| Ferguson, Christine. "Victoria-Arcana and the Misogynistic Poetics of Resistance in Iain Sinclair’s White Chappell, Scarlet Tracings and Alan Moore’s From Hell." LIT. Literature Interpretation Theory 20. (2009): 45–64. |
 
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| Ferguson, Christine. "Steam Punk and the Visualization of the Victorian: Teaching alan moore's the league of extraordinary gentlemen and from hell." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 200–07. |
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| Fernandes D‘Oliveira, Gêisa. "From Bumpkin to Blessed – Comics and National Identity: A brazilian case study." International Journal of Comic Art 11. (2009): 350–63. |
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| Fernández L’Hoeste, Héctor D. "From Mexifornia to Newyorktitlan: East vs. west meets the mexican tradition." International Journal of Comic Art 11. (2009): 229–46. |
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| Fernández L’Hoeste, Héctor D. and Juan Poblete, eds. Redrawing the Nation: National identity in latin/o american comics. New Concepts in Latino American Cultures. New York [etc.]: Palgrave Macmillan, 2009. |
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| Figatowski, Bartholomäus. "Eine Glühbirne im Kampf für eine bessere Welt: Es gibt helden, es gibt superhelden – und dann gibt es noch birne." Das Science Fiction Jahr 8. (2009): 370–97. |
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| Finlayson, J. Caitlin. "The Boundaries of Genre: Translating shakespeare in antony johnston and brett weldele's julius." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 188–99. |
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| Fitzgerald, Paul E. Will Eisner and PS Magazine: An ongoing legacy of nitty-gritty laughs and deadly serious how-to comics for generations of america’s warriors. an illustrated history and commentary. Fincastle: FitzWorld.US, 2009. |
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| Ford, Sam and Henry Jenkins. "Managing Multiplicity in Superhero Comics: An interview with henry jenkins." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 303–12. |
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| Foster, Michael Dylan. "Haunted Travelogue: Hometowns, ghost towns, and memories of war." Mechademia 4. (2009): 164–81. |
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| Foster, III, William. "Langston Hughes’s “Jesse B. Simple” and Ollie Harrington’s “Bootsie”: Cartoons and stories that preserve the voice of the african american everyman." International Journal of Comic Art 11. (2009): 294–306. |
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| Frahm, Ole. "Am Nullpunkt der Comics." Reddition 26. (2009): 21–22. |
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| Frahm, Ole. "Unsäglich: Zum stand der deutschen comic-forschung 2009." Kultur & Gespenster (2009): 197–202. |
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| Frahm, Ole. "Enthauptung: independent comics und ihre unabhängigkeit von bürgerlichen kunstbegriffen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 179–200. |
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| Frank, Kathryn. "Drawn In, Drawn Out: Graphic novels as a site for alternative representation." Undergraduate Honors Thesis Stanford University, 2009. |
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| Freedman, Ariela. "Drawing on Modernism in Alison Bechdel’s Fun Home." Journal of Modern Literature 32. (2009): 125–40. |
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| Freedman, Leonard. The Offensive Art: Political satire and its censorship around the world from beerbohm to borat. Westport: Greenwood, 2009. |
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| Frenz, Dietmar. "A Brother to Dragons: Zu alan moores watchmen vii." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 176–94. |
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| Fricke, Hannes. "Batmans Metamorphosen als intermedialer Superheld in Comic, Prosa und Film: Das Überleben der mythischen Figur, die Urszene – und der Joker." IASL online 2009. Accessed 12 Aug. 2009. <http://www.iaslonline.de/index.php?vorgang_id=3071>. |
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| Friederich, Ute. "Komik – Comic: Komische elemente in den texten franz kafkas und ihre bildliche umsetzung in verschiedenen comic-adaptionen." M.A. Magisterarbeit. Universität Bonn, 2009. |
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| Gabilliet, Jean-Paul. "Comic art and bande dessinée: From the funnies to graphic novels." The Cambridge History of Canadian Literature. Eds. Coral Ann Howells and Eva-Marie Kröller. Cambridge [etc.]: Cambridge Univ. Press, 2009. 460–77. |
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| Galbraith, Patrick W. "Moe: Exploring virtual potential in post-millennial japan." electronic journal of contemporary japanese studies 2009. Accessed 18 Nov. 2009. <http://www.japanesestud ... les/2009/Galbraith.html>. |
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| Galbraith, Patrick W. The Otaku Encyclopedia: An insider's guide to the subculture of cool japan. Tokyo: Kodansha Int. 2009. |
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| Gamboa, Michelle. "Architecture, Construction, and the Comics Reading Experience in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth." ECLS Student Scholarship 2009. Accessed 20 Aug. 2014. <http://scholar.oxy.edu/ecls_student/19>. |
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| Gambone, Robert L. Life on the Press: The popular art and illustrations of george benjamin luks. Jackson: Univ. Press of Mississippi, 2009. |
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| Gardner, Jared. "Percy Crosby and Skippy." The Comics Journal (2009): 144–52. |
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| Gärtner, Markus. "Zwischen Motivation und Manipulation: Zur stellung von comics im geschichtsunterricht." Geschichte für heute 2. (2009): 52–67. |
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| Gaschler, Peter M. "Der weite Weg nach Smallville: Supermans filmische suche hat ein ende." Das Science Fiction Jahr 8. (2009): 246–57. |
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| Gaschler, Peter M. "Noch einmal von vorne anfangen: Hayao miyazaki, meister des anime." Das Science Fiction Jahr 8. (2009): 1025–39. |
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| Gasser, Christian. "Barrikaden und Schützengräben: Über jacques tardi und seine chronik frankreichs seit der pariser kommune." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 143–57. |
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| Gentz, Anna. "Wenn Literaten fremdgehen: Ausflüge in das medium comic am beispiel julio cortázars." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 232–47. |
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| Geppert, Hans Vilmar. "Dreistellig-semiotische Erzähltheorie: Entwurf einer orientierung." Theorien der Literatur. Grundlagen und Perspektiven. Bd IV. Eds. Günter Butzer and Hubert Zapf. Tübingen: Francke, 2009. 305–37. |
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| Gerndt, Helge. "Mit Bildern erzählen." Erzählkultur. Beiträge zur kulturwissenschaftlichen Erzählforschung. Ed. Rolf W. Brednich. Berlin u. New York: de Gruyter, 2009. 309–25. |
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| Ghosn, Joseph. Romans graphiques: 101 propositions de lectures des années soixante à deux mille. Paris: Les mots et le reste, 2009. |
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| Gibbons, Dave. Watching the Watchmen: Die entstehung einer graphic novel. Nettetal: Panini, 2009. |
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| Giesa, Felix. "Pop und Comics: Popkultur als referenzrahmen für zeitgenössische deutsche autorencomics." kjl&m 61. (2009): 39–45. |
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| Gillen, Shawn. "Captain America, Post-Traumatic Stress Syndrome, and the Vietnam Era." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 104–15. |
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| Girard, Eudes. "Une lecture de Tintin au Tibet." Études 411. (2009): 77–86. |
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| Glaubitz, Nicola. "Coyote in the land of culture industry: Robert crumb and popular cultural memory." Moment to Monument. The Making and Unmaking of Cultural Significance. Eds. Ladina Bezzola Lambert and Andrea Ochsner. Bielefeld: Transcript, 2009. 197–208. |
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| Goldberg, Wendy. "Transcending the Victim’s History: Takahata isao’s grave of the fireflies." Mechademia 4. (2009): 39–52. |
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| Goldstein, Claudia. "Comics and the Canon: Graphic novels, visual narrative, and art history." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 254–61. |
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| Göllner, Lutz. "SciFi, Juden, Jugendliche: Die ursprünge der superheldencomics." Das Science Fiction Jahr 8. (2009): 32–52. |
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| Gonshak, Henry. "Beyond Maus: Other holocaust graphic novels." Shofar 28. (2009): 55–79. |
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| Gopalakrishnan, Gokul T. "G. Aravindan’s “Small Men and the Big World”: Re-defining the “comic” in the strip." International Journal of Comic Art 11. (2009): 44–52. |
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| Gordon, Lindsay Heather. "Virgin Comics’ Devi: Creating a new goddess." Thesis M.A. University of North Carolina, 2009. |
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| Gossin, Pamela. "Interdisciplinary Meets Cross-Cultural: Teaching anime and manga on a science and technology campus." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 288–98. |
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| Green, Justin. "Afterword." Binky Brown meets The Holy Virgin Mary. San Francisco: McSweeney’s Books, 2009. 51–63. |
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| Green, Paul. Encyclopedia of Weird Westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television and games. Jefferson, London: McFarland, 2009. |
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| Green, Karen. "Finding Scholarly Literature on Graphic Novels." 2009. Accessed 3 Aug. 2009. <http://library.columbia ... phic_novels/seclit.html>. |
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| Greenblatt, Jordana. "I for Integrity: (inter)subjectivities and sidekicks in alan moore's v for vendetta and frank miller’s batman: the dark knight returns." ImageTexT 4. 3 2009. Accessed 9 Dec. 2009. <http://www.english.ufl. ... chives/v4_3/greenblatt/>. |
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| Groensteen, Thierry. La bande dessinée: Son histoire et ses maîtres. Paris: Skira-Flammarion, 2009. |
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| Groensteen, Thierry. Le petit catalogue du Musée de la bande dessinée. Paris: Skira-Flammarion, 2009. |
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| Groensteen, Thierry. "The Impossible Definition." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 124–31. |
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| Groensteen, Thierry. "Why Are Comics Still in Search of Cultural Legitimization." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 3–11. |
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| Grossman, Austin. "Es gibt kein Zurück: Superhelden – helden wie du und ich." Das Science Fiction Jahr 8. (2009): 398–406. |
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| Grote, Hannes. "Lyrische Rhythmen, epische Stimmen, dramatische Reden: Literarische techniken in der sprache des comics." Reddition 26. (2009): 8–11. |
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| Grünewald, Dietrich. "Der Totentanz bei Rethel, Ille und Schwarzkopf." Deutsche Comicforschung 5. (2009): 21–32. |
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| Grünewald, Dietrich. "Realismo mágico: Zur erzählweise alberto breccias." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 158–75. |
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| Gruteser, Michael. "Comic-Realismus in American Splendor." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 187–99. |
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| Guazzelli Filho, Eloar. "Canini e o anti-herói brasileiro: Do zé candango ao zé – realmente – carioca." Dissertação Mestre em Ciências da Comunicação. Universidade de São Paulo, 2009. |
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| Guillot, Caroline and Aymar du Chatenet. Goscinny: faire rire, quel métier!. Découvertes Gallimard. Paris: Gallimard, 2009. |
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| Gundermann, Christine. "50 Jahre Widerstand: Das phänomen asterix." Zeithistorische Forschungen. Studies in Contemporary History 6. (2009): 115–28. |
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| Gutiérrez, Peter. "Identity and the Uncanny: A coraline study guide." Screen Education (2009): 86–89. |
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| Hack, Brian E. "Weakness Is a Crime: Captain america and the eugenic ideal in early twentieth-century america." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 79–89. |
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| Hailinger, Alexandra. "Gezeichnete Narrativität – Ästhetik und Symbolik der Comics: Superhelden in not?." Bachelorarbeit BA. Pädagogische Hochschule Steiermark, 2009. |
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| Hajdu, David. "Joe Sacco and Daniel Clowes." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 108–15. |
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| Hajdu, David. "Jules Feiffer at the Village Voice." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 276–82. |
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| Hajdu, David. "Marjane Satrapi." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 295–304. |
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| Hajdu, David. "Will Eisner." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 178–86. |
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| Hallet, Wolfgang. "The Multimodal Novel: The integration of modes and media in novelistic narration." Narratology in the Age of Cross-Disciplinary Narrative Research. Eds. Sandra Heinen and Roy Sommer. Narratologia. Berlin u. New York: de Gruyter, 2009. 129–53. |
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| Hammond, Heidi. Graphic Novels and Multimodal Literacy: A reader response study. Saarbrücken: Lambert Academic Publ. 2009. |
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| Hangartner, Urs. "Von Bildern und Büchern: Comics und literatur – comic-literatur." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 35–56. |
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| Hanson, Dian, ed. Tom of Finland XXL. Köln: Taschen, 2009. |
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| Harbeck, Matthias. Das Massenmedium Comic als Marginalbestand im deutschen Bibliothekssystem? Analyse der sammlungsstrategien und -absprachen in wissenschaftlichen und öffentlichen bibliotheken. Berliner Handreichungen zur Bibliotheks- und Informationswissenschaft. Berlin: Institut für Bibliotheks- und Informationswissenschaft der Humboldt-Universität zu Berlin, 2009. |
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| Harris, Marla. "“Sex and the City”: The graphic novel series aya as west african comedy of manners." International Journal of Comic Art 11. (2009): 119–35. |
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| Harris, Miriam. "Cartoonists as Matchmakers: The vibrant relationship of text and image in the work of lynda barry." Elective Affinities. Testing Word and Image Relationships. Eds. Catriona MacLeod, Véronique Plesch and Charlotte Schoell-Glass. Word & Image Interactions. Amsterdam [etc.]: Rodopi, 2009. 129–44. |
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| Harris-Fain, Darren. "Revisionist Superhero Graphic Novels: Teaching alan moore's watchmen and frank miller's dark knight books." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 147–54. |
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| Harvey, Robert C. "How Comics Came to Be: Through the juncture of word and image from magazine gag cartoons to newspaper strips, tools for critical appreciation plus rare seldom witnessed historical facts." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 25–45. |
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| Harvill, William. "Li’l Abner: From comic strip to musical." Studies in Musical Theatr 3. (2009): 85–90. |
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| Hatfield, Charles. "An Art of Tensions." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 132–48. |
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| Hatfield, Charles. "Superheroes and the Silver Age." Faster than a Speeding Bullet. The Art of the Superhero. Ed. Ben Saunders. Eugene: Jordan Schnitzer Museum of Art, 2009. |
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| Hatfield, Charles. "Defining Comics in the Classroom; or, The Pros and Cons of Unfixability." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 19–27. |
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| Hathaway, Rosemary V. "“More than Meets the Eye”: Transformative intertextuality in gene luen yang’s american born chinese." ALAN Review 37. 1 2009. Accessed 5 Feb. 2012. <http://scholar.lib.vt.e ... /v37n1/pdf/hathaway.pdf>. |
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| Haubrichs, Wolfgang. "Text, Kontext, Bild in illustrierten Handschriften des späten Mittelalters: Das beispiel der elisabeth von nassau-saarbrücken († 1456)." Zeitschrift für Literaturwissenschaft und Linguistik 39. (2009): 70–84. |
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| Hausmanninger, Thomas. "Mythen von Religion: Comicverfilmungen in den usa." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Vol. 2. Paderborn: Schöningh, 2009. 31–51. |
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| Haverkorn, Bernd. "Paul Austers City of Glass von Paul Karasik/David Mazzucchelli." Labyrinthe als Texte – Texte als Labyrinthe. Eds. Monika Schmitz-Emans and Christian A. Bachmann. forum texte + projekte. Bochum: Ch.A. Bachmann, 2009. 132–34. |
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| Hayde, Michael J. Flights of Fantasy: The unauthorized but true story of radio & tv’s adventures of superman. Duncan: BearManor Media, 2009. |
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| Hayton, Christopher J. "Fantastic Giants: Charlton comics' monster movie adaptations." Scan. Journal of media arts culture 6. 1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=131>. |
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| Hayton, Christopher J. and David L. Albright. "O Captain! My Captain!." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 15–23. |
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| Healey, Karen. "When Fangirls Perform: The gendered fan identity in superhero comics fandom." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 144–63. |
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| Heinzelmann, Herbert. "Corto im ›anderen Zustand‹: Aspekte der moderne und postmoderne in hugo pratts südseeballade und im maltese-zyklus." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 109–24. |
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| Held, Jacob M. "Can We Steer This Rudderless World? Kant, Rorschach, Retributivism, and Honor." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 19–31. |
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| Heller, Dana A. "Memory's Architecture: American studies and the graphic novels of art spiegelman." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 155–62. |
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| Hemmingson, Michael. "The Canonical is Not Sacred: Public domain and the league of extraordinary gentlemen." Science Fiction Studies 36. (2009): 375–78. |
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| Hicks, Marianne. "‘Teh Futar’: The power of the webcomic and the potential of web 2.0." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. 11.1–20. |
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| Hieronimus, Marc. "Geschichtscomics im DaF-Unterricht." Fremdkörper? Aspekte der Geisteswissenschaften in der Auslandsgermanistik und im DaF-Unterricht. Eds. Magali Nieradka and Denise Specht. Berlin [etc.]: LIT, 2009. 101–14. |
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| Last edited by: joachim 11/02/2011, 13:21 |
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| Hiley, Nicholas. "Showing politics to the people: Cartoons, comics and satirical prints." Using Visual Evidence. Eds. Richard Howells and Robert Matson. Philadelphia: Open University Pr. 2009. 24–42. |
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| Added by: joachim 22/05/2018, 22:58 |
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| Hill, Mark C. "Negotiating Wartime Masculinity in Bill Willingham’s Fables." Fairy Tales Reimagined. Essays on New Retellings. Ed. Susan Redington Bobby. Jefferson, London: McFarland, 2009. 181–95. |
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| Added by: joachim 28/12/2012, 20:31 |
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| Hillebold, Lars. "Wenn ein Comic Theologie treibt …." reli. Zeitschrift für Religionsunterricht und Lebenskunde 38. (2009): 11–16. |
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| Added by: joachim 23/11/2009, 13:20 |
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