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| Goodrum, Michael and Philip Smith. Printing Terror: American horror comics as cold war commentary and critique. Manchester, New York: Manchester Univ. Press, 2021. |
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| Gravett, Paul. "From Iky Mo to Lord Horror: Representations of jews in british comics." Journal of Graphic Novels and Comics 1. (2010): 5–16. |
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| Gray, Jonathan W. "“Commence the Great Work”: The historical archive and unspeakable violence in kyle baker’s nat turner." Afterimages of Slavery. Essays on Appearances in Recent American Films, Literature, Television and Other Media. Eds. Marlene D. Allen and Seretha D. Williams. Jefferson, London: McFarland, 2012. 183–200. |
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| Gretz, Daniela. "Antisemitismus als Gerücht über die Juden – Will Eisners Wahre Geschichte der Protokolle der Weisen von Zion." Die Kommunikation der Gerüchte. Eds. Jürgen Brokoff, et al. Göttingen: Wallstein, 2008. 100–28. |
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| Guynes, Sean and Martin Lund, eds. Unstable Masks: Whiteness and american superhero comics. New Suns: Race, Gender, and Sexuality in the Speculative. Columbus: Ohio State Univ. Press, 2020. |
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| Haider, Christian and Fritz Hausjell. "Die Apokalypse als Bildgeschichte: Antisemitische karikatur am beispiel des »juden tate« im wiener deutschen volksblatt 1936 bis 1939." Medien & Zeit 6. (1991): 9–15. |
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| Hannesen, Anne-Line. Bitterkomix – A South African Comic as an Indigenous Ethnography. Europäische Hochschulschriften Reihe 19: Volkskunde/Ethnologie, Abteilung B: Ethnologie. Frankfurt am Main [etc.]: Peter Lang, 2007. |
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| Hayward, Jennifer. Consuming Pleasures: Active audiences and serial fictions from dickens to soap opera. Lexington: Univ. Press of Kentucky, 1997. |
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| Heintjes, Tom. "‘We Crack the Door Open, But We’re Still Just Peeking In’: Three african american cartoonists discuss the challenges of working in syndicated cartooning." Hogan’s Alley (2020): 44–57. |
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| Hertrampf, Marina Ortrud M. and Kirsten von Hagen, eds. Selbst- und Fremdbilder von Roma in Comic und Graphic Novel: Vom holocaust bis zur gegenwart. Ästhetik(en) der Roma – Selbst- und Fremdrepräsentationen. München: AVM, 2020. |
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| Jasmin, Jasmin. "Narrating other Perspectives, Re-Drawing History: The protagonization of afro-brazilians in the work of graphic novelist marcelo d’salete." Literature and Ethics in Contemporary Brazil. Eds. Vinicius Mariano de Carvalho and Nicola Gavioli. London, New York: Routledge, 2017. 106–23. |
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| Jenkins, William. "Homeland Crisis and Local Ethnicity: The toronto irish and the cartoons of the evening telegram 1910–1914." Urban History Review / Revue d’histoire urbaine 38. (2010): 48–63. |
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| Jenkins, Henry, et al. "Superpowers to the People! How young activists are tapping the civic imagination." Civic Media. Technology, Design, Practice. Eds. Eric Gordon and Paul Mihailidis. Cambridge, London: MIT Press, 2016. 295–319. |
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| de Jesús, Melinda L. "Of Monsters and Mothers: Filipina american identity and maternal legacies in lynda j. barry’s one hundred demons." Meridians 5. (2004): 1–26. |
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| de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 73–92. |
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| Jiménez, Laura M. "PoC, LGBTQ, and gender: The intersectionality of america chavez." Journal of Lesbian Studies 22. (2018): 435–45. |
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| Jödecke, Manfred. Inklusion im Spiegel der neunten Kunst: Verstehen von sinnzusammenhängen im comic aus sich selbst heraus. Inklusion und Gesellschaft. Berlin: Frank & Timme, 2021. |
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| Johnson, Dominique Deirdre. "Misogynoir and antiblack racism: What the walking dead teaches us about the limits of speculative fiction fandom." Journal of Fandom Studies 3. (2015): 259–76. |
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| Johnson, Jordan L. and Kristen Hoerl. "Suppressing Black Power through Black Panther’s neocolonial allegory." Review of Communication 20. (2020): 269–77. |
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| Kaufman, Heidi. "A New Order: Reading through pasts in will eisner’s neo-victorian graphic novel, fagin the jew." Drawing on the Victorians. The Palimpsest of Victorian and Neo-Victorian Graphic Texts. Eds. Anna Maria Jones and Rebecca N. Mitchell. Series in Victorian Studies. Athens: Ohio Univ. Press, 2017. 151–75. |
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| Kaur, Guneet. "Community Narrative as a Borderlands Praxis: Anzaldúa’s mestiza consciousness as explored in cortez’s sexile." Journal of Medical Humanities 43. (2022): 319–33. |
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| Kauranen, Ralf, et al. "Vuoden 2015 “pakolaiskriisi” ja sarjakuva-aktivismi Suomessa: Auttamishalu, antirasismi ja turvapaikanhakijoiden äänet." Avain 16. 1 2019. Accessed 24 Jun. 2021. <https://journal.fi/avain/article/view/74151>. |
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| Kauranen, Ralf, Viola Parente-Čapková, and Anna Vuorinne. "Escapes of a “Mad Artist”: Intersectional identities in kiba lumberg’s comics." Selbst- und Fremdbilder von Roma in Comic und Graphic Novel. Vom Holocaust bis zur Gegenwart. Eds. Marina Ortrud M. Hertrampf and Kirsten von Hagen. Ästhetik(en) der Roma – Selbst- und Fremdrepräsentationen. München: AVM, 2020. 243–71. |
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| Kavadlo, Jesse. "X-istential X-Men: Jews, supermen, and the literature of struggle." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 38–48. |
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| Kibler, M. Alison. "Pigs, Green Whiskers, and Drunken Widows: Irish nationalists and the “practical censorship” of mcfadden’s row of flats in 1902 and 1903." Journal of American Studies 42. (2008): 489–514. |
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| Klotman, P. R. "Racial Stereotypes in Hard Core Pornography." Journal of Popular Culture 5. (1971): 221–35. |
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| Konrad, Tatiana. "The Legacy of American Slavery: Contesting blackness and re-envisioning nationhood in kindred: a graphic novel adaptation." Journal of Perpetrator Research 4. 2 2022. Accessed 24 Oct. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.110/>. |
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| Lackaff, Derek and Michael Sales. "Black comics and social media economics: new media, new production models." Black Comics. Politics of Race and Representation. Eds. Sheena C. Howard and Ronald L. Jackson II. New York: Bloomsbury, 2013. 65–78. |
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| Laemmerhirt, Iris-Aya. "“Trying to Recapture the Front”: A transnational perspective on hawaii in r. kikuo johnson’s night fisher." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 83–94. |
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| Landis, Winona. "Diasporic (dis)identification: The participatory fandom of ms. marvel." South Asian Popular Culture 14. (2016): 33–47. |
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| Landis, Winona. "Ms Marvel, Qahera, and superheroism in the Muslim diaspora." Continuum 33. (2019): 185–200. |
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| Langford, Rachael. "Photography, Belgian colonialism and Hergé’s Tintin au Congo." Journal of Romance Studies 8. (2008): 77–89. |
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| Lanyi, Ronald Levitt. "The Once and Future Don Rico." Journal of Popular Culture 13. (1979): 26–37. |
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| LaRue, Robert. "‘I Remember You Was Conflicted’ Reflections on black panther, the african american/african divide, and scholarly positionings." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 1.9-special-9-LaRue.pdf>. |
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| Lefèvre, Pascal. "Not just Black and White: Divergent colonial period representations of africans in french and belgian broadsheets (1880–1914)." SIGNs. Studies in Graphic Narratives (2011): 3–14. |
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| Lefèvre, Pascal. "The Congo Drawn in Belgium." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 166–85. |
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| Lefèvre, Pascal. "Of Savages and Wild Children: Contrasting representations of foreign cultures and disobedient white children during the belle époque." The Child Savage, 1890–2010. From Comics to Games. Ed. Elisabeth Wesseling. Ashgate Studies in Childhood, 1700 to the Present. London, New York: Routledge, 2016. 55–70. |
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| Leroy, Fabrice. "‘Is there any boudin on the moon?’: Depicting cajun ethnicity in bec doux et ses amis." European Comic Art 1. (2008): 127–44. |
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| Lockard, Joe. "Nat Turner, Slave Revolts, and Child-Killing in US Graphic Novels." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 105–22. |
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| Lund, Martin. "‘Introducing the Sensational Black Panther!’: fantastic four #52–53, the cold war, and marvel’s imagined africa." The Comics Grid 6. 7 2016. Accessed 14 Jun. 2016. <http://doi.org/10.16995/cg.80>. |
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| Lund, Martin. Re-Constructing the Man of Steel: Superman 1938–1941, jewish american history, and the invention of the jewish–comics connection. Contemporary Religion and Popular Culture. New York [etc.]: Palgrave Macmillan, 2016. |
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| Lyubansky, Mikhail. "Prejudice Lessons from the Xavier Institute." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 75–90. |
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