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| Mutsaers, Charlotte. "Rauhe Schale, weicher Kern: Über cowboy henk." Schreibheft (1998): 37–40. |
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| Napier, Susan J. "Vampires, Psychic Girls, Flying Women and Sailor Scouts: Four faces of the young female in japanese popular culture." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores P. Martinez. 3rd ed. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 2001. 91–109. |
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| Platthaus, Andreas. "Der erste Stein: George herriman und ›krazy kat‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 21–44. |
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| Platthaus, Andreas. "Der letzte Aufbruch: Bill wattersons ›calvin und hobbes‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 295–313. |
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| Platthaus, Andreas. "Die Keimzelle der Kunst: Lyonel feiningers ›kin-der-kids‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 99–127. |
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| Platthaus, Andreas. "Die zwei Ahnherren des Comichefts: Hergés ›tim und struppi‹ und jack kirbys ›captain america‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 155–93. |
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| Platthaus, Andreas. "Grau gibt Farbe: Jacques tardi." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 195–218. |
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| Platthaus, Andreas. "Politik in Bildern: Picassos ›traum und lüge francos‹ und masereels ›stundenbuch‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 245–68. |
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| Platthaus, Andreas. "Streifzug durch die Ritterzeit: Harold fosters ›prinz eisenherz‹ und ralph b. fullers ›oaky doaks‹." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 63–74. |
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