| Bateman, John A. and Janina Wildfeuer. "A multimodal discourse theory of visual narrative." Journal of Pragmatics 74. (2014): 180–208. |
 
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| Battafarano, Italo Michele. "Grimmelshausens ›Courage‹ als Graphic Novel in italienischer Sprache." Simpliciana 30. (2008): 181–90. |
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| Baudinette, Thomas. "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." East Asian Journal of Popular Culture 3. (2017): 59–72. |
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| Baudoux, Vincent and Roland Jadinon. "La couleur comme mode narratif." Neuvième art (2003). |
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| Bauer, Heike. "Vital Lines Drawn From Books: Difficult feelings in alison bechdel’s fun home and are you my mother?." Journal of Lesbian Studies 18. (2014): 266–81. |
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| Bauer, Heike. "Tangles: An interview with sarah leavitt." Studies in Comics 6. (2015): 329–37. |
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| Bauer, Thomas. "When an energy drink exalts a table tennis hero: Brand placement and subvertising in the manga ping-pong dash!! by honda shingo." Loisir et Société / Society and Leisure 41. (2018): 233–49. |
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| Bauldic, Michelle. "Allan Beaton’s “Ookpik” Was Here." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 137–47. |
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| Baumann, Roland. "Remember !: La bande dessinée belge francophone et la guerre de 1940–1945." Textyles (2010): 171–85. |
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| Baumann, Kristina. "Der schaumgeborene Superheld: Barack obama zwischen comic-kultur, mythos und body politics." kritische berichte 39. (2011): 82–91. |
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| Baumgärtner, Alfred Clemens. "Bildergeschichte damals und heute: Zum problem der comics." Jugend und Buch 15. (1966): 11–15. |
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| Baur, Uwe. "Superman – Asterix: Mythisierte körperbilder im seriellen comic." Zagreber Germanistische Beiträge 13. (2004): 149–58. |
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| Bautista, Daniel. "Comic Book Realism: Form and genre in junot díaz’s the brief wondrous life of oscar wao." Journal of the Fantastic in the Arts 21. (2010): 41–53. |
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| Bauwens-Sugimoto, Jessica. "Queering Black Jack: A look at how the manga industry adapts to changing reader demographics." Orientaliska Studier (2016): 111–40. |
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| Bauwens-Sugimoto, Jessica. "The “Monstrous Feminine” in the work of Sakamoto Shin'ichi." 国際文化研究 (Kokusai Bunka) (2018): 3–16. |
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| Bazylewicz, Tomasz. "Transfer of Japanese Culture Patterns on the Example of a Comic Book: How manga conquered the world and became an integral part of the polish publishing market?." Studia Historiae Oeconomicae 36. (2018): 105–23. |
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| Beahm, George. "The Darkness and the Light: Vaughn Bode: A life in nine panels." The Comics Journal. Special Edition (2005): 82–97. |
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| Bearden-White, Roy. "Inheriting Trauma in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth." International Journal of Comic Art 12. (2010): 354–66. |
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| Beaty, Bart. "Featuring Stories by the World’s Greatest Authors: Classics illustrated and the “middlebrow problem” in the postwar era." International Journal of Comic Art 1. (1999): 122–39. |
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| Beaty, Bart. "The Search for Comics Exceptionalism." The Comics Journal (1999): 67–72. |
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| Beaty, Bart. "Fredric Wertham Faces His Critics: Contextualizing the postwar comics debate." International Journal of Comic Art 3. (2001): 202–21. |
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| Beaty, Bart. "The Contemporary Field of European Comics: The example of lewis trondheim." International Journal of Comic Art 5. (2003): 168–83. |
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| Beaty, Bart. "Roy Lichtenstein’s Tears: Art vs. pop in american culture." Canadian Review of American Studies 34. (2004): 249–68. |
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| Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational narrative strategies in ruppert and mulot's la maison close." European Comic Art 3. (2010): 81–103. |
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| Beaty, Bart. "The Recession and the American Comic Book Industry: From inelastic cultural good to economic integration." Popular Communication 8. (2010): 203–07. |
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| Beaty, Bart. "A Clear Line to Marcinelle: The importance of line in émile bravo’s spirou à bruxelles." European Comic Art 4. (2011): 199–211. |
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| Beaty, Bart. "Introduction." Cinema Journal 50. (2011): 106–10. |
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| Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked hollywood blockbuster." The Information Society 32. (2016): 318–25. |
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| Beaulieu, Jimmy. "Automythology." European Comic Art 5. (2012): 25–56. |
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| Beauvais, Clémentine. "“A Nightmare Land, A Place of Death”: An exploration of the moon as a motif in hergé’s destination moon (1953) and explorers on the moon (1954)." Children’s Literature in Education 41. (2010): 251–59. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12. (2015). |
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| Beck, Rose Marie. "Popular media for HIV/AIDS prevention? Comparing two comics: kingo and the sara communication initiative." Journal of Modern African Studies 44. (2006): 513–41. |
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| Becker, Jörg. "Afrikanischer Medienkannibalismus: Karikaturen über medien." Communicatio Socialis 36. (2003): 366–75. |
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| Becker, Richard A. "The Crisis of Confidence in Comics Adaptations: Why comics are so rarely faithfully adapted to the big screen." International Journal of Comic Art 11. (2009): 436–56. |
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| Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
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| Beckman, Frida. "Good Girl Art – facing images of women in David Mack’s Kabuki." Journal of Graphic Novels and Comics 2. (2011): 39–54. |
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| Bedenbecker, Karina. "Im Schatten keiner Türme: Art spiegelmans künstlerisch-literarische auseinandersetzung mit dem terroranschlag 9/11." Krieg und Literatur / War and Literature 25. (2019): 7–46. |
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| Beemer, Lawrence. "Superhero Comic Book Narrative and Continuity: From freytag’s pyramid to the sierpienski triangle." International Journal of Comic Art 16. (2014): 513–27. |
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| Beerbohm, Robert. "“There’s A Whole Lot of Myth Out There!”." Alter Ego (2003). |
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| Beez, Jigal. "They Are Crazy These Swahili: komredi kipepe in the footsteps of asterix. globalization in east african comics." International Journal of Comic Art 5. (2003): 95–114. |
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| Beez, Jigal. "Katuni Za Miujuza: Fantastic comics from east africa." International Journal of Comic Art 6. (2004): 77–95. |
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| Beez, Jigal. "Winners, Cheats, and Witches: East african soccer cartoons." International Journal of Comic Art 8. (2006): 114–36. |
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| Beez, Jigal and Stefanie Kolbusa. "Kibiriti Ngoma: Gender relations in swahili comics and taarab-music." Stichproben 3. (2003): 49–71. |
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| Begley, Joshua. "Ceci N’est Pas Une Femme: The negation of the male gaze in gail simone’s red sonja and alex de campi’s grindhouse: doors open at midnight." Works & Days 32. (2014): 181–205. |
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| Behlman, Lee. "The Escapist: Fantasy, folklore, and the pleasures of the comic book in recent jewish american holocaust fiction." Shofar 22. (2004): 56–71. |
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| Belk, Russell. "Material Values in the Comics: A content analysis of comic books featuring themes of wealth." Journal of Consumer Research 14. (1987): 26–42. |
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| Bell, Steve and Eli Valley. "Drawing truth to power: A conversation about cartoons between steve bell and eli valley." Jewish Quarterly 60. (2013): 28–33. |
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| Benhaïm, André. "La Langue au Chat (du Rabbin). Itinéraires dans l'Etrange Bande Dessinée de Joann Sfar." Contemporary French and Francophone Studies 11. (2007): 241–52. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of human trafficking in superhero comic books." Popular Culture Studies Journal 1. (2013): 18–35. |
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| Berger, Arthur Asa. "Peanuts: An american pastoral." Journal of Popular Culture 3. (1969): 1–8. |
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| Berglund, Alexandra L. "Drawing (Dis)ability Panel by Panel: A literature review of (dis)ability, comics, and graphic narratives." International Journal of Comic Art 20. (2018): 401–17. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing race, trauma, vermin, and spider-man." American Imago 77. (2020): 569–601. |
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