27. |
 
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| Nama, Adilifu. Super Black: American pop culture and black superheroes. Austin: Univ. of Texas Press, 2011. |
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| Nama, Adilifu. "Brave Black Worlds: Black superheroes as science fiction ciphers." The Black Imagination. Science Fiction, Futurism and the Speculative. Eds. Sandra Jackson and Julie E. Moody-Freeman. Black Studies and Critical Thinking. New York [etc.]: Peter Lang, 2011. 32–46. |
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| Näpel, Oliver. Das Fremde als Argument: Identität und alterität durch fremdbilder und geschichtsstereotype von der antike bis zum holocaust und 9/11 im comic. Die Deutschen und das östliche Europa. Studien und Quellen. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Nayar, Pramod K. "Haunted Knights in Spandex: Self and othering in the superhero mythos." Mediterranean Journal of Humanities 1. (2011): 171–83. |
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| Nayar, Pramod K. "Towards a postcolonial critical literacy: bhimayana and the indian graphic novel." Studies in South Asian Film and Media 3. (2011): 3–21. |
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| Ndalianis, Angela. "Why Comics Studies?." Cinema Journal 50. (2011): 113–17. |
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| Nelson, Angela M. "Middle-Class Ideology in African-American Postwar Comic Strips." From Bourgeois to Booije. Black Middle-Class Performances. Eds. Vershawn Ashanti Young and Bridget Harris Tsemo. Detroit: Wayne State Univ. Press, 2011. 175–90. |
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| Nemeth, Gabriel and Ralf Palandt. "»Wir haben einen Betrieb in Auschwitz«: Der geschichtscomic sklaven oder eine geschichte von wirtschaftswundern." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 171–81. |
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| Neumann, Stefan. Loriot und die Hochkomik: Leben, werk und wirken vicco von bülows. Trier: Wissenschaftlicher Verlag Trier, 2011. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen Volume III Chapter One a.k.a. Century:1910." 2011. Accessed 16 Aug. 2013. <http://jessnevins.com/a ... ns/1910annotations.html>. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen Volume III Chapter Two, a.k.a. Century: 1969." 2011. Accessed 16 Aug. 2013. <http://jessnevins.com/a ... ns/1969annotations.html>. |
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| Nichols, Michael. "“I Think You and I Are Destined to Do This Forever”: A reading of the batman/joker comic and film tradition through the combat myth." Journal of Religion and Popular Culture 23. (2011): 236–50. |
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| Nieuwenhuizen, Peter I. "Wodehouse in the Comics—Revealed!." Plum Lines 32. (2011): 15–17. |
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| Obiang, Ludovic. "Le Dipoula de Sti et Pahé : un Titeuf mal noirci ? Endroits et envers de la francophonie à travers une bande dessinée franco-gabonaise." Alternative Francophone 1. 3 2011. Accessed 1 Jan. 2018. <https://journals.librar ... hp/af/article/view/9533>. |
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| Ōgi, Fusami. "Inspiring Women: 40 years’ transformation of shôjo manga and women’s voices." International Journal of Comic Art 13. (2011): 32–57. |
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| Ōgi, Fusami. "Women’s Manga Beyond Japan: Contemporary comics as cultural crossroads in asia." International Journal of Comic Art 13. (2011): 3–6. |
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| Ogihara-Schuck, Eriko. "“Estranged Religion” in Anime: American and german translations of hayao miyazaki’s spirited away." Religion in the United States. Eds. Jeanne Cortiel, et al. American Studies. Heidelberg: Winter, 2011. 253–68. |
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| Okeda, Daisuke and Aki Koike. "Working conditions of animators: The real face of the japanese animation industry." Creative Industries Journal 3. (2011): 261–71. |
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| Olson, Melissa. "The Hero and the Apocalypse in Watchmen and Buffy the Vampire Slayer: Season 8." International Journal of Comic Art 13. (2011): 417–31. |
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| Oppolzer, Markus. "Beyond The Spiral Cage: Al davison’s counterstories of self-empowerment." From the Cradle to the Grave. Life-Course Models in Literary Genres. Eds. Sabine Coelsch-Foisner and Sarah Herbe. Heidelberg: Winter, 2011. 69–83. |
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| Packard, Stephan. "“Whose Side Are You On?”: The allegorization of 9/11 in marvel’s civil war." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 44–57. |
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| Packard, Stephan. "Was sind intermediale Einheiten? Zu wandernden cartoons und coleridges allegorie." Comparative Arts. Universelle Ästhetik im Fokus der Vergleichenden Literaturwissenschaft. Ed. Achim Hölter. Hermeia. Heidelberg: Synchron, 2011. 255–65. |
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| Padva, Gilad. "Traumboys, Schlächter und Werwölfe: Zur visualisierung erotischer identitäten in pornografischen comic-strips für homosexuelle männer." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 401–18. |
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| Pagnoni Berns, Fernando Gabriel. "Wonder Woman TV incarnations: Contexts, images and popular culture." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Palandt, Ralf, ed. Rechtsextremismus, Rassismus und Antisemitismus in Comics. Berlin: Archiv der Jugendkulturen, 2011. |
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| Palandt, Ralf. "Rechtsextremismus, Rassismus und Antisemitismus in Comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 5–58. |
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| Palmier, Jean-Pierre. "Geschichten sehen und fühlen: Visualität und stimmung als transmediale kategorien narrativer analyse." kunsttexte.de 1 2011. Accessed 7 Jan. 2013. <http://edoc.hu-berlin.d ... ierre-7/PDF/palmier.pdf>. |
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| Pandey, Anjali. "Hypervisualizing English? : ‘reading’ the subtext and supertext in scott pilgrim vs. the world." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Pantaleo, Sylvia. "Grade 7 Students Reading Graphic Novels: ‘you need to do a lot of thinking’." English in Education 45. (2011): 113–31. |
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| Pantaleo, Sylvia and Alexandra Bomphray. "Exploring Grade 7 Students’ Written Responses to Shaun Tan’s The Arrival." Changing English 18. (2011): 173–85. |
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| Pawlak, Anna. "Leonidas zwischen Heldentod und medialer Auferstehung: Zur (de-)konstruktion eines antiken heroen in film und comic der gegenwart." kritische berichte 39. (2011): 34–50. |
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| Pellitteri, Marco. "Alan Moore, Watchmen and some notes on the ideology of superhero comics." Studies in Comics 2. (2011): 81–91. |
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| Petrovic, Paul. "Queer resistance, gender performance, and ‘coming out’ of the panel borders in Greg Rucka and J.H. Williams III’s Batwoman: Elegy." Journal of Graphic Novels and Comics 2. (2011): 67–76. |
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| Petrovic, Paul. "The Culturally Constituted Gaze: Fetishizing the feminine from alan moore and dave gibbons’s watchmen to zack snyder’s watchmen." ImageTexT 5. 4 2011. Accessed 12 Mar. 2013. <http://www.english.ufl. ... archives/v5_4/petrovic/>. |
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| Pigeat, Aurélien. "La double-page chez Hirohiko Araki: L’ubris faite norme." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... rative/article/view/129>. |
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| Pigeat, Aurélien. "Rohan au Louvre : couleur du fantôme et fantôme de la couleur." Textimage 4 2011. Accessed 25 Jul. 2014. <http://www.revue-textim ... mage_recit/pigeat1.html>. |
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| Porcelli, Stefania. "In the Shadow of the Holocaust: Art spiegelman’s representation of trauma in the comic-book form." Translating America. The Circulation of Narratives, Commodities, and Ideas between Italy, Europe, and the United States. Eds. Marina Camboni, et al. Transatlantic Aesthetics and Culture. Bern [etc.]: Peter Lang, 2011. 199–216. |
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| Porret, Michel. "L’affaire Plekszy-Gladz: L’imaginaire totalitaire dans la bande dessinée francophone." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 65–92. |
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| Preyat, Fabrice. "La bande dessinée catholique en francophonie: Une légitimité recherchée, une illégitimité entretenue." Art et religion. Eds. Alain Dierkens, Sylvie Peperstraete and Cécile Vanderpelen-Diagre. Problèmes d'histoire des religions. Bruxelles: Éd. de l'Université de Bruxelles, 2011. 129–97. |
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| Priego Ramirez, Ernesto F. "The comic book in the age of digital reproduction." Doctoral thesis PhD. University College London, 2011. |
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| Prough, Jennifer. Straight from the Heart: Gender, intimacy, and the cultural production of shōjo manga. Honolulu: University of Hawai'i Press, 2011. |
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| Rampone, Elisa. "Quando Alice preferisce tirare le bombe a mano anziché prendere un té con il bianconiglio: Il paese delle meraviglie di sucker punch." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Rehberg, Peter. "Happy Homos: Über tom of finlands schwule superhelden." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 383–400. |
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| Reichert, Ramón. "Die Medienästhetik der Webcomics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 121–41. |
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| Reitsamer, Rosa and Elke Zobl. "Queer-feministische Comics: Produktive interventionen im kontext der do-it-yourself-kultur." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 365–81. |
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| Reuter, Ingo. "Comics und Religion – ein Rückblick aus religionspädagogischer Perspektive." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 235–44. |
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| Reyns, Chris. "Le Beurgeois de F. Boudjellal: Cynique ta beurgeoisie ou ethnique ta france !?." Belphégor 10. 2 2011. Accessed 13 Feb. 2012. <http://dalspace.library.dal.ca/handle/10222/47803>. |
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| Reynschi-Chikuma, Chris. "Pour une lecture postcoloniale de la bande dessinée Ile Bourbon 1730 (2006) de Appollo et Lewis Trondheim." Image [&] Narrative 12. 1 2011. Accessed 6 Sept. 2011. <http://www.imageandnarr ... rticle/viewFile/135/106>. |
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| Rifa-Valls, Montserrat. "Postwar Princesses, Young Apprentices, and a Little Fish-Girl: Reading subjectivities in hayao miyazaki’s tales of fantasy." Visual Arts Research 37. (2011): 88–100. |
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| Rival, Bruno. Le Rock dans la Bande Dessinée: Des décibels sur les planches. La bulle au carré. Turquant: L’àpart, 2011. |
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| Rolland, Michaël. "L’Underground et la culture visuelle des années 68 en France: L’exemple des bandes dessinées." Images et sons de Mai 68. 1968–2008. Eds. Christian Delporte, et al. Paris: Nouveau monde, 2011. 169–84. |
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| Romero-Jódar, Andrés. "A hammer to shape reality: Alan moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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| Romero-Jódar, Andrés. "Individual Trauma Representation in Graphic Novels: The case of paul hornschemeier’s mother, come home and neil gaiman and dave mckean’s signal to noise." Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature. Eds. Dolores Herrero and Sonia Baelo-Allué. Heidelberg: Winter, 2011. 249–63. |
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| Rosenbaum, Roman. "Gekiga as a site of intercultural exchange: Tatsumi yoshihiro’s a drifting life." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 73–92. |
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| Rosenthal, Martina. "Comics auf Albumcovern: Überlegungen zu einem intermedialen phänomen." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 109–20. |
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| Royal, Derek Parker. "Jewish Comics; Or, Visualizing Current Jewish Narrative." Shofar 29. (2011): 1–12. |
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| Ruditis, Paul. The Walking Dead Chronicles: The official companion book. New York: Abrams, 2011. |
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| Rugg, Linda Haverty. "Picturing Oneself as Another." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 73–75. |
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