| Cassiau-Haurie, Christophe. Comment peut-on faire de la BD en Afrique ? 33 entretiens pour comprendre …. Africultures. Paris: L’Harmattan, 2011. |
 
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| Cassiau-Haurie, Christophe. "Maurice, tiers monde de la bande dessinée ?." International Journal of Francophone Studies 13. (2011): 573–80. |
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| Catalá-Carrasco, Jorge L. "From suspicion to recognition? 50 years of comics in cuba." Journal of Latin American Cultural Studies 20. (2011): 139–60. |
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| Cates, Isaac. "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." American Literature 83. (2011): 831–57. |
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| Cates, Isaac. "The Diary Comic." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 209–26. |
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| Cavalier, Stephen. The World History of Animation. Berkeley: Univ. of California Press, 2011. |
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| Added by: joachim 09/11/2011, 20:11 |
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| Cavallaro, Dani. The Fairy Tale and Anime: Traditional themes, images and symbols at play on screen. Jefferson, London: McFarland, 2011. |
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| Cerri, Chiara. "Comics gegen Rechtsextremismus und Rassismus im DaF-Unterricht: Konzeptionelle überlegungen." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 337–52. |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." College Literature 38. (2011): 129–49. |
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| Chaney, Michael A., ed. Graphic Subjects: Critical essays on autobiography and graphic novels. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." College Literature 38. (2011): 21–44. |
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| Chaney, Michael A. "Introduction." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 3–9. |
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| Chaney, Michael A. "The Animal Witness of the Rwandan Genocide." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 93–100. |
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| Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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| Chapman, James. British Comics: A cultural history. London: Reaktion Books, 2011. |
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| Chapman, Jane. "Representation of female war-time bravery in Australia’s Wanda the War Girl." Australasian Journal of Popular Culture 1. (2011): 153–63. |
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| Chen, Hsiao-ping. "The Significance of Manga in the Identity-Construction of Young American Adults: A lacanian approach." Dissertation Dr. Ohio State University, 2011. |
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| Chute, Hillary. "An Interview with Joe Sacco: “when you draw, you can always capture that moment. you can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. i realize now there’s a lot of power in that”." The Believer (2011). |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Chute, Hillary. "Materializing Memory: Lynda barry’s one hundred demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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| Cichon, Melina. "Comics in Österreich – das weite (unbekannte) Land." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 61–65. |
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| Cohn, Neil. "A different kind of cultural frame: An analysis of panels in american comics and japanese manga." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... article/viewFile/128/99>. |
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| Colin, Mariella. "La guerre civile espagnole vue dans les bandes dessinées de l’Italie fasciste." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 27–46. |
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| Comiskey, Andrea. "The Hero We Read: the dark knight, popular allegoresis, and blockbuster ideology." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 124–46. |
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| Comtois, Pierre. Marvel Comics in The 1970s: An issue-by-issue field guide to a pop culture phenomenon. Raleigh: TwoMorrows, 2011. |
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| Condis, Megan Amber. "The Saga of the Swamp Thing: Feminism and race on the comic book stand." ImageTexT 5. 4 2011. Accessed 12 Mar. 2013. <http://www.english.ufl. ... t/archives/v5_4/condis/>. |
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| Cone, Annabelle. "Strange Encounters during Wartime: bécassine chez les turcs." European Comic Art 4. (2011): 181–97. |
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| Cook, Roy T. "Do Comics Require Pictures? Or why batman #663 is a comic." Journal of Aesthetics and Art Criticism 69. (2011): 285–96. |
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| Cools, Valérie. "The Phenomenology of Contemporary Mainstream Manga." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... ive/article/view/126/97>. |
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| Coover, Colleen. "Comic Book Porn Guide." Comicgate Magazin (2011): 17–19. |
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| Cornilliat, François. "How Do You Pronounce a Pictogram? On “visible writing” in comics." Visible Writings. Cultures, Forms, Readings. Eds. Marija Dalbello and Mary Shaw. New Brunswick: Rutgers Univ. Press, 2011. 195–210. |
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| Cornog, Martha and Timothy Perper, eds. Mangatopia: Essays on manga and anime in the modern world. Santa Barbara: Libraries Unlimited, 2011. |
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| Cortsen, Rikke Platz. "Multiple living, one world? On the chronotope in alan moore and gene ha’s top 10." Studies in Comics 2. (2011): 135–45. |
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| Costello, Brannon, ed. Howard Chaykin: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Costello, Matthew J. "Spandex Agonistes: Superhero comics confront the war on terror." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 30–43. |
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| Coughlan, David. "Jonathan Lethem’s The Fortress of Solitude and Omega: The Unknown, a Comic Book Series." College Literature 38. (2011): 194–218. |
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| Crépin, Thierry. "Le Grand Prix de l’image française, une existence éphémère." Comicalités 2011. Accessed 11 Nov. 2012. <http://comicalites.revues.org/217>. |
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| Crisóstomo Gálvez, Raquel. "Maus d’Art Spiegelman: Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual." Tesi Doctoral Universitat Pompeu Fabra, 2011. |
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| Crowley, John. "Unpacking: Ben katchor, the cardboard valise." Boston Review (2011). |
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| Crutcher, Paul A. "Complexity in the Comic and Graphic Novel Medium: Inquiry through bestselling batman stories." Journal of Popular Culture 44. (2011): 53–72. |
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| Cuccolini, Giulio C. "Anti-Semitic Italian Comics from 1938 to the Present." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 84–99. |
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| Cuntz, Michael. "Die Ketten der Sängerin: Zu hergés les bijoux de la castafiore." Akteur-Medien-Theorie. Eds. Tristan Thielmann, Erhard Schüttpelz and Peter Gendolla. Science Studies. Bielefeld: Transcript, 2011. |
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| Dalton, Russell W. Marvelous Myths[u]: marvel superheroes and everyday faith[u]. St. Louis: Chalice, 2011. |
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| Dammann, Günter. "Die Comics von Roland Kohlsaat." Deutsche Comicforschung 7. (2011): 102–16. |
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| Dammann-Thedens, Katrin and Magdalena Michalak. "Bildnarrationen als Fundament zur Vermittlung von sprachlich-literarischen Kompetenzen in mehrsprachigen Klassen." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 84–102. |
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| Last edited by: joachim 08/10/2012, 15:37 |
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| Danzak, Robin L. "Defining Identities Through Multiliteracies: El teens narrate their immigration experiences as graphic stories." Journal of Adolescent & Adult Literacy 55. (2011): 187–96. |
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| Darius, Julian. Classics on Infinite Earths: The justice league and dc crossover canon. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2011. |
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| Darowski, Joseph J. "Morality, Atonement, and Guilt: Hal jordan’s shifting motivations." Green Lantern and Philosophy. No Evil Shall Escape this Book. Eds. Jane Dryden and Mark D. White. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2011. 92–104. |
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| Davis, Rocío G. "Autographics and the History of the Form: Chronicling self and career in will eisner’s life, in pictures and yoshihiro tatsumi’s a drifting life." Biography 34. (2011): 253–76. |
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| Davis, Rocío G. "American Born Chinese: Challenging the stereotype." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 279–81. |
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| Davis, Phillip. "The Watchmen, Neo-Noir and Pastiche." The 21st Century Superhero. Essays on Gender, Genre and Globalization in Film. Eds. Richard J. Gray II and Betty Kaklamanidou. Jefferson, London: McFarland, 2011. 144–60. |
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| Davo, Yves. "Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers." E-rea 9. 1 2011. Accessed 26 Jan. 2015. <http://erea.revues.org/2117>. |
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| Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2. (2011): 177–93. |
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| De Dobbeleer, Michel. "Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of watchmen’s uchronical universe, twenty years after publication." Studies in Comics 2. (2011): 159–75. |
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| Debroy, Dipavali. "The graphic novel in India: East transforms west." Bookbird 49. (2011): 32–39. |
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| Dejasse, Erwin. "L’Autobiographie polyphonique: Trois livres fondateurs." L’Association. Une utopie éditoriale et esthétique. Eds. Erwin Dejasse, Tanguy Habrand and Gert Meesters. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. 68–91. |
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| Dejasse, Erwin, Tanguy Habrand, and Gert Meesters, eds. L’Association: Une utopie éditoriale et esthétique. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. |
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| Last edited by: joachim 04/10/2013, 09:21 |
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| Delisle, Philippe. De Tintin au Congo à Odilon Verjus: Le missionnaire, héros de la bd belge. Esprit BD. Paris: Karthala, 2011. |
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| Delporte, Julie. La bédé-réalité: La bande dessinée autobiographique à l’heure des technologies numériques. Colosse/Essai. Montréal: Vincent Girard, 2011. |
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| Deluchey, Guy. Ich, Tarzan: Wie er wurde, was er ist. München: Knesebeck, 2011. |
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| Added by: joachim 14/05/2013, 12:31 |
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| Demson, Michael and Heather Brown. "‘Aint I de Maine guy in dis paRade?’: Towards a radical history of comic strips and their audience since peterloo." Journal of Graphic Novels and Comics 2. (2011): 151–67. |
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| Dencker, Klaus Peter. Optische Poesie: Von den prähistorischen schriftzeichen bis zu den digitalen experimenten der gegenwart. Berlin u. New York: de Gruyter, 2011. |
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| Denison, Rayna. "Transcultural creativity in anime: Hybrid identities in the production, distribution, texts and fandom of japanese anime." Creative Industries Journal 3. (2011): 221–35. |
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| Dennis, Mark. "Manga as Historical Medium: Depictions of prince shotoku’s authorship of the sangyō-gisho in japanese comic books." Forum for World Literature Studies 3. (2011): 25–39. |
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| Denson, Shane. "Marvel Comics’ Frankenstein: A case study in the media of serial figures." Amerikastudien 56. (2011): 531–54. |
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| Devos, Lien. "Not all that’s modern is post: Shaun tan’s grand narrative." Bookbird 49. (2011): 17–23. |
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| Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la grande guerre en bande dessinée. le cas de jacques tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203. |
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| Dickason, Renée. "Histoire/histoire(s) ou la construction fictionnelle de la Seconde Guerre mondiale dans les bandes dessinnées britanniques." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 47–64. |
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| Added by: joachim 23/05/2016, 21:36 |
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| Dickel, Simon. "“Can’t Leave Me Behind”: Racism, gay politics, and coming of age in howard cruse’s stuck rubber baby." Amerikastudien 56. (2011): 617–36. |
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| DiPaolo, Marc. War, Politics and Superheroes: Ethics and propaganda in comics and film. Jefferson, London: McFarland, 2011. |
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| Ditschke, Stephan. "›Die Stunde der Anerkennung des Comics‹? Zur legitimierung des comics im deutschsprachigen feuilleton." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 21–44. |
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| Added by: joachim 07/04/2011, 19:07 |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im gegensatz zur historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Added by: joachim 05/09/2011, 00:11 |
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| Doeka, Fredrik Yosep Apeles. "The Enduring Mission of Moses: Indonesian muslim and christian representations of a jewish prophet." Proefschrift Dr. Universiteit Utrecht, 2011. |
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| Added by: joachim 26/02/2012, 13:09 |
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| Dolle-Weinkauff, Bernd. "Vom Autoren-Comic zum Comic-Roman: Zur entwicklung der epischen formen im comic der 60er jahre." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Kultur- und Medientheorie. Bochum: Ch.A. Bachmann, 2011. 45–61. |
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| Dolle-Weinkauff, Bernd. "Grafisches Erzählen im Manga: Close reading zweier doppelseiten der deutschsprachigen ausgabe von yu watases fushigi yugi." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 25–45. |
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| Added by: joachim 23/10/2011, 18:16 |
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| Donassy-Derek, Patricia. "Deogratias und Shooting Dogs – Zwei europäische Perspektiven auf den Genozid während des Bürgerkriegs in Ruanda 1994." Kriegsdiskurse in Literatur und Medien nach 1989. Ed. Carsten Gansel. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2011. 203–30. |
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| Dong, Lan. "Thinly Disguised (Autobio)Graphical Stories: Will eisner’s life, in pictures." Shofar 29. (2011): 13–33. |
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| Dong, Lan. "Reimagining the Monkey Kind in Comics: Gene lueng yang’s american born chinese." The Oxford Handbook of Children’s Literature. Eds. Julia Mickenberg and Lynne Vallone. Oxford Handbooks. New York: Oxford Univ. Press, 2011. 231–51. |
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| Dony, Christophe. "L’image a la parole: 73304-23-4153-6-96-8." L’Association. Une utopie éditoriale et esthétique. Eds. Erwin Dejasse, Tanguy Habrand and Gert Meesters. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. 139–45. |
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| Last edited by: joachim 26/04/2013, 13:34 |
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| Dopico, Pablo. "Esputos De Papel: La historieta ‘underground’ española." Arbor 187. (2011): 169–81. |
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| Last edited by: joachim 12/06/2014, 00:06 |
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| Doré-Rivé, Isabelle and Guy Krivopissko, eds. Traits résistants: La résistance dans la bande dessinée de 1944 à nos jours. Lyon: Libel, 2011. |
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| Dorsey, James. "Manga and the End of Japan’s 1960s." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 117–20. |
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| Added by: joachim 14/12/2011, 17:33 |
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| Douglass, Jeremy, William Huber, and Lev Manovich. "Understanding scanlation: How to read one million fan-translated manga pages." Image [&] Narrative 12. 1 2011. Accessed 29 Mar. 2011. <http://www.imageandnarr ... rticle/viewFile/133/104>. |
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| Added by: joachim 29/03/2011, 20:11 |
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| Dowdy, Joanne Kilgour. "Comic Strips are Comic Plays." Teaching Drama in the Classroom: A Toolbox for Teachers. Eds. Joanne Kilgour Dowdy and Sarah Kaplan. Rotterdam [etc.]: Sense, 2011. 33–35. |
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| Dozo, Björn-Olav. "De la logique de guerre à la patrimonialisation, ou comment faire catalogue en faisant collection." L’Association. Une utopie éditoriale et esthétique. Eds. Erwin Dejasse, Tanguy Habrand and Gert Meesters. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. 36–57. |
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| Drees, Anne. Das Dokumentarische im Animationsfilm: Die erweiterung dokumentarischer darstellungsmöglichkeiten durch die animation in vincent paronnauds und marjane satrapis persepolis (2007) und ari folmans waltz with bashir (2008). München: Grin, 2011. |
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| Dryden, Jane and Mark D. White, eds. Green Lantern and Philosophy: No evil shall escape this book. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2011. |
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| Dudenhoeffer, Larrie. "Masks of Infamy: The about-faces in christopher nolan’s the dark knight." FORUM 12 2011. Accessed 8 Aug. 2013. <http://www.forumjournal ... /12/larrie-dudenhoeffer>. |
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| Duffy, Damian. "Keeping it (Hyper)Real: Autobiographical fiction in 3-d." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 260–64. |
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| Added by: joachim 17/12/2011, 20:14 |
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| Duncan, Randy. "Rolling the Boulder in Gotham." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 147–55. |
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| Dunley, Kathleen. "Conversations with Seth, Attention Revisited." The Comics Grid 2011. Accessed 21 Jan. 2013. <http://www.comicsgrid.c ... th-attention-revisited/>. |
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| Added by: joachim 21/01/2013, 00:43 |
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| Durand, Kevin K. "Batman’s Canon: Hybridity and the interpretation of the superhero." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 81–92. |
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| Durand, Kevin K. "Introduction: What has adorno to do with gotham?." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 3–15. |
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| Added by: joachim 29/08/2014, 10:36 |
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| Durand, Kevin K. "Why Adam West Matters: Camp and classical virtue." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 41–53. |
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| Added by: joachim 16/04/2016, 15:01 |
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| Durand, Kevin K. and Mary K. Leigh, eds. Riddle Me This, Batman! Essays on the universe of the dark knight. Jefferson, London: McFarland, 2011. |
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| Added by: joachim 13/05/2014, 14:29 |
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| Dürrenmatt, Jacques. "From Invisibility to Visibility and Backwards: Punctuation in comics." Visible Language 45. (2011): 21–43. |
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| Added by: joachim 18/02/2012, 17:35 |
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| Eckhardt, Johanna. "Autobiografie und Sozialkritik in spanischen Comics (1975–1990)." Diplomarbeit Mag.phil. Universität Wien, 2011. |
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