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Mann, Thomas. "Introduction to Frans Masereel, Passionate Journey: A Novel Told in 165 Woodcuts." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 13–21. |
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Marble, Annie Russell. "From “The Reign of the Spectacular”." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 7–8. |
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Marcus, Greil. "The Man on the Street." Give Our Regards to the Atomsmashers! Writers on Comics. Ed. Sean Howe. New York: Pantheon, 2004. 188–94. |
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Martin, Annabelle. "Le portrait d’Edmond Baudoin: Réflexions sur l’efficacité d’une œuvre à saisir la vie." Belphégor 4. 1 2004. Accessed 14 Feb. 2013. <http://dalspace.library.dal.ca/handle/10222/47695>. |
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Matsui, Midori. "Little Girls Were Little Boys: Displaced femininity in the representation of homosexuality in japanese girls’ comics." Fanning the Flames. Fans and Consumer Culture in Contemporary Japan. Ed. William W. Kelly. Albany: SUNY Pr. 2004. 169–87. |
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McCabe, Joseph. Hanging Out with the Dream King: Conversations with neil gaiman and his collaborators. Seattle: Fantagraphics, 2004. |
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McCabe, Joseph. "Dave McKean." Hanging Out with the Dream King. Conversations with Neil Gaiman and His Collaborators. Ed. Joseph McCabe. Seattle: Fantagraphics, 2004. 18–28. |
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McLuhan, Marshall. "From The Mechanical Bride: Folklore of Industrial Man." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 102–06. |
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Meteling, Arno. "Weird Science: Wissenschaft und wahn im amerikanischen superhelden-comic." Wahnsinnig genial. Der Mad Scientist Reader. Eds. Torsten Junge and Dörte Ohlhoff. Aschaffenburg: Alibri, 2004. 171–95. |
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Micciche, Laura R. "Seeing and Reading Incest: A study of debbie drechsler’s daddy’s girl." Rhetoric Review 23. (2004): 5–20. |
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Miller, Jeffrey. "A Response to Kobayashi Yoshinori's ›On Taiwan‹." International Journal of Comic Art 6. (2004): 266–80. |
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Miller, Ann. "Contemporary bande dessinée: Contexts, critical approaches and case studies." Thesis PhD. University of Newcastle upon Tyne, 2004. |
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Miller, Ann and Murray Pratt. "Transgressive Bodies in the work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: Towards a theory of the ‘autobiobd’." Belphégor 4. 1 2004. Accessed 6 Apr. 2010. <http://dalspace.library.dal.ca/handle/10222/47696>. |
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Miller, Ann. "Les héritiers d’Hergé: The figure of the aventurier in a post-colonial context." Shifting Frontiers of France and Francophonie. Eds. Yvette Rocheron and Christopher Rolfe. Bern [etc.]: Peter Lang, 2004. 307–24. |
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Misiroglu, Gina, ed. The Superhero Book: The ultimate encyclopedia of comic-book icons and hollywood heroes. 2nd ed. Canton: Visible Ink, 2012. |
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Moe, Anders. "Japanese Comics: The reasons for their popularity and place in the popular culture." Hovedoppgave Universitetet i Oslo, 2004. |
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Molinaro, John. "Who Owns Captain America? Contested authorship, work-for-hire, and termination rights under the copyright act of 1976." Georgia State University Law Review 21. (2004): 565–92. |
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Nakas, Kassandra, ed. Funny Cuts. Cartoons and Comics in Contemporary Art. Bielefeld: Kerber, 2004. |
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Naranjo, Francisco. Alan Moore: Magia y precisión. Sin palabras. Serie A. Madrid: Sinsentido, 2004. |
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Neuhaus, Stefan. "Die zwei Türme: spider-man und der 11. september." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 105–16. |
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Nevins, Jess. A Blazing World: The unofficial companion to the league of extraordinary gentlemen, volume two. Austin: MonkeyBrain, 2004. |
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Nielsen, Michael G. and Per Sanderhage. Interpresse – historien om et forlag: En historisk vandring gennem næsten halvtreds års forlagshistorie. København: Fantask, 2004. |
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Noh, Sueen. "The Gendered Comics Market in Korea: An overview of korean girls' comics, soonjung manhwa." International Journal of Comic Art 6. (2004): 281–98. |
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Nouailhat, René. Jacobs, la marque du fantastique: Mythologie, politique et religion dans la bande dessinée blake et mortimer. Saint-Egrève: Mosquito, 2004. |
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Okubo, Miné. "Preface from the 1983 edition of Citizen 13660." Amerasia Journal 30. (2004): 9–14. |
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Okubo, Miné. "Statement of Miné Okubo before the Congressional Committee on Wartime Relocation and Internment (1981)." Amerasia Journal 30. (2004): 15–18. |
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Oliver, Agustín. Richard Corben: Un rebelde tranquilo. Sin palabras. Serie A. Madrid: Sinsentido, 2004. |
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Ong, Walter J. "Mickey Mouse and Americanism." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 94–98. |
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Ossmann, Andrea. "Phänomen Manga: Die entstehungsgeschichte japanischer comics und ihre bedeutung für deutsche verlage und bibliotheken. mit einer annotierten titelliste." Diplomarbeit Dipl.-Bibliothekarin (FH). Fachhochschule Stuttgart – Hochschule der Medien, 2004. |
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Otto, Ulli. "Nick Knatterton." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 2004. |
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Packard, Stephan. "Comics and the Myopic Gaze: Punishing unexpected and effective texts." Medienobservationen 2004. Accessed 20 Aug. 2009. <http://www.medienobserv ... ackard_myopie_engl.html>. |
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Parker, Dorothy. "A Mash Note to Crockett Johnson." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 35–36. |
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Patten, Fred. Watching Anime, Reading Manga: 25 years of essays and reviews. Berkeley: Stone Bridge Press, 2004. |
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Pellitteri, Marco. "Fumetto." Le Muse. Grande dizionario critico di arti visive, letteratura, musica e teatro. Vol. 5. Novara: De Agostini, 2004. 225–45. |
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Perret, Marion D. "Not Just Condensation: How comic books interpret shakespeare." College Literature 31. (2004): 72–93. |
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Pfarr, Ulrich. "Comics als Mythologie der Moderne. Mythen in einer rationalisierten Welt." Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst. Ed. Kassandra Nakas. Bielefeld: Kerber, 2004. 104–129. |
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Phelps, Donald. "Over the Cliff." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 134–37. |
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Phelps, Donald. "Reprise: ‘Love and Death’." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 138–41. |
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Poole, Ralph J. "›Apollo among satyrs‹: Der schöne finne im wilden westen amerikas von james kirke paulding bis tom of finland." Jahrbuch für finnisch-deutsche Literaturbeziehungen 36. (2004): 62–89. |
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Portevin, Bertrand. Le démon inconnu d’Hergé ou Le génie de Georges Remi. Paris: Dervy, 2004. |
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Portnoy, Edward. "Follow My Nose: Self-caricature in cartoons of the yiddish press." International Journal of Comic Art 6. (2004): 285–303. |
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Postema, Barbara. "Memories That Don’t Weaken: Seth and walter benjamin." International Journal of Comic Art 6. (2004): 266–72. |
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Quinquis, Stella. "Die literarisch konstruierte Mündlichkeit in Les Frustrés von Claire Bretécher." Diss. Dr. Ruhr-Universität Bochum, 2004. |
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Raeburn, Daniel. Chris Ware. Monographics. New Haven: Yale Univ. Press, 2004. |
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Raeburn, Daniel. "Two Centuries of Underground Comic Books." Strips, Toons, and Bluesies. Essays in Comics and Culture. Eds. Douglas Bevan Dowd and Todd M. Hignite. New York: Princeton Architectural Pr. 2004. 34–45. |
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Raskin, Lydia. "La traduction à l’espagnol de la bande dessinée XXe ciel.com d’Yslaire: Influence sur le temporel." TRANS. Revista de traductología (2004): 89–104. |
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Raviv, Dan. Comic Wars: Marvel’s battle for survival. Sea Cliff: Heroes Books, 2004. |
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Rey, David. "Laughing at the Dictator: Franco and franco’s spain in the spanish blockbuster “mortadelo y filemón”." Zeithistorische Forschungen / Studies in Contemporary History (2004): 453–61. |
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Richardson, Niall. "The Gospel According to Spider-Man." Journal of Popular Culture 37. (2004): 694–703. |
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Rifas, Leonard. "Racial Imagery, Racism, Individualism, and Underground Comix." ImageTexT 1. 1 2004. Accessed 20 Oct. 2009. <http://www.english.ufl. ... xt/archives/v1_1/rifas/>. |
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Riley, Yoko. "Faust through the Eyes of a Japanese Cartoonist." Faust. Ed. Osman Durrani. Icons of modern culture. Mountfield: Helm, 2004. 409–16. |
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Ro, Ronin. Tales to Astonish: Jack kirby, stan lee, and the american comic book revolution. New York: Bloomsbury, 2004. |
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Roberts, Garyn G. "Understanding the Sequential Art of Comic Strips and Comic Books and Their Descendants in the Early Years of the New Millennium." Journal of American Culture 27. (2004): 210–17. |
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Robinson, Greg. "What I Did in Camp: Interpreting japanese american internment narratives of isamu noguchi, miné okubo, jeanne wakatsuki houston, and john tateishi." Amerasia Journal 30. (2004): 49–58. |
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Robinson, Lillian S. Wonder Women: Feminisms and superheroes. London, New York: Routledge, 2004. |
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Roch, Axel. "Die Kunst der Störung durch adaptive Täuschung: Bugs Bunny." Wie im Film. Zur Analyse populärer Medienereignisse. Ed. Bernd Scheffer. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 201–18. |
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Rønning, Helge. "Minner om møter mellom kontinental europeisk filosofi og amerikansk populærkultur." Poetik und Gedächtnis. Eds. Karin Hoff, et al. Beiträge zur Skandinavistik. Frankfurt am Main [etc.]: Peter Lang, 2004. 105–09. |
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Root, Tom and Andrew Kardon. Writers on Comics Scriptwriting. Vol. 2. London: Titan Books, 2004. |
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Rosemberg, Julien. "La bande dessinée historique: une source possible pour l’historien: L’exemple de la collection vécu (1985–2002)." Belphégor 4. 1 2004. Accessed 14 Feb. 2013. <http://dalspace.library.dal.ca/handle/10222/47697>. |
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Rosenberg, Harold. "The Labyrinth of Saul Steinberg." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 81–83. |
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Rosenfelder, Mark. "Love and Rockets Character Index." 2004. Accessed 28 Apr. 2013. <http://www.zompist.com/Lovinchar.html>. |
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Rosenfelder, Mark. "The Jaime Hernandez Chronology." 2004. Accessed 28 Apr. 2013. <http://www.zompist.com/loveroc1.html>. |
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Rota, Valerio. La marca dello straniero: Fumetti tradotti e alterità. Mottola: Lilliput, 2004. |
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Rota, Valerio. "The Translation’s Visibility: David b.’s l’ascension du haut mal in italy." Belphégor 4. 1 2004. Accessed 6 Apr. 2010. <http://dalspace.library.dal.ca/handle/10222/47698>. |
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Rusch, Mark T. "The Deranged Episode: Ironic dissimulation in the domestic scenes of edward gorey’s short stories." International Journal of Comic Art 6. (2004): 445–55. |
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Sacco, Joe. "Joe Sacco: Presentation from the 2002 uf comics conference." ImageTexT 1. 1 2004. Accessed 25 Jan. 2010. <http://www.english.ufl. ... xt/archives/v1_1/sacco/>. |
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Samuelson, Tim. "George Herriman's Last Drawings." McSweeney's Quarterly Concern (2004): 76–84. |
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Sanders, Joe. "Of Storytellers and Stories in Gaiman and Vess’s “A Midsummer Night’s Dream”." Extrapolation 45. (2004): 237–48. |
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