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Displaying 1 - 100 of 205 (Bibliography: WIKINDX Master Bibliography)
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Ackermann, Kira: Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010. (158 S.)  
Last edited by: joachim 12 Feb 2018 01:56:37 Europe/Berlin Pop. 0%
Ahrens, Jörn: "Intermedialität, Hybridität. Wieviel Unbestimmtheit verträgt der Comic?" In: Comics intermedial. Hrsg. v. Christian A. Bachmann, Véronique Sina und Lars Banhold. Bochum: Ch.A. Bachmann, 2012, S. 11–22.  
Last edited by: joachim 18 Nov 2012 11:23:30 Europe/Berlin Pop. 0%
---: "Übersetzungsprobleme. Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 77–90.  
Added by: joachim 08 Apr 2011 00:52:31 Europe/Berlin Pop. 0%
Aldama, Frederick Luis: "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." In: ImageTexT 7.1 (2013), (16. Dez. 2014)  
Last edited by: joachim 25 Dec 2014 15:18:04 Europe/Berlin Pop. 0%
Allen, Harriet: "Anime-Noir, or how three key anime participate in the lasting legacy of noir." In: Crimeculture Summer (2011), (12. Jan. 2013)  
Added by: joachim 12 Jan 2013 18:59:07 Europe/Berlin Pop. 0%
Armour, Robert A. "Comic Strips, Theatre, And Early Narrative Films 1895–1904." In: Studies in Popular Culture 10.1 (1987), S. 14–26.  
Last edited by: Deleted user 27 Apr 2017 17:28:22 Europe/Berlin Pop. 0%
Baetens, Jan: "Alfred Hitchcock’s Rear Window as “Cineromanzo”." In: Comics Studies Here and Now. Hrsg. v. Frederick Luis Aldama. (Routledge Advances in Comics Studies, 5.) London: Routledge, 2018, S. 90–101.  
Last edited by: joachim 26 Nov 2018 17:48:11 Europe/Berlin Pop. 0%
---: "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." In: Internationale neerlandistiek: een vak in beweging. Hrsg. v. Jane Fenoulhet und Jan Renkema. (Lage Landen Studies, 1.) Gent: Academia, 2010, S. 255–268.  
Last edited by: joachim 26 Jun 2014 09:43:18 Europe/Berlin Pop. 0%
Bartosch, Sebastian und Andreas Stuhlmann: "Reconsidering adaptation as translation. The comic in between." In: Studies in Comics 4.1 (2013), S. 59–74.  
Added by: joachim 04 Aug 2013 11:02:58 Europe/Berlin Pop. 0%
Becker, Thomas: "Comiclibido der Nouvelle Vague und die Folgen. Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 63–76.  
Added by: joachim 08 Apr 2011 00:10:08 Europe/Berlin Pop. 0%
---: "Cool premedialisation as symbolic capital of innovation. On intercultural intermediality between comics, literature, film, manga, and anime." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 107–117.  
Last edited by: joachim 30 May 2012 22:32:40 Europe/Berlin Pop. 0%
---: "Matrix versus The Ghost in the Shell. Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." In: Journal Ethnologie 5 (2007), (4. Nov. 2012)  
Added by: joachim 04 Nov 2012 12:23:27 Europe/Berlin Pop. 0%
op de Beeck, Nathalie: "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." In: Modern Fiction Studies 52.4 (2006), S. 807–831.  
Last edited by: joachim 14 Mar 2016 03:32:49 Europe/Berlin Pop. 0%
Beez, Jigal: "The Swahili Titanic. The Tanzanian Appropriation of a Global Tragedy." In: International Journal of Comic Art 9.1 (2007), S. 542–553.  
Last edited by: joachim 25 Sep 2012 19:18:41 Europe/Berlin Pop. 0%
Berenato, Joseph F. New Life and New Civilizations. Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014. (304 S.)  
Last edited by: Deleted user 05 May 2016 17:47:16 Europe/Berlin Pop. 0%
Berns, Jörg Jochen: Film vor dem Film. Bewegende und bewegliche Bilder als Mittel der Imaginationssteuerung in Mittelalter und Früher Neuzeit. Marburg: Jonas Verl. 2000. (168 S.)  
Added by: joachim 30 Jul 2011 17:10:11 Europe/Berlin Pop. 0%
---: "Horribilicinefax. Von Geburt und Gebaren des Daumenkino-Flipp-Flick-Muto-Blow- & Gaukelbuchs." In: Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. (Presse und Geschichte – Neue Beiträge, 53.) Bremen: edition lumière, 2011, S. 417–426.  
Added by: joachim 30 Jul 2011 17:25:16 Europe/Berlin Pop. 0%
Berthomé, Jean-Pierre: "Réalisateurs. Leur passé de dessinateurs." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 07 Jul 2012 22:23:05 Europe/Berlin Pop. 0%
Blackmore, Tim: "300 AND TWO. Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." In: International Journal of Comic Art 6.2 (2004), S. 325–349.  
Last edited by: joachim 05 Jul 2012 11:29:57 Europe/Berlin Pop. 0%
Boillat, Alain: "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop ». Des images en séries (culturelles)." In: 1895 59 (2009), S. 22–45, (3. Sept. 2013)  
Added by: joachim 03 Sep 2013 10:12:47 Europe/Berlin Pop. 0%
---: "Perspectives on Cinema and Comics. Adapting Feature Films into French-Language Comics Serials during the Post-war Years." In: European Comic Art 10.1 (2017), S. 9–23.  
Last edited by: joachim 14 May 2017 13:41:50 Europe/Berlin Pop. 0%
Branigan, Edward: Narrative Comprehension and Film. London, New York: Routledge, 1992. (325 S.)  
Last edited by: Deleted user 14 Oct 2012 16:02:37 Europe/Berlin Pop. 0%
Bruhn, Jørgen: "Now a Major Soundtrack! Madness, Music, and Ideology in Shutter Island." In: Adaptation 6.36–37 (2013), S. 320–337.  
Added by: joachim 11 Dec 2013 15:43:54 Europe/Berlin Pop. 0%
Bukatman, Scott: "Online Comics and the Reframing of the Moving Image." In: The New Media Book. Hrsg. v. Dan Harries. Berkeley: Univ. of California Press, 2002, S. 133–143.  
Last edited by: Deleted user 04 Nov 2009 18:50:45 Europe/Berlin Pop. 0%
Burke, Liam: The Comic Book Film Adaptation. Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015. (372 S.)  
Last edited by: joachim 10 Jul 2015 07:20:55 Europe/Berlin Pop. 0%
Bush, Christopher: "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 112–143.  
Last edited by: Deleted user 28 Jul 2014 11:47:44 Europe/Berlin Pop. 0%
Caen, Michael: "Fellini und die Comics." In: Film 2 (1966).  
Added by: Deleted user 16 Jun 2014 10:09:09 Europe/Berlin Pop. 0%
Caneppele, Paolo und Günter Krenn: Film ist Comics. Wahlverwandtschaften zweier Medien. Die Projektionen des Filmstars Louise Brooks in den Comics von John Striebel bis Guido Crepax. Filmarchiv Austria, 1999. (249 S.)  
Last edited by: joachim 10 Apr 2014 21:26:30 Europe/Berlin Pop. 0%
Capp, Al: "Discourse on Humor. The Comedy of Charlie Chaplin." In: The Funnies. An American Idiom. Hrsg. v. David Manning White und Robert H. Abel. New York: Free Press of Glencoe, 1963, S. 263–273.  
Last edited by: joachim 05 Jun 2010 23:46:31 Europe/Berlin Pop. 0%
Carver, Stephen James. "Weird Tales from the Vault of Fear. The EC Horror Comics Controversy & Its Legacy". Watching the Media – Censorship, Limits, and Control in Creative Practice: 15. Apr. 2011.  
Added by: joachim 18 Feb 2013 17:33:01 Europe/Berlin Pop. 0%
Chavez Vaca, Wladimir: "The Film Noir’s Aesthetics in a Graphic Novel. The Case of Angelus Hostis (2012)." In: International Journal of Comic Art 19.2 (2017), S. 97–123.  
Added by: joachim 13 Mar 2018 11:46:38 Europe/Berlin Pop. 0%
Christen, Matthias: "Düstere Clowns. Figuren des Schreckens im Kino der Transgression." In: Über den Clown. Künstlerische und theoretische Perspektiven. Hrsg. v. Richard Weihe. Bielefeld: Transcript, 2016, S. 203–242.  
Last edited by: Deleted user 12 Apr 2016 13:07:07 Europe/Berlin Pop. 0%
Christiansen, Hans-Christian: "Comics and Film. A Narrative Perspective." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 107–121.  
Last edited by: joachim 11 Oct 2010 14:10:48 Europe/Berlin Pop. 0%
---: Tegneseriens æstetik. (Teori & Æstetik, 11.) København: Museum Tusculanum, 2001. (170 S.)  
Last edited by: joachim 23 Feb 2013 15:30:43 Europe/Berlin Pop. 0%
Ciment, Gilles (Hg.): Cinéma et bande dessinée. (CinémAction.) Condé-sur-Noireau: Corlet, 1990. (280 S.)  
Added by: joachim 05 Jul 2012 12:05:53 Europe/Berlin Pop. 0%
---: "Spectacles du siècle." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 07 Jul 2012 22:52:01 Europe/Berlin Pop. 0%
Cohn, Neil: "Visual Narrative Structure." In: Cognitive Science 37.3 (2013), S. 413–452.  
Last edited by: joachim 24 Mar 2013 23:27:19 Europe/Berlin Pop. 0%
Coleman, Earle J. "The Funnies, the Movies and Aesthetics." In: Journal of Popular Culture 18.4 (1985), S. 89–100.  
Last edited by: joachim 31 Jul 2010 11:03:25 Europe/Berlin Pop. 0%
Cook, Roy T. "Why Comics Are Not Films. Metacomics and Medium‐Specific Conventions." In: The Art of Comics. A Philosophical Approach. Hrsg. v. Aaron Meskin und Roy T. Cook. Chichester: Wiley-Blackwell, 2012, S. 165–187.  
Added by: joachim 12 Nov 2012 23:40:59 Europe/Berlin Pop. 0%
Cotter, Robert Michael: A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. (239 S.)  
Last edited by: joachim 26 Nov 2009 10:54:31 Europe/Berlin Pop. 0%
Crafton, Donald: "Animation Iconography. The “Hand of the Artist”." In: Quarterly Review of Film Studies 4 (1979), S. 409–428.  
Added by: joachim 27 Aug 2011 16:39:55 Europe/Berlin Pop. 0%
---: Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990. (432 S.)  
Last edited by: Deleted user 26 Jul 2010 23:24:01 Europe/Berlin Pop. 0%
Darius, Julian: The Weirdest Sci-Fi Comic Ever Made. Understanding Jack Kirby’s 2001: A Space Odyssey. Edwardsville: Sequart Research & Literacy Organization, 2013. (82 S.)  
Last edited by: joachim 21 Apr 2016 07:35:34 Europe/Berlin Pop. 0%
Dasgupta, Romit: "The film Bishônen and Queer(N)Asia through Japanese popular culture." In: Popular culture, globalization and Japan. Hrsg. v. Matthew Allen und Rumi Sakamoto. (Routledge Studies in Asia's Transformations.) London, New York: Routledge, 2006, S. 56–74.  
Last edited by: joachim 16 Nov 2012 00:02:37 Europe/Berlin Pop. 0%
Davis, Blair: Movie Comics. Page to Screen/Screen to Page. New Brunswick: Rutgers Univ. Press, 2016. (295 S.)  
Last edited by: joachim 29 Mar 2018 16:16:18 Europe/Berlin Pop. 0%
Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. (One Work.) Cambridge, London: MIT Press, 2010. (118 S.)  
Added by: joachim 26 Aug 2013 00:34:44 Europe/Berlin Pop. 0%
Dibiasi, Alexander: "Das politische Momentum im Film, aufgezeigt anhand ausgewählter Comicverfilmungen." In: Film- und Fernsichten. Dokumentation des 24. Film- und Fernsehwissenschaftlichen Kolloquiums. Hrsg. v. Katharina Klung, Susie Trenka und Geesa Tuch. Marburg: Schüren, 2013, S. 154–163.  
Last edited by: joachim 05 Aug 2013 15:32:24 Europe/Berlin Pop. 0%
Dicker, Barnaby: "Dryden Goodwin in Conversation with Barnaby Dicker." In: Animation 4 (2009), S. 303–320.  
Last edited by: Deleted user 26 Jul 2010 23:26:21 Europe/Berlin Pop. 0%
Diffrient, David Scott: "Contemporary comic books and Hollywood noir. Remediating cinematic style and cultural memory in The Fade Out." In: Journal of Graphic Novels and Comics (2018), S. 1–26.  
Last edited by: joachim 02 Aug 2018 10:52:51 Europe/Berlin Pop. 0%
Domínguez Leiva, Antonio: "L’invasion néo-zombie. Entre l’abjection, le grotesque et le pathos (2002–2009)." In: Frontières 23.1 (2010), S. 19–25.  
Last edited by: Deleted user 04 Nov 2014 18:19:00 Europe/Berlin Pop. 0%
Driest, Joris: Subjective Narration in Comics.(Thesis), Universiteit Utrecht 2006 (73 S.).  
Last edited by: Deleted user 17 Sep 2014 14:33:23 Europe/Berlin Pop. 0%
Ecke, Jochen: "Auf der Suche nach dem Neuen im Alten. Fritz Langs und Jon J Muths »M«." In: M. Eine Graphic Novel nach dem Film von Fritz Lang. Hrsg. v. John J. Muth. Ludwigsburg: Amigo, 2009, S. 203–208.  
Added by: joachim 05 Jul 2018 12:37:05 Europe/Berlin Pop. 0%
Eder, Jens: "Transmediale Imagination." In: Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Hrsg. v. Julian Hanich und Hans Jürgen Wulff. München: Fink, 2012, S. 207–236.  
Last edited by: Deleted user 30 Jun 2013 16:20:18 Europe/Berlin Pop. 0%
Eerden, Bart: "Anger in Asterix. The metaphorical representation of anger in comics and animated films." In: Multimodal Metaphor. Hrsg. v. und Eduardo Urios-Aparisi. (Applications of Cognitive Linguistics, 11.) Berlin, New York: Mouton de Gruyter, 2009, S. 243–264.  
Last edited by: joachim 22 Oct 2011 16:08:17 Europe/Berlin Pop. 0%
Eisenstein, Sergej: Disney. Hrsg. v. Oksana Bulgakowa und Dietmar Hochmuth. Berlin: PotemkinPress, 2011. (200 S.)  
Added by: joachim 04 May 2011 15:31:19 Europe/Berlin Pop. 0%
---: Eisenstein on Disney. Hrsg. v. Jay Leyda. Heinemann, 1989. (102 S.)  
Added by: joachim 04 May 2011 16:23:54 Europe/Berlin Pop. 0%
---: Walt Disney. Strasbourg: Circé, 1991. (127 S.)  
Added by: joachim 04 May 2011 16:30:58 Europe/Berlin Pop. 0%
Endres , Johannes: "Totemismus und Gesellschaft. Eisenstein über Disney." In: Scientia Poetica 22 (2018), S. 83–110.  
Last edited by: joachim 10 Dec 2018 18:28:12 Europe/Berlin Pop. 0%
Faucon, Térésa: "Dessine moi un raccord. Donald and Pluto, Walt Disney." In: Cinématheque 15 (1999), S. 72–79.  
Added by: joachim 07 Nov 2016 10:09:51 Europe/Berlin Pop. 0%
Fell, John L. Film and the Narrative Tradition. Berkeley: Univ. of California Press, 1986. (284 S.)  
Last edited by: joachim 14 May 2013 09:24:06 Europe/Berlin Pop. 0%
Fitzsimmons, Phil: "A Rebirth of Myth and Monster. An Old Sign in a New Framework." In: Myth & Symbol 4 (2007), S. 49–56.  
Added by: joachim 06 Jan 2010 19:00:12 Europe/Berlin Pop. 0%
Fleischer, Sandra und Robert Seifert: "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." In: Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Hrsg. v. Sebastian Schinkel und Ina Herrmann. Bielefeld: Transcript, 2017, S. 219–236.  
Last edited by: Deleted user 13 Feb 2017 23:26:30 Europe/Berlin Pop. 0%
Fotis, Matthew: "Call It (Friendo). Flipism and Folklore in No Country for Old Men and The Dark Knight." In: Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Hrsg. v. Kevin K. Durand und Mary K. Leigh. Jefferson, London: McFarland, 2011, S. 201–216.  
Added by: joachim 17 Apr 2016 10:42:10 Europe/Berlin Pop. 0%
Frémion, Yves: "Dessinateurs à la caméra." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990, S. 163–167.  
Added by: joachim 08 Sep 2011 23:24:54 Europe/Berlin Pop. 0%
Gaudreault, André und Philippe Marion: "A Medium is Always Born Twice …." In: Early Popular Visual Culture 3 (2005), S. 3–15.  
Added by: joachim 07 Feb 2011 18:11:33 Europe/Berlin Pop. 0%
Gauthier, Philippe: "On “Institutionalization”. From Cinema to Comics." In: International Journal of Comic Art 12.2–3 (2010), S. 367–375.  
Last edited by: joachim 15 Nov 2012 20:40:18 Europe/Berlin Pop. 0%
Gibson, Mel: "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." In: Superheroes and Identities. Hrsg. v. Mel Gibson, David Huxley und Joan Ormrod. London, New York: Routledge, 2014, S. 135–146.  
Added by: joachim 15 Feb 2016 09:39:41 Europe/Berlin Pop. 0%
Glaubitz, Nicola: "Reanimationsversuche des Spielfilms. Kopplungen von Zeichentrick und Realfilm und das Kino der 1990er Jahre." In: Spielformen im Spielfilm. Zur Medienmorphologie des Kinos nach der Postmoderne. Hrsg. v. Rainer Leschke und Jochen Venus. (Medienumbrüche, 22.) Bielefeld: Transcript, 2007, S. 41–66.  
Added by: joachim 20 Sep 2010 15:16:38 Europe/Berlin Pop. 0%
Gott, Michael: "Reframing European Diasporas in Contemporary France. ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)." In: European Comic Art 6.2 (2013), S. 95–125.  
Added by: joachim 13 Feb 2014 08:40:08 Europe/Berlin Pop. 0%
Gough, Kerry: "Translation Creativity and Alien Econ(c)omics. From Hollywood Blockbuster to Dark Horse Comic Book." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 37–63.  
Last edited by: joachim 02 Jul 2011 16:51:59 Europe/Berlin Pop. 0%
Gray van Heerden, Chantelle: "White God. Rethinking Human and Nonhuman Subjectivities through Underdog-Superhero Narratives and Ahuman Theory." In: Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Hrsg. v. Sean Parson und J. L. Schatz. Lexington, 2018, S. 95–112.  
Last edited by: joachim 22 Aug 2018 17:17:32 Europe/Berlin Pop. 0%
Groensteen, Thierry: "Acteurs de papier." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 07 Jul 2012 22:54:18 Europe/Berlin Pop. 0%
---: "Du 7e au 9e art. L’inventaire des singularités." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 07 Jul 2012 22:21:09 Europe/Berlin Pop. 0%
---: "Særtræk i den 7. og 9. kunstart." In: MedieKultur 30 (1999), S. 19–26, (25. Nov. 2009)  
Last edited by: joachim 20 Jan 2010 02:04:29 Europe/Berlin Pop. 0%
Groth, Gary: "Frank Frazetta. Separating the Men from the Boys." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 103–141.  
Added by: joachim 01 Mar 2013 18:31:20 Europe/Berlin Pop. 0%
Gutiérrez G-H, Julio: "M, John J. Muth’s Adaptation of Lang’s Film. An Inference Bridge from Film to Comic." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 63–71.  
Last edited by: Deleted user 20 Jan 2018 17:34:31 Europe/Berlin Pop. 0%
Handley, Rich und Joseph F. Berenato (Hgg.): The Sacred Scrolls. Comics on the Planet of the Apes. Edwardsville: Sequart Research & Literacy Organization, 2015.  
Last edited by: joachim 11 Dec 2014 23:57:34 Europe/Berlin Pop. 0%
Hanna, Erin: Only at Comic-Con. Hollywood, Fans, and the Limits of Exclusivity. New Brunswick: Rutgers Univ. Press, 2019.  
Last edited by: Deleted user 07 Jun 2019 10:25:16 Europe/Berlin Pop. 0%
Harvey, Colin B. Fantastic Transmedia. Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015. (238 S.)  
Last edited by: joachim 26 Dec 2017 17:38:28 Europe/Berlin Pop. 0%
Hassler-Forest, Dan A. "From Trauma Victim to Terrorist. Redefining Superheroes in Post–9/11 Hollywood." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 33–44.  
Last edited by: joachim 10 Dec 2010 02:21:17 Europe/Berlin Pop. 0%
Hatfield, Charles: "The Presence of the Artist. Kim Deitch’s Boulevard of Broken Dreams vis-a-vis the Animated Cartoon." In: ImageTexT 1.1 (2004), (20. Okt. 2009)  
Added by: joachim 20 Oct 2009 17:47:34 Europe/Berlin Pop. 0%
Hayton, Christopher J. "Fantastic Giants. Charlton Comics' Monster Movie Adaptations." In: Scan. Journal of media arts culture 6.1 (2009), (2. Okt. 2009)  
Last edited by: joachim 03 Dec 2009 18:20:55 Europe/Berlin Pop. 0%
Heer, Jeet: "Comic Book Confidential and the Art of Perfect Timing." In: Hazlitt (2013), (30. Sept. 2014)  
Added by: joachim 30 Sep 2014 22:24:19 Europe/Berlin Pop. 0%
Heydolph, Claudia: Der Blick auf das lebende Bild. F. W. Murnaus »Der letzte Mann« und die Herkunft der Bilderzählung. (Kieler kunsthistorische Studien, N.F. 5.) Kiel: Ludwig, 2004. (235 S.)  
Added by: joachim 05 Jan 2010 13:58:59 Europe/Berlin Pop. 0%
Higdon, David Leon: "Frankenstein as Founding Myth in Gary Larson’s The Far Side." In: Journal of Popular Culture 28.1 (1994), S. 49–60.  
Last edited by: joachim 31 May 2012 15:06:44 Europe/Berlin Pop. 0%
Höltgen, Stefan: "The Juwes are not the men That Will be Blamed for nothing. Über die Agonie des Profilers im Jack the Ripper-Film." In: f.lm. texte zum film 3 (2003), S. 15–22.  
Last edited by: joachim 11 Dec 2009 06:08:03 Europe/Berlin Pop. 0%
Horn, Maurice: "American Comic Strips And Silent Seriable. A Parallel." In: International Journal of Comic Art 2.1 (2000), S. 85–89.  
Last edited by: joachim 09 Nov 2012 22:48:28 Europe/Berlin Pop. 0%
---: "Comics and Cinema. The Beginnings (1896–1913)." In: International Journal of Comic Art 9.2 (2007), S. 58–67.  
Last edited by: joachim 16 Nov 2012 00:09:03 Europe/Berlin Pop. 0%
Hornstein, Shelley: "Ornament, Boundaries, and Mourning after Auschwitz." In: Reading Charlotte Salomon. Hrsg. v. Michael P. Steinberg und Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005, S. 126–139.  
Last edited by: Deleted user 05 Aug 2009 21:23:39 Europe/Berlin Pop. 0%
How, James: "2000AD and Hollywood. The Special Relationship between a British Comic and American Film." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 225–241.  
Last edited by: joachim 12 Sep 2017 11:23:49 Europe/Berlin Pop. 0%
Hoyle, Brian: "Irresponsible Pictures. Questions of Adaptation and Morality in the Comic and Film Versions of Road to Perdition." In: International Journal of Comic Art 10.1 (2008), S. 62–67.  
Last edited by: joachim 17 Feb 2011 17:28:35 Europe/Berlin Pop. 0%
Ihme, Burkhard: "Montage im Comic. Spezifische Nutzung eines Erzählmittels." In: Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010, S. 67–83.  
Added by: joachim 08 Jun 2010 00:30:05 Europe/Berlin Pop. 0%
Inge, M. Thomas: "Charlie Chaplin and the Comics." In: Comics as Culture. Jackson: Univ. Press of Mississippi, 1990, S. 59–67.  
Added by: joachim 05 Sep 2011 00:56:54 Europe/Berlin Pop. 0%
James, Gareth: "‘The Complete Saga’. Southland Tales, Graphic Novels and the Challenges of Transmedia Production." In: Ol3Media 4.10 (2011), (27. Dez. 2013)  
Added by: joachim 27 Dec 2013 09:51:54 Europe/Berlin Pop. 0%
Jesch, Tatjana: "»Shutter Island« – Roman, Graphic Novel, Film. Intermediale Literaturadaption als Thema im Deutschunterricht der Oberstufe." In: Der Deutschunterricht 65.3 (2013), S. 54–66.  
Last edited by: joachim 06 Sep 2013 17:56:08 Europe/Berlin Pop. 0%
Jones, Matthew T. "Fiend on Film. Edwin S. Porter’s Adaptation of Dreams of the Rarebit Fiend." In: International Journal of Comic Art 8.1 (2006), S. 388–411.  
Last edited by: joachim 11 May 2019 11:31:03 Europe/Berlin Pop. 0%
Jüdt, Dieter: "»Take the Money and Run!« oder Die wechselseitigen Reibungen und Widersprüche in den medienspezifischen Erzählweisen von Comic und Film." In: Daumenkino (2014), (4. Okt. 2014)  
Added by: joachim 04 Oct 2014 17:19:35 Europe/Berlin Pop. 0%
Kaenel, Philippe und Gilles Lugrin (Hgg.): Bédé, ciné, pub et art. D’un média à l’autre. Gollion: Infolio, 2007. (288 S.)  
Added by: joachim 08 Oct 2013 14:59:54 Europe/Berlin Pop. 0%
von Kap-herr, Katrin: "Eingriff in 3D. Michel Gondrys The Green Hornet als Experiment." In: Raumdeutung. Zur Wiederkehr des 3D-Films. Hrsg. v. Jan Distelmeyer, Lisa Andergassen und Nora Johanna Werdich. Bielefeld: Transcript, 2012, S. 157–169.  
Added by: joachim 15 Feb 2012 09:35:26 Europe/Berlin Pop. 0%
Keazor, Henry: "Kunst und Film bei den Simpsons." In: Kunsthistorische Arbeitsblätter 7/8 (2003), S. 37–46.  
Added by: joachim 01 Oct 2014 09:35:10 Europe/Berlin Pop. 0%
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