| Greenbaum, Andrea. The Tropes of War: Visual hyperbole and spectacular culture. New York [etc.]: Palgrave Macmillan, 2015. |
 
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| Grube, Vicky. "My Father Began Disappearing." Visual Arts Research 38. (2012): 45–52. |
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| Guillaume, Isabelle. "Corporéité et subversion dans Fun Home d’Alison Bechdel." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Häger, Andreas and Ralf Kauranen. "Drawn into Krishna: Autobiography and lived religion in the comics of kaisa and christoffer leka." Comics, Culture, and Religion. Faith Imagined. Ed. Kees de Groot. New York: Bloomsbury Academic, 2023. 67–88. |
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| Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: comics als reflexionen von wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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| Hall, James C. "“Say ‘Shit’ Chester”: Language, alienation, and the aesthetic in chester brown’s i never liked you: a comic-strip narrative." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 99–126. |
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| Harris, Miriam. "Releasing the Grip of the Ghostly: Bernice eisenstein’s i was a child of holocaust survivors." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 129–43. |
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| Harris, Marla. "Showing and Telling History through Family Stories in Persepolis and Young Adult Novels." Building Literacy Connections with Graphic Novels. Page by Page, Panel by Panel. Ed. James Bucky Carter. Urbana: National Council of Teachers of English, 2007. 38–53. |
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| Harvey, Robert C. "Fun Home: Literary cartooning in a graphic novel." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 232–39. |
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| Hatfield, Charles. "Graphic Interventions: Form and argument in contemporary comics." Dissertation Ph.D. University of Connecticut, 2000. |
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| Hatfield, Charles. Alternative Comics. An Emerging Literature. Jackson: Univ. Press of Mississippi, 2005. |
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| Heidemann, Gudrun. "Grafisch reloaded: Lethotechniken mit dem zeichenstift in agata baras der garten/ogród und nora krugs heimat. ein familienalbum." Lethe-Effekte. Forensik des Vergessens in Literatur, Comic, Theater und Film. Ed. Gudrun Heidemann. Inter/Media. München: Fink, 2021. 211–37. |
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| Heindl, Nina. "“Jimmy Corrigan has my grandfather’s hair, Charlie Brown’s eyes and my self-doubt”: Autobiografische und autofiktionale beziehungen in chris wares comics." Autobiografie intermedial. Fallstudien zur Literatur und zum Comic. Eds. Kalina Kupczyńska and Jadwiga Kita-Huber. Bielefeld: Aisthesis, 2019. 405–21. |
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| Hembrough, Tara. "Rural and Native American Students’ Utilization of Autobiographical Comic Strips to Explore Their Identities through Digital Storytelling in the Multimodal Writing Classroom." Journal of Multimodal Rhetorics 3. 1 2019. Accessed 29 May. 2019. <http://journalofmultimo ... com/3-1-issue-hembrough>. |
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| Herman, David. "Narrative Worldmaking in Graphic Life Writing." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 231–43. |
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| Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90. |
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| Herrmann, Andrew F. "Communication and ritual at the comic book shop: The convergence of organizational and popular cultures." Journal of Organizational Ethnography 7. (2018): 285–301. |
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| Hescher, Achim. "Transgressing Borders in and with Comics: Mana neyestani’s graphic novel une métamorphose iranienne (2012)." PhiN 70 2014. Accessed 17 Dec. 2014. <http://web.fu-berlin.de/phin/phin70/p70t4.htm>. |
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| Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen«: Versuch über das lebensgeschichtliche erzählen im comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35. |
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| Hevešiová, Simona. "The Art of Remembering in Alison Bechdel’s Fun Home." Ars Aeterna 5. (2013): 73–80. |
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| Hidle, Jade. "Remembering in Red and Yellow: History, memory, and second-generation vietnamese american identity in gb tran’s vietnamerica." International Journal of Comic Art 15. (2013): 408–18. |
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| Hiebler, Heinz. "Wer rasiert den Barbier? Paradoxien der (auto)biografischen wissensvermittlung in der graphic novel logicomix." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 337–56. |
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| Hight, Craig. "American Splendor: Translating comic autobiography into drama-documentary." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 180–98. |
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| Hirsch, Marianne. "Family Pictures: Maus, mourning and post-memory." Discourse 15. (1992): 3–29. |
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| Hirsch, Marianne. "Mourning and Postmemory." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 17–44. |
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| Hochreiter, Susanne. "Heldinnen und keine: Zu genre und affekt in ulli lusts heute ist der letzte tag vom rest deines lebens." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Eds. Susanne Hochreiter and Ursula Klingenböck. Bielefeld: Transcript, 2014. 233–56. |
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| Hochreiter, Susanne and Ursula Klingenböck, eds. "Ikarus Rising: Zur metatextuellen odyssee in alison bechdels fun home." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Bielefeld: Transcript, 2014. 191–212. |
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| Holder, Friedemann. "»Meine Haare und meine Klamotten sind das Einzige, was ich an mir mag«: Interaktionen zwischen text und bild in tracy whites graphic novel irgendwie dazwischen." Praxis Deutsch (2015): 39–45. |
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| Hong, Caroline Kyungah. "Disorienting the Vietnam War: Gb tran’s vietnamerica as transnational and transhistorical graphic memoir." Asian American Literature 5 2014. Accessed 14 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/4>. |
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| Horstkotte, Silke and Nancy Pedri. "Focalization in Graphic Narrative." Narrative 19. (2011): 330–57. |
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| Horstkotte, Silke and Nancy Pedri. "The Body at Work: Subjectivity in graphic memoir." Subjectivity across Media. Interdisciplinary and Transmedial Perspectives. Eds. Maike Sarah Reinerth and Jan-Noël Thon. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2017. 77–91. |
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| Houston, Kerr. "Narrative and Pictorial Dualism in Persepolis and the Emergence of Complexity." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Iadonisi, Rick. "Bleeding History and Owning His [Father's] Story: maus and collaborative autobiography." The College English Association Critic 57. (1994): 41–56. |
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| Itō, Yū and Tomoyuki Omote. "Barefoot Gen in Japan: An attempt at media history." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 21–38. |
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| Jacobs, Dale. "Multimodal Constructions of Self: Autobiographical comics and the case of joe matt’s peepshow." Biography 31. (2008): 59–84. |
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| Jacobs, Dale. On Comics and Grief. Crossing Lines. Waterloo: Wilfrid Laurier Univ. Press, 2024. |
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| Jacobs, Dale and Jay Dolmage. "Difficult Articulations: Comics autobiography, trauma, and disability." The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Eds. Ofra Amihay and Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 69–90. |
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| de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." Melus 29. (2004): 219–52. |
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| de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 73–92. |
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| Johnson, Michael. "Fabrice Neaud’s Journal and Autobiographical Comics." The Hooded Utilitarian 2014. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... utobiographical-comics/>. |
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| Johnston, Paddy. "From Random House to Rehab: Julia wertz, the small press, auteurism and alternative comics." Comics Forum 2014. Accessed 29 Jan. 2022. <https://comicsforum.org ... mics-by-paddy-johnston/>. |
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| Jones, Stephanie and James F. Woglom. "From Where Do You Read the World? A graphica expansion of literacies for teacher education." Journal of Adolescent & Adult Literacy 59. (2016): 443–73. |
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| Jungkeit, Steve. "Tell Tale Visions: The erotic theology of craig thompson’s blankets." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Kager, Andrea. "Aufbruch ohne Ankunft - Persepolis, Vincent Paronnaud, Marjane Satrapi, F 2007." Cinépassion – The Sequel. Eine psychoanalytische Filmrevue. Eds. Yvonne Frenzel Ganz and Markus Fäh. 1st ed. Gießen: Psychosozial-Verlag, 2016. 77–86. |
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| Kahn, Ariel. "From Darkness into Light: Reframing notions of self and other in contemporary israeli graphic narratives." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 198–213. |
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| Kaiser, Julie. "Veiling and Unveiling in Marjane Satrapi’s Persepolis." International Journal of Comic Art 20. (2018): 538–53. |
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| Kashtan, Aaron. "My mother was a typewriter: fun home and the importance of materiality in comics studies." Journal of Graphic Novels and Comics 4. (2013): 92–116. |
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| Katsiadas, Nick. "Mytho-auto-bio: Neil gaiman’s sandman, the romantics and shakespeare’s the tempest." Studies in Comics 6. (2015): 61–84. |
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| Kauranen, Ralf. "Multimodaalinen monikielisyys Katja Tukiaisen matkasarjakuvassa Postia Intiasta." Avain 16. 4 2019. Accessed 24 Jun. 2021. <https://journal.fi/avain/article/view/85148>. |
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| Kaus, Alaina. "A View from the Vietnamese Diaspora: Memories of warfare and refuge in gb tran’s vietnamerica." Mosaic 49. (2016): 1–19. |
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| Kavaloski, Laini. "Contested spaces in graphic narrative: Exploring homeland through miriam libicki’s jobnik!: an american girl’s adventures in the israeli army." Studies in Comics 6. (2015): 231–51. |
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| Kelly, Walt. "Autobiography, Circa 1954." The Best of Pogo. Eds. Selby Kelly and Bill Crouch, Jr. New York [etc.]: Simon & Schuster, 1982. 41–47. |
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| Kelp-Stebbins, Katherine. "Global Comics: Two women’s texts and a critique of cultural imperialism." Feminist Media Histories 4. (2018): 135–56. |
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| Kelso, Megan. "Miné Okubo’s “Citizen 13660”." Indy Magazine Summer 2004. Accessed 7 Feb. 2012. <http://www.indyworld.co ... /kelso_okubo/index.html>. |
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| Kemp, Anna. "Je me souviens de Beyrouth: Zeina abirached’s perecquian practice." International Journal of Francophone Studies 20. (2017): 183–208. |
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| Kepser, Matthis. "Persepolis: Einen animationsfilm im unterricht reflektieren." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 122–38. |
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| Kersulov, Michael L., Mary Beth Hines, and Rebecca Rupert. "When Young Writers Draw Their Voices: Creating hybrid comic memoirs with shermann alexie’s the absolutely true diary of a part-time indian." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 171–90. |
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| Ketcham, Hank. The Merchant of Dennis the Menace. 2nd ed. Seattle: Fantagraphics, 2005. |
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| Khorshidi, Sara. Voices from Necropolis: A critical study of autobiography and subalternity in the works of nafisi & satrapi. Literaturwissenschaft. Berlin [etc.]: LIT, 2018. |
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| Kirtley, Susan E. Lynda Barry: Girlhood through the looking glass. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2012. |
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| Kittner, Alma-Elisa. Visuelle Autobiographien: Sammeln als selbstentwurf bei hannah höch, sophie calle und annette messager. Bielefeld: Transcript, 2009. |
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| Klar, Elisabeth. "Die Darstellung des Körpers in Zeit und Raum in den autobiografischen Migrationserzählungen des Sammelbandes Paroles sans papiers." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 357–68. |
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| Klein, Christian. "Punkt, Punkt, Komma, Strich? Zur vergabe von figureninformationen in auto- / biografischen graphic novels." LiTheS 11 2014. Accessed 4 Dec. 2014. <http://lithes.uni-graz. ... _punkt_komma_strich.pdf>. |
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| Klepper, Martin. "Alison Bechdel: Fun Home: A Family Tragicomic (2006)." Handbook of Autobiography/Autofiction. Volume III: Exemplary Texts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 2074–88. |
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| Klepper, Martin. "Autobiographical/Autofictional Comics." Handbook of Autobiography/Autofiction. Volume I: Theory and Concepts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 441–45. |
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| Klimek, Julia. "Teaching Alison Bechdel’s Fun Home: The construction of a modernist lesbian graphic novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 131–42. |
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| Knight, Rhonda. "Author/Character: persepolis as a gateway to reading metafictional novels." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 181–94. |
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| Koch, Christina Maria. "Comic-Grotesque Metamorphoses: Boundaries between illness and health in ken dahl’s monsters." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. 149–64. |
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| Køhlert, Frederik Byrn. "Working it Through: Trauma and autobiography in phoebe gloeckner’s a child’s life and the diary of a teenage girl." South Central Review 32. (2015): 124–42. |
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| Køhlert, Frederik Byrn. Serial Selves: Identity and representation in autobiographical comics. New Brunswick: Rutgers Univ. Press, 2019. |
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| Last edited by: joachim 07/06/2019, 10:19 |
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| Køhlert, Frederik Byrn. "At This Point I Become Real: Experimental autobiography in julie doucet and michel gondry’s comics/video hybrid my new new york diary." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 145–63. |
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| Köhn, Stephan. "Geschichte als Fiktion? Nakazawa keijis »barfuss durch hiroshima« (hadashi no gen) oder die inszenierung von realität im medium manga." Facetten der japanischen Populär- und Medienkultur 2. (2007): 107–32. |
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| Kohn, Ayelet and Rachel Weissbrod. "Waltz with Bashir as a Case of Multidimensional Translation." Translation, Adaptation and Transformation. Ed. Laurence Raw. Continuum Advances in Translation. London, New York: Bloomsbury T&T Clark, 2012. 123–44. |
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| Kominsky-Crumb, Aline. Need More Love: A graphic memoir. London: MQP, 2007. |
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| Kraemer, Christine Hoff. "The Authority of the Image: Sex, religion, and the text/image conflict in craig thompson’s blankets." The Media and Religious Authority. Ed. Stewart Hoover. University Park: Penn State Univ. Press, 2016. 228–52. |
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| Krause, Marlene. "drüben! als Ganzschrift: Analyse eines autobiografischen comics zur ddr-geschichte." Geschichte lernen (2013): 66–71. |
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| Krüger-Fürhoff, Irmela Marei. "Narrating the Lived Reality of Illness in Comics and Literature: Research by the pathographics team at freie universität berlin." Diegesis 8. 1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/346>. |
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| Kuhlman, Martha B. "Marianne Hirsch on Maus." Indy Magazine Winter 2005. Accessed 12 Jan. 2013. <http://www.indyworld.co ... g_2004/kuhlman_poetics/>. |
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| Kunka, Andrew J. Autobiographical Comics. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2018. |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse: Taking risks in the service of truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Last edited by: joachim 19/05/2023, 12:09 |
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| Kunka, Andrew J. "Cranky Bosses, Rebellious Characters, and Suicidal Artists: scribbly, inkie, and pre-underground autobiographical comics." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 44–56. |
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| Kunz Westerhoff, Dominique. "La photographie au révélateur littéraire: De denis roche à anne-marie garat." Études de Lettres (2013): 183–204. |
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