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| Hoppeler, Stephanie, Lukas Etter, and Gabriele Rippl. "Intermedialität in Comics: Neil gaimans the sandman." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 53–79. |
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| Horn, Tammy. "The Graphic Novel as a Choice of Weapons." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 91–98. |
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| Housel, Rebecca. "X-Women and X-istence." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 85–98. |
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| Housel, Rebecca and J. Jeremy Wisnewski, eds. X-Men and Philosophy: Astonishing insight and uncanny argument in the mutant x-verse. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. |
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| Hroß, Gerhard. "Engel in Plastiktüten und Teufel ohne Hörner: Die filme von guillermo del toro." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 123–35. |
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| Hughes, David. "Who Watches the Watchmen? Mission impossible: wie alan moores watchmen doch noch verfilmt wurde." Das Science Fiction Jahr 8. (2009): 295–318. |
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| Hutchinson, Rachael. "Teaching Manga: Considerations and class exercises." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 262–70. |
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| Ilea, Romana. "The Mutant Cure or Social Change: Debating disability." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 170–82. |
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| Imberger, Elke. "Gärten in Entenhausen." Die Ordnung der Natur. Vorträge zu historischen Gärten und Parks in Schleswig-Holstein. Ed. Rainer Hering. Veröffentlichungen des Landesarchivs Schleswig-Holstein. Hamburg: Hamburg Univ. Press, 2009. 215–47. |
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| Inge, M. Thomas. "Two Boys from the Twin Cities." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 94–100. |
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| Ingulsrud, John and Kate Allen. Reading Japan Cool: Patterns of manga literacy and discourse. Lanham [etc.]: Lexington, 2009. |
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| Inouye, Rei Okamoto. "Theorizing Manga: Nationalism and discourse on the role of wartime manga." Mechademia 4. (2009): 20–37. |
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| Irwin, Virginia. "The Man Who Draws Prince Valiant." The Definitive Prince Valiant Companion. Ed. Brian M. Kane. Seattle: Fantagraphics, 2009. 99–101. |
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| Isabella, Tony. 1000 Comic Books You Must Read. Iola: Krause Publ. 2009. |
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| Jenkins, Henry. "‘Just Men in Tights’: Rewriting silver age comics in an era of multiplicity." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 16–43. |
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| Johnson, David Kyle, ed. Heroes and Philosophy: Buy the book, save the world. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. |
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| Jüngst, Heike Elisabeth. "Wissenstransfer und Narration: Der sachcomic." Typen von Wissen. Begriffliche Unterscheidung und Ausprägungen in der Praxis des Wissenstransfers. Eds. Tilo Weber and Gerd Antos. Transferwissenschaften. Frankfurt am Main [etc.]: Peter Lang, 2009. 277–89. |
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| Kainz, Barbara, ed. Comic. Film. Helden: Heldenkonzepte und medienwissenschaftliche analysen. Wien: Löcker, 2009. |
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| Kainz, Barbara. "Ansichten und Entwürfe über Heldinnen-Figuren in Comicverfilmungen." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 93–123. |
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| Kane, Brian M. "From Prizefighters to Princes: The classic art of john cullen murphy." The Definitive Prince Valiant Companion. Ed. Brian M. Kane. Seattle: Fantagraphics, 2009. 131–42. |
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| Kane, Brian M. "Of Mead, Whiskey, and Brandywine: The artistic bloodline of prince valiant." The Definitive Prince Valiant Companion. Ed. Brian M. Kane. Seattle: Fantagraphics, 2009. 89–97. |
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| Kannenberg, Jr., Gene. "The Comics of Chris Ware." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 306–24. |
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| Kasper, Hartmut. "»Der Verbleib unserer Spezies im Sonnensystem ist endlich!«: Hendrik dorgathen über sein buch »slow«, über comics und science fiction." Das Science Fiction Jahr 8. (2009): 1231–39. |
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| Kasper, Hartmut. "I Shall Destroy All the Civilized Planets! Jenseits der usa: der superheld als gescheiterte existenz." Das Science Fiction Jahr 8. (2009): 76–94. |
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| Kavadlo, Jesse. "X-istential X-Men: Jews, supermen, and the literature of struggle." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 38–48. |
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| Kawa, Abraham. "Comics since the Silver Age." The Routledge Companion to Science Fiction. Eds. Mark Bould, et al. London, New York: Routledge, 2009. 163–73. |
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| Kelleter, Frank and Daniel Stein. "Great, Mad, New: Populärkultur, serielle ästhetik und der frühe amerikanische zeitungscomic." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 81–117. |
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| Kelly, Frances. "Supervision Satirized: Fictional narratives of student–supervisor relationships." Arts and Humanities in Higher Education 8. (2009): 368–84. |
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| Khanduri, Ritu G. "Vernacular Punches: Cartoons and politics in colonial india." History and Anthropology 20. (2009): 459–86. |
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| Killjoy, Margaret. "Alan Moore." Mythmakers & Lawbreakers. Anarchist Writers on Fiction. Oakland, Edinbourgh: AK Press, 2009. 41–57. |
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| Kim, Kyung Hyun. "“Tell the Kitchen That There’s Too Much Buchu in the Dumpling”: Reading park chan-wook’s “unknowable” oldboy." Horror to the Extreme. Changing Boundaries in Asian Cinema. Eds. Jinhee Choy and Mitsuyo Wada-Marciano. Hong Kong: Hong Kong Univ. Press, 2009. 179–98. |
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| Klar, Elisabeth. "Blueberry – l'expérience secrète: Eine comicverfilmung zwischen konstruktion und dekonstruktion des heldenmythos." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 139–52. |
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| Klausen, Jytte. The Cartoons That Shook the World. London: Yale Univ. Press, 2009. |
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| Kniep, Matthias. Die drei Zeitalter des Superhelden-Comics (Gold, Silber und Bronze): Von der geburt, demontage und wiederbelebung eines amerikanischen mythos. Geist und Wissen. Kiel: Ludwig, 2009. |
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| Knigge, Andreas C. "Comics." Kindlers Literatur Lexikon. 3rd ed. Stuttgart: Metzler, 2009. |
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| Knigge, Andreas C. "Die Chancen der Moderne: Ein werkstattgespräch mit reprodukt-verleger dirk rehm." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 248–57. |
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| Knigge, Andreas C. "Zeichenwelten: Der kosmos der comics." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 5–34. |
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| Knorr, Wolfram. "Will Eisner: Oder: das visuelle rauschgift des bilderromans." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 74–89. |
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| Koebner, Sascha. "Helden für jedermann: Die superheldeninflation im japanischen manga und anime." Das Science Fiction Jahr 8. (2009): 319–32. |
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| Koh, Wilon. "“Put Not Your Trust in Princes”: fables and the problematisation of everyday life." Nebula 6. 2 2009. Accessed 29 May. 2012. <http://www.nobleworld.biz/images/Koh.pdf>. |
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| Köhn, Stephan. "Komplexe Bilderwelten: Der japanische mädchencomic als paradigma einer mangaesken wahrnehmungskultur." Wahrnehmungskulturen. Erkenntnis – Mimesis – Entertainment. Eds. Gerd Antos, et al. Massenphänomene. Halle: Mitteldeutscher Verl. 2009. 159–74. |
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| Köhnen, Ralph. Das optische Wissen: Mediologische studien zu einer geschichte des sehens. München: Fink, 2009. |
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| Kopf, Christine. "Marie und die Mangas: Auf der suche nach der zeichnenden frau: ein kleiner abriss der comic-historie." Feministische Studien 27. (2009): 137–42. |
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| Korneliussen, Ina. "Tegneseriens narrative virkemidler: Eksemplificeret ved analyse af to værker af jason." Speciale Aalborg Universitet, 2009. |
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| Korte, Barbara and Sylvia Paletschek. Geschichte in populären Medien und Genres: Vom historischen roman zum computerspiel. Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg. Freiburg: Albert-Ludwigs-Universität, 2009. |
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| Korte, Barbara and Sylvia Paletschek. "Geschichte in populären Medien und Genres: Vom historischen roman zum computerspiel." History Goes Pop. Zur Repräsentation von Geschichte in populären Medien und Genres. Eds. Barbara Korte and Sylvia Paletschek. Historische Lebenswelten in populären Wissenskulturen/History in Popular Cultures. Bielefeld: Transcript, 2009. 9–60. |
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| Krenn, Günter. "»Dem Maler lag daran, K.s Stimmung irgendwie zu deuten«: Gedanken zur interpretation von kafkas der process durch guido crepax." Reddition 26. (2009): 16–20. |
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| Krichmayr, Karin. "Das komische Horrorkabinett des Nicolas Mahler: Monster und helden, wie sie im wirklichen leben sind." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 153–66. |
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| Kronthaler, Helmut. "Addenda [zu: Barlog]." Deutsche Comicforschung 5. (2009): 140–41. |
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| Kronthaler, Helmut. "Porno, Pop und Politik: Alfred von meysenbug als comic-revoluzzer." Deutsche Comicforschung 5. (2009): 118–25. |
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| Krüger, Steffen. "Die Karikatur als Stereotypefahnder: Ernst kris’ kunstpsychologie revisited." Visuelle Stereotype. Eds. Thomas Petersen and Clemens Schwender. Köln: Halem, 2009. 174–94. |
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| Kruschel, Karsten. "In der Zeitmaschine auf dem Weg zu Gott: Von den sackgassen des erzählens im superhelden-comic und -film." Das Science Fiction Jahr 8. (2009): 118–32. |
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| Krygier, John and Denis Wood. "Ce n’est pas le monde (This is not the world)." Rethinking Maps. New Frontiers in Cartographic Theory. Eds. Martin Dodge, Rob Kitchin and Chris Perkins. Routledge Studies in Human Geography. London, New York: Routledge, 2009. 189–218. |
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| Kuechenmeister, Bobby. "Reading Comics Rhetorically: Orality, literacy, and hybridity in comic narratives." Scan. Journal of media arts culture 6. 1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=132>. |
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| Kuhlman, Martha B. "Time Machine: Rudiš/jaromír 99’s wilson main train station." International Journal of Comic Art 11. (2009): 63–73. |
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| Kuhlman, Martha B. "Teaching Paul Karasik's and David Mazzucchelli's Graphic Novel Adaptation of Paul Auster's City of Glass." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 120–28. |
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| Kukkonen, Taneli. "What's So Goddamned Funny? The Comedian and Rorschach on Life's Way." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 197–213. |
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| Kukkonen, Karin. "Textworlds and Metareference in Comics." Metareference Across Media. Theory and Case Studies. Ed. Werner Wolf. Studies in Intermediality. Amsterdam [etc.]: Rodopi, 2009. 499–513. |
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| Kunzle, David. "Gary Larson and the World Upside Down." International Journal of Comic Art 11. (2009): 135–57. |
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| Kunzle, David. "The Gourary Töpffer Manuscript of Monsieur Jabot: A question of authenticity. with the dating and distribution of rodolphe töpffer's first published picture story, and the world's first modern comic strip." European Comic Art 2. (2009): 173–203. |
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| Kunzle, David. "Rodolphe Töpffer’s Aesthetic Revolution." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 17–24. |
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| Art Spiegelman: Traits de mémoire / comic-zeichner. 2009. |
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| Kusche, Matthias. "Böse Bilder: Einige kritische anmerkungen zur vermeintlichen wirksamkeit des mediums bild am beispiel von max und moritz und die simpsons." Wahrnehmungskulturen. Erkenntnis – Mimesis – Entertainment. Eds. Gerd Antos, et al. Massenphänomene. Halle: Mitteldeutscher Verl. 2009. 175–89. |
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| Lackner, Eden Lee. "Anime and Manga." Women in Science Fiction and Fantasy. Vol. 1: Overviews. Ed. Robin Anne Reid. Westport: Greenwood, 2009. 123–34. |
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| Ladd, Fred. Astro Boy and Anime Come to the Americas: An insider’s view of the birth of a pop culture phenomenon. Jefferson, London: McFarland, 2009. |
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| Lamarre, Thomas. The Anime Machine: A media theory of animation. Minneapolis: Univ. of Minnesota Press, 2009. |
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| Lamb, Sharon, Lyn Mikel Brown, and Mark Tappan. Packaging Boyhood: Saving our sons from superheroes, slackers, and other media stereotypes. New York: St. Martin’s Press, 2009. |
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| Lambert, Josh. American Jewish Fiction. JPS Guide. Philadelphia: Jewish Publication Society, 2009. |
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| Lambert, Josh. "“Wait for the Next Pictures”: Intertextuality and cliffhanger continuity in early cinema and comic strips." Cinema Journal 48. (2009): 3–25. |
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| Lampe, Gerhard. "Vom Renaissance-Fresko zum Hollywood-Film: Gestaltungsprinzipien der erzählung mit bildern." Wahrnehmungskulturen. Erkenntnis – Mimesis – Entertainment. Eds. Gerd Antos, et al. Massenphänomene. Halle: Mitteldeutscher Verl. 2009. 43–55. |
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| Langevin, Sébastien. "La bande dessinée en Afrique subsaharienne francophone." Une francophonie plurielle. Langues, idées et cultures en mouvement. Eds. Lise Toft and Lisbeth Verstraete-Hansen. Etudes Romanes. Copenhagen: Museum Tusculanum, 2009. 169–77. |
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| Langley, Travis. "Freedom versus Security: The basic human dilemma from 9/11 to marvel’s civil war." International Journal of Comic Art 11. (2009): 426–35. |
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| Laraudogoitia, Jon Pérez. "The Composition and Structure of the Comic." Journal of Quantitative Linguistics 16. (2009): 327–53. |
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| Lawrence, John Shelton. "Thinking Comics with Danny Fingeroth." Philosophy Now (2009). |
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| Lee, Hye-Kyung. "Between fan culture and copyright infringement: Manga scanlation." Media, Culture & Society 31. (2009): 1011–22. |
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| Lefèvre, Pascal. "Kawaguchi’s Zipang, an alternate Second World War." Quaderns de Filologia 14 2009. Accessed 29 May. 2016. <https://www.academia.ed ... ernate_Second_World_War>. |
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| Lefèvre, Pascal. "The Conquest of Space: Evolution of panel arrangements and page layouts in early comics published in belgium (1880–1929)." European Comic Art 2. (2009): 227–52. |
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| Lefèvre, Pascal. "The Construction of Space in Comics." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 157–62. |
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| Lefèvre, Pascal. "Coping with the Visual Ontology of Drawings and Revitalizing Cinema by an Aesthetic of Artifice." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum Edizioni, 2009. 551–54. |
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| Lent, John A. "An Illustrated History of Indian Political Cartooning." International Journal of Comic Art 11. (2009): 3–25. |
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| Last edited by: joachim 20/08/2009, 15:12 |
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| Lent, John A. "Cartooning in Cyprus: Small is beautiful." International Journal of Comic Art 11. (2009): 307–19. |
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| Added by: joachim 26/09/2012, 10:22 |
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| Lent, John A. "Comics and Philosophy." Philosophy Now (2009). |
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| Added by: joachim 17/11/2009, 10:15 |
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