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Amihay, Ofra. "Passing under separation: Comics representations of the Holocaust and the Berlin Wall." Journal of Graphic Novels and Comics 4.(2013): 278–96. |
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Amiran, Eyal. "George Herriman’s Black Sentence: The Legibility of Race in Krazy Kat." Mosaic 33.(2000): 57–79. |
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Anderson, Kane. "V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement." International Journal of Comic Art 14.(2012): 143–68. |
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Arizpe, Evelyn. "Meaning-making from wordless (or nearly wordless) picturebooks: What educational research expects and what readers have to say." Cambridge Journal of Education 43.(2013): 163–76. |
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Arnold, Andrew D. "Comix Poetics." World Literature Today 81.(2007): 12–15. |
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Arnold, Markus. "La violence et l’intermédialité en bande dessinée: Usages et significations du hors-champ, de l’entr’images, de la photographie dans l’œuvre du dessinateur Hippolyte." Figures de l’Art (2017): 183–204. |
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Arnott, Luke. "BLAM! The Literal Architecture of Sin City." International Journal of Comic Art 10.(2008): 380–401. |
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Asante, Godfried A. and Gloria Nziba Pindi. "(Re)imagining African futures: Wakanda and the politics of transnational Blackness." Review of Communication 20.(2020): 220–28. |
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Ashkenazi, Ofer and Jakob Dittmar. "Negotiating Documentation in Comics." International Journal of Comic Art 20.(2018): 587–97. |
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Ashkenazi, Ofer and Jakob Dittmar. "Belonging in Auto|Biographical Comics: Narratives of Exile in the German Heimat." a/b: Auto/Biography Studies 35.(2020): 331–57. |
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Asimakoulas, Dimitris. "Synchrony issues in comics: Language transfer and gender-specific characterisation in English translations of Greek Aristophanic comics." Journal of Graphic Novels and Comics (2017): 1–23. |
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Assoumou, Charleine Biveghe and Cheikh Tidiane Wane. "Yékini, le roi des arènes ou la lutte sénégalaise entre pratique sportive et tradition." Loisir et Société / Society and Leisure 41.(2018): 214–32. |
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Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." Animation 4.(2009): 265–81. |
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Atkinson, Paul. "The graphic novel as metafiction." Studies in Comics 1.(2010): 107–25. |
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Atkinson, Paul. "Why pause? The fine line between reading and contemplation." Studies in Comics 3.(2012): 63–81. |
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Ault, Donald. "In the Trenches, Taking the Heat: Confessions of a Comics Professor." International Journal of Comic Art 5.(2003): 241–60. |
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Ault, Donald. "Visionary Synchronicities in Carl Barks Comics." Comic Art (2003): 44–58. |
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Aurenche-Beau, Emmanuelle. "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 13–22. |
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Auringer, Julian. "Rinaldo Rinaldini als Comicheld." Deutsche Comicforschung (2017): 29–39. |
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Austin, Sara. "Sita, Surpanakha and Kaikeyi as political bodies: Representations of female sexuality in idealised culture." Journal of Graphic Novels and Comics 5.(2014): 125–36. |
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Austin, Shannon. "Batman’s Female Foes: The Gender War in Gotham City." Journal of Popular Culture 48.(2015): 285–95. |
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Avery-Natale, Edward. "An Analysis of Embodiment among Six Superheroes in DC Comics." Social Thought and Research 32.(2013): 71–106. |
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Ayres, Jackson. "“A very, very bad mood” The turn to horror in Alan Moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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Azuma, Hiroki. "Anime or Something Like It: Neon Genesis Evangelion." InterCommunication (1996). |
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Babaian, Caryn Sona. "“The Thyroidectomy Story”: Comic Books, Graphic Novels, and the Novel Approach to Teaching Head and Neck Surgery Through the Genre of the Comic Book." Journal of Surgical Education 71.(2014): 413–18. |
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Babcock, Jennifer. "Ancient Egyptian Parodic Ostraca and “Comics”." International Journal of Comic Art 14.(2012): 157–70. |
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Babka, Susie Paulik. "Arius, Superman, and the Tertium Quid: When Popular Culture Meets Christology." Irish Theological Quarterly 73.(2008): 113–32. |
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Bach, Benjamin, et al. "The Emerging Genre of Data Comics." IEEE Computer Graphics and Applications 38.(2017): 6–13. |
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Bachmann, Christian A. "Hysterische Blicke: Fetische, Freaks und Verschwörungen bei Daniel Clowes." Brink (2011): 10–13. |
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Bachmann, Christian A. "Comics, Trash und Un-Trash." Camp (2016): 77–81. |
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Badman, Derik A. "Talking, Thinking, and Seeing in Pictures: Narration, Focalization, and Ocularization in Comics Narratives." International Journal of Comic Art 12.(2010): 91–111. |
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Bae, Michelle S. "Interrogating Girl Power: Girlhood, Popular Media, and Postfeminism." Visual Arts Research 37.(2011): 28–40. |
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Bae, Keung Yoon ‘Becky’. "From underground to the palm of your hand: The spatiality and cultural practice of South Korean webtoons." East Asian Journal of Popular Culture 3.(2017): 73–84. |
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Baetens, Jan. "Bibliography: Photo narrative today." History of Photography 19.(1995): 312–14. |
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Baetens, Jan. "John Berger and Jean Mohr: From photography to photo narrative." History of Photography 19.(1995): 283–85. |
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Baetens, Jan. "Reading vision? What contexts for the ‘pictorial turn’?." Semiotica (1999): 203–18. |
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Baetens, Jan. "Towards a New Modernism in European Comics?." Popular Culture Review 11.(2000): 89–97. |
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Baetens, Jan. "Going to Heaven: A missing link in the history of photonarrative?." Journal of Narrative Theory 31.(2001): 87–105. |
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Baetens, Jan. "Tintin the Untranslatable." Sites 5.(2001): 363–71. |
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Baetens, Jan. "History Against the Grain? On the Relationship Between Visual Aesthetics and Historical Interpretation in the Contemporary Spanish Graphic Novel." Rethinking History 6.(2002): 345–56. |
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Baetens, Jan. "De la bande dessiné franco-belge à la bande dessinée en Belgique." Études Francophones 20.(2005): 27–38. |
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Baetens, Jan. "Hergé, auteur à contraintes? Une relecture de L’Affaire Tournesol." French Forum 31.(2006): 99–111. |
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Baetens, Jan. "Olivier Deprez's Storytelling in Le Château de Kafka." The California Printmaker (2006): 8–15. |
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Baetens, Jan. "Frédéric-Coché, écrivain-graveur. Quelques notes sur l’incipit de Hortus Sanitatis." Lendemains 33.(2008): 33–42. |
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Baetens, Jan. "Graphic Novels: Literature without Text?." English Language Notes 46.(2008): 77–88. |
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Baetens, Jan. "North and South in Belgian Comics." European Comic Art 1.(2008): 111–26. |
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Baetens, Jan. "Of Graphic Novels and Minor Cultures: The Fréon Collective." Yale French Studies 114.(2008): 95–115. |
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Baetens, Jan. "Bruxelles, une forme culturelle médiatique." Formules (2010): 17–26. |
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Baetens, Jan. "What Are Comics (Once More, but Never Enough …)?." Cinéma & Cie 10.(2010): 13–20. |
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Baetens, Jan. "Abstraction in Comics." SubStance 40.(2011): 94–113. |
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Baetens, Jan. "From Black & White to Color and Back: What Does It Mean (not) to Use Color?." College Literature 38.(2011): 111–28. |
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Baetens, Jan. "Abstraction et narration: Une alliance paradoxale (notes sur la bande dessinée abstraite)." Études de Lettres (2013): 45–68. |
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