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| Leinen, Frank. "Mediale Kombinatorik, Transgressionen und Beglaubigungsstrategien in L’enfant penchée und L’affaire Desombres (François Schuiten/Benoit Peeters)." Kommunikation im Populären. Interdisziplinäre Perspektiven auf ein ganzheitliches Phänomen. Ed. Roger Lüdeke. Bielefeld: Transcript, 2011. 233–57. |
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| Lenk, Titus. "Mit kritischem Unterton: Die mangareihe monster aus der feder von naoki urasawa." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 311–15. |
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| Lent, John A. "Yes, There Are Women Cartoonists: Snippets from those i have interviewed." International Journal of Comic Art 13. (2011): 7–31. |
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| Leroy, Fabrice. "Joann Sfar Conjures Marc Chagall: The politics of visual representation in the rabbi’s cat." European Comic Art 4. (2011): 39–57. |
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| Lesage, Sylvain. "La bande dessinée en son miroir: Images et usages de l’album dans la bande dessinée française." Mémoires du livre / Studies in Book Culture 2. 2 2011. Accessed 4 Nov. 2014. <http://id.erudit.org/iderudit/1001764ar>. |
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| Lesage, Sylvain. "La Bible est-elle soluble dans les phylactères ? La bande dessinée et la bible en france, du début du xxe siècle aux années 1980." Le Temps des Médias (2011): 33–44. |
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| Lesage, Sylvain. "L’impossible seconde vie ? Le poids des standards éditoriaux et la résistance de la bande dessinée franco-belge au format de poche." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/221>. |
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| Lim, Yeo-Joo. "Educational graphic novels: Korean children’s favorite now." Bookbird 49. (2011): 40–48. |
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| Limoges, Jean-Marc. "Metalepsis in the Cartoons of Tex Avery: Expanding the boundaries of transgression." Metalepsis in Popular Culture. Eds. Karin Kukkonen and Sonja Klimek. Narratologia. Berlin u. New York: de Gruyter, 2011. 196–212. |
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| Lindqvist, Christer. "Interjektionen in Comics: Eine schwedische fallstudie." Folia Scandinavica Posnaniensia 12. (2011): 129–41. |
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| Lombard, Philippe. Tintin, Hergé et le cinéma. Democratic Docs. Paris: Democratic Books, 2011. |
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| López Rodríguez, Francisco Javier. "Recreating the fantasy world of Dororo: Transcoding manga into cinema." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Louison, Valérie. "La représentation du corps chez Tatsumi Yoshihiro, maître du manga réaliste (gekiga)." Itinéraires 2011-3 2011. Accessed 10 Jun. 2021. <https://journals.openedition.org/itineraires/1571>. |
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| Lowder, James, ed. Triumph of The Walking Dead: Robert kirkman’s zombie epic on page and screen. Dallas: Smart Pop, 2011. |
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| Lowther, John. "In Black Hole." Zeitschrift für Anglistik und Amerikanistik 59. (2011): 11–25. |
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| Luebke, Peter C. and Rachel DiNitto. "Maruo Suehiro’s ‘Planet of the Jap’: Revanchist fantasy or war critique?." Japanese Studies 31. (2011): 229–47. |
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| Luibl, Hans Jürgen. "Superman: Comic-held im dschungel postmoderner religion." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 35–54. |
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| Lummerding, Ssanne. "Das Politische trotz allem: Holocaust-diskurse im comic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 321–40. |
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| Lunning, Frenchy. "Under the Ruffles: Shōjo and the morphology of power." Mechademia 6. (2011): 3–19. |
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| Lunning, Frenchy. "Cosplay, Drag, and the Performance of Abjection." Mangatopia. Essays on Manga and Anime in the Modern World. Eds. Timothy Perper and Martha Cornog. Santa Barbara: Libraries Unlimited, 2011. 71–88. |
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| Lunsford, Andrea A. "Reflections on Lynda Barry." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 310–13. |
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| Lunsford, Andrea A. and Adam Rosenblatt. "“Down a Road and into an Awful Silence”: Graphic listening in joe sacco’s comics journalism." Silence and Listening as Rhetorical Arts. Eds. Cheryl Glenn and Krista Ratcliffe. Carbondale: Southern Illinois University Pr. 2011. |
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| Macdonald, Sean. "Two Texts on “Comics” from China, ca. 1932: “in defense of ‘comic strips’” by lu xun and “comic strip novels” by mao dun." ImageTexT 6. 1 2011. Accessed 13 Mar. 2013. <http://www.english.ufl. ... rchives/v6_1/macdonald/>. |
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| MacLeod, Catriona. "(Post)-colonial persistence: The presence of the “black venus” in the work of warnauts and raives." Contemporary French Civilization 36. (2011): 287–302. |
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| Macnaughtan, Don. The Buffyverse Catalog: A complete guide to buffy the vampire slayer and angel in print, film, television, comics, games and other media, 1992–2010. Jefferson, London: McFarland, 2011. |
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| Maes, Hans. "Art or Porn: Clear division or false dilemma?." Philosophy and Literature 35. (2011): 51–64. |
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| Maggiore, Laura. Fellini e Manara: Tra mistero, esoterismo ed erotismo. Marsala: Navarra, 2011. |
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| Magnussen, Anne. "Det perverse artefakt: Konflikt og erindringer i spanske tegneserier." Kultur & klasse (2011): 97–111. |
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| Magnussen, Anne. "Die Semiotik von C.S. Peirce als theoretisches Rahmenwerk für das Verstehen von Comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 171–85. |
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| Added by: joachim 30/09/2011, 15:43 |
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| Majka, Rafał. "Szaleństwo a władza: Konstruowanie kobiecości na przykładzie superbohaterek mainstreamowych komiksów amerykańskicj." KOntekstowy MIKS. Przez opowieści graficzne do analiz kultury współczesnej. Eds. Rafał Wójcik and Grażyna Gajewska. Prace Komisji Filologicznej. Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauki, 2011. 331–42. |
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| Malone, Paul M. "Shifting Ground and Shifting Borders in the German Mangascape." Kobuk 1 2011. Accessed 15 Jan. 2013. <https://www.academia.ed ... the_German_Mangascape._>. |
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| Malone, Paul M. "Transcultural Hybridization in Home-Grown German Manga." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 49–60. |
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| Manivannan, Vyshali. "Interplay Amidst the Strangeness and the Charm: Under-language and the attenuation of meaning in the film adaptation of watchmen." ImageTexT 5. 4 2011. Accessed 13 Mar. 2013. <http://www.english.ufl. ... chives/v5_4/manivannan/>. |
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| Manolescu, Ion. "Popular Culture and the Romanian Postmodernist Canon: The case of comics’ authors." The Canonical Debate Today. Crossing Disciplinary and Cultural Boundaries. Eds. Liviu Papadima, David Damrosch and Theo D'haen. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam [etc.]: Rodopi, 2011. 247–62. |
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| Maricq, Dominique. Hergé côté jardin: Un dessinateur à la campagne. Bruxelles: Éditions Moulinsart, 2011. |
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| Marjanovic, Lucia. "Literaturadaptionen in Walt Disneys Lustigen Taschenbüchern." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 43–60. |
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| Marshall, C. W. "The Furies, Wonder Woman, and Dream: Mythmaking in dc comics." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 89–101. |
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| Martin, Elaine. "Graphic Novels or Novel Graphics? The evolution of an iconoclastic genre." The Comparatist 35. (2011): 170–81. |
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| Martindale, Kathleen. "Zurück in die Zukunft mit Dykes To Watch Out For und Hothead Paisan." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 341–64. |
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| Maser, Verena. "On the depiction of love between girls across cultures: Comparing the u.s.-american webcomic yu+me: dream and the yuri manga “maria-sama ga miteru”." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 61–71. |
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| Maser, Verena. "Zwischen Fantasie und Alltagsleben: Sexualitäten zwischen frauen/mädchen im manga." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 435–51. |
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| Masserano, Erica. "“An Act of Social Magic”: Class, gender and modernity in alan moore’s “from hell”." Thesis Roskilde Universitet, 2011. |
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| Mathews, Sarah A. "Framing Preservice Teachers’ Interpretations of Graphic Novels in the Social Studies Classroom." Theory & Research in Social Education 39. (2011): 416–46. |
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| Mauz, Andreas. "Lesen im Licht der Straße: Frans masereels revolutionärer leser (1918)." Die Sichtbarkeit des Lesens. Variationen eines Dispositivs. Eds. Christine Grond-Rigler and Felix Keller. Lesen am Netz. Innsbruck: Studienverl./Skarabaeus, 2011. 180–85. |
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| Mayer, Gregor. "Rassistische Comics und rechtsextreme Propaganda in Ungarn." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 74–82. |
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| Mayeux, Isaac J. "The Anxious Aardvark Sees the Light: Divine masculinity in dave sim’s cerebus." Thesis Master of Arts. University of Dayton, 2011. |
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| McGlothlin, Erin. "Art Spiegelman and AutobioGRAPHICal Re-Vision." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 45–50. |
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| McHarry, Mark. "(Un)gendering the homoerotic body: Imagining subjects in boys’ love and yaoi." Transformative Works and Cultures 8 2011. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/257/250>. |
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| McKean, Dave. "Lorenzo Mattotti: The magic & music of comics." Comic Heroes Magazine (2011). |
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| McKinney, Mark. "Interview with Baru: Part 1." European Comic Art 4. (2011): 213–37. |
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| McKinney, Mark. "Interview with Farid Boudjellal." European Comic Art 4. (2011): 1–28. |
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| McKinney, Mark. "Redrawing the Franco-Algerian Affrontier in Là-bas." International Journal of Comic Art 13. (2011): 127–52. |
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| McKinney, Mark. The Colonial Heritage of French Comics. Contemporary French and Francophone Cultures. Liverpool: Liverpool Univ. Press, 2011. |
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| McLain, Karline. "The Place of Comics in the Modern Hindu Imagination." Religion Compass 5. (2011): 598–608. |
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| McLelland, Mark J. "Homophile Heterosexualität, oder: Warum lieben heterosexuelle Frauen japanische Mangas mit scheinbar homosexuellen Inhalten?." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 419–33. |
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| Meinrenken, Jens. "Comic." Navigationen 11. (2011): 39–43. |
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| Meinrenken, Jens. "Batmans Clinch mit dem Joker: Karneval und groteske im zeitalter des digitalen." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 2–24. |
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| Meinrenken, Jens. "Dimensionssprünge auf virtuellem Papier – Comic und Computerspiel." Erzählformen im Computerspiel. Zur Medienmorphologie digitaler Spiele. Eds. Jürgen Sorg and Jochen Venus. Medienumbrüche. Bielefeld: Transcript, 2011. |
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| Melber, Takuma. "Mangas als Impulsgeber für die Geschichtswissenschaft?! Das beispiel barfuß durch hiroshima." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 135–48. |
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| Menu, Jean-Christophe. La bande dessinée et son double: Langage et marges de la bande dessinée : perspectives pratiques, théoriques et éditoriales. Paris: L’Association, 2011. |
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| Meskin, Aaron. "The Philosophy of Comics." Philosophy Compass 6. (2011): 854–64. |
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| Meteling, Arno. "John Constantine, occult detective, und die profane Apokalypse: Der apokalypsediskurs der jahrtausendwende im story arc staring at the wall (2003–2004) der comic-serie hellblazer." Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Ed. Jörg van Bebber. Darmstadt: Büchner, 2011. 154–60. |
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| Meteling, Arno. "Jack the Ripper und die Verschwörung des Raums: Psychogeographisches mapping bei alan moore, peter ackroyd und iain sinclair." The Parallax View. Zur Mediologie der Verschwörung. Eds. Markus Krause, Arno Meteling and Markus Stauff. Mediologie. München: Fink, 2011. 295–312. |
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| Metz, Christian. "Warenästhetik, Liebe und literarische Selbstreflexion in Leanne Shaptons Romanexperiment Bedeutende Objekte." Warenästhetik. Neue Perspektiven auf Konsum, Kultur und Kunst. Eds. Heinz Drügh, Björn Weyand and Christian Metz. Frankfurt am Main: Suhrkamp, 2011. 269–95. |
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| Meurer, Birgit. "Der Comic als intermediäres Vehikel im Deutschunterricht." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 137–68. |
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| Meyer, Roland. "Im leeren Zentrum der Netze: Ein versuch über superschurken und kriminelle genies." kritische berichte 39. (2011): 135–52. |
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| Michallat, Wendy. "French popular culture and the case of bande dessinée." The Cambridge History of French Literature. Eds. William Burgwinkle, Nicholas Hammond and Emma Wilson. Cambridge [etc.]: Cambridge Univ. Press, 2011. 689–99. |
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| Miettinen, Mervi. "Superhero Comics and the Popular Geopolitics of American Identity." Licentiate’s Dissertation. University of Tampere, 2011. |
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| Miettinen, Mervi. "Representing the state of exception: Power, utopia, visuality and narrative in superhero comic." Images in Use. Towards the Critical Analysis of Visual Communication. Eds. Matteo Stocchetti and Karin Kukkonen. Amsterdam, Philadelphia: John Benjamins, 2011. 269–88. |
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| Mikkonen, Kai. "Graphic Narratives as a Challenge to Transmedial Narratology: The question of focalization." Amerikastudien 56. (2011): 637–52. |
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| Mikkonen, Kai. "The Implicit Narrator in Comics: Transformations of free indirect discourse in two graphic adaptations of madame bovary." International Journal of Comic Art 13. (2011): 473–87. |
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| Miller, Ann. "Comic Art and Commitment: An interview with morvandiau." European Comic Art 4. (2011): 105–23. |
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| Added by: joachim 05/07/2012, 08:39 |
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| Miller, Tom. "“Those Guys Give Me the Creeps”: Grant morrison’s doom patrol and satire in the shared-narrative universe." International Journal of Comic Art 13. (2011): 393–416. |
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| Added by: joachim 01/10/2014, 10:18 |
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| Miller, Ann. "Autobiography in Bande Dessinée." Textual and Visual Selves. Photography, Film, and Comic Art in French Autobiography. Eds. Natalie Edwards, Amy L. Hubbell and Ann Miller. Lincoln: Univ. of Nebraska Press, 2011. 235–62. |
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| Millidge, Gary Spencer. Alan Moore: Storyteller. Lewes: Ilex, 2011. |
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| Minks, Patricia. "Mangamarkt – Ein Vergleich zwischen Japan und dem Deutschsprachigen Raum." Kobuk 1 2011. Accessed 15 Jan. 2013. <http://www.kobuk.org/ar ... _No4_Manga_(1_2011).pdf>. |
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| Misemer, Leah. "Breaking Barriers: Moving beyond orientalism in comics studies." Forum for World Literature Studies 3. (2011): 52–60. |
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| Mitaine, Benoît. "Une guerre sans héros ? La guerre civile dans la bande dessinée espagnole (1977–2009)." Cahiers de la Méditerranée (2011): 227–36. |
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| Miyamoto, Hirohito. "How Characters Stand Out." Mechademia 6. (2011): 84–91. |
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| Monnet, Livia. "Anatomy of Permutational Desire, Part II: Bellmer’s dolls and oshii’s gynoids." Mechademia 6. (2011): 153–69. |
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| Mooren, Piet. "Das Bilderbuch als Schirmgattung: Gattungsmerkmale als brückenbauer." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 65–83. |
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| Added by: joachim 23/10/2011, 18:23 |
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| Morena Acosta, Angela. "Women “Using Manga to Tell Local Stories”: A workshop on the “glocality” of manga in southeast asia." International Journal of Comic Art 13. (2011): 179–97. |
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| Added by: joachim 26/09/2012, 14:11 |
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| Morgan, Harry. "Y’a-t-il un canon des littératures dessinées ?." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/620>. |
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| Added by: joachim 11/11/2012, 18:32 |
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| Morgan, Harry. "Gibt es eine Ästhetik des Comics?." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 137–46. |
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| Morisson, Valérie. "Histoire, histoires …: blood upon the rose de gerry hunt et louis riel. a comic strip biography de chester brown." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/603>. |
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| Morrison, Grant. Supergods: What masked vigilantes, miraculous mutants, and a sun god from smallville can teach us about being human. New York: Random House, 2011. |
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| Moulthrop, Stuart. "See the Strings: Watchmen and the under-language of media." electronic book review 2011. Accessed 13 Jan. 2014. <http://www.electronicbo ... ead/firstperson/mammoth>. |
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| Mounajed, René. "Der Nationalsozialismus in aktuellen Comics und Graphic Novels." kjl&m 63. (2011): 21–30. |
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| Mountfort, Paul. "‘Yellow skin, black hair … Careful, Tintin’: Hergé and orientalism." Australasian Journal of Popular Culture 1. (2011): 33–50. |
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| Mückler, Hermann. "Die Darstellung der Südsee in Comics – Eine skizzenhafte Annäherung anhand dreier Beispiele." Mitteilungen der Anthropologischen Gesellschaft in Wien 141. (2011): 219–46. |
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| Muir, John Kenneth. "The Killing Joke." Dexter and Philosophy. Mind over Spatter. Eds. Richard Green, George A. Reisch and Rachel Robinson-Greene. Popular Culture and Philosophy. Chicago: Open Court, 2011. 3–14. |
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