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Displaying 101 - 200  of 201 (Bibliography: WIKINDX Master Bibliography)
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Lackaff, Derek and Michael Sales. "Black comics and social media economics: New media, new production models." Black Comics. Politics of Race and Representation. Eds. Sheena C. Howard and Ronald L. Jackson II. New York: Bloomsbury, 2013. 65–78.   
Added by: joachim 24/09/2019, 00:37
Ladd, Fred. Astro Boy and Anime Come to the Americas: An Insider’s View of the Birth of a Pop Culture Phenomenon. Jefferson, London: McFarland, 2009.   
Last edited by: joachim 14/07/2011, 10:49
Lainé, Jean-Marc. Stan Lee: Homère du XXe siècle. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2013.   
Last edited by: joachim 16/07/2016, 12:09
Laqua, Carsten. Wie Micky unter die Nazis fiel: Walt Disney und Deutschland. rororo Sachbuch. Reinbek bei Hamburg: Rowohlt, 1992.   
Added by: joachim 27/06/2016, 17:35
Lavin, Michael R. "Comics Publishers in Decline: A Tale of Two Companies." Serials Review 24.(1998): 94–106.   
Last edited by: joachim 13/05/2019, 13:58
Lent, John A. "Local comic books and the curse of Manga in Hong Kong, South Korea and Taiwan." Asian Journal of Communication 9.(1999): 108–28.   
Added by: joachim 05/10/2010, 00:01
Lethbridge, James C. "Comic Containment: No Laughing Matter." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 107–22.   
Added by: joachim 17/05/2016, 20:15
von Lettow-Vorbeck, Nicolas. YPS: Die verpasste Chance: Konzeption für den Relaunch einer Kultmarke. Saarbrücken: VDM, 2010.   
Added by: joachim 08/08/2010, 11:41
Loubert, Deni, ed. How to Get Girls (into your store): A Friends of Lulu Retailer Handbook. San Diego: Friends of Lulu, 1997.   
Last edited by: joachim 29/07/2013, 15:58
Loubert, Deni. "Presenting the Product." How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Ed. Deni Loubert. San Diego: Friends of Lulu, 1997. 16–20.   
Added by: joachim 29/07/2013, 16:27
Lowe, T. M. "Marketing Your Store to Your Community." How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Ed. Deni Loubert. San Diego: Friends of Lulu, 1997. 24–29.   
Last edited by: joachim 29/07/2013, 16:34
Madeley, June M. "Transnational convergence culture: Grassroots and corporate convergence in the conflict over amateur English-translated manga." Journal of Graphic Novels and Comics 6.(2015): 367–81.   
Added by: joachim 23/04/2016, 15:20
Malone, Paul M. "Shifting Ground and Shifting Borders in the German Mangascape." Kobuk 1 2011. Accessed 15 Jan. 2013. <https://www.academia.ed ... the_German_Mangascape._>.   
Added by: joachim 15/01/2013, 03:40
Malone, Paul M. "From BRAVO to Animexx.de to Export: Capitalizing on German Boys’ Love Fandom, Culturally, Socially and Economically." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010.   
Added by: joachim 05/03/2010, 18:50
Manzenreiter, Wolfram. "Die Mangatisierung der Welt: Japans Populärkultur, Kulturdiplomatie und die neue internationale Arbeitsteilung." Japan aktuell 4.(2007): 3–23.   
Last edited by: joachim 01/02/2013, 23:56
Maxwell, Matt. The Collected Full Bleed. El Dorado Hills: Highway 62, 2013.   
Added by: joachim 02/04/2015, 09:10
McAllister, Matthew P. "Cultural Argument and Organizational Constraint in the Comic Book Industry." Journal of Communication 40.(1990): 55–71.   
Last edited by: joachim 27/05/2013, 00:44
McAllister, Matthew P. "Ownership Concentration in the U.S. Comic Book Industry." Comics & Ideology. Eds. Matthew P. McAllister, Edward H. Sewell, Jr. and Ian Gordon. Popular Culture and Everyday Life. 2001. 15–38.   
Last edited by: joachim 01/11/2012, 13:18
McCloud, Scott. Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper, 2000.   
Last edited by: joachim 11/04/2014, 11:29
McCloud, Scott. Comics neu erfinden: Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001.   
Added by: joachim 26/05/2013, 15:42
McCloud, Scott. La revolución de los cómics. Biblioteca creativa. Barcelona: Norma, 2001.   
Last edited by: joachim 26/05/2013, 15:59
McCloud, Scott. Réinventer la bande dessinée. Paris: Vertige Graphic, 2006.   
Added by: joachim 26/05/2013, 15:48
McDermott, Mark R. "Finding the Milieu of the Spider-Man Music LPs." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 222–33.   
Added by: joachim 09/10/2012, 13:40
Meehan, Eileen. "“Holy Commodity Fetish, Batman!”: The Political Economy of a Political Intertext." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 47–65.   
Last edited by: joachim 11/09/2010, 15:01
Meehan, Eileen. "‘Holy Commodity Fetish, Batman!’: The Political Economy of a Commercial Intertext." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 69–87.   
Added by: joachim 14/09/2016, 16:41
Méon, Jean-Matthieu. "Sons and Grandsons of Origins: Narrative Memory in Marvel Superhero Comics." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 189–209.   
Last edited by: joachim 06/09/2018, 17:03
Mietzner, Dietmar W. INCOS. Eine Zeitreise: 1970–2010. 40 Jahre Interessengemeinschaft Comicstrip e.V. INCOS e.V. 2010.   
Last edited by: joachim 28/09/2012, 18:17
Minks, Patricia. "Mangamarkt – Ein Vergleich zwischen Japan und dem Deutschsprachigen Raum." Kobuk 1 2011. Accessed 15 Jan. 2013. <http://www.kobuk.org/ar ... _No4_Manga_(1_2011).pdf>.   
Added by: joachim 15/01/2013, 03:28
Moe, Anders. "Japanese Comics: The Reasons for their Popularity and Place in the Popular Culture." Hovedoppgave Universitetet i Oslo, 2004.   
Added by: joachim 23/12/2010, 18:04
Molinaro, John. "Who Owns Captain America? Contested Authorship, Work-For-Hire, And Termination Rights Under the Copyright Act of 1976." Georgia State University Law Review 21.(2004): 565–92.   
Last edited by: joachim 04/04/2019, 19:21
Murdough, Adam C. "Worlds Will Live, Worlds Will Die: Myth, Metatext, Continuity and Cataclysm in DC Comics’ Crisis on Infinite Earths." Thesis Master of Arts. Bowling Green State Univ. Popular Culture, 2006.   
Last edited by: joachim 22/06/2011, 13:57
Murray, Padmini Ray. "Scott Pilgrim vs the future of comics publishing." Studies in Comics 3.(2012): 129–42.   
Added by: joachim 08/01/2013, 14:46
Newbold, Jamie. The Forensic Comicologist: Insights from a Life in Comics. Jefferson: McFarland, 2018.   
Last edited by: joachim 09/02/2019, 17:46
Nieder, Julia. "A Southern Breeze from the Far East: The Films of Studio Ghibli." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 96–105.   
Added by: joachim 15/02/2011, 12:25
Nieder, Julia. "Südwind aus Fernost: Die Filme des Studio Ghibli." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 96–105.   
Added by: joachim 23/02/2011, 14:38
Norcliffe, Glen and Olivero Rendace. "New Geographies of Comic Book Production in North America: The New Artisan, Distancing, and the Periodic Social Economy." Economic Geography 79.(2003): 241–64.   
Last edited by: joachim 16/02/2012, 11:56
Nordling, Lee. Your Career in the Comics. Kansas City: Andrews McMeel, 1995.   
Last edited by: joachim 21/07/2015, 10:00
Norlund, Christopher. "Imagining Terrorists before September 11: Marvel's GI Joe Comic Books, 1982–1994." 3.1 2006. Accessed 9 Dec. 2009. <http://www.english.ufl. ... ext/archives/v3_1/tobe/>.   
Last edited by: joachim 26/04/2011, 20:23
Norris, Craig and Jason Bainbridge. "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." Intersections 20 2009. Accessed 26 Jul. 2014. <http://intersections.an ... 0/norris_bainbridge.htm>.   
Last edited by: joachim 14/09/2016, 14:18
Pagliassotti, Dru. "GloBLisation and Hybridisation: Publishers’ Strategies for Bringing Boys’ Love to the United States." Intersections 20 2009. Accessed 25 Jul. 2009. <http://intersections.an ... ssue20/pagliassotti.htm>.   
Last edited by: joachim 02/06/2013, 00:21
Park, David. "The Kefauver Comic Book Hearings as Show Trial: Decency, Authority and the Dominated Expert." Cultural Studies 16.(2002): 259–88.   
Last edited by: joachim 01/10/2011, 12:15
Park, Jung-Sun. "The success and limitations of Japanese comics and animation in the US: Can Korean manhwa and animation follow suit?." Complicated Currents. Media Flows, Soft Power and East Asia. Eds. Daniel Black, Stephen Epstein and Alison Tokita. Clayton: Monash Univ. ePress, 2010. 12.1–12.15.   
Added by: joachim 21/07/2011, 00:38
Patrick, Kevin. "The Cultural Economy of the Australian Comic Book Industry, 1950–1985." Sold by the Millions. Australia’s Bestsellers. Eds. Toni Johnson-Woods and Amit Sarwal. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 162–81.   
Added by: joachim 15/01/2015, 16:28
Pearson, Roberta E. and William Uricchio. "Notes from the Batcave: An Interview with Dennis O’Neil." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 18–32.   
Last edited by: joachim 16/05/2012, 08:16
Pearson, Roberta E. and William Uricchio. "Notes from the Batcave: An Interview with Dennis O’Neil." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 21–32.   
Added by: joachim 14/09/2016, 16:45
Perren, Alisa and Gregory Steirer. The American Comic Book Industry and Hollywood. International Screen Industries. London: British Film Institute, 2021.   
Last edited by: joachim 06/07/2021, 17:08
Petty, Ross D. "The “Amazing Adventures” of Super Hero®." The Trademark Reporter 100.(2010): 729–55.   
Last edited by: joachim 04/04/2019, 17:42
Pforte, Dietger. "Zur Produktion von Comics." Comics im ästhetischen Unterricht. Ed. Dietger Pforte. Kritische Literaturwissenschaft. Frankfurt am Main: Athenäum Fischer, 1974. 277–92.   
Added by: joachim 07/06/2012, 12:22
Pineda, Antonio and Jesus Jimenez‐Varea. "Popular Culture, Ideology, and the Comics Industry: Steve Ditko’s Objectivist Spider‐Man." Journal of Popular Culture 46.(2013): 1156–76.   
Last edited by: joachim 25/03/2018, 10:16
Ponchamni, Rop. "Future Possibilities of Comics in Thailand." ABD. Asian/Pacific Book Development 34.(2003): 10–11.   
Added by: joachim 15/05/2010, 19:54
Rabone, Emily. "Drugs, earthquakes and high-school girls: An interview with Reiko Momochi." Studies in Comics 7.(2016): 325–32.   
Added by: joachim 22/02/2018, 17:21
Rae, Richard. "The Comic Book Industry in Australia." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 5–24.   
Last edited by: joachim 08/07/2010, 10:25
Raviv, Dan. Comic Wars: Marvel’s Battle For Survival. Sea Cliff: Heroes Books, 2004.   
Added by: joachim 06/02/2017, 16:09
Rhoades, Shirrel. Comic Books: How the Industry Works. New York [etc.]: Peter Lang, 2008.   
Last edited by: joachim 17/10/2010, 12:33
Rhode, Michael G. "The Commercialization of Comics: A Broad Historical Overview." International Journal of Comic Art 1.(1999): 143–70.   
Last edited by: joachim 14/03/2011, 01:26
Richardson, Mike and Steve Duin. Comics: Between the Panels. Milwaukie: Dark Horse, 1998.   
Added by: joachim 04/10/2009, 22:46
Robinson, Michael G. "Lois & Clark: What’s New About The New Adventures of Superman?." Studies in Popular Culture 21.(1998): 83–98.   
Last edited by: joachim 29/11/2021, 19:13
Rogers, Mark C. "Licensing Farming and the American Comic Book Industry." International Journal of Comic Art 1.(1999): 132–42.   
Added by: Deleted user 31/07/2009, 16:21
Rogers, Mark C. "Understanding Production: The Stylistic Impact of Artisan and Industrial Methods." International Journal of Comic Art 8.(2006): 509–17.   
Last edited by: joachim 09/06/2013, 12:28
Rogers, Mark C. "Political Economy: Manipulating Demand and “The Death of Superman”." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 145–56.   
Last edited by: joachim 11/03/2014, 17:06
Roman, Zak and Ryan Lizardi. "“If She Be Worthy”: The Illusion of Change in American Superhero Comics." Inks 2.(2018): 18–37.   
Last edited by: joachim 13/08/2021, 12:32
Round, Julia. "“Is this a book?”: DC Vertigo and the Redefinition of Comics in the 1990s." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 14–30.   
Last edited by: joachim 11/01/2011, 22:02
Sabin, Roger. "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 43–57.   
Last edited by: joachim 23/10/2011, 17:02
Sackmann, Eckart. "Der 1. Internationale Comic-Salon Erlangen 1984." Deutsche Comicforschung 7.(2011): 129–39.   
Added by: joachim 30/12/2010, 11:35
Sackmann, Eckart. "Der Verleger als künstlerischer Entscheider: Caspar Braun." Deutsche Comicforschung 7.(2011): 7–14.   
Added by: joachim 30/12/2010, 10:52
Sackmann, Eckart. "Walter Lehnings »Winnetou« in Frankreich und Holland." Deutsche Comicforschung 8.(2012): 105–10.   
Added by: joachim 16/06/2012, 13:54
Salkowitz, Roberto. Comic-Con and the Business of Pop Culture: What the World’s Wildest Trade Show Can Tell Us About the Future of Entertainment. New York: McGraw-Hill, 2012.   
Added by: joachim 23/06/2012, 12:39
Santo, Avi. "Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era." Cinema Journal 49.(2010): 63–85.   
Last edited by: joachim 17/03/2011, 00:32
Santo, Avi. "“Is It a Camel? Is It a Turban? No, It’s The 99”: Branding Islamic Superheroes as Authentic Global Cultural Commodities." Television & New Media 15.(2014): 679–95.   
Added by: joachim 13/03/2015, 14:34
Santo, Avi. Selling the Silver Bullet: The Lone Ranger and Transmedia Brand Licensing. Texas Film and Media Studies. Austin: Univ. of Texas Press, 2015.   
Last edited by: joachim 24/05/2018, 15:12
Schelly, Bill. Founders of Comic Fandom: Profiles of 90 Publishers, Dealers, Collectors, Writers, Artists and Other Luminaries of the 1950s and 1960s. Jefferson, London: McFarland, 2010.   
Added by: joachim 31/07/2010, 20:30
Schiller, Liz. "Doesn’t She Know This is a Comics Shop? or How to Treat the Customer." How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Ed. Deni Loubert. San Diego: Friends of Lulu, 1997. 11–15.   
Last edited by: joachim 29/07/2013, 16:25
Schmuck, Alena Maria. "Manga und Anime – popkultureller Export Japans: Eine Diskursanalyse der Berichterstattung der APA." Magisterarbeit Mag. phil. Universität Wien, 2009.   
Last edited by: joachim 08/07/2012, 16:44
Schnurrer, Achim. "Comics und Merchandising: Intermediale Dependenzen. Strategie der Wirkungsverstärkung." Communications. The European Journal of Communication Research 9.(1983): 201–20.   
Last edited by: joachim 29/01/2013, 23:53
Shiraishi, Saya S. "Doraemon Goes Abroad." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 287–308.   
Last edited by: joachim 20/09/2009, 00:32
Shiraishi, Saya S. "Japan’s Soft Power: Doraemon Goes Overseas." Network Power. Japan and Asia. Eds. Peter J. Katzenstein and Takashi Shiraishi. Ithaca: Cornell Univ. Press, 1997. 234–72.   
Last edited by: joachim 15/06/2018, 10:29
Simon, Joe and Jim Simon. The Comic Book Makers. 2nd ed. New Jersey: Vanguard, 2003.   
Added by: joachim 15/07/2011, 18:45
Simone, Gail. You’ll All Be Sorry! Camarillo: About Comics, 2008.   
Last edited by: joachim 02/07/2020, 19:36
Smith, Clay. "Get Gaiman? PolyMorpheus Perversity in Works by and about Neil Gaiman." ImageTexT 4.1 2008. Accessed 5 Jun. 2013. <https://imagetextjourna ... -and-about-neil-gaiman/>.   
Last edited by: joachim 05/06/2013, 18:17
Smith, Anthony N. Storytelling Industries: Narrative Production in the 21st Century. New York: Bloomsbury, 2018.   
Last edited by: joachim 16/09/2020, 17:53
Smith, Matthew J. "The “Triangle Era” of Superman: Continuity, Marketing and Grand Narratives in the 1990s." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 156–65.   
Last edited by: joachim 26/03/2013, 09:47
Smoodin, Eric, ed. Disney Discourse: Producing the Magic Kingdom. AFI Film Readers. London, New York: Routledge, 1994.   
Last edited by: joachim 22/05/2019, 16:08
Sturm, Michaela and Melanie Teich. "Faszination Manga und Anime: Der Erfolgskurs asiatischer Comics und Animationsfilme in Deutschland. Mit einer Umfrage zu Medien- und Interessensverbund." Diplomarbeit Hochschule der Medien Stuttgart, 2006.   
Last edited by: joachim 15/12/2010, 00:34
Taylor, Aaron. "Avengers dissemble! Transmedia superhero franchises and cultic management." Journal of Adaptation in Film & Performance 7.(2014): 181–94.   
Last edited by: joachim 03/02/2022, 11:09
Tiefenbacher, Mike. "I Was Twelve Years Old in 1964: Comics and Culture." The Nostalgia Zine 1.1 2005. Accessed 6 Nov. 2011. <http://www.nostalgiazon ... 5_Q1/twelveyearsold.htm>.   
Added by: joachim 06/11/2011, 09:25
Tju, Lim Cheng. "Current Trends in Singapore Comics: When Autobiography is Mainstream." Kyoto Review of Southeast Asia 16 2014. Accessed 12 Jan. 2016. <http://kyotoreview.org/ ... iography-is-mainstream/>.   
Added by: joachim 12/01/2016, 10:53
Tucker, Reed. Slugfest: Inside the Epic, 50-year Battle between Marvel and DC. Cambridge: Da Capo, 2017.   
Added by: joachim 12/07/2019, 11:14
Vergueiro, Waldomiro C. S. and Roberto Elísio dos Santos. "Crás! Comic Book: Brazilian Comics and the Publishing Industry." International Journal of Comic Art 11.(2009): 247–61.   
Added by: joachim 25/09/2012, 16:16
Vergueiro, Waldomiro C. S. and Lucimar Ribeiro Mutarelli. "Forging a Sustainable Comics Industry: A Case Study on Graphic Novels as a Viable Format for Developing Countries, Based on the Work of a Brazilian Artist." International Journal of Comic Art 4.(2002): 157–67.   
Last edited by: joachim 10/02/2014, 13:30
de Vries, Rudolf Willem. Comics and co-evolutions: A study of the dynamics in the niche of comics publishers in the Low Countries. Groningen: University of Groningen, 2012.   
Last edited by: joachim 25/08/2021, 16:21
Watson, Lisa and Phil Stocks. "Superhero by Numbers." Refractory 10 2006/2007. Accessed 14 Nov. 2014. <http://refractory.unime ... watson-and-phil-stocks/>.   
Added by: joachim 14/11/2014, 10:57
Watts, Steven. "Walt Disney: Art and Politics in the American Century." Journal of American History 82.(1995): 84–110.   
Last edited by: joachim 21/02/2016, 12:29
Wershler, Darren. "Digital Comics, Circulation, and the Importance of Being Eric Sluis." Cinema Journal 50.(2011): 127–34.   
Added by: joachim 02/07/2011, 13:55
Wetzel, Stephanie and Charlie Wetzel. The Marvel Studios Story: How a Failing Comic Book Publisher Became a Hollywood Superhero. The Business Storybook. New York: HarperCollins, 2020.   
Last edited by: joachim 25/08/2020, 02:47
Wheeler-Nicholson, Nicky. DC Comics Before Superman: Major Malcolm Wheeler-Nicholson’s Pulp Comics. Neshannock: Hermes, 2018.   
Last edited by: joachim 07/09/2019, 17:26
Wills, John. Disney Culture. Quick Takes: Movies and Popular Culture. New Brunswick: Rutgers Univ. Press, 2017.   
Last edited by: joachim 13/08/2018, 14:55
Woo, Benjamin. "The Android’s Dungeon: Comic-bookstores, cultural spaces, and the social practices of audiences." Journal of Graphic Novels and Comics 2.(2011): 125–36.   
Added by: joachim 19/12/2011, 10:43
Woo, Benjamin. "Erasing the Lines between Leisure and Labor: Creative Work in the Comics World." Spectator 35.(2015): 57–64.   
Added by: joachim 22/05/2015, 06:59
Woo, Benjamin. "Is There a Comic Book Industry?." Media Industries 5.1 2018. Accessed 24 Sept. 2018. <https://quod.lib.umich. ... .102?view=text;rgn=main>.   
Added by: joachim 24/09/2018, 02:21
Woo, Benjamin, et al. "Theorizing Comic Cons." Journal of Fandom Studies 8.(2020): 9–31.   
Last edited by: joachim 17/07/2021, 17:40
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WIKINDX 6.8.2 | Total resources: 14513 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)