| Cassell, Dewey. Mike Grell: Life is drawing without an eraser. Raleigh: TwoMorrows, 2018. |
 
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| Cassell, Dewey and Aaron Sultan. Marie Severin: The mirthful mistress of comics. Raleigh: TwoMorrows, 2012. |
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| Cassiau-Haurie, Christophe. Histoire de la bande dessinée congolaise: Congo belge, zaïre, république démocratique du congo. Paris: L’Harmattan, 2010. |
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| Cassiau-Haurie, Christophe. Comment peut-on faire de la BD en Afrique ? 33 entretiens pour comprendre …. Africultures. Paris: L’Harmattan, 2011. |
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| Cassiau-Haurie, Christophe. Quand la BD d’Afrique s’invite en Europe: Répertoire analytique. Lettres Et Linguistique Critiques Et Essais. Paris: L’Harmattan, 2012. |
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| Cassiau-Haurie, Christophe, ed. Dictionnaire de la bande dessinée d’Afrique francophone. Africultures. Paris: L’Harmattan, 2013. |
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| Cassiau-Haurie, Christophe and Christophe Meunier. Cinquante années de bandes dessinées en Afrique francophone. Paris: L’Harmattan, 2010. |
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| Castaldi, Simone. Drawn and Dangerous: Italian comics of the 1970s and 1980s. Jackson: Univ. Press of Mississippi, 2010. |
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| Caswell, Lucy Shelton and Jared Gardner, eds. Drawing the Line: Comics studies and inks, 1994–1997. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2017. |
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| Caswell, Lucy Shelton and Helena Frenkil Schlam, eds. Jewish Cartoonists and the American Experience. Columbus: The Ohio State University Cartoon, Graphic and Photographic Arts Research Library, 1999. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Cavalier, Stephen. The World History of Animation. Berkeley: Univ. of California Press, 2011. |
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| Cavallaro, Dani. The Animé Art of Hayao Miyazaki. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. The Cinema of Mamoru Oshii: Fantasy, technology and politics. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. Anime Intersections: Tradition and innovation in theme and technique. Jefferson, London: McFarland, 2007. |
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| Cavallaro, Dani. Anime and Memory: Aesthetic, cultural and thematic perspectives. Jefferson, London: McFarland, 2009. |
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| Cavallaro, Dani. The Art of Studio Gainax: Experimentation, style and innovation at the leading edge of anime. Jefferson, London: McFarland, 2009. |
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| Cavallaro, Dani. Anime and the Art of Adaptation: Eight famous works from page to screen. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. Anime and the Visual Novel: Narrative structure, design and play at the crossroads of animation and computer games. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. Magic as Metaphor in Anime: A critical study. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. The Fairy Tale and Anime: Traditional themes, images and symbols at play on screen. Jefferson, London: McFarland, 2011. |
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| Cavallaro, Dani. Art in Anime: The creative quest as theme and metaphor. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. CLAMP in Context: A critical study of the manga and anime. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. Kyoto Animation: A critical study and filmography. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. Japanese Aesthetics and Anime: The influence of tradition. Jefferson, London: McFarland, 2013. |
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| Cawelti, John G. Mystery, Violence, and Popular Culture. Madison: Univ. of Wisconsin Press, 2004. |
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| Cesar, Miguel. Transgressing Death in Japanese Popular Culture. Cham: Palgrave Pivot, 2020. |
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| Cestac, Florence. La Véritable Histoire de Futuropolis. Paris: Dargaud, 2007. |
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| Chambliss, Julian C., William Svitavsky, and Thomas Donaldson, eds. Ages of Heroes, Eras of Men: Superheroes and the american experience. Newcastle upon Tyne: Cambridge Scholars Publ. 2013. |
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| Chambliss, Julian C., William Svitavsky, and Daniel Fandino, eds. Assembling the Marvel Cinematic Universe: Essays on the social, cultural and geopolitical domains. Jefferson: McFarland, 2018. |
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| Chandra, Nandini. The Classic Popular: Amar chitra katha, 1967–2007. New Delhi: Yoda Press, 2008. |
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| Chaney, Michael A. Reading Lessons in Seeing: Mirrors, masks, and mazes in the autobiographical graphic novel. Jackson: Univ. Press of Mississippi, 2016. |
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| Chanson, Philippe. Tintin au Congo, c’est quand même un peu gros! Une relecture critique de l’imagerie nègre en perspective créole. Cartigny: Tribune libre, 1995. |
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| Chapman, James. British Comics: A cultural history. London: Reaktion Books, 2011. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane, et al. Comics and the World Wars: A cultural record. Palgrave Studies in the History of the Media. New York [etc.]: Palgrave Macmillan, 2015. |
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| du Chatenet, Aymar and Christian Marmonnier. René Goscinny: La première vie d’un scénariste de génie. Paris: Éd. de La Martinière, 2005. |
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| Chatman, Seymour Benjamin. Story and Discourse: Narrative structure in fiction and film. 2nd ed. Ithaca: Cornell Univ. Press, 1980. |
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| Chatterji, Roma. Graphic Narratives and the Mythological Imagination in India. London: Routledge India, 2019. |
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| Chavanne, Renaud. Edgar P. Jacobs & le secret de l’explosion. Mémoire Vive. Montrouge: PLG, 2005. |
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| Chavanne, Renaud. Composition de la bande dessinée. Montrouge: PLG, 2010. |
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| Chaykin, Howard. The Art of Ramona Fradon: Interview. Mt. Laurel: Dynamite, 2013. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Cheng, Kevin. See What I Mean: How to use comics to communicate ideas. New York: Rosenfeld, 2012. |
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| Cheon, Hyun Soon. Intermedialität von Text und Bild bei Alexander Kluge: Zur korrespondenz von früher neuzeit und moderne. Würzburg: Königshausen & Neumann, 2007. |
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| Chiarello, Mark and Todd Klein. The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill, 2004. |
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| Chimeno del Campo, Ana Belén. El Preste Juan: Mito y leyenda en la literatura infantil y juvenil contemporánea. Europäische Hochschulschriften. Frankfurt am Main [etc.]: Peter Lang, 2009. |
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| Chiu, Monica, ed. Drawing New Color Lines: Transnational asian american graphic narratives. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. |
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| Chiu, Monica. Show Me Where It Hurts: Manifesting illness and impairment in graphic pathography. Graphic Medicine. University Park: Penn State Univ. Press, 2024. |
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| Chopelin, Paul and Tristan Martine, eds. Le Siècle des Lumières en bande dessinée: De poudre et de dentelles. Esprit BD. Paris: Karthala, 2014. |
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| de Chosie, Bernhard. Uderzo-storix: L’aventure d’un gallo-romain. Paris: J.–C. Lattés, 1991. |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A companion. Rantoul: Avatar, 2003. |
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| Christiansen, Hans-Christian. Tegneseriens æstetik. Teori & Æstetik. København: Museum Tusculanum, 2001. |
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| Chute, Hillary. Outside the Box: Interviews with contemporary cartoonists. Chicago: Univ. of Chicago Press, 2014. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary. Why Comics? From underground to everywhere. New York: Harper, 2017. |
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| Chute, Hillary, ed. Maus Now: Selected writing. New York: Pantheon, 2022. |
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| Ciment, Gilles, ed. Cinéma et bande dessinée. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Ciment, Gilles, ed. L’état de la bande dessinée: Vive la crise? Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2008. |
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| Ciment, Gilles and Thierry Groensteen. 100 cases de maîtres: Un art graphique, la bande dessinée. Paris: Éd. de La Martinière, 2010. |
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| Clanton, Jr, Dan W., ed. The End Will Be Graphic: Apocalyptic in comic books and graphic novels. Bible in the Modern World. Sheffield: Sheffield Phoenix, 2012. |
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| Clark, Alan. Dictionary of British Comic Artists, Writers, and Editors. London: British Library, 1998. |
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| Clauß, Ingo, ed. Kaboom! Comic in der kunst. comics in art. Heidelberg: Kehrer, 2013. |
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| Claytor, Ryan and Harry Polkinhorn. Autobiographical Conversations. East Lansing: Elephant Eater Comics, 2013. |
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| Clements, Jonathan. Schoolgirl Milky Crisis: Adventures in the anime and manga trade. London: Titan Books, 2009. |
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| Clements, Jonathan. Anime: A history. London: British Film Institute, 2013. |
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| Clements, Jonathan and Helen McCarthy. The Anime Encyclopedia: A guide to japanese animation since 1917. 2nd ed. Berkeley: Stone Bridge Press, 2006. |
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| Clowes, Daniel. Modern Cartoonist: The naked truth. Seattle: Fantagraphics, 1997. |
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| Coale, Mark. Breaking the Panels: Over 75 short interviews from around the comics industry. Colora: O-Goshi Studios, 1998. |
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| Coates, John. Dan Spiegle: A life in comic art. Raleigh: TwoMorrows, 2013. |
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| Coby, Jim and Joanna Davis-McElligatt, eds. BOOM! SPLAT! Comics and violence. Jackson: Univ. Press of Mississippi, 2024. |
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| Cocca, Carolyn. Superwomen: Gender, power, and representation. New York: Bloomsbury, 2016. |
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| Added by: joachim 27/02/2018, 23:49 |
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| Cocca, Carolyn. Wonder Woman and Captain Marvel: Militarism and feminism in comics and film. Routledge Focus on Gender, Sexuality, and Comics. London, New York: Routledge, 2021. |
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| Cohn, Neil. Early Writings on Visual Language. [Self-publ.], 2003. |
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| Last edited by: joachim 18/08/2009, 10:45 |
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| Cohn, Neil. The Visual Language of Comics: Introduction to the structure and cognition of sequential images. Advances in Semiotics. New York: Bloomsbury, 2013. |
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| Last edited by: joachim 01/11/2013, 18:47 |
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| Cohn, Neil, ed. The Visual Narrative Reader. New York: Bloomsbury, 2016. |
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| Last edited by: joachim 17/02/2017, 13:10 |
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| Cohn, Neil. Who Understands Comics? Questioning the universality of visual language comprehension. New York: Bloomsbury Academic, 2021. |
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| Last edited by: joachim 10/06/2021, 12:13 |
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| Cohn, Neil. The Patterns of Comics: Visual languages of comics from asia, europe, and north america. New York: Bloomsbury Academic, 2024. |
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| Last edited by: joachim 07/12/2023, 16:40 |
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| Colangelo, Clarissa. The Belgian Photonovel, 1954–1985: An introduction. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2023. |
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| Last edited by: joachim 16/05/2023, 11:44 |
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| Colaone, Sara and Lucia Quaquarelli, eds. Bande à part: Graphic novel, fumetto e letteratura. Tracciati. Milano: Morellini, 2016. |
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| Last edited by: joachim 06/02/2023, 15:38 |
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| Cole, Jean Lee. How the Other Half Laughs: The comic sensibility in american culture, 1895-1920. Jackson: Univ. Press of Mississippi, 2020. |
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| Last edited by: joachim 08/11/2021, 16:37 |
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| Coma, Javier. Del Gato Félix al Gato Fritz: Historia de los comics. Colección Punto y Línea. Barcelona: Gustavo Gili, 1979. |
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| Comer, Todd E. and Joseph Michael Sommers, eds. Sexual Ideology in the Works of Alan Moore: Critical essays on the graphic novels. Jefferson, London: McFarland, 2012. |
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| Last edited by: joachim 29/08/2016, 23:31 |
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| Comtois, Pierre. Marvel Comics in the 1960s: An issue-by-issue field guide to a pop culture phenomenon. Raleigh: TwoMorrows, 2009. |
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| Last edited by: joachim 17/12/2013, 12:24 |
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| Comtois, Pierre. Marvel Comics in The 1970s: An issue-by-issue field guide to a pop culture phenomenon. Raleigh: TwoMorrows, 2011. |
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| Condry, Ian. The Soul of Anime: Collaborative creativity and japan’s media success story. Experimental Futures. Durham: Duke Univ. Press, 2013. |
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| Conner, Shawn. Superheroes Smash the Box Office: A cinema history from the serials to 21st century blockbusters. Jefferson: McFarland, 2023. |
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| Connerty, Michael. The Comic Strip Art of Jack B. Yeats. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2021. |
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| Conroy, Mike. War Comics: A graphic history. Lewes: Ilex, 2009. |
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| Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the transition of popular narratives and characters across old and new media. London, New York: Continuum, 2010. |
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| Conway, Christopher and Antoinette Sol, eds. The Comic Book Western: New perspectives on a global genre. Postwestern Horizons. Lincoln: Univ. of Nebraska Press, 2022. |
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| Coogan, Peter. Superhero: The Secret Origin of a Genre. Austin: MonkeyBrain, 2006. |
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| Cooke, Jon B., ed. Joe Kubert, Creator & Mentor: A tribute to the comic book master. Comic Book Creator. Raleigh: TwoMorrows, 2013. |
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| Cooke, Jon B. and George Khoury, eds. Swampmen: The muck-monsters and their makers. Comic Book Creator. Raleigh: TwoMorrows, 2014. |
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| Last edited by: joachim 31/12/2014, 14:28 |
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| Cooke, Jon B. and Eric Nolen-Weathington. John Byrne. Modern Masters. Raleigh: TwoMorrows, 2006. |
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| Last edited by: joachim 08/09/2010, 22:41 |
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| Cooper-Chen, Anne and Miiko Kodama. Mass Communication in Japan. Ames: Iowa State Univ. Press, 1997. |
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| Last edited by: joachim 08/05/2010, 23:36 |
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| Corleis, Gisela. Die Bildergeschichten des Genfer Zeichners Rodolphe Töpffer (1799–1846). Ein Beitrag zur Entstehung der Bildergeschichte im 19. Jahrhundert. Minerva-Fachserie Kunst. 2nd ed. München: Minerva Publ. 1979. |
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| Last edited by: joachim 19/08/2009, 02:33 |
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| Cornog, Martha and Timothy Perper, eds. Graphic Novels Beyond the Basics: Insights and issues for libraries. Santa Barbara: Libraries Unlimited, 2009. |
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| Added by: joachim 30/01/2018, 15:48 |
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