| Kaplan, Arie. "How the Jews Created the Comic Book Industry: Part i: the golden age (1933–1955)." Reform Judaism 32. (2003): 14–23. |
 
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| Keazor, Henry. "Kunst und Film bei den Simpsons." Kunsthistorische Arbeitsblätter (2003): 37–46. |
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| Kennedy, Martha H. "Early Creative Responses to 9-11 by Comic Artists: Panelists share personal experiences." International Journal of Comic Art 5. (2003): 366–73. |
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| Khoury, George. The Extraordinary Works of Alan Moore. Raleigh: TwoMorrows, 2003. |
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| Köhn, Stephan. "Tradition und visuelle Narrativität in Japan: Von den anfängen des erzählens mit text und bild." Japonica Humboldtiana 7. (2003): 55–91. |
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| Krieger, Jolanta. Paraverbale Ausdrücke als Gestaltungsmittel der Textsorte Comic am Beispiel der Reihe Asterix. Lublin: Lubelskie Towarzystwo Naukowe, 2003. |
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| Kuck, Jürgen Bernhard. "Kunst und Comic: Der logos und seine inkorporation." BDK-Mitteilungen (2003): 5–11. |
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| Kumar, Manan. "Today’s Comic Culture in India." ABD. Asian/Pacific Book Development 34. (2003): 6–7. |
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| Kunzle, David. "Kunzle and the Comic Strip." International Journal of Comic Art 5. (2003): 3–7. |
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| Kwitney, Alisa. The Sandman: King of dreams. San Francisco: Chronicle Books, 2003. |
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| Leclerc, Michel-Édouard. Itinéraires dans l’univers de la bande dessinée. Paris: Flammarion, 2003. |
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| Lefèvre, Pascal and Patrick Van Gompel. "Introduction: Comics in Flanders." New Flemish Comics. Antwerpen: Vlaams Fonds voor de Letteren, 2003. |
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| Lent, John A. "Cartooning in Malaysia and Singapore: The same, but different." International Journal of Comic Art 5. (2003): 256–89. |
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| Lent, John A. Comic Art of Europe through 2000: An international bibliography. Bibliographies and Indexes in Popular Culture. Vol. 1–2. Santa Barbara: Praeger, 2003. |
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| Lent, John A. and Xu Ying. "Chinese Women Cartoonists: Historical and Contemporary Perspectives." International Journal of Comic Art 5. (2003): 351–66. |
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| Levin, Bob. The Pirates and the Mouse: Disney’s war against the counter culture. Seattle: Fantagraphics, 2003. |
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| Levine, Michael G. "Necessary Stains: Art spiegelman’s maus and the bleeding of history." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 65–104. |
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| Lewis, A. David. "One for the Ages: Barbara gordon and the (il-)logic of comic book age-dating." International Journal of Comic Art 5. (2003): 296–311. |
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| Loewy, Hanno. "Der Überlebende als böser Held: X-men, comic-culture und auschwitz-fantasy." Weiter erinnern? Neu erinnern? Überlegungen zur Gegenwart und Zukunft des Umgangs mit der NS-Zeit. Ed. AK Erinnerungskultur in d. Marburger Geschichtswerkstatt. Münster: Unrast, 2003. 147–66. |
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| Lovell, Jarret. "Step Aside, Superman … This Is a Job for [Captain] America! Comic books and superheroes post september 11." Media Representations of September 11. Eds. Steven Chermak, Frankie Y. Bailey and Michelle Brown. Crime, Media, and Popular Culture. Westport: Praeger, 2003. 161–73. |
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| Magnussen, Anne. "Spanish Comics and Family." International Journal of Comic Art 5. (2003): 66–84. |
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| Magnusson, Helena. "Spel med fiktionen i Rune Andréassons Bamse." Tidskrift för litteraturvetenskap 32. (2003): 80–92. |
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| Mahamood, Muliyadi. "An Overview of malaysian Contemporary Cartoons." International Journal of Comic Art 5. (2003): 292–304. |
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| Mahamood, Muliyadi. "Japanese Style in Malaysian Comics and Cartoons." International Journal of Comic Art 5. (2003): 194–204. |
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| Mandel, Susannah. "Mask and Closet, Or, “Under the Hood”: Metaphors and representations of homosexuality in american superhero comics after 1985." MSc Thesis. MIT, 2003. |
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| Martini, Omar. "The Dark Side of the Moore: An interview conducted by omar martini." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 107–17. |
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| Marukawa, Tetsushi. "Situating Yoshinori Kobayashi's Taiwan ron (‘The Taiwan Question’) in East Asia." Postcolonial Studies 6. (2003): 239–44. |
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| Matozzi, Alvise. "Innovating Superheroes." Reconstruction 3. 2 2003. Accessed 31 Jul. 2009. <http://reconstruction.e ... issues/032/mottazzi.htm>. |
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| Mauritsson, Peder and Catrin Mauritsson. Den stora boken om Modesty Blaise. 2nd ed. Åkarp: Seriefrämjandet, 2003. |
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| McCallum-Stewart, Esther. "The First World War and British Comics." University of Sussex Journal of Contemporary History 6 2003. <https://www.sussex.ac.u ... le.php?name=ems&site=15>. |
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| McGlothlin, Erin. "No Time Like the Present: Narrative and time in art spiegelman's maus." Narrative 11. (2003): 177–98. |
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| Mégarbané, André Edmond and Salim M. Adib. "Congenital Malformations and Genetic Diseases in Comic Books." Genetic Counseling 14. (2003): 3–14. |
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| Merino, Ana. El Cómic Hispánico. Signo e Imagen. Madrid: Cátedra, 2003. |
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| Merino, Ana. "Gary Groth and Kim Thompson: Interviews with the Heart of the Alternative Comics Industry." International Journal of Comic Art 5. (2003): 31–73. |
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| Mikics, David. "Underground Comics and Survival Tales: maus in context." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 15–25. |
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| Milano, Brett. "Robert Crumb: “collecting is creepy”." Vinyl Junkies. Adventures in Record Collecting. New York: St. Martin’s Press, 2003. 69–76. |
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| Miller, Nancy K. "Cartoons of the Self. Portrait of the Artist as a Young Murderer – Art Spiegelman's Maus." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 44–59. |
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| Millidge, Gary Spencer and smoky man, eds. Alan Moore: Portrait of an extraordinary gentleman. Leigh-on-Sea: Abiogenesis, 2003. |
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| Mizoguchi, Akiko. "Male-Male Romance by and for Women in Japan: A history of the subgenres of yaoi fictions." U.S.-Japan Women's Journal (2003): 49–75. |
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| Moore, Jesse T. "The Education of Green Lantern: Culture and ideology." Journal of American Culture 26. (2003): 263–78. |
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| Morgan, Harry. Principes de littératures dessinées. Angoulême: Éd. de l’An 2, 2003. |
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| Nagaike, Kazumi. "Perverse Sexualities, Perverse Desires: Representations of female fantasies and yaoi manga as pornography directed at women." U.S.-Japan Women's Journal (2003): 76–103. |
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| Nakar, Eldad. "Memories of Pilots and Planes: World war ii in japanese manga, 1957–1967." Social Science Japan Journal 6. (2003): 57–76. |
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| Natsume, Fusanosuke. "Japanese Manga: Its expression and popularity." ABD. Asian/Pacific Book Development 34. (2003): 3–5. |
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| Neitzel, Britta. "Fotoroman." Handbuch Populäre Kultur. Begriffe, Theorien und Diskussionen. Ed. Hans-Otto Hügel. Stuttgart: Metzler, 2003. 204–09. |
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| Nevins, Jess. "Helden und Monster." 2003. Accessed 21 May. 2013. <http://www.heldenundmonster.de/>. |
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| Nevins, Jess. Heroes & Monsters: The unofficial companion to the league of extraordinary gentlemen. Austin: MonkeyBrain, 2003. |
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| Ng, Benjamin Wai-ming. "Japanese Elements in Hong Kong Comics: History, Art, and Industry." International Journal of Comic Art 5. (2003): 184–93. |
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| Nguyen, Nhu-Hoa and Philippe Sohet. "Social Criticism in a Singular Mode of Expression: The art of new realist cartoonist chantal montellier." International Journal of Comic Art 5. (2003): 115–33. |
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| Nolen-Weathington, Eric, ed. Alan Davis. Modern Masters. Raleigh: TwoMorrows, 2003. |
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| Nolen-Weathington, Eric, ed. George Perez. Modern Masters. Raleigh: TwoMorrows, 2003. |
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| Norcliffe, Glen and Olivero Rendace. "New Geographies of Comic Book Production in North America: The new artisan, distancing, and the periodic social economy." Economic Geography 79. (2003): 241–64. |
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| Nordin, Kenneth D. "Cartoonist Dick Locher in Retrospect: His life and work." International Journal of Comic Art 5. (2003): 154–67. |
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| Nordin, Kenneth D. "The Editorial Comic Art of Clay Bennett." International Journal of Comic Art 5. (2003): 244–55. |
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| Norris, Craig. "The Cross-Cultural Appropriation of Manga and Anime in Australia." Thesis PhD. University of Western Sydney, 2003. |
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| Norton, Bonny. "The motivating power of comic books: Insights from archie comic readers." The Reading Teacher 57. (2003): 140–47. |
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| Nyberg, Amy Kiste. "Of Heroes and Superheroes." Media Representations of September 11. Eds. Steven Chermak, Frankie Y. Bailey and Michelle Brown. Crime, Media, and Popular Culture. Westport: Praeger, 2003. 175–85. |
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| Ōgi, Fusami. "Female Subjectivity and Shoujo (Girls) Manga (Japanese Comics): shoujo in ladies’ comics and young ladies’ comics." Journal of Popular Culture 36. (2003): 780–803. |
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| Ōgi, Fusami. "Shimizu Isao: A pioneer in japanese comics (manga) scholarship." International Journal of Comic Art 5. (2003): 216–32. |
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| Ohno, Christine. Synkretistische Semiotik: Interpretationen zu karikatur, bildergeschichte und comic nach der zeichentheorie der pariser schule. Die semiotische Theorie der Pariser Schule. Würzburg: Königshausen & Neumann, 2003. |
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| Olbrich, Ulrike. Das Märchen von der schönen Melusine (1868–69): Moritz von schwinds vollendung der zyklischen bilderzählung als ausklang der romantik. Weimar: VDG, 2003. |
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| Onoda, Natsu. "Tezuka Osamu and the Star System." International Journal of Comic Art 5. (2003): 161–94. |
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| Orbaugh, Sharalyn. "Busty Battlin’ Babes: The evolution of the shôjo in 1990s visual culture." Gender and Power in the Japanese Visual Field. Eds. Joshua S. Mostow, Norman Bryson and Maribeth Graybill. 2003. 201–28. |
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| Perez del Solar, Pedro. "Old Fashions for New Times: el desencanto in spanish comics." International Journal of Comic Art 5. (2003): 85–101. |
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| Peters, Brian Mitchell. "Qu(e)erying Comic Book Culture and Representations of Sexuality in Wonder Woman." CLCWeb: Comparative Literature and Culture 5. 3 2003. Accessed 13 Oct. 2009. <http://docs.lib.purdue.edu/clcweb/vol5/iss3/6>. |
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| Piber, Klaus. "Carl Barks und Don Rosa: Die analyse der formal-ästhetischen und strukturellen konzeption zweier comic-zeichner." Diplomarbeit. Karl-Franzens-Universität Graz, 2003. |
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| Platthaus, Andreas. Moebius: Zeichenwelt. Die Andere Bibliothek. Frankfurt am Main: Eichborn, 2003. |
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| Plowright, Frank, ed. The Slings & Arrows Comic Guide: A critical assessment. 2nd ed. Marietta: Top Shelf, 2003. |
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| Ponchamni, Rop. "Future Possibilities of Comics in Thailand." ABD. Asian/Pacific Book Development 34. (2003): 10–11. |
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| Pons, Alvaro. "Between Avant-garde and Commerciality: The dichotomy of new alternative publishing companies in spain." International Journal of Comic Art 5. (2003): 138–53. |
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| Prager, Brad. "Modernism in the Contemporary Graphic Novel: Chris ware and the age of mechanical reproduction." International Journal of Comic Art 5. (2003): 195–213. |
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| Prokupek, Tomas. "Czech Comics." International Journal of Comic Art 5. (2003): 312–38. |
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| Provencher, Ronald. "Remembering “The Chief,” Rejab Had: Cartoonist, story teller, teacher, and philosopher." International Journal of Comic Art 5. (2003): 290–91. |
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| Raphael, Jordan and Tom Spurgeon. Stan Lee and the Rise and Fall of the American Comic Book. Chicago Review Pr. 2003. |
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| Rauch, Stephen. Neil Gaiman’s The Sandman and Joseph Campbell: In search of the modern myth. Rockville: Wildside, 2003. |
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| Rauch, Stephen. "‘Dream a Little Dream of Me …’: The relationship of dreams and myth in campbell, jung, and gaiman’s sandman." Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth. Ed. Stephen Rauch. Rockville: Wildside, 2003. 22–37. |
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| Rauch, Stephen. "The Role of the Artist and the Art of Storytelling in The Sandman." Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth. Ed. Stephen Rauch. Rockville: Wildside, 2003. 117–37. |
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| Reynolds, Moira Davison. Comic Strip Artists in American Newspapers, 1945–1980. Jefferson, London: McFarland, 2003. |
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| Rhode, Michael G. "A Bibliography of Comics Articles in the Journal of Popular Culture." 2003. Accessed 12 Aug. 2009. <http://comics.lib.msu.edu/rhode/jpopcult.htm>. |
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| Roch, Axel. "Die Kunst der Störung durch adaptive Täuschung: Bugs Bunny." Signale der Störung. Ed. Albert Kümmel. München: Fink, 2003. 301–14. |
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| Roob, Alexander. "Der Schuss aus dem künstlichen Hinterkopf: Der zeichner manfred schmidt." Texte zur Kunst 12. (2003): 181–84. |
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| Rosen, Alan C. "The Language of Survival: English as metaphor in spiegelman’s maus." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 121–34. |
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| Rosenberg, Pnina. L’art des indésirables: L’art dans les camps d’internement français 1939–1944. Paris: L’Harmattan, 2003. |
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| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman’s maus as “holocaust” production." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 137–58. |
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| Rothenberg, Kelly. "Cerebus: An Aardvark on the Edge: (a brief history of dave sim and his independent comic book)." Americana 2. 1 2003. Accessed 19 Aug. 2015. <http://www.americanpopu ... ing_2003/rothenberg.htm>. |
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| Sabin, Roger. "Quote and be damned …?." Splat Boom Pow! The Influence of Cartoons in Contemporary Art. Ed. Valerie Cassel. Houston: Contemporary Arts Museum Houston, 2003. 11–15. |
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| Sadoul, Numa. Tintin et moi: Entretiens avec hergé. Champs. Paris: Flammarion, 2003. |
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| Samson, Jacques. "Une lecture sans filet." Neuvième art (2003). |
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| Saraceni, Mario. The Language of Comics. Intertext. London, New York: Routledge, 2003. |
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| Schiffner, Sabine. "Stifter als Comic." Text+Kritik (2003): 4–9. |
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| Schmitz-Emans, Monika. "Die Aufhebung der Bilder im Text." Bildlichkeit. Aspekte einer Theorie der Darstellung. Ed. Dirk Rustemeyer. 2003. 195–224. |
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| Schumer, Arlen. The Silver Age of Comic Book Art. Portland: Collectors Pr. 2003. |
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| Sewell, Byron, Mark Burstein, and Alan Tannenbaum. Pictures and Conversations: Lewis Carroll in the Comics: An annotated international bibliography. 2nd ed. Austin: Ivory Floor, 2005. |
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