| Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der zeitlichkeit in marjane satrapis persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302. |
 
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| Eder, Barbara. "Images sans Papiers: Zur darstellung von exklusionsmomenten in comic-visualisierungen des alltagslebens eines jugendlichen sans-papiers." Differenzen leben. Kulturwissenschaftliche und geschlechterkritische Perspektiven auf Inklusion und Exklusion. Eds. Utta Isop and Viktorija Ratković. Kultur & Konflikt. Bielefeld: Transcript, 2011. 110–27. |
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| Eder, Barbara, Elisabeth Klar, and Ramón Reichert, eds. Theorien des Comics: Ein reader. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. |
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| Edwards, Kim. "It’s a Gift: A study guide to the incredibles." Screen Education (2011): 76–84. |
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| Eggers, Christoph. Das Dunkel durchdringen, das uns umgibt: Die fotografie im werk von w.g. sebald. Frankfurter Forschungen zur Kultur- und Sprachwissenschaft. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Added by: joachim 18/06/2014, 23:40 |
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| Eisenstein, Sergej. Disney. Eds. Oksana Bulgakowa and Dietmar Hochmuth. Berlin: PotemkinPress, 2011. |
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| El Refaie, Elisabeth. "The pragmatics of humor reception: Young people’s responses to a newspaper cartoon." Humor. International Journal of Humor Research 24. (2011): 87–108. |
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| Elias, Amy J. "The Narrativity of Post-Convergent Media: no ghost just a shell and rirkrit tiravanija’s “(ghost reader c.h.)”." SubStance 40. (2011): 192–202. |
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| Elliott, Scott S. "Jesus in the Gutter: Comics and graphic novels reimagining the gospels." Postscripts 7. (2011): 123–48. |
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| Elmwood, Victoria A. "Fictional Auto/Biography and Graphic Lives in Watchmen." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 265–78. |
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| Enderwitz, Susanne. "“The 99”: Islamic superheroes – a new species?." Transcultural Turbulences. Towards a Multi-Sited Reading of Image Flows. Eds. Christiane Brosius and Roland Wenzlhuemer. Transcultural Research. New York: Springer, 2011. 83–95. |
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| Endres, Christian. "Helden für alle: Die superheldenserie the 99 als brückenschlag zwischen westlicher und muslimischer kultur." Das Science Fiction Jahr 8. (2011): 749–54. |
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| Engelmann, Jonas. "Verborgene Traditionen: Der golem im comic." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 316–24. |
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| Added by: joachim 04/09/2011, 23:57 |
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| Enzenbach, Isabel. "Ich sehe was, was du nicht siehst! Divergierende wahrnehmungen sichtbarer und unsichtbarer judenfiguren in populären medien." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 162–69. |
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| Added by: joachim 04/09/2011, 22:44 |
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| Eubanks, Adelheid R. "Logicomix: From Text to Image/From Logic to Story." The Comparatist 35. (2011): 182–97. |
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| Evans, Janet. "Raymond Briggs: Controversially blurring boundaries." Bookbird 49. (2011): 49–61. |
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| Fagence, Brian. "Writing Art: Revealing distinctive modes." Journal of Writing in Creative Practice 4. (2011): 177–88. |
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| Added by: joachim 04/08/2013, 14:44 |
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| Fantasia, Annette. "The Paterian Bildungsroman Reenvisioned: “brain-building” in alison bechdel’s fun home: a family tragicomic." Criticism 31. 1 2011. Accessed 4 Nov. 2016. <http://digitalcommons.w ... /criticism/vol53/iss1/4>. |
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| Added by: joachim 04/11/2016, 12:28 |
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| Fawaz, Ramzi. "“Where No X-Man Has Gone Before!”: Mutant superheroes and the cultural politics of popular fantasy in postwar america." American Literature 83. (2011): 355–88. |
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| Fehrle, Johannes. "Unnatural Worlds and Unnatural Narration in Comics? A critical examination." Unnatural Narratives – Unnatural Narratology. Eds. Jan Alber and Rüdiger Heinze. linguae & litterae. Berlin: de Gruyter, 2011. 210–45. |
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| Feyersinger, Erwin. "The (Meta-)Metareferential Turn in Animation." The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Eds. Werner Wolf and Katharina Bantleon. Studies in Intermediality. Amsterdam [etc.]: Rodopi, 2011. 445–61. |
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| Filliot, Camille. "The Invitation to Travel in Early French Speaking Comics: An excursion into the 19th century graphic corpus." SIGNs. Studies in Graphic Narratives (2011): 15–36. |
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| Fingeroth, Danny and Roy Thomas, eds. The Stan Lee Universe. Raleigh: TwoMorrows, 2011. |
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| Added by: joachim 16/11/2011, 23:46 |
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| Fischer, Craig and Charles Hatfield. "Teeth, Sticks, and Bricks: Calligraphy, graphic focalization, and narrative braiding in eddie campbell’s alec." SubStance 40. (2011): 70–93. |
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| Added by: joachim 07/01/2013, 10:24 |
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| Flory, Wendy Stallard. "The Search: A graphic narrative for beginning to teach about the holocaust." Shofar 29. (2011): 34–49. |
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| Forceville, Charles. "Pictorial runes in Tintin and the Picaros." Journal of Pragmatics 43. (2011): 875–90. |
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| Forceville, Charles and Marloes Jeulink. "The flesh and blood of embodied understanding: The source–path–goal schema in animation film." Pragmatics & Cognition 19. (2011): 37–59. |
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| Foster, John. "Picture books as graphic novels and vice versa: The australian experience." Bookbird 49. (2011): 68–75. |
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| Fotis, Matthew. "Call It (Friendo): Flipism and folklore in no country for old men and the dark knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16. |
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| Added by: joachim 17/04/2016, 10:42 |
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| Frahm, Ole. "Weird Signs." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 143–59. |
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| Frahm, Ole. "Populäres Bild. Stereotyp. Antisemitismus." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 149–57. |
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| Added by: joachim 04/09/2011, 22:39 |
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| Franz, Julia and Patrick Siegele. "Der Geschichtscomic Die Suche." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 353–58. |
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| Added by: joachim 05/09/2011, 00:03 |
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| Freedman, Ariela. "Comics, Graphic Novels, Graphic Narrative: A review." Literature Compass 8. 1 2011. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2010.00764.x>. |
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| Last edited by: joachim 15/06/2019, 01:05 |
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| Frenzel, Martin. "Über Maus hinaus: Erfundene und biografische erinnerung im genre der holocaust-comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 206–83. |
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| Added by: joachim 04/09/2011, 23:44 |
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| Fresnault-Deruelle, Pierre. "Figurations and Prefigurations in Hergé’s Work, or from Les 7 Boules de cristal to Le Temple du Soleil and Back Again." European Comic Art 4. (2011): 139–45. |
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| Fresnault-Deruelle, Pierre. Hergéologie: Cohérence et cohésion du récit en images dans les aventures de tintin. Iconotextes. Tours: Presses Univ. François-Rabelais, 2011. |
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| Fresnault-Deruelle, Pierre. "Male Call ou la guerre dentelles." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 19–26. |
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| Added by: joachim 23/05/2016, 21:26 |
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| Fried, Arthur. "Graphic Crime Fiction: Crime fiction in comic strips, comic books and graphic novels." Crimeculture 2011. Accessed 4 Jan. 2016. <http://www.crimeculture.com/?page_id=1463>. |
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| Friederich, Ute. "Abgedroschen und doch nicht abzuschütteln? Zwei sammelbände zur comicforschung und die ewige auseinandersetzung mit dem stigma des populärkulturellen." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 72–75. |
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| Added by: joachim 19/10/2011, 01:55 |
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| Friederich, Ute. "Eine neue Art von Stofflichkeit: Ein gespräch mit der comic-zeichnerin barbara yelin über unmittelbarkeit und leerstellen." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 29–32. |
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| Added by: joachim 19/10/2011, 01:12 |
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| Friederich, Ute. "»No game playing for its own sake here«: Wie charles forbell in seinen fast vergessenen zeitungscomics bereits zu beginn des 20. jahrhunderts das erzählerische potential des mediums auslotete." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 7–11. |
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| Added by: joachim 19/10/2011, 00:43 |
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| Frye, Mitch. "Seminar on the Purloined Batarang: Batman and lacan." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 93–103. |
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| Added by: joachim 16/04/2016, 17:06 |
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| de la Fuente Soler, Manuel. "La memoria en viñetas: Historia y tendencias del cómic autobiográfico." Signa 22. (2011): 259–76. |
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| Fujimoto, Yukari. "Historical Shôjo Manga: On women’s alleged dislike." International Journal of Comic Art 13. (2011): 87–102. |
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| Added by: joachim 26/09/2012, 11:19 |
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| Furlong, Michael. "Drawing Desires Performance: Dominance and submission in will eisner’s the spirit and alan moore’s watchmen." Thesis Master of Arts. Florida Atlantic University, 2011. |
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| Added by: joachim 19/05/2012, 13:31 |
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| Gabilliet, Jean-Paul. "Astérix en Amérique: La réception d’astérix sur le marché nord-américain." Le Tour du monde d’Astérix. Ed. Bertrand Richet. Paris: Presses de la Sorbonne Nouvelle, 2011. 59–70. |
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| Gaboury, Jonathan. "The Violence Museum: Aesthetic wounds from popeye to we3." ImageTexT 6. 1 2011. Accessed 7 May. 2012. <http://www.english.ufl. ... /archives/v6_1/gaboury/>. |
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| Gadducci, Fabio, Leonardo Gori, and Sergio Lama. Eccetto Topolino: Lo scontro culturale tra fascismo e fumetti. L’arte delle Nuvole. Roma: NPE, 2011. |
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| Last edited by: joachim 24/05/2020, 12:56 |
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| Gajewska, Grażyna and Rafał Wójcik, eds. Kontekstowy miks: Przez opowieści graficzne do analiz kultury współczesnej. Prace Komisji Filologicznej. Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauki, 2011. |
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| Galbraith, Patrick W. "Fujoshi: Fantasy play and transgressive intimacy among “rotten girls” in contemporary japan." Signs. Journal of Women in Culture and Society 37. (2011): 211–32. |
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| Galbraith, Patrick W. "Lolicon: The reality of ‘virtual child pornography’ in japan." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... ive/article/view/127/98>. |
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| Gallacher, Lesley-Anne. "(Fullmetal) alchemy: The monstrosity of reading words and pictures in shonen manga." Cultural Geographies 18. (2011): 457–73. |
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| Added by: joachim 14/06/2014, 23:27 |
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| Gan, Sheuo Hui. "Manga in Malaysia: An approach to its current hybridity through the career of the shōjo mangaka kaoru." International Journal of Comic Art 13. (2011): 164–78. |
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| Ganser, Alexandra. "Lap Dancing for Mommy: Queer intermediality, chick lit, and trans-generational feminist mediation in erika lopez’s illustrated narratives." Amerikastudien 56. (2011): 219–40. |
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| Last edited by: joachim 26/04/2015, 13:15 |
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| Garbuglia, Andrea. "Berberian’s Stripsody and Comics’ Musical Vocation." Sonus. A Journal of Investigations into Global Musical Possibilities 31. (2011): 44–58. |
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| Gardner, Jared. "Serial Killers: The crime comics of ed brubaker and sean phillips." Zeitschrift für Anglistik und Amerikanistik 59. (2011): 55–70. |
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| Last edited by: joachim 18/12/2014, 12:13 |
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| Gardner, Jared. "Storylines." SubStance 40. (2011): 53–69. |
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| Added by: joachim 07/01/2013, 10:20 |
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| Garland, Tammy S., Kathryn A. Branch, and Mackenzie Grimes. "Blurring the Lines: reinforcing rape myths in comic books." Feminist Criminology 11. (2011): 48–68. |
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| Last edited by: joachim 23/04/2022, 16:39 |
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| Garrity, Shaenon. "The History of Webcomics." The Comics Journal 2011. Accessed 20 Feb. 2020. <http://www.tcj.com/the-history-of-webcomics/>. |
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| Added by: joachim 20/02/2020, 18:05 |
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| Gaudette, Gabriel. "Tensions, prétentions et galvaudage: Gains et écueils du roman graphique comme stratégie du cheval de troie en amérique du nord." Kinephanos 2. 1 2011. Accessed 19 Sept. 2015. <http://www.kinephanos.ca/2011/romans-graphiques/>. |
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| Last edited by: joachim 19/09/2015, 12:36 |
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| Gavigan, Karen W. and Mindy Tomasevich. Connecting Comics to Curriculum: Strategies for grades 6–12. Santa Barbara: Libraries Unlimited, 2011. |
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| Last edited by: joachim 16/11/2023, 17:39 |
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| Geary, Mark. "Not the Usual Suspects: Poetry and graphic novels as 21st century tools." Florida Educational Leadership Fall. (2011): 47–48. |
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| Added by: joachim 18/02/2013, 02:25 |
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| von Gehren, Felix. "Charlie Brown und Co. als Alltagstheologen: Religion in charles m. schulz »the peanuts«." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 75–94. |
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| Added by: joachim 26/02/2011, 15:17 |
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| Geraghty, Lincoln, ed. The Smallville Chronicles: Critical essays on the television series. Lanham: Scarecrow, 2011. |
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| Giaufret, Anna. "‘Corsican Speak’ in Two French Bandes dessinées, or How to Manipulate Communication Rules: A pragmatic analysis." European Comic Art 4. (2011): 29–38. |
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| Added by: joachim 05/07/2012, 00:19 |
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| Gieni, Justine. "Rape and Revenge in Graphic Detail: Neil gaiman’s “calliope,” in the sandman comic series." FORUM 13 2011. Accessed 8 Aug. 2013. <http://www.forumjournal ... /issue/13/justine-gieni>. |
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| Added by: joachim 26/10/2020, 14:05 |
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| Giesa, Felix. "Deutschland einig Zombieland: Entwicklungslinien vom frühen zombiefilm über den aktuellen zombie-hype in comics bis hin zur deutschen zombiecomic-serie die toten (2010–)." Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Ed. Jörg van Bebber. Darmstadt: Büchner, 2011. 636–43. |
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| Last edited by: joachim 30/01/2021, 16:30 |
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| Giesa, Felix. "Im Schatten der Graphic Novel: Der kinderliterarische comic." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 46–64. |
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| Added by: joachim 23/10/2011, 18:21 |
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| Giesa, Felix. "Erzählen mit Bildern (Malerei, Comic, roman-photo)." Handbuch Erzählliteratur. Theorie, Analyse, Geschichte. Ed. Matías Martínez. Stuttgart: Metzler, 2011. 36–41. |
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| Added by: felix 02/12/2011, 03:48 |
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| Giesa, Felix and Jens Meinrenken. "The Eye of the Image: Transcultural characteristics and intermediality in urasawa naoki’s transcultural narrative 20th century boys." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 93–106. |
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| Last edited by: joachim 30/05/2012, 22:30 |
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| Gießmann, Sebastian. "Im Theater der Operationen: Miniaturen zu marc-antoine mathieus der wirbel." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 103–14. |
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| Added by: joachim 01/05/2011, 02:42 |
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| Gil González, Antonio J. "Comics and the Graphic Novel in Spain and Iberian Galicia." CLCWeb: Comparative Literature and Culture 13. 5 2011. Accessed 5 Apr. 2012. <http://docs.lib.purdue.edu/clcweb/vol13/iss5/17/>. |
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| Gill, Tom. "Fetuses in the Sewer: A comparative study of classic 1960s manga tatsumi yoshihiro and tsuge yoshiharu." International Journal of Comic Art 13. (2011): 325–43. |
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| Added by: joachim 02/06/2012, 21:02 |
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| Gilmore, Leigh. "Witnessing Persepolis: Comics, trauma, and childhood testimony." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 157–63. |
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| Added by: joachim 15/12/2011, 20:55 |
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| Gloeckner, Phoebe. "Autobiography: The process negates the term." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 178–79. |
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| Added by: joachim 15/12/2011, 23:40 |
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| Gn, Joel. "Queer simulation: The practice, performance and pleasure of cosplay." Continuum 25. (2011): 583–93. |
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| Last edited by: joachim 18/04/2021, 16:28 |
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| Goddeeris, Idesbald. "The Japanization of China: Chinese images in belgian comics in the 1930s and 1940s." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 121–34. |
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| Added by: joachim 04/09/2011, 22:31 |
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| Goldberg, Nicole Wilkes and James Goldberg. "“You Wouldn’t Shoot Your Fellow Jews”: Jewish identity & nostalgia in joann sfar’s klezmer." Shofar 29. (2011): 100–19. |
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| Added by: joachim 16/02/2012, 20:05 |
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| Gordon, Ian. "In Praise of Joseph Witek’s Comic Books as History." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 244–46. |
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| Added by: joachim 16/12/2011, 02:02 |
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| Gordon, Ian. "Smallville: Superhero mythos and intellectual property regimes." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 89–107. |
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| Gorgeard, Frank-Michel. "Le classique en bande dessinée." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/296>. |
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| Graf, Yann. Grant Morrison: (r)évolutions. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2011. |
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| Last edited by: joachim 14/09/2016, 14:19 |
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| Gravett, Paul, ed. 1001 Comics You Must Read Before You Die. New York: Universe, 2011. |
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| Last edited by: joachim 16/12/2011, 15:17 |
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| Gray, Maggie. "Alan Moore’s underground: The formation of a dissident cultural practice." Studies in Comics 2. (2011): 21–37. |
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| Last edited by: joachim 03/12/2012, 19:15 |
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| Gray II, Richard J. and Betty Kaklamanidou, eds. The 21st Century Superhero: Essays on gender, genre and globalization in film. Jefferson, London: McFarland, 2011. |
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| Last edited by: joachim 09/09/2013, 20:30 |
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| Green, Matthew J. A. "‘She Brings Apocalypse’: Sex, imagination and redemptive transgression in william blake and the graphic novels of alan moore." Literature Compass 8. 10 2011. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00839.x>. |
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| Last edited by: joachim 14/06/2019, 19:58 |
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| Grumke, Thomas. "Andi – Bildungscomic für Demokratie und gegen Extremismus." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 182–91. |
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| Added by: joachim 04/09/2011, 23:11 |
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| Grünewald, Dietrich. "»Bilder sprechen ohne Worte«: Carl meffert/clément moreau." Deutsche Comicforschung 7. (2011): 64–76. |
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| Added by: joachim 30/12/2010, 11:20 |
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| Guilbert, Xavier. "La légitimation en devenir de la bande dessinée." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/181>. |
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| Added by: joachim 11/11/2012, 18:37 |
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| Gundermann, Christine. "»Opgepast … de Duitsers«: Geschichtspolitik in niederländischen comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 359–74. |
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| Added by: joachim 05/09/2011, 00:05 |
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| Gutiérrez, Peter. "Harnessing the ‘Powers’ of Superhero Movies." Screen Education (2011): 34–39. |
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| Added by: joachim 09/01/2014, 15:53 |
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| Hadler, Mona. "David Hare, Surrealism, and the Comics." The Space Between 7. (2011): 93–108. |
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| Last edited by: joachim 22/10/2013, 02:39 |
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| Hagelstein, Maud. "Capturer l’événement: Le style graphique « spontané » de joann sfar." L’Association. Une utopie éditoriale et esthétique. Eds. Erwin Dejasse, Tanguy Habrand and Gert Meesters. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. 150–63. |
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