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Riesman, Abraham. True Believer: The rise and fall of stan lee. New York: Crown, 2021. |
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Riha, Karl. Donald (Duck) Pop: Das Porträt eines Zeitgenossen. Massenmedien und Kommunikation. Siegen: Universi, 1994. |
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Robbins, Trina. Nell Brinkley and the New Woman in the Early 20th Century. Jefferson, London: McFarland, 2001. |
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Robbins, Trina. Last Girl Standing. Seattle: Fantagraphics, 2017. |
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Robbins, Trina. Gladys Parker: A life in comics, a passion for fashion. Neshannock: Hermes, 2019. |
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Roberson, Chris, ed. Frank Miller’s Sin City: The making of the movie. Austin: Troublemaker, 2005. |
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Robert, Jörg. Einführung in die Intermedialität. Einführungen Germanistik. Darmstadt: Wissenschaftl. Buchgesellschaft, 2014. |
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Robert, Pascal. La bande dessinée, une intelligence subversive. Papiers. Villeurbanne: Presses de l’enssib, 2018. |
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Roberts, Adam. The History of Science Fiction. Palgrave Histories of Literature. 2nd ed. New York [etc.]: Palgrave Macmillan, 2016. |
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Robinson, Jerry. Jerry and the Joker: Adventures and comic art. Milwaukie: Dark Horse, 2017. |
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Roeder, Katherine. Wide Awake in Slumberland: Fantasy, mass culture, and modernism in the art of winsor mccay. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2014. |
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Rogel, Thierry. Sociologie des super-héros. Collection Société et pensées. Paris: Hermann, 2012. |
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Rokison, Abigail. Shakespeare for Young People: Productions, versions and adaptations. London, New York: Continuum, 2012. |
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Rollins, Prentis. The Making of a Graphic Novel. New York: Watson-Guptill, 2006. |
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Romagnoli, Alex S. and Gian S. Pagnucci. Enter the Superheroes: American values, culture, and the canon of superhero literature. Lanham: Scarecrow, 2013. |
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Roman, Christopher Michael. Queering Wolverine in Comics and Fanfiction: A fastball special. Routledge Focus on Gender, Sexuality, and Comics. London, New York: Routledge, 2023. |
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Romberger, James. Steranko: The self-created man. Ground Zero, 2018. |
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Rommens, Aarnoud, et al., eds. Abstraction and comics / Bande dessinée et abstraction. ACME. 2 vols. Liège: Presses Univ. de Liège, 2019. |
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Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the postmodern imagination. Lanham [etc.]: Lexington, 2008. |
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Rosenberg, Pnina. L’art des indésirables: L’art dans les camps d’internement français 1939–1944. Paris: L’Harmattan, 2003. |
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Rosenberg, Aaron. Colleen Doran. The Library of Graphic Novelists. New York: Rosen, 2005. |
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Rosenberg, Robin S., ed. Our Superheroes, Ourselves. New York: Oxford Univ. Press, 2013. |
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Rosenberg, Robin S., ed. Our Superheroes: Ourselves. New York: Oxford Univ. Press, 2013. |
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Rosenberg, Robin S. and Jennifer Canzoneri, eds. The Psychology of Superheroes: An unauthorized exploration. Psychology of Popular Culture. Dallas: Benbella Books, 2008. |
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Rosenfeldt, Reginald. Comic-Pioniere: Die deutschen comic-künstler der 1950er jahre. Bochum: Ch.A. Bachmann, 2016. |
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Rosenfeldt, Reginald. Helmut Nickel: Comickünstler und wissenschaftler. Berlin: Ch.A. Bachmann, 2019. |
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Rosenkranz, Patrick. Rebel Visions: The underground comix revolution 1963–1975. 2. erw. ed. Seattle: Fantagraphics, 2008. |
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Rosenkranz, Patrick. The Artist Himself: A rand holmes retrospective. Seattle: Fantagraphics, 2010. |
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Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Pirates in the heartland. Vol. 1. Seattle: Fantagraphics, 2014. |
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Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Demons and angels. Vol. 2. Seattle: Fantagraphics, 2015. |
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Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Belgian lace from hell. Vol. 3. Seattle: Fantagraphics, 2017. |
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Rosinsky, Natalie M. Graphic Content! The culture of comic books. Pop Culture Revolutions. Bloomington: Capstone, 2010. |
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