| Ristaino, Marcia R. "Two Linked by Another, Ding Cong: Interviews with betty mcintosh and shen jun." International Journal of Comic Art 12. (2010): 395–401. |
 
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| Ritchie, William. "At Play Amidst the Strangeness and Charm: watchmen and the philosophy of science." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 52–63. |
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| Robb, Jenny E. and Rebecca Wanzo. "Finding Archives/Making Archives: Observations on conducting multicultural comics research." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 202–19. |
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| Robbins, Trina. "Comix von jüdischen Frauen: Das wimmen's comix collective." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 80–87. |
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| Roeder, Katherine. "Chris Ware and the Burden of Art History." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 65–77. |
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| Rohy, Valerie. "In the Queer Archive: fun home." GLQ. A Journal of Lesbian and Gay Studies 16. (2010): 341–61. |
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| Roland, Hubert. "Écriture et narration de l’histoire dans le projet Fritz Haber de David Vandermeulen." Textyles (2010): 157–69. |
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| Ronald, Emily Taylor. "Present Gods, Absent Believers in Sandman." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Rosenbaum, Roman. "Tezuka Osamu: Adolf – Towards a Historio-graphic Novel." International Journal of Comic Art 12. (2010): 415–34. |
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| Rosenblatt, Adam and Andrea A. Lunsford. "Critique, Caricature, and Compulsion in Joe Sacco’s Comics Journalism." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 68–87. |
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| Rosenkranz, Patrick. The Artist Himself: A rand holmes retrospective. Seattle: Fantagraphics, 2010. |
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| Rosinsky, Natalie M. Graphic Content! The culture of comic books. Pop Culture Revolutions. Bloomington: Capstone, 2010. |
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| Rossi, Umberto. "The Difficult Art of the Remake: Jonathan lethem’s omega the unknown." Translating America. Importing, Translating, Misrepresenting, Mythicizing, Communicating America. Eds. Marina Camboni, Andrea Carosso and Sonia Di Loreto. Torino: Otto, 2010. 368–77. |
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| Roth, Laurence. "Drawing Contracts: Will eisner’s legacy." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Round, Julia. "Cryptomimetic tropes in Yoshinori Natsume’s Batman: Death Mask." Foundation (2010): 41–52. |
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| Round, Julia. "It’s all relative: Breaking barriers and binaries in garth ennis/steve dillon’s preacher." Popular Narrative Media 4. (2010). |
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| Round, Julia. "Reconstructing Alice Cooper: ‘from the inside’ to the last temptation." Journal of Graphic Novels and Comics 1. (2010): 151–69. |
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| Round, Julia. "Transforming Shakespeare: Neil gaiman and the sandman." Beyond Adaptation. Essays on Radical Transformations of Original Works. Eds. Phyllis Frus and Christy Williams. Jefferson, London: McFarland, 2010. 95–110. |
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| Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A barthesian analysis of the construction of fact and fiction in alan moore and eddie campbell’s from hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201. |
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| Round, Julia. "“Can I call you Mommy?”: Myths of the feminine and superheroic in neil gaiman and dave mckean’s black orchid." Debating the Difference. Gender, Representation and Self-Representation. Ed. Rachel Jones. Dundee: Duncan of Jordanstone College, University of Dundee, 2010. |
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| Round, Julia. "“The Apocalypse of Adolescence”: Use of the bildungsroman and superheroic tropes in mark millar & peter gross’s chosen." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Round, Julia. "“Is this a book?”: Dc vertigo and the redefinition of comics in the 1990s." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 14–30. |
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| Royal, Derek Parker. "Four Recent Guides to Graphic Novels." International Journal of Comic Art 12. (2010): 483–92. |
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| Royal, Derek Parker. "Native Noir: Genre and the politics of indigenous representation in recent american comics." ImageTexT 5. 3 2010. Accessed 4 Oct. 2010. <http://www.english.ufl. ... xt/archives/v5_3/royal/>. |
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| Rudick, Nicole. "An Interview with Daniel Clowes: “it got so that i wasn’t even drawing, just writing word balloons, and i found i could endlessly write strips about this guy, this obnoxious guy”." The Believer (2010). |
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| Ruh, Brian. "Transforming U.S. Anime in the 1980s: Localization and longevity." Mechademia 5. (2010): 31–49. |
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| Rykalová, Gabriela. "Emotionen in Comics." Acta Facultatis Philosophicae Universitatis Ostraviensis. Studia Germanistica (2010): 215–23. |
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| Sachsse, Ulrich. "Heldendämmerung: Posttraumatische belastungsstörung (icd-10: f43.1)." Batman und andere himmlische Kreaturen. Nochmal 30 Filmcharaktere und ihre psychischen Störungen. Eds. Heidi Möller and Stephan Doering. Berlin, Heidelberg: Springer, 2010. 141–55. |
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| Sackmann, Eckart. "Comic: Kommentierte definition." Deutsche Comicforschung 6. (2010): 6–9. |
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| Sackmann, Eckart. "Die Darbohne – eine Werbe-Idee mit Langzeitwirkung." Deutsche Comicforschung 6. (2010): 74–86. |
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| Sackmann, Eckart. "Emmerich Huber – zum zweiten." Deutsche Comicforschung 6. (2010): 87–92. |
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| Sackmann, Eckart. "Ritter Sigurd: Das streifenheft als gattung, muster und mythos." Deutsche Comicforschung 6. (2010): 101–19. |
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| Sackmann, Eckart and Peter Hörndl. Die Comics mit dem grossen Plus+: 25 jahre verlag sackmann und hörndl. Hamburg: comicplus+, 2010. |
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| Sackmann, Eckart and Harald Kiehn. "Der Sprechblasencomic im Widerstreit der Kulturen." Deutsche Comicforschung 6. (2010). |
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| Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109. |
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| Saint, Lily. "Not Western: Race, reading, and the south african photocomic." Journal of Southern African Studies 36. (2010): 939–58. |
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| Saito, Cláudia Lopes Nascimento. "O gênero textual: Adaptação oficial de filme em quadrinhos." Revista Signos 43. (2010): 161–82. |
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| Saleh, Rania M. R. "Making History Come Alive Through Political Cartoons." International Journal of Comic Art 12. (2010): 552–64. |
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| Samson, Jacques and Benoît Peeters. Chris Ware: La bande dessinée réinventée. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2010. |
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| Sanchez, Christina. "Comic Linguistics: Comics and cartoons in academic teaching." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 274–81. |
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| Sanders, Joe Sutliff. "Theorizing Sexuality in Comics." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 150–63. |
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| Sanderson, Peter. "The 1960s Batman TV Series from Comics to Screen." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 27–55. |
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| Sanderson, Peter. "Bringing Light to the World: watchmen from hiroshima to manhattan." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 109–31. |
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| Santo, Avi. "Batman versus The Green Hornet: The merchandisable tv text and the paradox of licensing in the classical network era." Cinema Journal 49. (2010): 63–85. |
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| Sattler, Peter R. "Past Imperfect: “building stories” and the art of memory." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 206–22. |
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| Schade-Meier, Karoline. "Zur Geschichte der Karikatur in Indien." Masala 5. 2 2010. Accessed 10 Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Schehr, Lawrence R. "Fire Escapes to Nowhere: Colin and cilluffo's world trade angels." European Comic Art 3. (2010): 65–80. |
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| Schelly, Bill. Founders of Comic Fandom: Profiles of 90 publishers, dealers, collectors, writers, artists and other luminaries of the 1950s and 1960s. Jefferson, London: McFarland, 2010. |
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| Scherling, Carol Lynn. Blondie Goes To Hollywood: The blondie comic strip in films, radio and television. Duncan: BearManor Media, 2010. |
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| Schikowski, Klaus. "Die visionäre Welt des Arthur Même: Forests und tardis meisterwerk ici même." Reddition 27. (2010): 27. |
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| Schmidt, Sarah. "Die ewige Wiedergeburt des Künstlers aus dem Moment des Todes: Serialität und tod in charlotte salomons intermedialem bilderwerk leben? oder theater?." Kunst der Serie. Die Serie in den Künsten. Ed. Christine Blättler. Trajekte. München: Fink, 2010. 143–64. |
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| Schmitz-Emans, Monika. "Totentänze: Ein comic über b. traven als transkulturelle und transmediale erzählung." Passagen. Hybridity, Transmédialité, Transculturalidad. Eds. René Ceballos, et al. Passagen – Passages. Hildesheim, New York: Olms, 2010. 539–55. |
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| Schmitz-Emans, Monika. "Weltliteratur im Comic." Intermedien. Zur kulturellen und artistischen Übertragung. Eds. Alexandra Kleihues, Barbara Naumann and Edgar Pankow. Zürich: Chronos, 2010. 531–51. |
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| Schmitz-Emans, Monika. "Heldenbilder zwischen Affirmation und Demontage: Herman melvilles moby dick und der comic." Die Helden-Maschine. Zur Aktualität und Tradition von Heldenbildern. Ed. LWL-Industriemuseum. Essen: Klartext, 2010. 137–54. |
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| Schmitz-Emans, Monika. "Der Comic als »übersetzte« Literatur? Literaturcomic, übersetzung und kulturtransfer bei tezuka osamu." Übersetzung – Transformation. Umformungsprozesse in/von Texten, Medien Kulturen. Eds. Hiroshi Yamamoto and Christine Ivanovic. Würzburg: Königshausen & Neumann, 2010. 123–42. |
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| Schneider, Greice. "Comics and Everyday Life: From ennui to contemplation." European Comic Art 3. (2010): 37–63. |
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| Schneider, Christian W. "Young daughter, old artificer: Constructing the gothic fun home." Studies in Comics 1. (2010): 337–58. |
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| Scholz, Michael F. "Comics als Quelle der Geschichtswissenschaft: Mit beispielen aus der ddr-geschichte." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 199–217. |
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| Schott, Gareth. "From fan appropriation to industry re-appropriation: The sexual identity of comic superheroes." Journal of Graphic Novels and Comics 1. (2010): 17–29. |
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| Schulz, Charles M. My Life with Charlie Brown. Ed. M. Thomas Inge. Jackson: Univ. Press of Mississippi, 2010. |
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| Schumacher, Michael. Will Eisner: A dreamer’s life in comics. New York: Bloomsbury, 2010. |
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| Schuurman, Ludovic. "L’Île Noire, un album ancré dans le contexte culturel des années 1930." Études françaises 46. (2010): 65–81. |
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| Schüwer, Martin. "The UFOs Have Landed: Parodie amerikanischer pop-mythologie im comic jack b. quick." Praxis Englisch 4. (2010): 34–38. |
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| Schwab, Sandra Martina. "The Use of Allusion in Apitz and Kunkel’s Karl Comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 99–107. |
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| Schwartz, Ben, ed. The Best American Comics Criticism. Seattle: Fantagraphics, 2010. |
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| Schwartz, Ben. "Introduction." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 10–21. |
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| Schwartz, Ben. "Like a Prairie Fire, Even Hotter: Harold gray, politics, and the not-so-funny funnies." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 129–32. |
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| Schwarzer, Wolfgang. "Comicverfilmungen aus Frankreich." Verfilmte Kinderliteratur. Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht. Eds. Petra Josting and Klaus Maiwald. kjl&m extra. München: kopaed, 2010. |
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| Schwebel, Florian. Von Fritz the Cat zu Waltz with Bashir: Der animationsfilm für erwachsene und seine verwandten. Marburg: Schüren, 2010. |
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| Scorer, James. "Man, myth and sacrifice: Graphic biographies of ernesto ‘che’ guevara." Journal of Graphic Novels and Comics 1. (2010): 137–50. |
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| Screech, Matthew. "Remembering the Jazz Orpheus: barney and the blue note by loustal and paringaux." Journal of Popular Culture 43. (2010): 348–67. |
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| Sécheret, Laurent and Thomas Schlesser. "Tardi, un carnaval des monstres." Sociétés & Représentations (2010): 79–98. |
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| Sekulić, Alexandra and Radovan Popović. "Introduction into Invisibility." The Invisible Comics. Alternative Comics in Serbia 1980–2010. Ed. Lazar Bodroža. Belgrade: National Library of Serbia, 2010. 3–23. |
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| Serchay, David S. The Librarian’s Guide to Graphic Novels for Adults. New York, London: Neal-Schuman, 2010. |
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| Seth. "John Stanley's Teen Trilogy." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 157–75. |
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| Shannon, Edward A. "Something Black in the American Psyche: Formal innovation and freudian imagery in the comics of winsor mccay and robert crumb." Canadian Review of American Studies 40. (2010): 187–211. |
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| Shipman, Hal. "Grave of the Child Hero." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 193–202. |
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| Simonetti, Paolo. "Supereroi postmoderni: Letteratura e graphic novel negli stati uniti." Fictions 9. (2010): 31–57. |
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| Simonetti, Paolo. "Translating a Book Into … Another Book? Graphic novels between comics and literature." Translating America. Importing, Translating, Misrepresenting, Mythicizing, Communicating America. Eds. Marina Camboni, Andrea Carosso and Sonia Di Loreto. Torino: Otto, 2010. 378–85. |
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| Simundich, Joel. "“Surrounded by Stillness and Quiet”: Translation, transparency, and genre in jason’s jernvognen." ImageTexT 5. 3 2010. Accessed 17 Dec. 2016. <http://www.english.ufl. ... rchives/v5_3/simundich/>. |
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| Singer, Marc. "The Limits of Realism: Alternative comics and middlebrow aesthetics in the anthologies of chris ware." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 28–44. |
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| Skinn, Dez. Comic Art Now: Künstler, stile, genres. München: Knesebeck, 2010. |
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| Smida, Megan Alice. "(Re)Telling Ripper in Alan Moore’s From Hell: History and narrative in the graphic novel." Thesis Master of Arts. University of Dayton, 2010. |
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| Smith, Jeff. Bone Handbook. New York: Graphix, 2010. |
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| Smith, Andrew. "The Ephemeral Nature of Everything: A conversation with art spiegelman." International Journal of Comic Art 12. (2010): 401–09. |
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| Smith, Greg M. "Will Eisner, Vaudevillian of the Cityscape." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 183–98. |
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| Smith, Clay Kinchen. "From God Nose to God’s Bosom, Or How God (and Jack Jackson) Began Underground Comics." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Smylie, Mark. "Religion and Artesia / Religion in Artesia." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Song, Min Hyoung. "“How Good It Is to Be a Monkey”: Comics, racial formation, and american born chinese." Mosaic 43. (2010): 73–92. |
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| Song, Ho-Rim. "Text’s Resistance to Being Interpreted: Unconventional relationship between text and reader in watchmen." Practicing Science Fiction. Critical Essays on Writing, Reading and Teaching the Genre. Eds. Karen Hellekson, et al. Jefferson, London: McFarland, 2010. 117–29. |
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| Soper, Kerry D. "From Jive Crows in “Dumbo” to Bumbazine and “Pogo”: Walt kelly and the conflicted politics reracinating african american types in mid-20th century comics." International Journal of Comic Art 12. (2010): 125–49. |
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| Soper, Kerry D. "Serious “Silly Talk”: The politics of dialect in walt kelly's comic strip pogo." Journal of Popular Culture 43. (2010): 1081–110. |
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| Spanjers, Rik. "The Killing Joke: The joker’s laughter and resistance." Master’s Thesis University of Amsterdam, 2010. |
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| Spiers, Miriam Brown. "Daddy’s little girl: Multigenerational queer relationships in bechdel’s fun home." Studies in Comics 1. (2010): 315–35. |
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| Last edited by: joachim 26/11/2016, 16:27 |
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| Sreenivas, Deepa. Sculpting a Middle Class: History, masculinity and the amar chitra katha in india. New Delhi: Routledge, 2010. |
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| Stafford, Tim. Teaching Visual Literacy in the Primary Classroom: Comic books, film, television and picture narratives. London, New York: Routledge, 2010. |
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| Stanley, Marni L. "Drawn Out: Identity politics and the queer comics of leanne franson and ariel schrag." Canadian Literature (2010): 53–68. |
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| Stanley, Marni. "101 Uses for Boys: Communing with the reader in yaoi and slash." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 99–109. |
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| Steiff, Josef and Adam Barkman, eds. Manga and Philosophy: Fullmetal metaphysician. Popular Culture and Philosophy. Chicago: Open Court, 2010. |
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