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| McCleery, Alistair. "Leo Baxendale and Alan Grant." The Edinburgh History of the Book in Scotland. Bd. 4: Professionalism and Diversity 1880–2000. Eds. David Finkelstein and Alistair McCleery. New York [etc.]: Columbia Univ. Press, 2007. 379–82. |
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| McIlvenny, Paul. "The Disabled Male Body “Writes/Draws Back”: Graphic fictions of masculinity and the body of the autobiographical comic the spiral cage." Revealing Male Bodies. Eds. Nancy Tuana, et al. Bloomington: Indiana Univ. Press, 2002. 100–24. |
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| Meaney, Patrick and Kevin Thurman. Warren Ellis: The captured ghosts interviews. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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| Means-Shannon, Hannah. "The Joker Plays the King: Archetypes of the underworld in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." The Joker. A Serious Study of the Clown Prince of Crime. Eds. Robert Moses Peaslee and Robert G. Weiner. Jackson: Univ. Press of Mississippi, 2015. 194–208. |
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| Merriman, Emily Taylor. "London (& the Mind) as Sacred-Desecrated Place in Alan Moore’s From Hell." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Meskin, Aaron. "“Why Don't You Go Read a Book or Something?” Watchmen as Literature." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 157–71. |
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| Meteling, Arno. "Jack the Ripper und die Verschwörung des Raums: Psychogeographisches mapping bei alan moore, peter ackroyd und iain sinclair." The Parallax View. Zur Mediologie der Verschwörung. Eds. Markus Krause, Arno Meteling and Markus Stauff. Mediologie. München: Fink, 2011. 295–312. |
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| Meyer, Christina. "Patriotic Laughter? World war i in british and american newspaper and magazine comics." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Bern [etc.]: Peter Lang, 2013. 1525–52. |
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| Mieszkowski, Sylvia. "The Elephant Man: Visualisierungen eines phantasmas." MenschenFormen. Visualisierungen des Humanen in der Neuzeit. Eds. Felix Holtschoppen and Susanne Scholz. Kulturwissenschaftliche Gender Studies. Sulzbach/Ts. Ulrike Helmer, 2007. 137–65. |
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| Miettinen, Mervi. "Past as Multiple Choice – Textual Anarchy and the Problems of Continuity in Batman: The Killing Joke." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11 Jun. 2012. <http://sjoca.com/wp-con ... 1-Article-Miettinen.pdf>. |
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| Last edited by: joachim 11/06/2012, 00:07 |
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| Miettinen, Mervi. "Men of Steel? Rorschach, theweleit, and watchmen’s deconstructed masculinity." PS: Political Science and Politics 47. (2014): 104–07. |
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| Added by: joachim 08/01/2014, 18:34 |
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| Miettinen, Mervi. "“Do you understand how I have loved you?”: Terrible loves and divine visions in from hell." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 88–99. |
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| Added by: joachim 23/04/2012, 21:36 |
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| Miettinen, Mervi. "Representing the state of exception: Power, utopia, visuality and narrative in superhero comic." Images in Use. Towards the Critical Analysis of Visual Communication. Eds. Matteo Stocchetti and Karin Kukkonen. Amsterdam, Philadelphia: John Benjamins, 2011. 269–88. |
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| Added by: joachim 16/06/2016, 15:43 |
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| Mikkonen, Kai. "Le narrateur implicite dans la bande dessinée: La transformation du style indirect libre dans deux adaptations en bandes dessinées de madame bovary." Image [&] Narrative 11. 4 2010. Accessed 23 Jun. 2012. <http://www.imageandnarr ... ive/article/view/119/92>. |
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| Added by: joachim 23/06/2012, 14:51 |
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