| Nolen-Weathington, Eric and Todd Dezago, eds. Chris Sprouse. Modern Masters. Raleigh: TwoMorrows, 2009. |
 
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| Norris, Craig and Jason Bainbridge. "Selling Otaku? Mapping the relationship between industry and fandom in the australian cosplay scene." Intersections 20 2009. Accessed 26 Jul. 2014. <http://intersections.an ... 0/norris_bainbridge.htm>. |
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| Norris, Craig. "Manga, anime and visual art culture." The Cambridge Companion to Modern Japanese Culture. Ed. Yoshio Sugimoto. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2009. 236–60. |
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| Nuessel, Frank. "A Note on the Names of Selected Characters and Villains in Dick Tracy." Names: A Journal of Onomastics 57. (2009): 63–68. |
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| Nuttall, Alex. "Rorschach: When telling the truth is wrong." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 91–99. |
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| Nyberg, Amy Kiste. "William Gaines and the Battle over EC Comics." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 58–68. |
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| Odell, Colin and Michelle Le Blanc. Studio Ghibli: The films of hayao miyazaki and isao takahata. Harpenden: Kamera, 2009. |
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| Ofenloch, Simon. "Antihelden als Superhelden, Superhelden als Antihelden: Die pseudo-comicfilme der darkman-reihe und hancock." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 17–33. |
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| Onoda Power, Natsu. God of Comics: Osamu tezuka and the creation of post-world war ii manga. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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| Osmond, Andrew. Satoshi Kon: The illusionist. Berkeley: Stone Bridge Press, 2009. |
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| Packard, Stephan. "Was ist ein Cartoon? Psychosemiotische überlegungen im anschluss an scott mccloud." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 29–51. |
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| Packard, Stephan. "Comic." Handbuch der literarischen Gattungen. Ed. Dieter Lamping. Stuttgart: Kröner, 2009. |
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| Packard, Stephan. "»Whose Side Are You On?«: Zur allegorisierung von 9/11 in marvels civil war-comics." 9/11 als kulturelle Zäsur. Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien. Eds. Sandra Poppe, Thorsten Schüller and Sascha Seiler. Bielefeld: Transcript, 2009. 317–36. |
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| Pagliassotti, Dru. "GloBLisation and Hybridisation: Publishers’ strategies for bringing boys’ love to the united states." Intersections 20 2009. Accessed 25 Jul. 2009. <http://intersections.an ... ssue20/pagliassotti.htm>. |
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| Palandt, Ralf. "Braune Comics?! Bilder vom rechten rand der gesellschaft." COMIC!-Jahrbuch (2009): 8–27. |
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| Palandt, Ralf. "Politische Arbeit mit Comics: Bildergeschichten von und gegen rechts." interjuli (2009): 113–25. |
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| Pannafino, James. "Sequential Art: Hand, eye and mind." International Journal of the Book 6. (2009): 1–4. |
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| Papp, Zília. "Monsters at War: The great yōkai wars, 1968–2005." Mechademia 4. (2009): 225–39. |
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| Parameswaran, Radhika E. and Kavitha Cardoza. "Immortal Comics, Epidermal Politics." Journal of Children and Media 3. (2009): 19–34. |
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| Parkinson, Amanda J. "Superman’s Girlfriend Lois Lane: A reflection of the changing female roles in 1960’s america." Senior Thesis University of Wisconsin, 2009. |
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| Parlak, Zafer. "Perceptions Of America: Pro- and anti-americanism in turkish novels, comics, movies, songs and newspapers." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 359–82. |
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| Parte, Christina. "Mad, Maddening and Madly in Love: The representation of gender fluidity and desire in jaime hernandez’s locas and akimi yoshida’s banana fish." Critical Engagements 3. (2009): 91–122. |
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| Payne, Steven Alan. Grailpages: Original comic book art and the collectors. Raleigh: TwoMorrows, 2009. |
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| Pedler, Martyn. "The Fastest Man Alive: Stasis and speed in contemporary superhero comics." Animation 4. (2009): 249–63. |
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| Pedler, Martyn. "Morrison's Muscle Mystery Versus Everyday Reality … and other Parallel Worlds!." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 250–69. |
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| Peeters, Benoît. Ecrire l’image: Un itinéraire. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2009. |
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| Pellitteri, Marco. "La ricerca e l’informazione sul fumetto e l’animazione giapponesi: Due note sui limiti metodologici in italia e sull’approccio localistico qui e nel mondo." Manga Academica 2. (2009). |
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| Pellitteri, Marco. "Three Italian Authors Who Know the Formulas of Success: Gnone, Canepa, and Barbucci: From w.i.t.c.h. to sky doll, to the fantasy novel, and again to the monster allergy comics." International Journal of Comic Art 11. (2009): 386–95. |
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| Penney, Matthew. "Nationalism and Anti-Americanism in Japan – Manga Wars, Aso, Tamogami, and Progressive Alternatives." The Asia-Pacific Journal: Japan Focus 7. 17 2009. Accessed 12 Aug. 2009. <http://japanfocus.org/-Matthew-Penney/3116>. |
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| Pérez Pico, Susana. "Animando Bambi: La versión disney de la obra de felix salten." Diálogos intertextuales 2: Bambi. Estudios de literatura infantil y juvenil alemana e inglesa: trasvases semióticos. Ed. Veljka Ruzicka Kenfel. Frankfurt am Main [etc.]: Peter Lang, 2009. 109–48. |
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| Perna, Laura. "rePRESENTing the Past: Three graphic histories of the italian post-wwii resistance movement." Critical Engagements 3. (2009): 202–26. |
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| Petersen, Robert S. "The Acoustics of Manga." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 163–71. |
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| Picone, Michael D. "Teaching Franco-Belgian Bande Dessinée." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 299–323. |
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| Pierce, Jeremy. "Mutant and the Metaphysica of Race." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 183–96. |
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| Pietrini, Daniela. Parola di papero: Storia e tecniche della lingua dei fumetti disney. L’italiano in pubblico. Firenze: Franco Cesati, 2009. |
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| Pietrzak-Franger, Monika. "Envisioning the Ripper’s Visions: Adapting myth in alan moore and eddie campbell’s from hell." Neo-Victorian Studies 2. 2 2009/2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... er%20with%20CAUTION.pdf>. |
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| Pilcher, Tim. La BD érotique : histoire en images: Vol. 2 : des années 70 à nos jours. Milly-la-Forêt: Tabou éd. 2009. |
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| Pilcher, Tim and Gene Kannenberg, Jr. Erotic Comics: Vol. 2: a graphic history from the liberated ’70s to the internet. New York: Abrams, 2009. |
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| Pilinovsky, Helen. "Body as Wonderland: Alice’s graphic iteration in lost girls." Alice beyond Wonderland. Essays for the Twenty-First Century. Ed. Cristopher Hollingsworth. Iowa City: Univ. of Iowa Press, 2009. 175–98. |
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| Pitkethly, Clare. "Derrida, Deleuze and a Duck: The movement of the circulating differential in comic book analysis." Animation 4. (2009): 283–302. |
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| Pitkethly, Clare. "Recruiting an Amazon: The collision of old world ideology and new world identity in wonder woman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 164–83. |
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| Plaka, Christina. "eMotion: Nananan kirikos gefühlsdesign im zeitgenössischen japanischen manga." Bachelorarbeit BA. Goethe-Universität Frankfurt a.M. 2009. |
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| Plantu. "‘I Must Not Draw …’." European Comic Art 2. (2009): 1–20. |
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| Platthaus, Andreas. "Entenhausener Dramaturgie: Wie uns comics illusionieren." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 57–73. |
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| Platthaus, Andreas. "Einbruch der Zeit: Zu einem zwischenraum und einem textkasten in frank kings gasoline alley." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 119–30. |
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| Platthaus, Andreas. "Vier gewinnt: In der kürze liegt die würze: die literaturcomics von bernd pfarr." Zeichen, Bücher, Wissensnetze. 125 Jahre Deutsches Buch- und Schriftmuseum der Deutschen Nationalbibliothek. Ed. Stephanie Jacobs. Göttingen: Wallstein, 2009. 285–89. |
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| Pons, Alvaro. "Ciencia ficción y erotismo para un cómic europeo." Quaderns de Filologia 14 2009. Accessed 29 May. 2016. <https://ojs.uv.es/index ... /article/view/4003/3640>. |
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| Porret, Michel, ed. Objectif bulles: Bande dessinée et histoire. L’Équinoxe. Chêne-Bourg: Georg, 2009. |
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| Porro, Simona. "Architecture, Time, and Narration in In the Shadow of No Towers by Art Spiegelman." Critical Engagements 3. (2009): 223–41. |
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| Porter, Alan J. Star Trek: A comics history. Neshannock: Hermes, 2009. |
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| Pospiszyl, Tomáš. "Bohumil Konečný: An unwilling comics artist." International Journal of Comic Art 11. (2009): 45–50. |
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| Potkanski, Monika. "Das österreichische Manga- und Anime-Fandom: Analyse des wiener animexx stammtisches anhand des gruppendiskussionsverfahrens." Diplomarbeit Mag. rer. soc. oec. Universität Wien, 2009. |
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| Powell, Anna. "Jack the Ripper’s Bodies-without-Organs: Affect and psychogeography under the scalpel in from hell." Irish Journal of Gothic and Horror Studies 7 2009. Accessed 15 Aug. 2010. <https://irishgothichorr ... 2018/03/anna-powell.pdf>. |
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| Pratt, Henry John. "Medium Specificity and the Ethics of Narrative in Comics." Storyworlds 1. (2009): 97–113. |
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| Pratt, Henry John. "Narrative in Comics." Journal of Aesthetics and Art Criticism 67. (2009): 107–17. |
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| Precup, Mihaela. "Apprehending Ghosts: Spaces of invisibility in alison bechdel’s fun home (2006)." University of Bucharest Review 11. (2009): 87–93. |
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| Pritchard, Will. "New Light on Crumb’s Boswell." Eighteenth-Century Studies 42. (2009): 289–307. |
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| Prokůk, Tomáš. "Pérák and Spring Heeled Jack: From prague avenger to london ghost and back again." International Journal of Comic Art 11. (2009): 34–44. |
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| Prokůk, Tomáš and Renáta Skřebská. "Ladislav Vlodek and The Globe." International Journal of Comic Art 11. (2009): 21–33. |
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| Pruitt, Dwain C. "Adding Color to a Four-Color World: Recent scholarship on race and ethnicity in the comics." History: Reviews of New Books 37. (2009): 45–48. |
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| Q, Shatley. "The Devil You Know: Mignola’s hellboy in the chapel of moloch and the old debate." PopMatters 2009. Accessed 14 Apr. 2024. <https://www.popmatters. ... nd-the--2496076147.html>. |
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| Quaresima, Leonardo, Laura Ester Sangalli, and Federico Zecca, eds. Cinema e fumetto. Cinema and comics. Udine: Forum Edizioni, 2009. |
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| Rabkin, Eric S. "Reading Time in Graphic Narrative." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 36–43. |
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| Ramos, Paulo. A leitura dos Quadrinhos. Linguagem e Ensino. São Paulo: Editora Contexto, 2009. |
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| Rauscher, Andreas. "Von Gotham nach Sin City: (anti-)heldenkonzepte in graphic novel-verfilmungen." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 35–51. |
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| Reid, Robin Anne, ed. Women in Science Fiction and Fantasy: Vol. 2: entries. Westport: Greenwood, 2009. |
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| Reynolds, James. "‘KILL ME SENTIMENT’: v for vendetta and comic-to-film adaptation." Journal of Adaptation in Film & Performance 2. (2009): 121–36. |
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| Reyns-Chikuma, Chris. "La BD d'affaires en France, une autre exception française? L'exemple de largo winch." Neophilologus 93. (2009): 43–57. |
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| Ribbens, Kees. "Die Darstellung des Zweiten Weltkriegs in europäischen Comics: Eine fallstudie populärer geschichtskultur." History Goes Pop. Zur Repräsentation von Geschichte in populären Medien und Genres. Eds. Barbara Korte and Sylvia Paletschek. Historische Lebenswelten in populären Wissenskulturen/History in Popular Cultures. Bielefeld: Transcript, 2009. 121–45. |
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| Riches, Adam. Football’s Comic Book Heroes: The ultimate fantasy footballers. Edinburgh: Mainstream Publ. 2009. |
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| Riches, Adam. When the Comics Went to War: Comic book war heroes. Edinburgh: Mainstream Publ. 2009. |
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| Rickman, Lance. "The Appropriated Sequence: Montage on paper and film in 1901." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum Edizioni, 2009. 251–61. |
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| Rieken, Bernd. "Überall war Entenhausen: Die comics von carl barks in der übersetzung von erika fuchs." Bilder. Bücher. Bytes. Zur Medialität des Alltags. Eds. Michael Simon, et al. Münster: Waxmann, 2009. 387–95. |
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| Rittelmeyer, Christian. Was sollen Kinder lesen: Kriterien, beispiele, empfehlungen. Stuttgart [etc.]: Kohlhammer, 2009. |
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| Ritzer, Ivo. "Die Lust am Leib/Der Wille zur Wiederholung: Cheang pou-sois shamo (hongkong/japan, 2008)." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 201–12. |
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| Rizk, Mysoon. "Looking at “Animals in Pants”: The case of david wojnarowicz." Topia (2009): 137–59. |
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| Robb, Jenny E. "Bill Blackbeard: The collector who rescued the comics." Journal of American Culture 32. (2009): 244–56. |
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| Robbins, Trina. "Miss Fury and the Very Personal Universe of June Tarpe Mills." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 267–74. |
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| Robbins, Trina. "Comics, 1900–1959." Women in Science Fiction and Fantasy. Vol. 1: Overviews. Ed. Robin Anne Reid. Westport: Greenwood, 2009. 54–61. |
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| Robertson, David. "Scotland’s Comics Master, Ian Kennedy: An interview." International Journal of Comic Art 11. (2009): 158–81. |
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| Robichaud, Christopher. "Aus großer Macht folgt große Verantwortung! Über die moralischen pflichten von superhelden." Das Science Fiction Jahr 8. (2009): 345–69. |
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| Robichaud, Christopher. "Professor X Wants You." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 140–52. |
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| Robichaud, Christopher. "The Superman Exists, and He's American: Morality in the face of absolute power." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 5–17. |
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| Roeder, Katherine. "1905, October 15: little nemo in slumberland." A New Literary History of America. Eds. Greil Marcus and Werner Sollors. Cambridge, London: Belknap Pr. 2009. |
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| Rohrdanz, Jessica Lynn. "Superheroes for a Superpower: Batman, spider-man and the quest for an american identity." Thesis Master of Arts. Youngstown State University, 2009. |
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| Rosen, Elizabeth K. "The Narrative Intersection of Image and Text: Teaching panel frames in comics." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 58–66. |
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| Rossiter, Caroline. "Early French Caricature (1795–1830) and English Influence." European Comic Art 2. (2009): 41–64. |
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| von Rothenburg, Karl-Heinz. Geschichte und Funktion von Abbildungen in lateinischen Lehrbüchern: Ein beitrag zur geschichte des textbezogenen bildes. Prismata. Frankfurt am Main [etc.]: Peter Lang, 2009. |
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| Round, Julia. "Contrariwise!: Breaking rules in bryan talbot’s alice in sunderland." Critical Engagements 3. (2009): 180–201. |
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| Round, Julia. "Mutilation and Monsters: Transcending the human in garth ennis/steve dillon’s preacher." The Human Body in Contemporary Literatures in English. Cultural and Political Implications. Eds. Sabine Coelsch-Foisner and Marta Fernández Morales. Salzburg Studies in English Literature and Culture. Frankfurt am Main [etc.]: Peter Lang, 2009. 109–28. |
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| Royal, Derek Parker. "Meddling with “hifalut’n foolishness”: Capturing mark twain in recent comics." The Mark Twain Annual 7. (2009): 22–51. |
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| Royal, Derek Parker. "To Be Continued…: Serialization and its discontent in the recent comics of gilbert hernandez." International Journal of Comic Art 11. (2009): 262–80. |
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| Rubenstein, Anne. "Home Loving and Without Vices." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 207–25. |
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| Rubis, Florian. Hugo Pratt ou le sens de la fable. Paris: Belin, 2009. |
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| Ruhe, Doris. "Grenzen des Lachens: Slim karikiert das postkoloniale algerien." Humor in der arabischen Kultur. Humor in Arabic Culture. Ed. Georges Tamer. Berlin u. New York: de Gruyter, 2009. 327–46. |
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| Russell, Vanessa. "The Mild-Mannered Reporter: How clark kent surpassed superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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| Rüster, Johannes. "Hinter den Strumpfhosen: Der dekonstruierte superheld." Das Science Fiction Jahr 8. (2009): 95–117. |
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| Ryall, Chris and Scott Tipton. Comic Books 101: The history, methods and madness. Cincinatti: Impact, 2009. |
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| Saba, Arn. "Hal Foster: Drawing upon history." The Definitive Prince Valiant Companion. Ed. Brian M. Kane. Seattle: Fantagraphics, 2009. 103–29. |
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| Sabin, Roger. "Ally Sloper on Stage." European Comic Art 2. (2009): 205–25. |
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