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Aldama, Frederick Luis, ed. Graphic Indigeneity: Comics in the Americas and Australasia. Jackson: Univ. Press of Mississippi, 2020.   
Last edited by: joachim 15/06/2020, 11:41
Allen, Jeremy. "A Virtual Revolution: Australian Comic Creators and the Web." International Journal of Comic Art 3.(2001): 22–37.   
Last edited by: joachim 05/08/2011, 15:37
Arizpe, Evelyn, Teresa Colomer, and Carmen Martínez-Roldán. Visual Journeys Through Wordless Narratives: An International Inquiry With Immigrant Children and The Arrival. New York: Bloomsbury Academic, 2014.   
Added by: joachim 16/08/2020, 12:39
Bainbridge, Jason and Craig Norris. "Posthuman Drag: Understanding Cosplay as Social Networking in a Material Culture." Intersections 32 2013. Accessed 26 Jul. 2014. <http://intersections.an ... 2/bainbridge_norris.htm>.   
Last edited by: joachim 12/10/2021, 11:37
Bainbridge, Jason and Craig Norris. "Hybrid Manga: Implications for the Global Knowledge Economy." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 235–52.   
Last edited by: joachim 07/04/2010, 10:38
Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." Journal of Graphic Novels and Comics 7.(2016): 53–69.   
Added by: joachim 23/04/2016, 14:18
Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." Journal of Postcolonial Writing 52.(2016): 399–414.   
Last edited by: joachim 10/08/2017, 12:31
Best, Daniel. The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013.   
Last edited by: joachim 07/05/2019, 11:58
Boatright, Michael D. "Graphic Journeys: Graphic Novels’ Representations of Immigrant Experiences." Journal of Adolescent & Adult Literacy 53.(2010): 468–76.   
Last edited by: joachim 01/06/2014, 20:36
Böger, Astrid. "Kreative Zwischenräume: Medienästhetische Strategien des Rahmens und Übersetzens in Graphic Novels." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 75–87.   
Added by: joachim 27/10/2020, 16:36
Bright, Amy. "Multimodal Forms: Examining Text, Image, and Visual Literacy in Daniel Handler’s Why We Broke Up and Markus Zusak’s The Book Thief." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 30–46.   
Last edited by: joachim 10/06/2022, 10:21
Burrows, Toby. "Australian Comics and Comic Strips: An Introductory Bibliography." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 111–15.   
Last edited by: joachim 21/03/2019, 16:40
Burrows, Toby and Grant Stone, eds. Comics in Australia and New Zealand: The Collections, the Collectors, the Creators. New York: Haworth, 1994.   
Last edited by: joachim 17/05/2013, 10:43
Buuck, Christiane and Cathy Ryan. "Looking Beyond the Scenes: Spatial Storytelling and Masking in Shaun Tan’s The Arrival." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 154–70.   
Last edited by: joachim 16/08/2020, 12:12
Chapman, Jane. "Representation of female war-time bravery in Australia’s Wanda the War Girl." Australasian Journal of Popular Culture 1.(2011): 153–63.   
Added by: joachim 04/03/2014, 14:52
Chapman, Jane and Daniel Ellin. "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." Australian Journal of Communication 39.(2012): 1–22.   
Added by: joachim 30/01/2014, 22:38
Chapman, Jane. "Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK." Fashion & War in Popular Culture. Ed. Denise N. Rall. Bristol, Chicago: Intellect Books, 2014. 21–34.   
Added by: joachim 06/06/2020, 12:42
Devos, Lien. "Not all that’s modern is post: Shaun Tan’s grand narrative." Bookbird 49.(2011): 17–23.   
Last edited by: joachim 30/05/2017, 22:19
Dickinson, Pauline. "The Comic Collection at the University of Sydney Library." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 87–98.   
Added by: joachim 21/03/2019, 16:34
Dony, Christophe. "Towards a vocabulary of displacement and utopian possibilities: Reading Shaun Tan’s The Arrival as a crossover text." Studies in Comics 3.(2012): 83–106.   
Last edited by: joachim 31/10/2012, 23:38
Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The Transnational World of Australian Radical and Labour Cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:34
Earle, Harriet E. H. "Strange migrations: An essay/interview with Shaun Tan." Journal of Postcolonial Writing 52.(2016): 385–98.   
Last edited by: joachim 11/01/2022, 12:07
Edgar, Patricia and Hilary McPhee. Media She. Melbourne: Heinemann, 1974.   
Last edited by: joachim 06/08/2013, 16:15
Foster, John. "The Image of Australia and Australians in Locally-Produced Comics." Papers 1.(1990): 11–23.   
Added by: joachim 06/06/2020, 16:58
Foster, John. "From “Ulla Dulla Mogo” to “Serene Azure Vault of Heaven”: Literary Style in Australian Children’s Comic Books." Journal of Popular Culture 25.(1991): 63–77.   
Last edited by: joachim 07/09/2012, 12:57
Foster, John. "A Social History of Australia as Seen Through its Children’s Comic Books." Journal of Australian Studies 22.(1998): 165–72.   
Last edited by: joachim 18/05/2013, 15:38
Foster, John. "Picture books as graphic novels and vice versa: The Australian experience." Bookbird 49.(2011): 68–75.   
Last edited by: joachim 07/09/2012, 12:59
Foyle, Lindsay. "An Essay: The Life and Death of the Larrikin Image." International Journal of Comic Art 9.(2007): 460–67.   
Added by: Deleted user 02/09/2009, 16:08
Foyle, Lindsay. "Australian Politics and »Cartoon Bias«." International Journal of Comic Art 10.(2008): 433–37.   
Last edited by: Deleted user 04/09/2009, 13:58
Gordon, Ian. "The Symbol of a Nation: Ginger Meggs and Australian National Identity." Journal of Australian Studies 16.(1992): 1–14.   
Last edited by: joachim 18/05/2013, 15:43
Gordon, Ian. Kid Comic Strips: A Genre Across Four Countries. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016.   
Added by: joachim 11/12/2016, 14:24
Grant, Pat. "Bodies on the Boards: Materiality and movement in the production of comic books and graphic novels." PhD Thesis. Macquarie University, 2014.   
Added by: joachim 05/01/2018, 12:54
Heimann, Rolf. "Ned Kelly — Australian Cartoonists' Favorite Idiom." International Journal of Comic Art 9.(2007): 453–59.   
Added by: Deleted user 02/09/2009, 16:06
Hill, Michael. "Outside Influence / Local Color: The Australian Small Press." International Journal of Comic Art 2.(2000): 117–32.   
Last edited by: joachim 20/06/2013, 15:09
Hill, Michael. "The Graphic Expression of the Lives, Obsessions, and objections of Small Press Sick Puppies and Scat(ology) Cats: A Short Survey of Some Aspects of Australian Alternative Comics 1990–2000." International Journal of Comic Art 9.(2007): 411–37.   
Last edited by: joachim 03/09/2012, 12:55
Höppner, Stefan. "Ohne Worte: Erzählweisen des Fremden in Shaun Tans The Arrival." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 136–66.   
Last edited by: joachim 08/06/2020, 18:21
Humphrey, Aaron. "Emotion and Secrecy in Australian Asylum-Seeker Comics: The Politics of Visual Style." International Journal of Cultural Studies (2017).   
Last edited by: joachim 24/05/2017, 15:21
Humphrey, Aaron Scott. "Drawing out of Detention: The Transnational Drawing Practices of Eaten Fish, Refugee Cartoonist." a/b: Auto/Biography Studies 35.(2020): 435–58.   
Last edited by: joachim 27/08/2020, 17:52
Hunter, Linnet. "The artist as narrator: Shaun Tan’s wondrous worlds." Bookbird 49.(2011): 10–16.   
Added by: joachim 07/09/2012, 12:38
Iida, Sumiko and William S. Armour. "The voices of adult anime/‘manga’ fans in Australia: Motivations, consumption patterns and intentions to learn the Japanese language." East Asian Journal of Popular Culture 5.(2019): 7–23.   
Added by: joachim 12/05/2019, 12:04
Imura, Taeko. "A portrait of Japanese popular culture fans who study Japanese at an Australian university: Motivation and activities beyond the classroom." East Asian Journal of Popular Culture 4.(2018): 171–88.   
Last edited by: joachim 12/05/2019, 11:55
Jeffrey, Peter. "The Humour of the Outback: Eric Jolliffe's “More About Andy”." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 57–66.   
Last edited by: joachim 08/07/2010, 10:28
Johnston, Rosemary Ross. "Graphic trinities: Languages, literature, and words-in-pictures in Shaun Tan’s The Arrival." Visual Communication 11.(2012): 421–41.   
Added by: joachim 09/09/2013, 11:28
Junqua, Amélie. "Wordless Eloquence – Shaun Tan, The Arrival, and Winshluss, Pinocchio." Revue de recherche en civilisation américaine 5 2015. Accessed 19 Jan. 2017. <https://rrca.revues.org/685>.   
Added by: joachim 19/01/2017, 01:50
Karaminas, Vicki. "Australian Gothic: Black Light Angels, Fashion, and Subcultural Style." International Journal of Comic Art 9.(2007): 438–52.   
Last edited by: joachim 03/07/2015, 14:27
Karaminas, Vicki. "»There's a Bug in My Ink Bottle«:The Graphic Art of Australian Women — Greenberg, Graber, and Ord." International Journal of Comic Art 10.(2008): 33–44.   
Added by: Deleted user 04/09/2009, 17:40
King, Terry. "Coming to Terms with Tightrope Tim: Three Decades of Heroes and Villains in the Australian Comic Strip." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 41–56.   
Last edited by: joachim 08/07/2010, 10:26
Kirsner, Inge. "Irgendwie immer das Gleiche? Zur Genderkonstruktion in 30 Days of Night." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 289–301.   
Last edited by: joachim 25/08/2018, 13:42
Kurkjian, Catherine and Julia Kara-Soteriou. "Insights Into Negotiating Shaun Tan’s The Arrival Using a Literature Cyberlesson." SANE journal 1.3 2013. Accessed 21 Aug. 2017. <http://digitalcommons.unl.edu/sane/vol1/iss3/2>.   
Added by: joachim 21/08/2017, 14:26
Laurie, Ross. "Masculinities and War Comics." Journal of Australian Studies 23.(1999): 114–21.   
Last edited by: joachim 19/07/2012, 12:02
Lent, John A. Comic Art in Africa, Asia, Australia, and Latin America: A Comprehensive, International Bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Greenwood, 1996.   
Last edited by: joachim 26/05/2013, 12:57
Lent, John A. Comic Art in Africa, Asia, Australia, and Latin America through 2000. An International Bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Praeger, 2004.   
Last edited by: joachim 26/05/2013, 13:03
Lindesay, Vane. The Inked-In Image: A Social and Historical Survey of Australian Comic Art. Richmond: Hutchinson, 1979.   
Last edited by: joachim 19/05/2013, 07:58
Lindesay, Vane. Stop Laughing: This Is Serious! The Life and Work Of Stan Cross. Carlton: Melbourne Univ. Press, 2001.   
Last edited by: joachim 19/05/2013, 08:06
Lindesay, Vane. "The Rise and Demise of the Australian Comic Strip." International Journal of Comic Art 9.(2007): 380–410.   
Added by: Deleted user 02/09/2009, 15:56
Ling, Chuan-Yao. "A Conversation with Illustrator Shaun Tan." World Literature Today 82.(2008): 44–47.   
Last edited by: joachim 30/03/2013, 18:55
Lo, Patrick, et al. "Librarians’ perceptions of educational values of comic books: A comparative study between Hong Kong, Taiwan, Japan, Australia and New Zealand." Journal of Librarianship and Information Science 51.(2019): 1103–19.   
Last edited by: joachim 18/11/2021, 20:35
Lommel, Michael. "Facetten des Surrealismus in der Gegenwartskultur." Der Surrealismus in der Mediengesellschaft – zwischen Kunst und Kommerz. Eds. Nanette Rißler-Pipka, Michael Lommel and Justyna Cempel. Medienumbrüche. Bielefeld: Transcript, 2010. 23–32.   
Added by: joachim 18/08/2012, 21:08
Manchester, Ashley. "Teaching Critical Looking: Pedagogical Approaches to Using Comics as Queer Theory." SANE journal 2.2 2017. Accessed 23 Apr. 2017. <http://digitalcommons.unl.edu/sane/vol2/iss2/2/>.   
Added by: joachim 23/04/2017, 17:04
Markle, Christopher S. "The new Australian: An observation of inexperienced and outsider views in Perth comics." Journal of Graphic Novels and Comics (2019): 1–15.   
Last edited by: joachim 26/07/2020, 23:09
McGee, Graham. "Confessions of a Long Distance Collector." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 99–104.   
Added by: joachim 21/03/2019, 16:43
McLelland, Mark J. "The World of Yaoi: The Internet, Censorship and the Global “Boys’ Love” Fandom." The Australian Feminist Law Journal 23.(2005): 61–77.   
Added by: joachim 10/06/2012, 14:01
Mikkonen, Kai. "Focalisation in Comics: From the Specificities of the Medium to Conceptual Reformulation." Scandinavian Journal of Comic Art 1.1 2012. Accessed 22 Jun. 2012. <http://sjoca.com/wp-con ... -1-Article-Mikkonen.pdf>.   
Added by: joachim 22/06/2012, 08:37
Mills, Alice. "The Paradoxes of History in Crew and Woolman’s Tagged and Crew and Tan’s Memorial." Rethinking History 6.(2002): 331–43.   
Last edited by: joachim 14/08/2012, 02:37
Minor, Elaine. "Christopher Koch: Drawn to Comics." Journal of the Association for the Study of Australian Literature Special Issue 2009. Accessed 6 Feb. 2015. <http://www.nla.gov.au/o ... article/viewArticle/851>.   
Added by: joachim 06/02/2015, 15:46
Moore, Nicole. The Censor’s Library. St Lucia: Univ. of Queensland Press, 2012.   
Added by: joachim 15/01/2015, 16:22
Nabizadeh, Golnar. "Questions for Shaun Tan." Journal of Graphic Novels and Comics 5.(2014): 361–65.   
Last edited by: Deleted user 11/09/2014, 09:25
Nabizadeh, Golnar. "Visual melancholy in Shaun Tan’s The Arrival." Journal of Graphic Novels and Comics 5.(2014): 366–79.   
Last edited by: joachim 11/09/2014, 10:49
Norris, Craig. "The Cross-Cultural Appropriation of Manga and Anime in Australia." Thesis PhD. University of Western Sydney, 2003.   
Added by: joachim 23/12/2010, 17:27
Norris, Craig. "Cyborg girls and shape-shifters: The discovery of difference by Anime and Manga Fans in Australia." Refractory 8 2005. Accessed 4 Mar. 2011. <http://blogs.arts.unime ... australia-craig-norris/>.   
Added by: joachim 04/03/2011, 12:39
Norris, Craig and Jason Bainbridge. "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." Intersections 20 2009. Accessed 26 Jul. 2014. <http://intersections.an ... 0/norris_bainbridge.htm>.   
Last edited by: joachim 14/09/2016, 14:18
Norris, Craig. "Cyborg Girls and Shape-Shifters: The Discovery of Difference by Anime and Manga Fans in Australia." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 347–61.   
Added by: joachim 28/10/2011, 15:25
O’Cuana, Emmet. "Viddy Well, Brother: An Australian comic’s tribute to Stanley Kubrick." Film International 11.(2013): 37–41.   
Last edited by: joachim 10/02/2014, 13:39
Oppolzer, Markus. "Reading Shaun Tan’s The Arrival." Writing Worlds. Welten- und Raummodelle der Fantastik. Eds. Pascal Klenke, et al. Beiträge zur Literaturtheorie und Wissenspoetik. Heidelberg: Winter, 2014. 265–76.   
Last edited by: joachim 02/05/2015, 00:59
Oppolzer, Markus. "Intercultural Perspectives on and in Shaun Tan’s The Arrival." Sprachen und Kulturen: vermitteln und vernetzen. Beiträge zu Mehrsprachigkeit und Inter-/Transkulturalität im Unterricht, in Lehrwerken und in der Lehrer/innen/bildung. Ed. Michaela Rückl. Salzburger Beiträge zur Lehrer/innen/bildung: Der Dialog der Fachdidaktiken mit Fach- und Bildungswissenschaften. Münster: Waxmann, 2016. 73–84.   
Added by: joachim 24/01/2017, 12:09
Osborne, Graeme. "Comics Discourse in Australia and Frederic Wertham’s Seduction of the Innocent." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 155–78.   
Last edited by: joachim 22/11/2012, 19:56
Pantaleo, Sylvia and Alexandra Bomphray. "Exploring Grade 7 Students’ Written Responses to Shaun Tan’s The Arrival." Changing English 18.(2011): 173–85.   
Added by: joachim 18/02/2012, 18:27
Patrick, Kevin. "The Invisible Medium: Comics Studies in Australia." Refractory 17 2010. Accessed 4 Mar. 2011. <http://refractory.unime ... kevin-patrick/#more-476>.   
Added by: joachim 04/03/2011, 14:39
Patrick, Kevin. "In search of the great Australian (graphic) novel." Australasian Journal of Popular Culture 1.(2011): 51–66.   
Added by: joachim 27/09/2015, 22:52
Patrick, Kevin. "The Contested Frontier: Western Comics and Australian Identity, 1945–1960." International Journal of Comic Art 13.(2011): 219–43.   
Added by: joachim 26/09/2012, 21:04
Patrick, Kevin. "“Phans”, not “Fans”: The Phantom and Australian comic-book fandom." Participations 9.2 2012. Accessed 8 Dec. 2012. <http://www.participatio ... ue%202/10%20Patrick.pdf>.   
Last edited by: joachim 29/06/2016, 09:37
Patrick, Kevin. "The Cultural Economy of the Australian Comic Book Industry, 1950–1985." Sold by the Millions. Australia’s Bestsellers. Eds. Toni Johnson-Woods and Amit Sarwal. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 162–81.   
Added by: joachim 15/01/2015, 16:28
Phillips, Jennifer. "Revising the Rhetoric of “Boat People” through the Interactive Graphic Adaptation of Nam Le’s “The Boat”." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 149–66.   
Last edited by: joachim 15/06/2022, 10:47
Rae, Richard. "The Comic Book Industry in Australia." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 5–24.   
Last edited by: joachim 08/07/2010, 10:25
Rice, Mary and Ashley Kaye Dallacqua. "Teaching visual literacies: The case of The Great American Dust Bowl." SANE journal 2.4 2019. Accessed 30 May. 2019. <https://digitalcommons.unl.edu/sane/vol2/iss4/1>.   
Last edited by: joachim 30/05/2019, 16:58
Rosenbaum, Roman. "Australia and Symbolic Representation in the “Cartoon Controversy”." International Journal of Comic Art 9.(2007): 468–86.   
Last edited by: joachim 06/08/2013, 16:04
Ryan, John. Panel by Panel: A History of Australian Comics. Stanmore: Cassell Australia, 1979.   
Last edited by: joachim 06/08/2013, 15:58
Ryan, John T. "With the Comics—Down Under." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 25–40.   
Last edited by: joachim 08/07/2010, 10:27
Scott, Ronnie and Elizabeth MacFarlane. "Peculiar integrations: Adaptations, experimentations and authorships in The Long Weekend in Alice Springs." TEXT 22.2 2018. Accessed 23 Jul. 2019. <http://www.textjournal. ... 18/scott_macfarlane.htm>.   
Last edited by: joachim 23/07/2019, 11:34
Scudamore, Ian. "Citee Comique: Western Australia’s Greatest Comics Magazine." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 67–70.   
Last edited by: joachim 06/08/2013, 15:59
Scully, Richard and Robert Phiddian. "The Australian Political Cartoon – An Historiographical Overwiew." International Journal of Comic Art 20.(2018): 367–83.   
Last edited by: joachim 03/11/2021, 12:55
Scully, Richard and Joshua Santospirito. "An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito." International Journal of Comic Art 17.(2015): 131–48.   
Added by: joachim 27/12/2015, 23:05
Sharp, Cassandra. "‘Fear’ and ‘Hope’ in Graphic Fiction: The Schismatic Role of Law in an Australian Dystopian Comic." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30.(2017): 407–26.   
Last edited by: joachim 18/06/2022, 17:08
Singer, Rüdiger. "Cute monsters and early birds: Foreignness in graphic novels on migration by Shaun Tan and Paula Bulling." Journal of Graphic Novels and Comics 11.(2020): 74–95.   
Last edited by: joachim 20/01/2024, 19:49
Sleight, Simon. "Wavering between Virtue and Vice: Constructions of Youth in Australian Cartoons of the Late-Victorian Era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 18:00
Stewart, Ron. "An Australian Cartoonist in 19th Century Japan: Frank A. Nankivell and the Beginnings of Modern Japanese Comic Art." International Journal of Comic Art 8.(2006): 77–97.   
Last edited by: joachim 06/08/2013, 15:53
Stitson, Roger. "Gallipoli: The Landing: Rewriting History in Comic Book Form." Screen Education (2012): 24–30.   
Last edited by: joachim 09/01/2014, 15:11
Stockins, Jennifer M. "The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney." Master of Arts – Research. University of Wollongong, 2009.   
Last edited by: joachim 06/08/2013, 16:01
Stone, Richard. "Achieving Fandom: John Ryan and Australian Comics in the National Library of Australia." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 71–86.   
Added by: joachim 21/03/2019, 16:32
Stuhlfauth-Trabert, Mara. "Überlegungen zur Schriftbildlichkeit im Comic aus postkolonialer Perspektive: Zu Shaun Tans The Arrival und Craig Thompsons Habibi." Schrift und Graphisches im Vergleich. Eds. Monika Schmitz-Emans, Linda Simonis and Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019. 525–38.   
Added by: joachim 08/05/2021, 12:25
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WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)