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| Kerekes, David. "Thrill to Stories of Graphic Lust! Two Decades of Pornographic Comic Books." Critical Vision. Random Essays and Tracts Concerning Sex Religion Death. Eds. David Kerekes and Derek Slater. Manchester: Critical Vision, 2002. 1–50. |
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| Leroy, Fabrice. "Absent-Mindedness, Mustaches, and the Cold War: The image of science in herge's professor calculus and franquin's count of champignac." International Journal of Comic Art 4. (2002): 205–17. |
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| Olaniyan, Tejumola. "Cartooning Nigerian Anticolonial Nationalism." Images and Empires. Visuality in Colonial and Postcolonial Africa. Eds. Paul S. Landau and Deborah D. Kaspin. Berkeley: Univ. of California Press, 2002. 124–40. |
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| Pérez-Sánchez, Gema. "Drawing Difference: The women artists of madriz and the cultural renovations of the 1980s." Women’s Narrative and Film in Twentieth-Century Spain. Eds. Ofelia Ferrán and Kathleen Glenn. Hispanic Issues. London, New York: Routledge, 2002. 114–35. |
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| Pewewardy, Cornel. "From Subhuman to Superhuman: Images of first nations peoples in comic books." Studies in Media & Information Literacy Education 2. (2002): 1–9. |
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| Phillips, Kendall R. "Textual Strategies, Plastic Tactics: Reading batman and barbie." Journal of Material Culture 7. (2002): 123–36. |
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| Pietzcker, Frank. Symbol und Wirklichkeit im Werk Wilhelm Buschs: Die versteckten aussagen seiner bildergeschichten. Europäische Hochschulschriften, Reihe 1: Deutsche Sprache und Literatur. Frankfurt am Main [etc.]: Peter Lang, 2002. |
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| Raeburn, Daniel. "Historietas Perversas: Mexico’s perverse “little histories”." The Imp (2002): 3–95. |
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| Ratier, Gilles. Avant la case: Histoire de la bande dessinée francophone du xxe siècle racontée par ses scénaristes. Mémoire vive. Montrouge: PLG, 2002. |
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| Rehm, Ulrich. Stumme Sprache der Bilder: Gestik als mittel neuzeitlicher bilderzählung. Kunstwissenschaftliche Studien. München [etc.]: Deutscher Kunstverl. 2002. |
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| Retallack, G. Bruce. "Paddy, the Priest and the Habitant: Inflecting the irish cartoon stereotype in canada." Canadian Journal of Irish Studies 28/29. (2002–2003): 124–47. |
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| Richter, Gerhard. "Holocaust und Katzenjammer: Lektüreprotokolle zu art spiegelmans comic maus." Kulturelle Repräsentationen des Holocaust in Deutschland und den Vereinigten Staaten. Eds. Klaus L. Berghahn, Jürgen Fohrmann and Helmut J. Schneider. German Life and Civilization. New York [etc.]: Peter Lang, 2002. 111–45. |
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| Robbins, Trina. "Gender Differences in Comics." Image [&] Narrative 2. 2 2002. Accessed 27 Jul. 2009. <http://www.imageandnarr ... gender/trinarobbins.htm>. |
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| Robbins, Trina. "How I Became a Herstorian." International Journal of Comic Art 4. (2002): 78–83. |
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| Robbins, Trina. "No Man Is My Master: American Romance Comics of the 1970s and the Women's Liberation Movement." International Journal of Comic Art 2004. (2002): 151–62. |
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| Rockler, Naomi R. "Race, Whiteness, “Lightness,” and Relevance: African american and european american interpretations of jump start and the boondocks." Critical Studies in Media Communication 19. (2002): 398–418. |
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| Rosenberg, Pnina. "Mickey Mouse in Gurs – Humour, Irony and Criticism in Works of Art Produced in the Gurs Internment Camp." Rethinking History 6. (2002): 273–92. |
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| Rosenkranz, Patrick. Rebel Visions: The underground comix revolution 1963–1975. 2. erw. ed. Seattle: Fantagraphics, 2008. |
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| Sabin, Roger and Teal Triggs, eds. Below Critical Radar: Fanzines and alternative comics from 1976 to now. Hove: Slab-O-Concrete/Codex, 2002. |
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| Salisbury, Mark. Writers on Comics Scriptwriting. London: Titan Books, 2002. |
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