| Demarest, Rebecca A. "Superheroes, Superpowers, and Sexuality." Discussions 2. 10 2010. Accessed 29 Mar. 2022. <http://www.inquiriesjournal.com/a?id=312>. |
 
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| Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. One Work. Cambridge, London: MIT Press, 2010. |
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| Demoulin, Laurent. "Du Rwanda au Cœur des ténèbres: Jean-philippe stassen illustre conrad." Textyles (2010): 101–16. |
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| Dessy, Clément. "La ville entre texte et image dans les bandes dessinées de Michaël Matthys." Textyles (2010): 201–14. |
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| Dicker, Barnaby. "Franciszka Themerson’s Ubu Comic Strip: Autography, caricature, and the avant-garde." Avant Garde Critical Studies 25. (2010): 227–49. |
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| Dicker, Barnaby. "Franciszka Themerson’s Ubu Comic Strip: Autography, caricature, and the avant-garde." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 227–49. |
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| Diekmann, Stefanie. "Remembrance of Things to Come: François schuiten and benoît peeters’s cities of the fantastic." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 84–100. |
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| Dinello, Dan. "Cyborg Goddess." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 275–85. |
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| Dittmer, Jason. "Comic book visualities: A methodological manifesto on geography, montage and narration." Transactions of the Institute of British Geographers 35. (2010): 222–36. |
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| Dittmer, Jason and Daniel Bos. Popular Culture, Geopolitics, and Identity. Human Geography in the Twenty-First Century. Issues and Applications. 2nd ed. Lanham [etc.]: Rowman & Littlefield, 2019. |
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| Dixon, Chuck. "“Known Super-Criminals Still at Large”: Villainy in batman." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 121–43. |
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| Doherty, Brian. "Comics Tragedy: Is the superhero invulnerable?." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 24–33. |
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| Added by: joachim 14/05/2010, 23:11 |
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| Dolle-Weinkauff, Bernd. "Ansichten von Mittelerde in Graphic Novel und Manga: David wenzels the hobbit und die erzählungen des lodoss-zyklus von ryo mizuno." Inklings (2010): 40–61. |
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| Added by: joachim 01/08/2012, 16:40 |
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| Dolle-Weinkauff, Bernd. "Comics und kulturelle Globalisierung: Manga als transkulturelles phänomen und die legende vom »östlichen erzählen in bildern«." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 85–97. |
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| Added by: joachim 08/06/2010, 00:38 |
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| Dolle-Weinkauff, Bernd. "Aktuelle Erscheinungsformen des Comic: Manga und graphic novel." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 19–32. |
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| Domínguez Leiva, Antonio. "L’invasion néo-zombie: Entre l’abjection, le grotesque et le pathos (2002–2009)." Frontières 23. (2010): 19–25. |
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| Donovan, Hope. "Gift versus Capitalist Economics: Exchanging anime and manga in the u.s.." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 11–22. |
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| Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87. |
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| Doughty, Jonathan. "More than Meets the “I”: Chinese transnationality in gene luen yang’s american born chinese." Asian American Literature 1 2010. Accessed 11 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol1/iss1/8/>. |
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| Dowd, Andrew A. "Everything You Never Wanted to Know about Sex and Were Afraid to Watch." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 219–32. |
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| Dozo, Björn-Olav. "Note sur la bande dessinée de reportage." Textyles (2010): 149–55. |
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| Dozo, Björn-Olav and Fabrice Preyat. "La bande dessinée francophone belge au présent." Textyles (2010): 9–42. |
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| Added by: joachim 04/10/2013, 10:58 |
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| Drennig, Georg. "Otherness and the European as Villain and Antihero in American Comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 127–39. |
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| Drummond-Mathews, Angela. "What Boys Will Be: A study of shōnen manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 62–66. |
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| Duffy, Damian. "Out of the margins … into the panels: Toward a theory of comics as a medium of critical pedagogy in library instruction." Critical Library Instruction. Theories and Methods. Eds. Emily Drabinski, Alana Kumbier and Maria Accardi. Duluth: Library Juice Pr. 2010. 213–33. |
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| Dunn, Jeff and Adam Palmer. The Soul of Spider-Man[u]: unexpected spiritual insights found in the legendary super-hero series[u]. Ventura: Regal, 2010. |
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| Dunn, George A. "The Stark Madness of Technology." Iron Man and Philosophy. Facing the Stark Reality. Ed. Mark D. White. Philosophy and Pop Culture. Hoboken: Wiley, 2010. 7–24. |
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| Easton, Lee and Richard Harrison. Secret Identity Reader: Essays on sex, death and the superhero. Hamilton: Wolsak and Wynn, 2010. |
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| Added by: joachim 17/11/2012, 12:47 |
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| Echard, Siân. "BOOM: Seeing beowulf in pictures and print." Anglo-Saxon Culture and the Modern Imagination. Eds. David Clark and Nicholas Perkins. Medievalism. Cambridge: D.S. Brewer, 2010. 129–46. |
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| Added by: joachim 26/01/2011, 12:06 |
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| Ecke, Jochen. "Spatializing the Movie Screen: How mainstream cinema is catching up on the formal potentialities of the comic book page." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 7–20. |
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| Eggers, Zwanetta. "Zur Inszenierung der Erinnerns traumatischer Ereignisse im Film Waltz with Bashir." Geschlechtergedächtnisse. Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Eds. Ilse Nagelschmidt, Inga Probst and Torsten Erdbrügger. Literaturwissenschaft. Berlin: Frank & Timme, 2010. 89–109. |
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| Ehold, Christoph. "L’adaptation filmique de bande dessinée: Perspectives et limites. les exemples d’astérix et cléopâtre et de le sortilège de maltrochu." Diplomarbeit Mag. phil. Universität Wien, 2010. |
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| Eklund, Christopher. "Toward an Ethicoaesthetics of Comics: A critical manifesto." International Journal of Comic Art 12. (2010): 328–35. |
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| El Refaie, Elisabeth. "Subjective time in David B.’s graphic memoir Epileptic." Studies in Comics 1. (2010): 281–99. |
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| Last edited by: joachim 26/11/2016, 16:36 |
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| El Refaie, Elisabeth. "Visual modality versus authenticity: The example of autobiographical comics." Visual Studies 25. (2010): 162–74. |
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| Ellett, Wade Derek-Thomas. "Caped Culture: A brief historiography of comic books in america." Historia (2010): 60–75. |
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| Last edited by: joachim 24/04/2019, 14:54 |
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| Ellis, Jonathan. "The art of anime: Freeze-frames and moving pictures in miyazaki hayao’s kiki’s delivery service." Journal of Japanese and Korean Cinema 2. (2010): 21–34. |
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| Engelmann, Jonas. "»When’s he going to play Hava Nagila?«: Die israelische comicszene." Testcard (2010): 196–205. |
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| Engelmann, Jonas. "“Picture This”: Disease and autobiographic narration in the graphic novels of david b and julie doucet." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 45–59. |
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| Last edited by: joachim 10/12/2010, 01:54 |
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| Engelns, Markus. "Mediation von Faschismus- und Opferrollen oder: Warum konnte Superman rein gewaschen werden?." kultuRRevolution (2010): 30–36. |
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| Enns, Anthony. "The City as Archive in Jason Lutes’s Berlin." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 45–59. |
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| Epp, Darrell. "“It Keeps Ending Up Looking Like It Was Drawn By Me”: An interview with chester brown." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 283–94. |
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| Evans, Alex. "Superman Is the Faultline: Fissures in the monomythic man of steel." Reframing 9/11. Film, Popular Culture and the “War on Terror”. Eds. Jeff Birkenstein, Anna Froula and Karen Randell. London, New York: Continuum, 2010. 117–26. |
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| Fahle, Oliver. "Die Simpsons und der Fernseher." »Previously on …«. Zur Ästhetik der Zeitlichkeit neuerer TV-Serien. Eds. Arno Meteling, Isabell Otto and Gabriele Schabacher. Mediologie. München: Fink, 2010. 231–42. |
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| Added by: joachim 28/04/2019, 12:56 |
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| Fernández L’Hoeste, Héctor D. "Edgar Clément’s “The Sword of God”: On the practice of hybridization in mexican comics." International Journal of Comic Art 12. (2010): 135–46. |
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| Added by: joachim 25/06/2011, 11:07 |
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| Ferreira, Rachel Haywood. "Más Allá, El Eternauta, and the Dawn of the Golden Age of Latin American Science Fiction (1953–59)." Extrapolation 51. (2010): 281–303. |
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| Ferstl, Paul. "Novel-Based Comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 60–69. |
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| Ferstl, Paul. "Kein Raum für Zeit: Moment und ewigkeit des krieges in jacques tardis c’était la guerre des tranchées." Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Künsten. Eds. Claudia Glunz and Thomas F. Schneider. Schriften des Erich-Maria-Remarque-Archivs. Göttingen: Universitätsverl. Osnabrück, 2010. 233–40. |
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| Figal, Gerald. "Monstrous Media and Delusional Consumption in Kon Satoshi’s Paranoia Agent." Mechademia 5. (2010): 139–55. |
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| de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The intermedial transposition of graphic novels to films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010. |
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| Figueiredo, Camila. "Tunes Across Media: The intermedial transposition of music in watchmen." International Journal of Comic Art 12. (2010): 543–51. |
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| Added by: joachim 25/06/2011, 01:27 |
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| Finet, Nicolas and Jacques Tardi. Le livre d’Adèle. Tournai: Casterman, 2010. |
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| Added by: joachim 10/11/2011, 11:08 |
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| Finigan, Theo. "“To the Stables, Robin”: Regenerating the frontier in frank miller's batman: the dark knight returns." ImageTexT 5. 1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... /archives/v5_1/finigan/>. |
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| Finn, Richard. "Being “good” in Sin City: Morality, the individual and public authority." Crimeculture Summer 2010. Accessed 12 Jan. 2013. <http://www.crimeculture.com/?page_id=1679>. |
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| Fiore, Robert. "9/11 Comics." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 37–49. |
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| Last edited by: joachim 14/09/2010, 19:48 |
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| Fischer, Susanna. "Astro Boy – Vorbild der japanischen Roboter-Forschung? Von sena hideakis kurzgeschichte atomu no ko zum öffentlichen diskurs der frage." Magisterarbeit M.A. Goethe-Universität Frankfurt a.M. 2010. |
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| Fischer, Jan. Comic plus X: Anmerkungen zu den umrissen der graphic novel. Schriftenreihe Essays zur Kinderliteratur. Berlin: Autumnus, 2010. |
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| Last edited by: joachim 21/12/2016, 11:36 |
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| Fischer, Craig. "Worlds within Worlds: Audiences, jargon, and north american comics discourse." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4919>. |
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| Forceville, Charles, Tony Veale, and Kurt Feyaerts. "Balloonics: The visuals of balloons in comics." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 56–73. |
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| Fournier, Éric. "Tardi et la Commune de 1871 à travers Le Cri du peuple: Roman graphique ou histoire graphique ?." Sociétés & Représentations (2010): 51–64. |
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| Fox, M. Steven. Accessed 16 Jan. 2018. Comixjoint: Underground comix collection. [Online]. Available: http://comixjoint.com/. |
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| Frahm, Ole. Die Sprache des Comics. Fundus. Hamburg: Philo Fine Arts, 2010. |
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| Frahm, Ole. "Every Window Tells a Story: Remarks on the urbanity of early comic strips." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 32–44. |
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| Added by: joachim 24/03/2010, 02:32 |
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| Frahm, Ole. "Fugen des Unverfügbaren: Jüdische perspektiven der graphic novel." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 90–102. |
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| Francis, Christina. "Playing with Gender in Arthur, King of Time and Space." Arthuriana 20. (2010): 31–47. |
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| Franke-Penski, Udo. "»Faster, Pussycat, Kill!«: Amazonen im modernen action-film." Amazonen – Kriegerische Frauen. Eds. Udo Franke-Penski and Heinz-Peter Preußer. Würzburg: Königshausen & Neumann, 2010. |
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| Franzen, Jonathan. "Schulz’s Gifts." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 176–78. |
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| Fresnault-Deruelle, Pierre. "The Moulinsart Crypt." European Comic Art 3. (2010): 119–44. |
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| Fried, Arthur. "Crime in Comics and the Graphic Novel." A Companion to Crime Fiction. Eds. Charles J. Rzepka and Lee Horsley. Blackwell Companions to Literature and Culture. Chichester: Wiley-Blackwell, 2010. 332–43. |
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| Frye, Mitch. "Dracula in Comic Books." Dracula in Visual Media. Film, Television, Comic Book and Electronic Game Appearances, 1921–2010. Eds. John Edgar and Browning and Caroline Joan (Kay) Picart. Jefferson, London: McFarland, 2010. 237–62. |
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| Fujiwara, Erika. "An analysis of Contemporary Manga Culture in Japan and Sweden: With a study of the works of naoki urasawa." Master thesis Master. Lunds universitet, 2010. |
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| Furlong, Robert and Christophe Cassiau-Haurie. "Comic Books, Politics, and Manipulation: The case of repiblik zanimo, the first comic strip and book in creole." International Journal of Comic Art 12. (2010): 150–58. |
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| Added by: joachim 12/06/2011, 01:59 |
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| G., Sarita. "Remembering the Relics: Study of select comic books that trace the roots of india’s cultural inheritance." International Journal of Comic Art 12. (2010): 215–42. |
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| Added by: joachim 25/06/2011, 16:07 |
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| Gabilliet, Jean-Paul. "Essai bibliographique." Transatlantica 1 2010. Accessed 5 Aug. 2011. <http://transatlantica.revues.org/4934>. |
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| Gabilliet, Jean-Paul. "La bande dessinée, nouveau continent des études américaines? Avant-propos." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4937>. |
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| Gabilliet, Jean-Paul. Of Comics and Men: A cultural history of american comic books. Jackson: Univ. Press of Mississippi, 2010. |
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| Gajewska, Grażyna. "Between History and Memory – Marzi: Children Should Be Seen and Not Heard: Marzena sowa and sylvain savoia." International Journal of Comic Art 12. (2010): 159–70. |
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| Gal, Ana G. "The Social Modes of Heroization and Vilification in Stoker’s Dracula, a Graphic Novel by Roy Thomas and Dick Giordano." International Journal of Comic Art 12. (2010): 200–14. |
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| Gan, Sheuo Hui. "To Be or Not to Be – Anime: The controversy in japan over the “anime” label." Animation Studies 2010. Accessed 19 Apr. 2011. <http://journal.animatio ... over-the-“anime”-label/>. |
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| Gangle, Rocco. "The Technological Subversion of Technology: Tony stark, heidegger, and the subject of resistance." Iron Man and Philosophy. Facing the Stark Reality. Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2010. 25–37. |
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| Ganz, David and Felix Thürlemann, eds. Das Bild im Plural: Mehrteilige bildformen zwischen mittelalter und gegenwart. Bild+Bild. Berlin: Reimer, 2010. |
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| Added by: joachim 19/12/2021, 16:34 |
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| Gaon, Galit. "Eine kurze Geschichte der Comics in Israel." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 106–13. |
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| Added by: joachim 02/07/2010, 19:31 |
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| García, Enrique. "Coon Imagery in Will Eisner’s The Spirit and Yolanda Vargas Dulché’s Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries." International Journal of Comic Art 12. (2010): 112–24. |
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| Added by: joachim 12/06/2011, 01:28 |
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| Garcia, Perucho Mejia. "Ismael Roldan Torres (1964–2009) of Colombia: A memorial tribute." International Journal of Comic Art 12. (2010): 577–80. |
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| García, Santiago. La novela gráfica. Astiberri Ensayo. Bilbao: Astiberri, 2010. |
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| Gardner, Jared. "Same Difference: Graphic alterity in the work of gene luen yang, adrian tomine, and derek kirk kim." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 132–48. |
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| Garnar, Andrew Wells. "It’s the End of the Species as We Know It, and I Feel Anxious." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 287–99. |
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| Added by: joachim 12/08/2011, 17:40 |
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| Gauthier, Tim. "9/11, image control, and the graphic narrative: Spiegelman, rehr, torres." Journal of Postcolonial Writing 46. (2010): 369–80. |
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| Added by: joachim 11/10/2015, 09:16 |
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| Gauthier, Philippe. "On “Institutionalization”: From cinema to comics." International Journal of Comic Art 12. (2010): 367–75. |
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| Last edited by: joachim 15/11/2012, 20:40 |
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| Gervais, Bertrand. "Le tressage à portée interprétative comme modalité de lecture: Étude du roman graphique watchmen de dave gibbons et alan moore." Mémoire Maîtrise. Université de Québec, 2010. |
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| Gibson, Mel. "What Bunty did next: Exploring some of the ways in which the british girls’ comic protagonists were revisited and revised in late twentieth-century comics and graphic novels." Journal of Graphic Novels and Comics 1. (2010): 121–35. |
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| Gibson, Mel. "Graphic Novels, Comics and Picturebooks." Routledge Companion to Children’s Literature. Ed. David Rudd. London, New York: Routledge, 2010. 100–11. |
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| Added by: joachim 21/11/2012, 23:43 |
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| Gibson, Alicia. "Astro Boy and the Atomic Age." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 181–91. |
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| Added by: joachim 13/07/2011, 20:41 |
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| Giesa, Felix. "Bericht von der ComFor-Tagung 2009." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 205–09. |
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| Added by: joachim 16/12/2012, 17:43 |
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| Giesa, Felix and Klaus Schikowski. "Zwischen populär und Avantgarde: Die vielfältige produktion von comics an deutschen hochschulen." COMIC!-Jahrbuch (2010): 50–57. |
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| Added by: joachim 06/04/2011, 10:34 |
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| Giesen, Rolf. "Drei Prinzessinnen aus Burbank: Europäische märchen-vorlagen in disney-filmen." Verfilmte Kinderliteratur. Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht. Eds. Petra Josting and Klaus Maiwald. kjl&m extra. München: kopaed, 2010. |
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| Gil, Alicia. "La imagen femenina en la cinematografía de Superman." Diálogos intertextuales 1: De la palabra a la imagen. Estudios de literatura infantil y juvenil. Eds. Carmen Becerra Suárez and Ana Fernández Mosquera. Frankfurt am Main [etc.]: Peter Lang, 2010. 107–22. |
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| Gil, Alicia. "Aproximación a una crítica feminista de cómics en España." Diálogos intertextuales 3: En busca de la voz femenina. Temas de género en la literatura infantil y juvenil de la Península Ibérica y Latinoamérica. Ed. Celia Vázquez García. Frankfurt am Main [etc.]: Peter Lang, 2010. 109–42. |
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| Added by: joachim 05/07/2011, 13:37 |
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| Gilmore, Shawn. "Public and Private Histories in Chris Ware’s Jimmy Corrigan." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 146–58. |
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| Last edited by: joachim 29/07/2014, 14:33 |
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| Godbey, Matt. "Chris Ware’s “Building Stories,” Gentrification, and the Lives of/in Houses." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 121–32. |
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| Last edited by: joachim 29/07/2014, 14:38 |
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