| Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2. (2011): 177–93. |
 
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| De Dobbeleer, Michel. "Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of watchmen’s uchronical universe, twenty years after publication." Studies in Comics 2. (2011): 159–75. |
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| Derbyshire, Kayla. "It’s a (Fe)Male World: Male-orientated revisionism in watchmen." Occam’s Razor 4 2014. Accessed 9 Feb. 2020. <https://cedar.wwu.edu/orwwu/vol4/iss1/3/>. |
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| Last edited by: joachim 09/02/2020, 13:03 |
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| Di Liddo, Annalisa. "Transcending Comics: Crossing the boundaries of the medium in alan moore and eddie campbell’s snakes and ladders." International Journal of Comic Art 7. (2005): 530–45. |
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| Di Liddo, Annalisa. Alan Moore: Comics as performance, fiction as scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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| Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen potential von comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012. |
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| Added by: joachim 03/08/2014, 16:49 |
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| DiCecco, Nico. "To read what was never written: The licentiousness of history in alan moore and melinda gebbie’s lost girls." Journal of Graphic Novels and Comics 6. (2015): 201–13. |
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| Last edited by: joachim 30/07/2015, 17:53 |
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| DiCecco, Nico. "Reflections on the Looking Glass: Adaptation as sex and psychosis in lost girls." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 124–35. |
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| Dietrich, Bryan D. "The Human Stain: Chaos and the rage for order in watchmen." Extrapolation 50. (2009): 120–44. |
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| Added by: joachim 25/01/2013, 09:52 |
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| DiGiovanna, James. "Dr. Manhattan, I Presume?." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 103–14. |
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| Dittmer, Jason. "The Tyranny of the Serial: Popular geopolitics, the nation, and comic book discourse." Antipode (2007): 247–68. |
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| Last edited by: joachim 22/07/2011, 12:55 |
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| Dittmer, Jason. "Serialization and Displacement in Graphic Narrative." Serialization in Popular Culture. Eds. Rob Allen and Thijs van den Berg. London: Routledge, 2014. 125–40. |
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| Doise, Eric. "Two Lunatics: Sanity and insanity in the killing joke." ImageTexT 8. 1 2015. Accessed 29 Mar. 2017. <http://www.english.ufl. ... xt/archives/v8_1/doise/>. |
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| Domsch, Sebastian. "Monsters against Empire: The politics and poetics of neo-victorian metafiction in the league of extraordinary gentlemen." Neo-Victorian Gothic. Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century. Eds. Marie-Luise Kohlke and Christian Gutleben. Neo-Victorian Series. Amsterdam [etc.]: Rodopi, 2012. 97–122. |
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| Donovan, Sarah and Nick Richardson. "Watchwomen." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 173–84. |
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| Drohan, Christopher M. "A Timely Encounter: Dr. manhattan and henri bergson." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 115–24. |
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| Dubose, Mike S. "Holding Out for a Hero: Reaganism, comic book vigilantes, and captain america." Journal of Popular Culture 40. (2007): 915–35. |
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| Duncan, Sydney. "Lost Girl: Diminishing dorothy of oz." Studies in Popular Culture 31. (2008): 55–67. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6. (2002): 319–30. |
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| Last edited by: joachim 06/01/2010, 18:49 |
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| Ecke, Jochen. "‘Solve and coagula’: Alan moore and the classical comic book’s spatial and temporal systems." Studies in Comics 2. (2011): 105–19. |
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| Last edited by: joachim 03/12/2012, 19:40 |
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| Ecke, Jochen. "‘Is that you, our Jack?’: An anatomy of alan moore’s doubling strategies." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 65–83. |
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| Eklund, Christopher. "A Magical Realism of the Fuck." ImageTexT 3. 3 2007. Accessed 19 Nov. 2012. <http://www.english.ufl. ... lost_girls/eklund.shtml>. |
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| Ella, Jan-Erik. "Expanding Worlds: Neo-victorianism, fan fiction, and the death of the author." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 111–22. |
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| Elmwood, Victoria A. "Fictional Auto/Biography and Graphic Lives in Watchmen." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 265–78. |
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| Fazli, Sabina. "Aspects of Victorian Serial Publication in Neo-Victorian Fiction: the glass books of the dream eaters and the league of extraordinary gentlemen." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 123–38. |
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| Fehrle, Johannes and Philipp Fidler. "‘What’s happened to the American Dream?’: Transnationalism and intertexts in alan moore and dave gibbons’s watchmen." International Journal of Comic Art 13. (2013): 495–527. |
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| Added by: joachim 26/06/2014, 22:49 |
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| Ferguson, Christine. "Victoria-Arcana and the Misogynistic Poetics of Resistance in Iain Sinclair’s White Chappell, Scarlet Tracings and Alan Moore’s From Hell." LIT. Literature Interpretation Theory 20. (2009): 45–64. |
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| Last edited by: joachim 22/07/2015, 16:09 |
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| Ferguson, Christine. "Steam Punk and the Visualization of the Victorian: Teaching alan moore's the league of extraordinary gentlemen and from hell." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 200–07. |
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| de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The intermedial transposition of graphic novels to films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010. |
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| Figueiredo, Camila. "Tunes Across Media: The intermedial transposition of music in watchmen." International Journal of Comic Art 12. (2010): 543–51. |
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| Fishbaugh, Brent. "Moore and Gibbons’s Watchmen: Exact personification of science." Extrapolation 39. (1998): 189–99. |
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| Fisher, Craig. "Providence: Lovecraft, Sexual Violence, and the Body of the Other." The Comics Journal 2016. Accessed 1 Feb. 2021. <http://www.tcj.com/prov ... -the-body-of-the-other/>. |
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| Added by: joachim 01/02/2021, 19:16 |
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| Fitch, Alex. "One Soul, From Hell and Here: The graphic novel page as time machine." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 30–48. |
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| Flynn, Tyler. "Discovering the Literary Relevancy of Watchmen: A review of the graphic novel’s philosophical themes." Senior Thesis. Liberty University, 2012. |
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| Flynn, Kate. "“Don’t Laugh Daddy, We’re in Love”: Mockery, fulfillment, and subversion of popular romance conventions in the ballad of halo jones." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 52–64. |
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| Francis, Catherine. "From Superman to Super-Being: Dr. manhattan and the nuclear sublime." 1999. Accessed 11 Aug. 2009. <http://ginka.armageddon.org/~sanvean/watchmen.html>. |
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| Francis, Fred. "‘Footnotes to Miller and Moore’: Monomyth and transnationality in the 1986 superhero comics." Comparative American Studies 14. (2016): 289–301. |
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| Frenz, Dietmar. "A Brother to Dragons: Zu alan moores watchmen vii." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 176–94. |
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| Last edited by: joachim 23/03/2016, 16:14 |
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| Furlong, Michael. "Drawing Desires Performance: Dominance and submission in will eisner’s the spirit and alan moore’s watchmen." Thesis Master of Arts. Florida Atlantic University, 2011. |
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| Gaiman, Neil. "A Portal to Another Dimension." The Comics Journal (1987): 80–87. |
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| Added by: joachim 13/10/2013, 16:37 |
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| Gaiman, Neil. "A Portal to Another Dimension: Alan moore, dave gibbons, and neil gaiman." The Comics Journal (1987): 80–87. |
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| Gaiman, Neil. "Alan Moore and Dave Gibbons." The New Comics. Interviews from the pages of The Comics Journal. Eds. Gary Groth and Robert Fiore. New York: Berkley, 1988. 94–104. |
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| Gavaler, Chris and Nathaniel Goldberg. "Alan Moore, Donald Davidson, and the Mind of Swampmen." Journal of Popular Culture 50. (2017): 239–58. |
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| Last edited by: joachim 10/08/2018, 18:48 |
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| Germanà, Monica. "Madness and the City: The collapse of reason and sanity in alan moore’s from hell." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 140–58. |
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| Gervais, Bertrand. "Le tressage à portée interprétative comme modalité de lecture: Étude du roman graphique watchmen de dave gibbons et alan moore." Mémoire Maîtrise. Université de Québec, 2010. |
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| Gibbons, Dave. Watching the Watchmen. London: Titan Books, 2008. |
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| Gibbons, Dave. Watching the Watchmen: Die entstehung einer graphic novel. Nettetal: Panini, 2009. |
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| Gifford, Denis and Orion Ussner Kidder. "Alan Moore and Anarchist Praxis in Form: Bibliography, remediation, and aesthetic form in v for vendetta and black dossier." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 94–125. |
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| Gilmore, Shawn. "On Comics: “A Dream of Rorschach” in The Question #17 (1988)." The Vault of Culture 2021. Accessed 16 Dec. 2023. <https://www.vaultofcult ... omics/questionrorschach>. |
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| Goldberg, Nathaniel and Chris Gavaler. "Watchmen as Philosophy: Illustrating time and free will." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_89-1>. |
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| Goldman, Jonathan E. "Extraordinary People: The superhero genre and celebrity culture in the league of extraordinary gentlemen." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 142–53. |
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| Added by: joachim 29/11/2010, 02:32 |
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| Gravett, Paul. "»Der Magier von Northampton«: Paul gravett interviewt alan moore." Plaque (2002): 39–60. |
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| Added by: joachim 17/02/2010, 22:56 |
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| Gray, Maggie. "‘Fascism knows only one superman: the state’: Alan moore's v for vendetta vs the iron lady." Object (2008). |
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| Gray, Maggie. "“The fantasy bribe”: Comics and punk." Kunst und Politik 10. (2008): 63–72. |
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| Last edited by: joachim 28/08/2018, 11:15 |
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| Gray, Maggie. "‘A fistful of dead roses …’ Comics as cultural resistance: Alan moore and david lloyd’s v for vendetta." Journal of Graphic Novels and Comics 1. (2010): 31–49. |
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| Gray, Maggie. Hanging Out With Halo Jones: ‘the first feminist comics heroine’? Comics Forum 2010: Women in Comics II: Leeds, 2010. |
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| Gray, Maggie. "Alan Moore’s underground: The formation of a dissident cultural practice." Studies in Comics 2. (2011): 21–37. |
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| Last edited by: joachim 03/12/2012, 19:15 |
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| Gray, Maggie. "Airing Alan Moore’s Shorts." Comics Forum 2012. Accessed 13 Jan. 2013. <http://comicsforum.org/ ... -shorts-by-maggie-gray/>. |
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| Last edited by: joachim 14/01/2013, 00:13 |
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| Gray, Maggie. Alan Moore, Out from the Underground: Cartooning, performance, and dissent. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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| Last edited by: joachim 28/08/2018, 11:22 |
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| Gray, Maggie. "A Gothic politics: Alan moore’s swamp thing and radical ecology." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 42–62. |
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| Added by: joachim 22/06/2014, 11:37 |
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| Green, Matthew J. A. "‘She Brings Apocalypse’: Sex, imagination and redemptive transgression in william blake and the graphic novels of alan moore." Literature Compass 8. 10 2011. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00839.x>. |
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| Last edited by: joachim 14/06/2019, 19:58 |
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| Green, Matthew J. A., ed. Alan Moore and the Gothic Tradition. Manchester, New York: Manchester Univ. Press, 2013. |
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| Added by: joachim 28/05/2013, 19:15 |
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| Green, Matthew J. A. "‘An altered view regarding the relationship between dreams and reality’: Magic, politics and the comics medium in alan moore and jacen burrow’s providence." Studies in Comics 8. (2018): 135–56. |
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| Last edited by: joachim 25/06/2018, 10:38 |
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| Green, Matthew J. A. "A Darker Magic: Heterocosms and bricolage in moore’s recent reworkings of lovecraft." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 253–75. |
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| Added by: joachim 22/06/2014, 12:21 |
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| Green, Matthew J. A. "Alan Moore and the Gothic tradition." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 3–20. |
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| Greenblatt, Jordana. "I for Integrity: (inter)subjectivities and sidekicks in alan moore's v for vendetta and frank miller’s batman: the dark knight returns." ImageTexT 4. 3 2009. Accessed 9 Dec. 2009. <http://www.english.ufl. ... chives/v4_3/greenblatt/>. |
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| Groensteen, Thierry. "De Watchmen à From Hell: Quelques obsessions et procédés récurrents dans l’œuvre d’alan moore." Neuvième art (2001): 102–07. |
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| de Groot, Jerome. Consuming History: Historians and heritage in contemporary popular culture. London, New York: Routledge, 2008. |
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| Großhans, Sven. "Who watches the Watchm... – Verschwörungstheoretische Symbolhaftigkeit im Comic." Konspiration. Soziologie des Verschwörungsdenkens. Eds. Andreas Anton, Michael Schetsche and Michael K. Walter. Wiesbaden: Springer VS, 2014. 221–38. |
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| Groth, Gary. "Alan Moore Big Words." The Comics Journal (1990): 78–109. |
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| Hague, Ian. Comics and the Senses: A multisensory approach to comics and graphic novels. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. |
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| Hague, Ian. "Adapting Watchmen." Framing Film. Cinema and the Visual Arts. Eds. Steven Allen and Laura Hubner. Bristol, Chicago: Intellect Books, 2012. 37–55. |
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| Halsall, Alison. "“A Parade of Curiosities”: Alan moore’s the league of extraordinary gentlemen and lost girls as neo-victorian pastiches." Journal of Popular Culture 48. (2015): 252–68. |
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| Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101. |
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| Hameter, Wolfgang. "Antikenbezug bei ausgewählten Superheldencomics von Alan Moore." Historische Sozialkunde (2016): 20–25. |
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| Handley, Rich. Watching Time: The unauthorized watchmen chronology. New York: Hasslein, 2016. |
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| Hanegraaff, Wouter J. "Alan Moore’s Promethea: Countercultural gnosis and the end of the world." Gnosis 1. (2016): 234–58. |
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| "Watchmen Wiki." 2008. Accessed 12 Jun. 2018. <http://watchmen.wikia.com/wiki/Watchmen_Wiki>. |
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| Harnett, John. "Shelley’s Progeny: Using the comic to re-animate frankenstein’s vision." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 11–21. |
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| Harnett, John. "Framing the Subconscious: Envisioning the polysemic narrative of the graphic novel as a reference point for psychoanalytical and semiotic discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83. |
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| Harris-Fain, Darren. "Revisionist Superhero Graphic Novels: Teaching alan moore's watchmen and frank miller's dark knight books." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 147–54. |
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| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining superheroes in post–9/11 hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
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| Hatfield, Charles. "A Review and a Response." ImageTexT 3. 3 2007. Accessed 19 Nov. 2012. <http://www.english.ufl. ... st_girls/hatfield.shtml>. |
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| Held, Jacob M. "Can We Steer This Rudderless World? Kant, Rorschach, Retributivism, and Honor." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 19–31. |
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| Hemmingson, Michael. "The Canonical is Not Sacred: Public domain and the league of extraordinary gentlemen." Science Fiction Studies 36. (2009): 375–78. |
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| Henderson, Scott A. "Agency and Intertextuality: tank girl, subcultural aesthetics, and the strong female protagonist." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 279–95. |
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| Hescher, Achim. "Schrecken ohne Ende: Apokalyse(n) in englischsprachiger narrativik und der graphic novel watchmen." Untergangsszenarien. Apokalyptische Denkbilder in Literatur, Kunst und Wissenschaft. Eds. Lothar Blum, et al. Berlin: Akademie Verl. 2013. 167–94. |
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| Hilton, Laura. "Reincarnating Mina Murray: Subverting the gothic heroine?." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 195–212. |
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| Hilton, Laura. "Gothic Science Fiction in the Steampunk Graphic Novel The League of Extraordinary Gentlemen." Gothic Science Fiction 1980–2010. Eds. Sara Wasson and Emily Alder. Liverpool: Liverpool Univ. Press, 2011. 189–207. |
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| Ho, Elizabeth. "Postimperial Landscapes: “psychogeography” and englishness in alan moore’s graphic novel from hell: a melodrama in sixteen parts." Cultural Critique 63. (2006): 99–121. |
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| Ho, Elizabeth. Neo-Victorianism and the Memory of Empire. Continuum Literary Studies. London, New York: Continuum, 2012. |
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| Hoberek, Andrew. Considering Watchmen: Poetics, property, politics. Comics Culture. New Brunswick: Rutgers Univ. Press, 2014. |
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| Hochschild, Björn. "Superhero Comics and the Potential for Continuation: Identity and temporality in alan moore’s watchmen." Literatur in Wissenschaft und Unterricht 47. (2014): 55–66. |
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| Höltgen, Stefan. "The Juwes are not the men That Will be Blamed for nothing: Über die agonie des profilers im jack the ripper-film." f.lm. texte zum film (2003): 15–22. |
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| Howell, Tracee L. "The Monstrous Alchemy of Alan Moore: promethea as literacy narrative." Studies in the Novel 47. (2015): 381–98. |
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| Hudsick, Walter. "Reassembling the Components in the Correct Sequence: Why you shouldn’t read watchmen first." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 8–23. |
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| Last edited by: joachim 25/09/2020, 12:59 |
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| Hughes, David. "Who Watches the Watchmen? Mission impossible: wie alan moores watchmen doch noch verfilmt wurde." Das Science Fiction Jahr 8. (2009): 295–318. |
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| Last edited by: joachim 20/07/2017, 12:15 |
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