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Displaying 101 - 200  of 234 (Bibliography: WIKINDX Master Bibliography)
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Höltgen, Stefan. "The Juwes are not the men That Will be Blamed for nothing: Über die agonie des profilers im jack the ripper-film." f.lm. texte zum film (2003): 15–22.   
Last edited by: joachim 11/12/2009, 06:08
Horn, Maurice. "American Comic Strips And Silent Seriable: A parallel." International Journal of Comic Art 2. (2000): 85–89.   
Last edited by: joachim 09/11/2012, 22:48
Horn, Maurice. "Comics and Cinema: The beginnings (1896–1913)." International Journal of Comic Art 9. (2007): 58–67.   
Last edited by: joachim 16/11/2012, 00:09
Hornstein, Shelley. "Ornament, Boundaries, and Mourning after Auschwitz." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 126–39.   
Added by: joachim 05/08/2009, 21:23
How, James. "2000AD and Hollywood: The special relationship between a british comic and american film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41.   
Last edited by: joachim 12/09/2017, 11:23
Hoyle, Brian. "Irresponsible Pictures: Questions of adaptation and morality in the comic and film versions of road to perdition." International Journal of Comic Art 10. (2008): 62–67.   
Last edited by: joachim 17/02/2011, 17:28
Ihme, Burkhard. "Montage im Comic: Spezifische nutzung eines erzählmittels." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 67–83.   
Added by: joachim 08/06/2010, 00:30
Inge, M. Thomas. "Charlie Chaplin and the Comics." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 59–67.   
Added by: joachim 05/09/2011, 00:56
James, Gareth. "‘The Complete Saga’: Southland tales, graphic novels and the challenges of transmedia production." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>.   
Added by: joachim 27/12/2013, 09:51
Jeffries, Dru H. "Four-colour Kubrick: Jack kirby’s 2001: a space odyssey as adaptation and extension." Understanding Kubrick's 2001: A Space Odyssey. Representation and Interpretation. Ed. James Fenwick. Bristol, Chicago: Intellect Books, 2018. 45–58.   
Last edited by: joachim 22/04/2020, 19:45
Jesch, Tatjana. "»Shutter Island« – Roman, Graphic Novel, Film: Intermediale literaturadaption als thema im deutschunterricht der oberstufe." Der Deutschunterricht 65. (2013): 54–66.   
Last edited by: joachim 06/09/2013, 17:56
Jones, Matthew T. "Fiend on Film: Edwin s. porter’s adaptation of dreams of the rarebit fiend." International Journal of Comic Art 8. (2006): 388–411.   
Last edited by: joachim 11/05/2019, 11:31
Jüdt, Dieter. "»Take the Money and Run!« oder Die wechselseitigen Reibungen und Widersprüche in den medienspezifischen Erzählweisen von Comic und Film." Daumenkino 2014. Accessed 4 Oct. 2014. <http://dkritik.de/schwe ... sen-von-comic-und-film/>.   
Added by: joachim 04/10/2014, 17:19
Kaenel, Philippe and Gilles Lugrin, eds. Bédé, ciné, pub et art: D’un média à l’autre. Gollion: Infolio, 2007.   
Added by: joachim 08/10/2013, 14:59
von Kap-herr, Katrin. "Eingriff in 3D: Michel gondrys the green hornet als experiment." Raumdeutung. Zur Wiederkehr des 3D-Films. Eds. Jan Distelmeyer, Lisa Andergassen and Nora Johanna Werdich. Bielefeld: Transcript, 2012. 157–69.   
Added by: joachim 15/02/2012, 09:35
Keazor, Henry. "Kunst und Film bei den Simpsons." Kunsthistorische Arbeitsblätter (2003): 37–46.   
Added by: joachim 01/10/2014, 09:35
Keazor, Henry. "“The Stuff You May Have Missed”: Art, film and metareference in the simpsons." The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Eds. Werner Wolf and Katharina Bantleon. Studies in Intermediality. Amsterdam [etc.]: Rodopi, 2011. 463–90.   
Added by: joachim 11/01/2013, 10:58
Kee, Chera. "No Grave Can Hold Them: night of the living dead and the rise and rebirth of zombies in comics." Beyond the Living Dead. Essays on the Romero Legacy. Eds. Bruce Peabody and Gloria Pastorino. Contributions to Zombie Studies. Jefferson: McFarland, 2021. 32–53.   
Added by: joachim 27/06/2023, 17:43
King, Tappan W. "The Image in Motion." Crimmer’s (1975): 11–18.   
Added by: joachim 05/12/2010, 12:53
Kirchoff, Jeffrey S. J. "Beyond remediation: Comic book captions and silent film intertitles as the same genre." Studies in Comics 3. (2012): 25–46.   
Added by: joachim 25/10/2012, 19:47
Koh, Wilson. "‘I am Iron Man’: The marvel cinematic universe and celeactor labour." Celebrity Studies 5. (2014): 484–500.   
Added by: joachim 22/08/2015, 06:57
Køhlert, Frederik Byrn. "At This Point I Become Real: Experimental autobiography in julie doucet and michel gondry’s comics/video hybrid my new new york diary." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 145–63.   
Last edited by: joachim 06/04/2019, 17:12
Krebs, Tina and Sabine Wirth. "Comics heute: Ein interview mit isabel kreitz über literarische vorlagen, filmisches erzählen und das harte brot des comiczeichnens." Schau ins Blau 1 2008. Accessed 2 May. 2013. <https://www.schauinsblau.de/?article=comics-heute>.   
Added by: joachim 02/05/2013, 11:57
Krenn, Günter and Paolo Caneppele. "The Drawings are Completely Mystifying." Schnitt (2004).   
Last edited by: joachim 05/09/2014, 22:11
Kuchenbuch, Thomas. Bild und Erzählung: Geschichten in bildern. vom frühen comic strip zum fernsehfeature. Film- und Fernsehwissenschaftliche Arbeiten. Münster: MAkS Publ. 1992.   
Added by: joachim 26/05/2010, 15:16
Labarre, Nicolas. "A fragmentary past: Karasik and mazuchelli’s city of glass." Comics Forum 2012. Accessed 12 Jan. 2013. <http://comicsforum.org/ ... ass-by-nicolas-labarre/>.   
Added by: joachim 12/01/2013, 20:52
Labarre, Nicolas. "Adapting Coppola’s Dracula." The Comics Grid 2012. Accessed 28 Dec. 2020. <http://web.archive.org/ ... pting-coppolas-dracula/>.   
Added by: joachim 28/12/2020, 17:57
Labarre, Nicolas. "WildC.A.T.S./Aliens: A meaningful death." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://blog.comicsgrid. ... log/wildc-a-t-s-aliens/>.   
Last edited by: joachim 04/12/2023, 16:59
Labarre, Nicolas. "Alien as a Comic Book: Adaptation and genre shifting." Extrapolation 55. (2014): 75–94.   
Last edited by: joachim 04/12/2023, 17:00
Lacassin, Francis. "The Comic Strip and Film Language." Film Quarterly 26. (1972): 11–23.   
Last edited by: joachim 28/07/2013, 18:55
Lainé, Jean-Marc. Frank Miller: Urbaine tragédie. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2011.   
Last edited by: joachim 04/03/2016, 19:27
Lambert, Josh. "“Wait for the Next Pictures”: Intertextuality and cliffhanger continuity in early cinema and comic strips." Cinema Journal 48. (2009): 3–25.   
Last edited by: joachim 17/10/2009, 17:53
Lefèvre, Pascal. "Coping with the Visual Ontology of Drawings and Revitalizing Cinema by an Aesthetic of Artifice." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum Edizioni, 2009. 551–54.   
Last edited by: joachim 14/05/2013, 11:15
Leslie, Esther. "Loops and joins: Muybridge and the optics of animation." Early Popular Visual Culture 11. (2013): 28–40.   
Added by: joachim 05/11/2015, 15:37
Lindsay, Stuart. "The Transgressive Bodies of Dark Horse Comics’ Aliens Line." Gothic Studies 25. (2023): 245–60.   
Last edited by: joachim 04/12/2023, 17:01
Löffler, Henner. Wie Enten hausen: Die ducks von a bis z. München: C.H. Beck, 2004.   
Added by: joachim 12/05/2011, 16:38
Lombard, Philippe. Tintin, Hergé et le cinéma. Democratic Docs. Paris: Democratic Books, 2011.   
Added by: joachim 31/10/2011, 16:12
Lund, Martin. "‘The roaring 30s’: Style, intertextuality, space and history in marvel noir." Studies in Comics 6. (2015): 5–24.   
Last edited by: joachim 30/05/2016, 12:14
Lus-Arana, Luis Miguel. La Ligne Claire de Le Corbusier: Time, space, and sequential narratives. Le Corbusier, 50 years later: València, 18—20 Nov, 2015.   
Added by: joachim 12/02/2017, 17:00
Maggiore, Laura. Fellini e Manara: Tra mistero, esoterismo ed erotismo. Marsala: Navarra, 2011.   
Added by: joachim 16/06/2014, 11:23
Makela, LeeRay. "From Metropolis to Metoroporisu: The changing role of the robot in japanese and western cinema." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 91–113.   
Added by: joachim 07/02/2011, 10:42
Marion, Philippe. "Scénario de bande dessinée: La différence par le média." Études littéraires 26. (1993): 77–89.   
Added by: joachim 21/10/2011, 18:46
McAllister, Matthew P., Ian Gordon, and Mark Jancovich. "Block Buster Meets Superhero Comic, or Art House Meets Graphic Novel? The contradictory relationship between film and comic art." Journal of Popular Film and Television 34. (2006): 108–15.   
Last edited by: joachim 01/10/2011, 12:21
McKenna, Denise. "Picturing uplift: Cartoon commentary in early american film journals." Early Popular Visual Culture 12. (2014): 357–77.   
Last edited by: joachim 10/05/2022, 10:18
Mehring, Frank. "Hard-Boiled Silhouettes: Transnational remediation and the art of omission in frank miller’s sin city." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 211–24.   
Last edited by: joachim 13/04/2013, 19:56
Meinrenken, Jens. "Gesteigerte Realität und Illusion in Henry Selicks Animationsfilm »Coraline«." Verfilmte Kinderliteratur. Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht. Eds. Petra Josting and Klaus Maiwald. kjl&m extra. München: kopaed, 2010.   
Added by: joachim 14/11/2010, 01:26
Méon, Jean-Matthieu. "Of fumetti and graphic novels: Film adaptation as a reflexive act – the bunker of the last gunshots and the autodafé imprint (france, 1980s)." Studies in Comics 4. (2013): 119–34.   
Added by: joachim 04/08/2013, 11:35
Merkl, Ulrich. Dinomania: The lost art of winsor mccay, the secret origins of king kong, and the urge to destroy new york. Seattle: Fantagraphics, 2015.   
Added by: joachim 19/11/2015, 08:59
Meteling, Arno. "Bilder zwischen Raum und Zeit: Der comic im/als film." Medienreflexion im Film. Ein Handbuch. Eds. Kay Kirchmann and Jens Ruchatz. Bielefeld: Transcript, 2014. 123–34.   
Last edited by: joachim 12/03/2014, 19:02
Michell, Kalani. "Comic Storyboardkonstruktionen: Petzolds angriffsflächen." Storyboarding. Filmisches Entwerfen. Eds. Anna Häusler and Jan Henschen. Marburger Schriften zur Medienforschung. Marburg: Schüren, 2017. 127–47.   
Added by: joachim 22/10/2021, 11:59
Miller, Ann. "Bande dessinée: a disputed centenary." French Cultural Studies 10. (1999): 67–87.   
Last edited by: joachim 05/01/2010, 12:07
Mistretta, Ivano and Alessandro De Filippo. Sequenze: Tempo e movimento nella narrazione tra cinema e fumetto. Officina dei Media. Acireale: Bonanno, 2009.   
Added by: joachim 16/06/2014, 10:32
Mitaine, Benoît, David Roche, and Isabelle Schmitt-Pitiot, eds. Bande dessinée et adaptation: Littérature, cinéma, tv. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015.   
Last edited by: joachim 28/08/2016, 13:57
Momberger, Philip. "Cinematic Techniques in William Hogarth's A Harlot's Progress." Journal of Popular Culture 33. (1999): 49–65.   
Added by: joachim 01/09/2010, 16:34
Monnet, Livia. "“Such is the Contrivance of the Cinematograph”: Dur(anim)ation, modernity, and edo culture in tabaimo's animated installations." Cinema Anime. Critical Engagements with Japanese Animation. Ed. Steven T. Brown. New York [etc.]: Palgrave Macmillan, 2006. 189–225.   
Added by: joachim 28/03/2011, 18:30
Morgan, Harry. "Le mouvement, de Muybridge aux manga." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:36
Morton, Drew. "Godard’s Comic Strip Mise-en-Scène." Senses of Cinema 53 2009. Accessed 30 Dec. 2009. <http://www.sensesofcine ... ic-strip-mise-en-scene/>.   
Added by: joachim 30/12/2009, 02:32
Morton, Drew. "Sketching Under the Influence? Winsor mccay and the question of aesthetic convergence between comic strips and film." Animation 5. (2010): 295–312.   
Added by: joachim 08/11/2011, 17:09
Neyer, Hans Joachim. "Die kinematographische Art der Karikaturen von Wilhelm Busch." Herzenspein und Nasenschmerz. Karikaturen und Comics im Wilhelm-Busch-Museum Hannover, Deutsches Museum für Karikatur und kritische Grafik. Ed. Hans Joachim Neyer. Hannover: Wilhelm-Busch-Gesellsch. 2006. 157–82.   
Added by: joachim 28/09/2009, 19:08
Nuetzel, Eric J. "Over-Exposure: Terry zwigoff’s crumb." International Journal of Psycho-Analysis 79. (1998): 1225–27.   
Added by: joachim 05/09/2012, 22:33
O’Cuana, Emmet. "Viddy Well, Brother: An australian comic’s tribute to stanley kubrick." Film International 11. (2013): 37–41.   
Last edited by: joachim 10/02/2014, 13:39
Ofenloch, Simon. "Antihelden als Superhelden, Superhelden als Antihelden: Die pseudo-comicfilme der darkman-reihe und hancock." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 17–33.   
Last edited by: joachim 04/04/2010, 23:51
Ott, Brian L. "The Visceral Politics of V for Vendetta: On political affect in cinema." Critical Studies in Media Communication 27. (2010): 39–54.   
Added by: joachim 04/03/2014, 10:40
Pagello, Federico. "From Frank Miller to Zack Snyder, and Return: Contemporary superhero comics and post-classical hollywood." Miranda 8 2013. Accessed 27 Dec. 2013. <http://miranda.revues.org/3422>.   
Added by: joachim 27/12/2013, 09:23
Palmier, Jean-Pierre. "Strukturverwandte: Zur adaptierbarkeit von erzählungen in literatur, comic und film." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 81–94.   
Added by: joachim 05/07/2018, 12:16
Papp, Zília. "Monsters at War: The great yōkai wars, 1968–2005." Mechademia 4. (2009): 225–39.   
Last edited by: joachim 27/07/2010, 00:52
Penicka-Smith, Sarah. "Cyborg Songs for an Existential Crisis." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 261–74.   
Added by: joachim 12/08/2011, 17:28
Perez del Solar, Pedro. "Old Fashions for New Times: el desencanto in spanish comics." International Journal of Comic Art 5. (2003): 85–101.   
Last edited by: joachim 25/10/2012, 20:14
Perron, Bernard. "Wandering the panels, walking through media: Zombies, comics, and the post-apocalyptic world." Journal of Graphic Novels and Comics 7. (2016): 306–18.   
Last edited by: joachim 30/05/2020, 02:25
Pesses, Michael W. "‘You gotta be one of the good guys, son’: Mobilities of foucauldian ethics and freedom in garth ennis and steve dillon’s preacher." Journal of Graphic Novels and Comics (2018): 1–14.   
Last edited by: joachim 02/08/2018, 09:51
Peters, Timothy D. "Comic Book Mythology: Shyamalan’s unbreakable and the grounding of good in evil." Law Text Culture 16. (2012): 243–76.   
Added by: joachim 23/06/2016, 08:37
Peters, Timothy D. "I, Corpenstein: Mythic, metaphorical and visual renderings of the corporate form in comics and film." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 427–54.   
Last edited by: joachim 18/06/2022, 17:05
Pisano, Giusy. "Eppur si muove !: Le mouvement dessiné et photographié." Cinéma & Cie 10. (2010): 21–32.   
Last edited by: joachim 27/12/2013, 18:46
Pomier, Frédéric. "La question du point de vue." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:24
Porter, Alan J. Star Trek: A comics history. Neshannock: Hermes, 2009.   
Last edited by: joachim 09/09/2019, 16:48
Quaresima, Leonardo, Laura Ester Sangalli, and Federico Zecca, eds. Cinema e fumetto. Cinema and comics. Udine: Forum Edizioni, 2009.   
Last edited by: joachim 03/03/2016, 12:50
Rampone, Elisa. "Quando Alice preferisce tirare le bombe a mano anziché prendere un té con il bianconiglio: Il paese delle meraviglie di sucker punch." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>.   
Added by: joachim 27/12/2013, 09:48
Rauscher, Andreas. "Workshop IV: Teaching Comics and Film Studies—Ang Lee’s The Hulk (USA 2003)." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 265–73.   
Last edited by: joachim 12/12/2010, 01:57
Regaldo, Aldo J. "Unbreakable and the Limits of Transgression." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 116–36.   
Last edited by: joachim 02/07/2011, 16:46
Rickman, Lance. "Bande Dessinée and the Cinematograph: Visual narrative in 1895." European Comic Art 1. (2008): 1–20.   
Last edited by: joachim 11/10/2013, 02:16
Rickman, Lance. "The Appropriated Sequence: Montage on paper and film in 1901." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum Edizioni, 2009. 251–61.   
Last edited by: joachim 05/07/2012, 10:51
Romanelli, Claudia. "A Screenplay in the Form of a Comic Strip: Pier paolo pasolini’s drawings for la terra vista dalla luna." Italian Studies 72. (2017): 292–308.   
Last edited by: joachim 12/03/2018, 17:53
Roughan, M., L. Mitchell, and Tobin South. "How the Avengers assemble: Ecological modelling of effective cast sizes for movies." PLoS ONE 15. (2020).   
Last edited by: joachim 01/03/2021, 11:15
Ruh, Brian. Stray Dog of Anime: The films of mamoru oshii. 2nd ed. New York [etc.]: Palgrave Macmillan, 2004.   
Added by: joachim 15/05/2011, 18:13
Rußegger, Arno. "Comics unter uns: Wir suchen einen mythos." ide 18. (1994): 86–100.   
Last edited by: joachim 21/05/2013, 10:34
Sabin, Roger. "Terry Gilliam on Comics, Subversion and Monty Python." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 6–17.   
Last edited by: joachim 20/10/2021, 09:44
Sackmann, Eckart. "Bänkelsang und Schiebebilder – eine Entwicklungsgeschichte." Deutsche Comicforschung 2. (2006): 112–22.   
Last edited by: joachim 10/12/2009, 22:46
Saez de Adana, Francisco. "The influence of Roger Corman in Richard Corben’s The Fall of the House of Usher." Studies in Comics 4. (2013): 103–18.   
Added by: joachim 04/08/2013, 11:27
Saito, Cláudia Lopes Nascimento. "O gênero textual: Adaptação oficial de filme em quadrinhos." Revista Signos 43. (2010): 161–82.   
Added by: joachim 08/11/2011, 16:53
Scheppler, Gwenn. "Tintin et le spectre de Totor." CINéMAS 20. (2009): 135–59.   
Added by: joachim 25/06/2017, 11:59
Scheppler, Gwenn. "Les formes d’adresse au spectateur: Du cinéma au jeu vidéo de rôle, en passant par la bande dessinée." MEI 34. (2012): 145–55.   
Last edited by: joachim 23/06/2017, 09:37
Schmid, Heiko. "»Beherrschte Welten« und »Herrscher der Welt«." kritische berichte 39. (2011): 104–13.   
Last edited by: joachim 17/02/2019, 12:41
Schmidt, Johann N. "Schwierige Verwandtschaften." Schnitt (2007).   
Added by: joachim 17/09/2010, 03:31
Schneider, Armin. "Spezifische Potentiale und Grenzen des Comics im transmedialen Vergleich mit Buch und Film." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 61–76.   
Added by: joachim 05/02/2014, 18:15
Scholz, Alexander. "Man kann niemanden überholen, wenn man in seine Fußstapfen tritt: Filmische reminiszenzen an die ästhetik des comics." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 53–56.   
Added by: joachim 19/10/2011, 01:38
Schwebel, Florian. Von Fritz the Cat zu Waltz with Bashir: Der animationsfilm für erwachsene und seine verwandten. Marburg: Schüren, 2010.   
Last edited by: joachim 02/05/2011, 14:11
Scolari, Carlos, Paolo Bertetti, and Matthew Freeman. Transmedia Archaeology: Storytelling in the borderlines of science fiction, comics and pulp magazines. New York [etc.]: Palgrave Macmillan, 2014.   
Last edited by: joachim 16/09/2020, 18:29
Seas, Kristen. "The Post-Oedipal Desire for the Superhero Narrative in M. Night Shyamalan’s Unbreakable." Extrapolation 53. (2012): 25–43.   
Added by: joachim 25/01/2013, 16:38
Seeßlen, Georg. "Bilder für die Massen: Über die prekäre beziehung von comics und film und die dunkle romantik des neoliberalismus im neueren comic-kino." Jungle World (2005).   
Last edited by: joachim 03/01/2010, 16:34
Seeßlen, Georg. "Bilder für die Massen: Die prekäre beziehung von comic und film und die dunkle romantik des neoliberalismus im neueren comic-kino." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 255–62.   
Added by: joachim 01/10/2011, 01:47
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WIKINDX 6.9.1 | Total resources: 14537 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)