| Hu, Tze-Yue G. Frames of Anime: Culture and image-building. Hong Kong: Hong Kong Univ. Press, 2010. |
 
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| Hudsick, Walter. "Reassembling the Components in the Correct Sequence: Why you shouldn’t read watchmen first." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 8–23. |
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| Hudson, Rick. "The Derelict Fairground: A bakhtinian analysis of the graphic novel medium." The CEA Critic 72. (2010). |
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| Hughes, Janette and Alyson E. King. "Dual Pathways to Expression and Understanding: Canadian coming-of-age graphic novels." Children’s Literature in Education 41. (2010): 64–84. |
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| Hull, Thomas William Allan. "Selling Moral Panic: Social scientific criticism of movies and comic books for children, 1925–1955." Thesis Master of Arts. Case Western Reserve University, 2010. |
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| Hwang, Yih-Jye. "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." China Information 24. (2010): 75–98. |
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| Ichitani, Tomoko. "Town of Evening Calm, Country of Cherry Blossoms: The renarrativation of hiroshima memories." Journal of Narrative Theory 40. (2010): 364–90. |
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| Ihme, Burkhard. "Montage im Comic: Spezifische nutzung eines erzählmittels." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 67–83. |
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| Illger, Daniel. "Von Persepolis zu Abu Ghraib: Kunst und Ideologie: Eine antwort auf bruce lincoln." »Ästhetisierung«. Der Streit um das Ästhetische in Politik, Religion und Erkenntnis. Eds. Ilka Brombach, Dirk Setton and Cornelia Temesvári. Zürich, Berlin: diaphanes, 2010. 199–204. |
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| Imbert, Marguerite. "The Spirit of Animation: An interview with jules feiffer." International Journal of Comic Art 12. (2010): 410–14. |
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| Inomata, Noriko. "BD in young girl-oriented magazines in France." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 176–88. |
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| Iqbal, Asif. "Origins and Status of Pakistani Animation." International Journal of Comic Art 12. (2010): 453–59. |
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| Isola, Mark John. "Yaoi and Slash Fiction: Women writing, reading, and getting off?." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. |
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| Itō, Kimio. "When a “male” reads shōjo manga." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 169–75. |
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| Ito, Kenji. "Robots, A-Bombs, and War: Cultural meanings of science and technology in japan around world war ii." Filling the Hole in the Nuclear Future. Art and Popular Culture Respond to the Bomb. Ed. Robert Jacobs. Asia World. Lanham [etc.]: Lexington, 2010. 63–97. |
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| Jamuna, B. S. "Strategic Positioning and Re-presentations of Women in Indian Comics." International Journal of Comic Art 12. (2010): 509–24. |
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| Jelinski, Oliver. "The End of Magicks: Zur achten staffel." Horror als Alltag. Texte zu »Buffy the Vampire Slayer«. Ed. Annika Beckmann. Berlin: Verbrecher-Verl. 2010. 157–85. |
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| Jenkins, William. "Homeland Crisis and Local Ethnicity: The toronto irish and the cartoons of the evening telegram 1910–1914." Urban History Review / Revue d’histoire urbaine 38. (2010): 48–63. |
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| Jenkins, Henry. "“The Tomorrow that Never Was” – Retrofuturism in the Comics of Dean Motter." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 63–83. |
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| Jensen, Helle Strandgaard. "Why Batman was Bad: A scandinavian debate about children’s consumption of comics and literature in the 1950s." Barn 3. (2010): 47–70. |
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| Johnson, Rachel. "Is Henty’s History Lost in Graphic Translation? Or won by the sword in 45 pages." Going Graphic. Comics and Graphic Novels for Young People. Eds. Bridget Carrington and Jennifer Harding. IBBY/NCRCL Conference Papers. Lichfield: Pied Piper, 2010. |
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| Johnson-Woods, Toni, ed. Manga: An anthology of global and cultural perspectives. London, New York: Continuum, 2010. |
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| Jones, Jason B. "Betrayed by Time: Steampunk & the neo-victorian in alan moore’s lost girls and the league of extraordinary gentlemen." Neo-Victorian Studies 3. 1 2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... S%203-1-4%20J-Jones.pdf>. |
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| Jones, Gerard. "American Boys." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 52–66. |
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| Juneau, Thomas and Mira Sucharov. "Narratives in Pencil: Using graphic novels to teach israeli-palestinian relations." International Studies Perspectives 11. (2010): 172–83. |
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| Jung, Anna Maria. HP Lovecrafts »Cthulhu Mythos« in der Populärkultur: Die formen des »unaussprechlichen« in comics, filmen und anderen medien. Saarbrücken: VDM, 2010. |
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| Jungkeit, Steve. "Tell Tale Visions: The erotic theology of craig thompson’s blankets." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Jüngst, Heike Elisabeth. Information Comics: Knowledge transfer in a popular format. Leipziger Studien zur angewandten Linguistik und Translatologie. Frankfurt am Main [etc.]: Peter Lang, 2010. |
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| Kajiya, Kenji. "How emotions work: The politics of vision in nakazawa keiji’s barefoot gen." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 245–61. |
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| Kamm, Björn-Ole. Nutzen und Gratifikation bei Boys’ Love Manga: fujoshi oder verdorbene mädchen in japan und deutschland. Schriften zur Medienwissenschaft. Hamburg: Dr. Kovač, 2010. |
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| Kampmeyer-Käding, Margret and Cilly Kugelmann, eds. Helden, Freaks und Superrabbis: Die jüdische farbe des comics. Berlin: Stiftung Jüdisches Museum Berlin, 2010. |
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| Kan, Katharine, ed. Graphic Novels and Comic Books. Reference Shelf. New York: H.W. Wilson, 2010. |
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| Karuchit, Warat. "The Renaissance of Thai Knowledge Cartoons." International Journal of Comic Art 12. (2010): 34–49. |
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| Kawaguchi, Takayuki. "Barefoot Gen and “A-bomb literature”: Re-recollecting the nuclear experience." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 234–44. |
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| Kee, Tan Bee. "Rewriting Gender and Sexuality in English-Language Yaoi Fanfiction." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. |
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| Kelman, Ari Y. "Introduction: Geeve a listen!." Is Diss a System? A Milt Gross Comic Reader. Ed. Ari Y. Kelman. The Goldstein-Goren Series in American Jewish History. New York, London: New York Univ. Press, 2010. 1–54. |
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| Kepser, Matthis. "Persepolis: Einen animationsfilm im unterricht reflektieren." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 122–38. |
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| Keutgen, Britta. "Die Darstellung von DDR und Mauerfall im zeitgenössischen deutschen Comic: Eine analyse ausgewählter beispiele." Staatsexamensarbeit. Universität zu Köln, 2010. |
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| Kidder, Orion Ussner. "Historicizing the Superhero: Alan moore’s supreme and warren ellis/john cassaday’s planetary." Journal of the Fantastic in the Arts 21. (2010): 77–96. |
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| King, Charles W. "What If It’s Just Good Business? Hell, business models, and the dilution of justice in mike carey’s lucifer." Hell and its Afterlife. Historical and Contemporary Perspectives. Eds. Margaret Toscano and Isabel Moreira. London, New York: Routledge, 2010. 191–202. |
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| Klock, Geoff. "The End is Nigh: The limits of watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 147–56. |
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| Knarr, Michael. "Comics am Campus: Eine entwicklungsstrategie für die arbeitsstelle für graphische literatur an der universität hamburg." Bachelorarbeit BA. Hochschule für Angewandte Wissenschaften Hamburg, 2010. |
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| Knigge, Andreas C. Das große Peanuts-Buch. Reinbek bei Hamburg: Carlsen, 2010. |
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| Knight, Gladys L. Female Action Heroes: A guide to women in comics, video games, film, and television. Santa Barbara: Greenwood, 2010. |
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| Kofoed, D. T. "Breaking the Frame: Political acts of body in the televised dark knight." ImageTexT 5. 1 2010. Accessed 6 Feb. 2010. <https://imagetextjourna ... -televised-dark-knight/>. |
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| Köhn, Stephan. "Japan als Bild(er)kultur: Erzähltraditionen zwischen narrativer visualität und visueller narrativität." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 289–307. |
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| Köhn, Stephan. "Deutsche Klassik einmal anders: Oder: wie goethes faust interessante einblicke in den japanischen comic gewähren kann." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 33–49. |
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| Kollmeier, Kathrin. "Französische Erfahrungen der deutschen Besatzung im Comic." ZeitRäume. Potsdamer Almanach des Zentrums für Zeithistorische Forschung (2010). |
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| Kowalik, Jessica. "Miller Misunderstood: Rethinking the politics of “the dark knight”." International Journal of Comic Art 12. (2010): 388–400. |
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| Kraemer, Christine Hoff and J. Lawton Winslade. "“The Magic Circus of the Mind”: Alan moore’s promethea and the transformation of consciousness through comics." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Kremer, Nick. "This Is Not Your Forefather’s Thor: Using comics to make mythology meaningful." SANE journal 1. 1 2010. Accessed 5 Jan. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/4>. |
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| Krichel, Marianne. "Erzähltheorie und Comics: Am beispiel von zeitungscomics des herald tribune." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 33–46. |
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| Kronthaler, Helmut. "Otto Nückel und der Bilderroman ohne Worte." Deutsche Comicforschung 6. (2010): 65–73. |
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| Kugelmann, Cilly. "Gespräch mit einem Comic-Sammler." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 57–61. |
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| Kuhlman, Martha B. and David M. Ball. "Introduction: Chris ware and the “cult of difficulty”." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. IX–XXIII. |
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| Kuhlman, Martha B. "In the Comics Workshop: Chris ware and the oubapo." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 78–89. |
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| Kukkonen, Karin. "Navigating Infinite Earths: Readers, mental models, and the multiverse of superhero comics." Storyworlds 2. (2010): 39–58. |
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| Kukkonen, Karin. Storytelling Beyond Postmodernism: fables and the fairy tale. Acta Universitatis Tamperensis. Tampere: Tampere University Press, 2010. |
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| Kukkonen, Karin. "Warren Ellis’s Planetary: The archaeology of superheroes." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 154–63. |
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| Kukkonen, Karin and Gideon Haberkorn. "Workshop I: Toward a Toolbox of Comics Studies." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 237–44. |
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| Kukkonen, Karin and Anja Müller-Wood. "Whatever Happened to All the Heroes? British perspectives on superheroes." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 153–63. |
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| Kunkel, Alexander. Heinrich Kley (1863–1945): Leben und werk. Weimar: VDG, 2010. |
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| Kunz, Hans-Martin. "Götter, Superhelden und einfache Menschen: Ein kurzer blick in die geschichte des indischen comics." Masala 5. 2 2010. Accessed 10 Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Kuskin, William. "Vulgar Metaphysicians: William s. burroughs, alan moore, art spiegelman, and the medium of the book." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 49–77. |
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| Kyler, Carolyn. "Mapping a Life: Reading and looking at contemporary graphic memoir." The CEA Critic 72. (2010). |
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| Labarre, Nicolas. "“How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in super hero comics." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4943>. |
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| Lam, Fan-Yi. "Comic Market: How the world’s biggest amateur comic fair shaped japanese dōjinshi culture." Mechademia 5. (2010): 232–48. |
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| Lamarre, Thomas. "Speciesism, Part II: Tezuka osamu and the multispecies ideal." Mechademia 5. (2010): 51–85. |
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| Lamarre, Thomas. "Manga Bomb: Between the lines of barefoot gen." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 262–307. |
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| Leary, Patrick. The Punch Brotherhood: Table talk and print culture in mid-victorian london. London: British Library, 2010. |
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| Lee, Stan. Stan Lee’s How to Draw Comics: From the legendary creator of spider-man, the incredible hulk, fantastic four, x-men, and iron man. New York: Watson-Guptill, 2010. |
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| Lefèvre, Pascal. "Het striplabyrint: Over onduidelijke leeftijdsprofielen en meervoudige adressering." Literatuur zonder leeftijd 24. (2010): 81–91. |
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| Lefèvre, Pascal. "Researching comics on a global scale." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 85–95. |
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| Lefèvre, Pascal and Morgan Di Salvia. Strip en illustratie in België: Een stand van zaken en de sociaaleconomische situatie van de sector. Brussel: SMartBe, 2010. |
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| Lefèvre, Pascal. "Einde van het papier, lang leve digitale strips en prentenboeken?." Strip en illustratie in België. Een stand van zaken en de sociaaleconomische situatie van de sector. Eds. Pascal Lefèvre and Morgan Di Salvia. Brussel: SMartBe, 2010. 87–95. |
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| Lehmstedt, Mark. Die geheime Geschichte der Digedags: Die publikations- und zensurgeschichte des »mosaik« von hannes hegen. Leipzig: Lehmstedt, 2010. |
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| Lent, John A. "In Remembrance of Five Major Comic Art Personalities." International Journal of Comic Art 12. (2010): 581–87. |
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| Lent, John A. "The winding, pot-holed road of comic art scholarship." Studies in Comics 1. (2010): 7–33. |
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| Last edited by: joachim 26/11/2016, 16:31 |
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| Lent, John A. "Manga in Asia." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. |
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| Added by: joachim 29/03/2010, 15:23 |
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| Lent, John A. and Ying Xu. "Fengjing – The Town That Claimed Ding Cong." International Journal of Comic Art 12. (2010): 425–31. |
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| Added by: joachim 13/06/2011, 11:27 |
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