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| Goggin, Joyce. "Of Gutters and Guttersnipes: Hogarth’s legacy." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 6–24. |
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| Goggin, Joyce and Dan A. Hassler-Forest, eds. The Rise and Reason of Comics and Graphic Literature: Critical essays on the form. Jefferson, London: McFarland, 2010. |
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| Gohrbandt, Detlev. "Das Pädagogische und das Politische: Wandlungen der suppenkaspar-geschichte in englischen struwwelpeter-satiren." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 179–98. |
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| Goldman, Jonathan E. "Extraordinary People: The superhero genre and celebrity culture in the league of extraordinary gentlemen." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 142–53. |
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| Gomes, Mario and Jan Peuckert. "Memento Mori: A portuguese style of melancholy." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 116–26. |
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| González Delgado, Ramiro. "Orfeo y Eurídice en el cómic." Cuadernos de Filología Clásica. Estudios Latinos 30. (2010): 193–216. |
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| Goodwin, Megan. "Conversion to Narrative: Magic as religious language in grant morrison’s invisibles." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Gordon, Mel. "The Farblondjet Superhero and His Cultural Origins." Siegel and Shusters Funnyman. The First Jewish Superhero, from the Creators of Superman. Eds. Thomas Andrae and Mel Gordon. Port Townsend: Feral House, 2010. 1–37. |
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| Gordon, Ian. "Making Comics Respectable: How maus helped redefine a medium." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 179–93. |
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| Grabau, Christian. "Helden ohne glänzende Rüstung: Neuere spielformen von comics im deutschunterricht am beispiel von art spiegelmans maus." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 66–79. |
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| Graf, Roland. "Gothic Horror in Gotham City: Ängste im superhelden-comic." Juni. Magazin für Literatur und Politik (2010): 78–86. |
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| Gravett, Paul. "Graphic Novels: Can you hear the trucks?." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 34–36. |
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| Greenberger, Robert. "Bats in their Belfries: The proliferation of “batmania”." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 6–26. |
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| Grimshaw, Mike. "On Preacher (Or, the Death of God in Pictures)." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Groensteen, Thierry. Parodies: La bande dessinée au second degré. Paris: Skira-Flammarion, 2010. |
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| Groensteen, Thierry. "The Monstrator, the Recitant, and the Shadow of the Narrator." European Comic Art 3. (2010): 1–21. |
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| Groensteen, Thierry. "Challenges to international comics studies in the context of globalization." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 19–30. |
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| Groth, Gary. "“I Feel My Zaniness Is Based On Truth”: An interview with will elder." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 295–309. |
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| Groth, Gary. "“It’s Gotta Be Real To Me, Somehow”: An interview with kim deitch." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 320–30. |
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| Groth, Gary. "“My Strategy Was To Create The Opposite”: An interview with yoshihiro tatsumi." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 310–19. |
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| Grove, Laurence. Comics in French: The european bande dessinée in context. Polygons. Oxford, New York: Berghahn Books, 2010. |
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| Grünewald, Dietrich. "Erzählen mit Bildern: Einzelbilder und bildfolge – das »prinzip bildgeschichte« als narrative kunst." Kunst + Unterricht (2010): 4–11. |
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| Grünewald, Dietrich. "Erzählungen von Tod und Sterben – Totentänze und das »Prinzip Bildgeschichte«." L’art macabre 11. (2010): 57–80. |
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| Grünewald, Dietrich, ed. Struktur und Geschichte der Comics: Beiträge zur comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Grünewald, Dietrich. "Zwischen Schund und Kunst: Comics in den 70er jahren." Deutsche Comicforschung 6. (2010): 132–43. |
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| Grünewald, Dietrich. "Roman ohne Worte: Lynd wards god's man. a novel in woodcuts (1929). rezeptionsanforderungen." »Und wer bist du, der mich betrachtet?« Populäre Literatur und Kultur als ästhetische Phänomene. Festschrift für Helmut Schmiedt. Ed. Helga Arend. Bielefeld: Aisthesis, 2010. 47–93. |
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| Grünewald, Dietrich. "Das Prinzip Bildgeschichte: Konstitutiva und variablen einer kunstform." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 11–31. |
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| Grünewald, Dietrich. "Transfer: Comics nach textliteratur." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 50–65. |
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| Grutman, Rainier. "« Eih bennek, eih blavek »: L’inscription du bruxellois dans le sceptre d’ottokar." Études françaises 46. (2010): 83–99. |
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| Guzzetti, Barbara. "A Content Analysis of Forensics Comic Books and Graphic Novels: Implications for instruction." Yearbook of the National Reading Conference 59. (2010): 90–101. |
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| Haas, Daniel. "Why Nice Princesses Don’t Always Finish Last." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 121–30. |
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| Habrand, Tanguy. "La « récupération » dans la bande dessinée contemporaine: Par-delà récupérateurs et récupérés." Textyles (2010): 75–90. |
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| Hague, Ian. "Interview with Thierry Groensteen." Studies in Comics 1. (2010): 359–68. |
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| Hairston, Marc. "The Reluctant Messiah: Miyazaki hayao's nausicaä of the valley of the wind manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 173–84. |
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| Hajdu, David. "Persian Miniatures." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 274–82. |
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| Hajdu, David. "“Then Let Us Commit Them”." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 69–80. |
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| Hall, Alexis. "Gay or Gei? Reading “realness” in japanese yaoi manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 211–20. |
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| Hamilton, Patrick L. "Lost in Translation: Jessica abel’s la perdida, the bildungsroman, and “that ‘mexican’ feel”." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 120–31. |
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| Harbeck, Matthias. "Comics in deutschen Bibliotheken – Ressourcen für Forschung und Fans." Bibliothek 34. (2010): 282–92. |
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| Harder, Hans. "Der erste bengalische Comic? Die bengalische satirezeitschrift basantak und eine sehr kuriose moritat von 1874." Masala 5. 2 2010. Accessed 10 Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Hardy-Vallée, Michel. "The Carrefour of Practice: Québec bd in transition." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 85–98. |
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| Harkham, Sammy and Dan Nadel. "New Art Comics Panel." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 343–48. |
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| Hartung, John. "The CPU Has Its Reasons." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 55–66. |
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| Harvey, Robert C. "Fun Home: Literary cartooning in a graphic novel." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 232–39. |
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| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining superheroes in post–9/11 hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
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| Hassler-Forest, Dan A. "The 300 Controversy: A case study in the politics of adaptation." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 119–27. |
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| Hatfield, Charles. "Indiscipline, or, The Condition of Comics Studies." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4933>. |
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| Hausmanninger, Thomas. "Der Aufstand gegen die metaphysische Geschichte der Welt." 2010. Accessed 29 Oct. 2011. <http://www.kthf.uni-aug ... igion/dritte_testament/>. |
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| Hausmanninger, Thomas. "Garth Ennis und die Folgen: Die religionswelle im anglo-amerikanischen comic." Comixene (2010): 10–11. |
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| Hausmanninger, Thomas. "Postreligiös und postsäkular: Die religionswelle im deutschen comic." Comixene (2010): 14–15. |
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| Hausmanninger, Thomas. "Postsäkularität in Comics." Stimmen der Zeit 135. (2010): 619–30. |
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| Havas, Harald and Eckart Sackmann. "Ladislaus Kmoch." Deutsche Comicforschung 6. (2010): 46–60. |
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| Hawks, Shelley Drake. "Ding Cong’s “True Story of Ah Q” in Art and Life." International Journal of Comic Art 12. (2010): 402–24. |
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| Hayley, Emma. "Manga Shakespeare." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 267–80. |
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| Heaphy, Maura. "Alan Moore." 100 Most Popular Science-Fiction Authors. Biographical Sketches and Bibliographies. Santa Barbara: Libraries Unlimited, 2010. 311–15. |
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| Heer, Jeet. "Inventing Cartooning Ancestors: Ware and the comics canon." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 3–13. |
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| Heer, Jeet. "Drawn From Life." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 133–43. |
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| Hein, Michael. "Ansichten vom Krieg: Tardis bilderwelt des grabenkriegs." Reddition 27. (2010): 38–45. |
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| Hein, Michael. "Die Macht des Volkes." Reddition 27. (2010): 62–63. |
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| Heinricy, Shana. "Take a Ride on the Catbus." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 3–11. |
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| Helms, Jason Muir. "Rhiz|comics: The structure, sign, and play of image and text." Diss. Ph.D. Clemson University, 2010. |
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| Henson, Billy and Bradford W. Reyns. "Victimology and Crime Prevention in Comic Books." Encyclopedia of Victimology and Crime Prevention. Eds. Bonnie S. Fisher and Steven P. Lab. Vol. 2. Thousand Oaks [etc.]: Sage, 2010. 1003–04. |
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| Herbers, Martin R. "Zeit im Comic: Eine medientheoretische verortung." End-Zeit-Kommunikation. Diskurse der Temporalität. Ed. Joachim Westerbarkey. Beiträge zur Kommunikationstheorie. Berlin [etc.]: LIT, 2010. 241–49. |
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| Herman, David. "Word-Image/Utterance-Gesture: Case studies in multimodal storytelling." New Perspectives on Narrative and Multimodality. Ed. Ruth Page. London, New York: Routledge, 2010. 78–98. |
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| Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90. |
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| Hetrick, Nicholas. "Chronology, Country, and Consciousness in Wilfred Santiago’s In My Darkest Hour." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 189–201. |
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| Heydenreich, Clemens. "Spirale der Kopfgeburten: Tardis adele und die phantastik." Reddition 27. (2010): 32–37. |
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| Hieronimus, Marc. "Hitler is fun: Sixty years of nazism in humorous comics." Monsters in the Mirror. Representations of Nazism in Post-War Popular Culture. Eds. Sara Buttsworth and Maartje Abbenhuis. Westport: Praeger, 2010. 75–100. |
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| Hignite, Todd M. The Art of Jaime Hernandez: The secrets of life and death. New York: Abrams, 2010. |
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| Hinrichs, Bernd. "Der Tradition verpflichtet: Tardis ›die macht des volkes‹ als historisierender comic." Reddition 27. (2010): 58–61. |
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| Hock, Claus Arne. "Die Darstellung des 11. Septembers in amerikanischen Comics." 1. Staatsexamensarbeit Universität Magdeburg, 2010. |
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| Hodgman, John. "Epics: (kirby's fourth world omnibus; kirby: king of comics; age of bronze; y: the last man)." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 240–47. |
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| Hoffmann, Jeanette. "Vom Schweigen über den Tod: Die graphic novel »meine mutter ist in amerika und hat buffalo bill getroffen«." kjl&m 62. (2010): 46–54. |
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| Holmberg, Ryan. Garo Manga: The first decade, 1964–1973. New York: The Center for Book Arts, 2010. |
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| Holmberg, Ryan. "The Manga of Garo, 1964–1973." Orientations. The Monthly Magazine for Collectors and Connoisseurs of Asian Art 41. (2010): 55–61. |
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| Hörner, Fernand. "René Goscinny/Albert Uderzo." Praktizierte Intermedialität. Deutsch-französische Portraits von Schiller bis Goscinny/Uderzo. Eds. Fernand Hörner, Harald Neumeyer and Bernd Stiegler. Bielefeld: Transcript, 2010. 215–34. |
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| Horst, Ernst. Nur keine Sentimentalitäten! Wie dr. erika fuchs entenhausen nach deutschland verlegte. München: Karl Blessing, 2010. |
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| Houston, Kerr. "Narrative and Pictorial Dualism in Persepolis and the Emergence of Complexity." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Howes, Franny. "Imagining a Multiplicity of Visual Rhetorical Traditions: Comics lessons from rhetoric histories." ImageTexT 5. 3 2010. Accessed 3 Oct. 2010. <https://imagetextjourna ... rom-rhetoric-histories/>. |
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| Added by: joachim 03/10/2010, 21:03 |
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| Hoyer, Anne. "Cultural Specifics of a Scottish Comic: oor wullie." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 108–15. |
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| Last edited by: joachim 10/12/2010, 02:25 |
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