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| Petrovic, Paul. "The Culturally Constituted Gaze: Fetishizing the feminine from alan moore and dave gibbons’s watchmen to zack snyder’s watchmen." ImageTexT 5. 4 2011. Accessed 12 Mar. 2013. <http://www.english.ufl. ... archives/v5_4/petrovic/>. |
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| Petrovic, Paul. "“It Came Out of Nothing Except Our Love”: Queer desire and transcendental love in promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 163–76. |
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| Phillips, Nickie D. and Staci Strobl. "When (super)heroes kill: Vigilantism and deathworthiness in justice league, red team, and the christopher dorner killing spree." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 109–29. |
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| Piatti-Farnell, Lorna. "‘For God’s sake, cover yourself’: Sexual violence, disrupted histories, and the gendered politics of patriotism in watchmen." Journal of Graphic Novels and Comics 8. (2017): 238–51. |
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| Pietrzak-Franger, Monika. "Envisioning the Ripper’s Visions: Adapting myth in alan moore and eddie campbell’s from hell." Neo-Victorian Studies 2. 2 2009/2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... er%20with%20CAUTION.pdf>. |
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| Pitkethly, Clare. "A Rubble of Fragments: Disintegration into panels in grant morrison’s comics." ImageTexT 8. 2 2015. Accessed 4 Nov. 2015. <http://www.english.ufl. ... rchives/v8_2/pitkethly/>. |
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| Prescott, Tara. "It’s Pretty Graphic: Sexual violence and the issue of “calliope”." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 64–80. |
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| Ratto, Casey M. "Not Superhero Accessible: The temporal stickiness of disability in superhero comics." Disability Studies Quarterly 37. 2 2017. Accessed 25 Apr. 2019. <http://dsq-sds.org/article/view/5396>. |
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| Rauch, Stephen. Neil Gaiman’s The Sandman and Joseph Campbell: In search of the modern myth. Rockville: Wildside, 2003. |
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| Rauch, Stephen. "‘Dream a Little Dream of Me …’: The relationship of dreams and myth in campbell, jung, and gaiman’s sandman." Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth. Ed. Stephen Rauch. Rockville: Wildside, 2003. 22–37. |
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| Rauch, Stephen. "The Role of the Artist and the Art of Storytelling in The Sandman." Neil Gaiman’s The Sandman and Joseph Campbell. In Search of the Modern Myth. Ed. Stephen Rauch. Rockville: Wildside, 2003. 117–37. |
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| Rauch, Stephen. "Campbell and The Sandman: Reminding us of the sacred." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 11–21. |
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| Rawlik, Jr., Peter S. "A King Forsakes His Throne: Campbellian hero icons in neil gaiman’s sandman." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 30–50. |
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| Reynolds, Richard. Super Heroes. A Modern Mythology. Studies in Popular Culture. 2nd ed. Jackson: Univ. Press of Mississippi, 1994. |
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| Ricca, Brad. "‘I fashioned a prison that you could not leave’: The gothic imperative in the castle of otranto and ‘for the man who has everything’." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 159–78. |
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| Risko, Guy Andre. "“Does Doctor Manhattan Think?” Alan moore’s the watchmen and a ‘great books’ curriculum in the early college setting." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 103–16. |
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| Ritchie, William. "At Play Amidst the Strangeness and Charm: watchmen and the philosophy of science." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 52–63. |
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| Robertson, Benjamin J. "Incommensurate Nostalgias: Changin’ times in watchmen." Write in Tune. Contemporary Music in Fiction. Eds. Erich Hertz and Jeffrey Roessner. New York: Bloomsbury, 2014. |
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| Robichaud, Christopher. "The Superman Exists, and He's American: Morality in the face of absolute power." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 5–17. |
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| Romero-Jódar, Andrés. "Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen." Trauma and Romance in Contemporary British Literature. Eds. Jean-Michel Ganteau and Susana Onega. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2013. 181–99. |
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| Romero-Jódar, Andrés. "Individual Trauma Representation in Graphic Novels: The case of paul hornschemeier’s mother, come home and neil gaiman and dave mckean’s signal to noise." Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature. Eds. Dolores Herrero and Sonia Baelo-Allué. Heidelberg: Winter, 2011. 249–63. |
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| Ronald, Emily Taylor. "Present Gods, Absent Believers in Sandman." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Rose, Margaret A. "Die komische Interbildlichkeit in der deutschen und englischen Karikatur des 19. Jahrhunderts." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 161–86. |
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| Last edited by: joachim 29/10/2019, 02:40 |
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| Round, Julia. "Grant Morrison, Dave McKean, and Gaspar Saladino’s Arkham Asylum (1989) – Gothic Comics." The Gothic. A Reader. Ed. Simon Bacon. New York [etc.]: Peter Lang, 2018. 161–68. |
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| Added by: joachim 23/02/2024, 22:47 |
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| Round, Julia. "Horror Hosts in British Girl’s Comics." The Palgrave Handbook on Contemporary Gothic. Ed. Clive Bloom. New York [etc.]: Palgrave Macmillan, 2020. 623–42. |
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| Added by: joachim 28/12/2021, 14:28 |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Last edited by: joachim 11/08/2019, 16:31 |
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