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| Brunoro, Gianni. Corto comme un roman: Réflexions sur corto maltese, ultime héros romantique. Tournai: Casterman, 2008. |
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| Buchenberger, Stefan. "Vom dünnen Heftchen zum anerkannten literarischen Genre: Zur entwicklung der graphic novel." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 63–70. |
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| Buchenberger, Stefan. "Thomas von Steinaeckers Roman Geister: Eine weiterentwicklung der graphic novel?." Bildlichkeit und Schriftlichkeit in der deutschen Kultur zwischen Barock und Gegenwart. Ed. Yuji Nawata. Studienreihe der Japanischen Gesellschaft für Germanistik. 2015. 57–65. |
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| Buchholz, Barbara. "Kriminalliteratur in Bild und Text: Zu comicadaptionen ausgewählter romane léo malets und didier daeninckx." Magisterarbeit M.A. Rheinische Friedrich-Wilhelms-Universität Bonn, 2002. |
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| Bueno, Bernardo. "Geek Metafiction: Nerds, footnotes, and intertextuality." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 91–111. |
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| Bühring, Andrea. "Goethes »Faust« im Comic." M.A. Magisterarbeit. Universität Bonn, 2012. |
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| Bukatman, Scott. "Frankenstein and the Peculiar Power of the Comics." Global Frankenstein. Eds. Carol Margaret Davison and Marie Mulvey-Roberts. Studies in Global Science Fiction. 185–207. |
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| Bullen, David. "Dionysus Comes to Gotham: Forces of disorder in the dark knight." Classical Myth on Screen. Eds. Monica S. Cyrino and Meredith E. Safran. New York [etc.]: Palgrave Macmillan, 2015. 183–93. |
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| Bumatay, Michelle. "Postcolonial Interjections: Jean-philippe stassen illustrates heart of darkness and we killed mangy dog." Alternative Francophone 1. 8 2015. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/24018>. |
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| Burt, Stephanie. "The Dream of Power and the Power of Dreams: Ursula k. le guin and the x-men." The Legacies of Ursula K. Le Guin. Science, Fiction, Ethics. Palgrave Studies in Science and Popular Culture. New York [etc.]: Palgrave Macmillan, 2021. 107–19. |
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| Burt, Richard and Michael P. Jensen. "Shakespeare Stripped: The bard (un)bound in comics." Shakespeares after Shakespeare. An Encyclopedia of the Bard in Mass Media and Popular Culture. Ed. Richard Burt. Vol. 1. Santa Barbara: Greenwood, 2007. 10–73. |
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| Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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| Calonne, David Stephen. R. Crumb: Literature, autobiography, and the quest for self. Jackson: Univ. Press of Mississippi, 2021. |
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| Camus, Cyril. "Calibans for the 1990s and 2000s: Shakespeare and fantasy in the age of “professional fan fiction” and integrative fiction." Caliban (2014): 109–24. |
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| Canavan, Gerry. "Bred To Be Superhuman: Comic books and afrofuturism in octavia butler’s patternist series." Paradoxa 25. (2013): 275–309. |
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| Carlson, Mark. "“Hey! That Ain’t Funny!” (Part 1): Classic and true story comics in the forties." The Nostalgia Zine 2. 1 2006. Accessed 6 Nov. 2011. <http://www.nostalgiazon ... _V2N1/thataintfunny.htm>. |
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| Carlson, Bryce. "Creating the Graphic Novelization of Do Androids Dream of Electric Sheep?." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 265–74. |
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| Carrier, David. "Proust’s In Search of Lost Time: The comics version." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 188–202. |
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| Carron, Delphine. "Paul Auster's City of Glass: From Word to Picture." International Journal of Comic Art 8. (2006): 518–31. |
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| Carter, James Bucky, ed. Building Literacy Connections with Graphic Novels: Page by page, panel by panel. Urbana: National Council of Teachers of English, 2007. |
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| Carter, James Bucky. "Are There Any Hester Prynnes in Our World Today? Pairing the amazing “true” story of a teenage single mom with the scarlet letter." Building Literacy Connections with Graphic Novels. Page by Page, Panel by Panel. Ed. James Bucky Carter. Urbana: National Council of Teachers of English, 2007. 54–63. |
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| Castaldo, Annalisa. "“No more yielding than a dream”: The construction of shakespeare in the sandman." College Literature 31. (2004): 94–110. |
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| Catalina, Andreea-Nicoleta and Monica Bottez. "Retrieving Rightfulness – The White Moor Fairy Tale Comic Strip and the Acknowledgment by Postmodernist Readers of an Emerging Genre." Romanian Journal of English Studies 12. (2015): 1–9. |
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| Catani, Damian. "Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-charlie hebdo." French Cultural Studies 27. (2016): 268–78. |
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| Çetiner-Öktem, Züleyha. "Gothic Transformations: Revisiting the house on the borderland." Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day. Ed. Isabella van Elferen. Newcastle upon Tyne: Cambridge Scholars Publ. 2007. 73–85. |
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| Chapman, James. "The Extraordinary Career of Modesty Blaise." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 199–213. |
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| Cheon, Hyun Soon. Intermedialität von Text und Bild bei Alexander Kluge: Zur korrespondenz von früher neuzeit und moderne. Würzburg: Königshausen & Neumann, 2007. |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A companion. Rantoul: Avatar, 2003. |
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| Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean allusion and the status of text in the dc comics of grant morrison." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>. |
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| Christopher, Brandon. "Paratextual Shakespearings: Comics’ shakespearean frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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| Clarke, Catherine A. M. "Re-placing Masculinity: The dc comics beowulf series and its context, 1975–6." Anglo-Saxon Culture and the Modern Imagination. Eds. David Clark and Nicholas Perkins. Medievalism. Cambridge: D.S. Brewer, 2010. 165–82. |
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| Claudio, Esther. "The cruel beauty of a world without words: Winshluss’ pinocchio." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 94–97. |
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| Clayton, Aaron. "Evolution and Race on the Island of Caspak: How tarzan and t-rex decode manhood in the comic that time forgot." Global Perspectives on Tarzan. From King of the Jungle to International Icon. Eds. Annette Wannamaker and Michelle Abate. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2012. 180–97. |
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| Clute, John. "Er kam zur rechten Zeit: Der graf von monte christo – die geburt des superhelden." Das Science Fiction Jahr 8. (2009): 19–31. |
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| Coetzee, J. M. "Captain America in American Mythology (1976)." Doubling the Point. Essays and Interviews. Cambridge: Harvard Univ. Press, 1992. 107–14. |
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| Colaone, Sara and Lucia Quaquarelli, eds. Bande à part: Graphic novel, fumetto e letteratura. Tracciati. Milano: Morellini, 2016. |
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| Cole, Jean Lee. How the Other Half Laughs: The comic sensibility in american culture, 1895-1920. Jackson: Univ. Press of Mississippi, 2020. |
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| Combette, Charles. "Donner forme à l’indicible: La monstruosité lovecraftienne selon alberto breccia." Textimage 10 2017. Accessed 14 Mar. 2020. <https://www.revue-texti ... _informe/combette1.html>. |
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| Constable, Liz. "Consuming Realities: The engendering of invisible violences in posy simmonds’s gemma bovery (1999)." South Central Review 19/20. (2002–2003): 63–84. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Cooke, Rod. "Corroding the Canon in Tintin and the Naturalist Novel." European Comic Art 3. (2010): 145–67. |
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| Cortés Hernández, Santiago. "De Roberto el Diablo a Hellboy: dinámica narrativa de un héroe de la edad media al cómic." Revista de Literaturas Populares 8. (2008): 376–409. |
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| Costello, Brannon. "The Novel and the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 558–73. |
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| Coughlan, David. "Paul Auster’s City of Glass: The graphic novel." Modern Fiction Studies 52. (2006): 832–54. |
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| Coughlan, David. "Jonathan Lethem’s The Fortress of Solitude and Omega: The Unknown, a Comic Book Series." College Literature 38. (2011): 194–218. |
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| Cox, Catherine S. "Queering the Siren’s Call: Signatures of subjectivity in dante’s purgatorio and alison bechdel’s fun home." Exemplaria 22. (2010): 44–64. |
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| Cremins, Brian. "“Why have you allowed me to see you without your mask?”: Captain america #133 and the great american (protest) novel." International Journal of Comic Art 4. (2002): 239–47. |
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| Croissant, Doris. "Sexualizing Cultural Memory: The manga hermeneutics of the tale of genji." Review of Japanese Culture and Society 15. (2003): 90–91. |
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| Croissant, Doris. "Prince Genji in Manga: Gender, pop and parody." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 158–65. |
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| Croissant, Doris. "Prinz Genji im Manga: Gender, pop und parodie." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 158–65. |
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| Cummings, Edward Estlin. "A Foreword to Krazy." The Sewannee Review (1946). |
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| Dalboth, Thomas. Schachnovelle im Comic: Ein komparatistischer blick auf stefan zweigs novelle und thomas humeaus adaption. Siegen Research in Graphic Narrative. Siegen: Universi, 2023. |
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| Danesin, Maxime. "Beyond Time & Culture: The revitalisation of old norse literature and history in yukimura makoto’s vinland saga." Mutual Images 2 2017. Accessed 12 Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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| Darling-Wolf, Fabienne. "The “Lost” Miyazaki: How a swiss girl can be japanese and why it matters." Communication, Culture and Critique 9. (2016): 499–516. |
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| Dawidowski, Christian. "Die literarische Darstellung des Holocaust: Ein semiologisches modell zum beschreiben und erfassen von typologien." Zeitschrift für deutsche Philologie (2009): 591–613. |
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| De Dobbeleer, Michel. "Do you need foreknowledge about Bulgakov and Woland?: making juliane blank’s comics adaptation parameters more flexible." Neohelicon (2022). |
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| Deluchey, Guy. Ich, Tarzan: Wie er wurde, was er ist. München: Knesebeck, 2011. |
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| Demoulin, Laurent. "Du Rwanda au Cœur des ténèbres: Jean-philippe stassen illustre conrad." Textyles (2010): 101–16. |
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| Demson, Michael. "Defending the Graphic Novel: An introduction to literary theory." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 155–68. |
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| Denis, Benoît. "Hergé–Simenon, Thirties." From Art Nouveau to Surrealism. Belgian Modernity in the Making. Eds. Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness. London: Legenda, 2007. 110–27. |
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| Denis, Benoît. "De l’Afrique a l’Amérique: L’odyssée mentale des héros chez hergé et céline." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 75–88. |
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| Deterding, Sebastian and Achim Hölter. "Papier simuliert visuelle Medien: Zu mark z. danielewskis roman house of leaves (2000)." Ästhetische Transgressionen. Ed. Michael Scheffel. Schriftenreihe Literaturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2006. 213–33. |
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| Diamantopoulou, Lilia. "Illustrierte Klassiker: »die spannendsten geschichten der weltliteratur« – in der griechischen version." Historische Sozialkunde (2016): 26–32. |
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| Diamantopoulou, Lilia and Zyranna Stoikou. "Cavafy reanimated: intermedial transformations in comics and animation." Journal of Greek Media & Culture 1. (2015): 299–319. |
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| DiCecco, Nico. "To read what was never written: The licentiousness of history in alan moore and melinda gebbie’s lost girls." Journal of Graphic Novels and Comics 6. (2015): 201–13. |
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| DiCecco, Nico. "Reflections on the Looking Glass: Adaptation as sex and psychosis in lost girls." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 124–35. |
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| Dicker, Barnaby. "André Breton, Rodolphe Töpffer and the Automatic Message." Surrealism, Science Fiction, and Comics. Ed. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015. 40–61. |
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| Added by: joachim 19/02/2017, 17:53 |
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| Dicker, Barnaby. "Franciszka Themerson’s Ubu Comic Strip: Autography, caricature, and the avant-garde." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 227–49. |
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| Added by: joachim 19/02/2017, 17:07 |
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| Ditschke, Stephan. "Comics als Literatur: Zur etablierung des comics im deutschsprachigen feuilleton seit 2003." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 265–80. |
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| Last edited by: joachim 16/11/2021, 18:18 |
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