| Meyer, Christina. "Patriotic Laughter? World war i in british and american newspaper and magazine comics." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Bern [etc.]: Peter Lang, 2013. 1525–52. |
 
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| Michel, Chantal Catherine. The Art of Persuasion and Propaganda: The israeli-palestinian conflict in comic books and graphic novels. Comics and Conflicts: London, 19—20 Aug, 2011. |
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| Michel, Chantal Catherine. "Panels for Peace: Contributions of israeli and palestinian comics to peace-building." Quest 2013. Accessed 10 Sept. 2013. <http://www.quest-cdecjournal.it/focus.php?id=332>. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische comics über den nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Michel, Chantal Catherine. "Schikane, Schüsse, Sprengstoffgürtel: Politische gewalt in nahostkonflikt-comics." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 417–42. |
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| Mihăilescu, Dana. "Haunting spectres of World War II memories from a transgenerational ethical perspective in Miriam Katin’s We Are on Our Own and Letting It Go." Journal of Graphic Novels and Comics 6. (2015): 154–71. |
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| Mills, Alice. "The Paradoxes of History in Crew and Woolman’s Tagged and Crew and Tan’s Memorial." Rethinking History 6. (2002): 331–43. |
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| Minear, Richard H. Dr. Seuss Goes to War: The world war ii editorial cartoons of theodor seuss geisel. New York: The New Press, 2001. |
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| Molnar, Nicholas D. "The Historical Value of Bronze Age Comics: Captain america and the haunted tank." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 116–20. |
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| Moser, John E. "Madmen, Morons, and Monocles: The portrayal of the nazis in captain america." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 24–35. |
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| Mundey, Lisa M. American Militarism and Anti-Militarism in Popular Media, 1945–1970. Jefferson, London: McFarland, 2012. |
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| Munson, Todd S. "“Superman Says You Can Slap a Jap!”: The man of steel and race hatred in world war ii." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 5–15. |
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| Murray, Christopher. "Popaganda: Superhero comics and propaganda in world war ii." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 141–55. |
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| Nachabe Taan, Yasmine. "Blogging in Times of War: The july 2006 war in lebanon, mazen kerbaj imaging the unimaginable." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 204–24. |
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| Nakar, Eldad. "Memories of Pilots and Planes: World war ii in japanese manga, 1957–1967." Social Science Japan Journal 6. (2003): 57–76. |
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| Nakar, Eldad. "Framing Manga: On narratives of the second world war in japanese manga, 1957–1977." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 177–99. |
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| Okamoto, Rei. "“Fuku-chan” Goes to Java: Images of indonesia in a japanese wartime newspaper comic strip." Southeast Asian Journal of Social Science 25. (1997): 111–23. |
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| Okamoto, Rei. "Images of the Enemy in the Wartime Manga Magazine, 1941–1945." Illustrating Asia. Comics, Humor Magazines and Picture Books. Ed. John A. Lent. ConsumAsiaN. Honolulu: Univ. of Hawai‘i Press, 2001. 204–20. |
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| Paladin, Nicola. "The Participation of Will Eisner’s The Spirit in World War II." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 33–46. |
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| Palandt, Ralf. "»Blühender Blödsinn« an der Propagandafront." Deutsche Comicforschung 1. (2005): 83–91. |
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| Palandt, Ralf. "Gezeichnete Bilder vom Krieg – konstruierte Wirklichkeit in US-amerikanischen Superhelden-Comics." War Visions. Bildkommunikation und Krieg. Eds. Thomas Knieper and Marion G. Müller. Köln: Halem, 2005. 256–75. |
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| Pardy, Brett. "The Militarization of Marvel’s Avengers." Studies in Popular Culture 42. (2019): 103–22. |
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| Pasanovic, Emir. "War in the Bosnian Graphic Novel." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 58–72. |
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| Pecina, Jozef. "The American Civil War in Comics." From Theory to Practice 2014. Proceedings of the Sixth International Conference on Anglophone Studies. Eds. Gregory Jason Bell and Katarína Nemčoková. Zlín Proceedings in Humanities. Zlín: Univerzita Tomáše Bati ve Zlíně, 2015. 171–77. |
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| Peeters, Benoît. "A Never Ending Trial: Hergé and the second world war." Rethinking History 6. (2002): 261–71. |
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| Penney, Matthew. "Rising Sun, Iron Cross – Military Germany in Japanese Popular Culture." Japanstudien 17. (2005): 165–87. |
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| Penney, Matthew. "‘War Fantasy’ and Reality—‘War as Entertainment’ and Counter-narratives in Japanese Popular Culture." Japanese Studies 27. (2007): 35–52. |
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| Penney, Matthew. "Nationalism and Anti-Americanism in Japan – Manga Wars, Aso, Tamogami, and Progressive Alternatives." The Asia-Pacific Journal: Japan Focus 7. 17 2009. Accessed 12 Aug. 2009. <http://japanfocus.org/-Matthew-Penney/3116>. |
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| Pichler, Georg. "Bunte Bildchen vom Krieg: Die spanischen cromos von im westen nichts neues." Erich Maria Remarque Jahrbuch 28. (2018): 33–44. |
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| Pilch, Pavel. "Silence of the Partisans – Silence in the Yugoslav Partisan Comics." Balkanistic Forum 2. (2015): 220–23. |
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| Post, Jack. "Hypertextual Experiences of Word War I." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D Litteraria. Leuven: Leuven Univ. Press, 2001. 181–90. |
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| Price, Jr., William. "Demythologising the Soldier: An analysis of maximilian uriarte’s the white donkey: terminal lance." Pop Culture Matters. Eds. Martin F. Norden and Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publ. 2019. 47–54. |
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| Prorokova, Tatiana. "The Haunting Power of War: Remembering the rwandan genocide in 99 days." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 188–203. |
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| Prorokova, Tatiana and Nimrod Tal, eds. Cultures of War in Graphic Novels: Violence, trauma, and memory. New Brunswick: Rutgers Univ. Press, 2018. |
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| Raab, Alon. "Ben Gurion’s Golem and Jewish Lesbians: Subverting hegemonic history in two isreali graphic novels." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 214–36. |
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| Rech, Matthew F. "Be Part of the Story: A popular geopolitics of war comics aesthetics and royal air force recruitment." Political Geography 39. (2014): 36–47. |
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| Révillon, Luc. Algérie 54–62: La guerre fantôme dans la bande dessinée francophone. Mémoire vive. Montrouge: PLG, 2022. |
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| Ribbens, Kees. "World War II in European Comics: National representations of global conflict in popular historical culture." International Journal of Comic Art 12. (2010): 1–33. |
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| Ribbens, Kees. "The First World War in Bande dessinée Scholarship." European Comic Art 4. (2011): 239–44. |
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| Ribbens, Kees. "War comics beyond the battlefield: Anne frank’s transnational representation in sequential art." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 219–33. |
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| Ribbens, Kees. "Die Darstellung des Zweiten Weltkriegs in europäischen Comics: Eine fallstudie populärer geschichtskultur." History Goes Pop. Zur Repräsentation von Geschichte in populären Medien und Genres. Eds. Barbara Korte and Sylvia Paletschek. Historische Lebenswelten in populären Wissenskulturen/History in Popular Cultures. Bielefeld: Transcript, 2009. 121–45. |
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| Riches, Adam. When the Comics Went to War: Comic book war heroes. Edinburgh: Mainstream Publ. 2009. |
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| Rifas, Leonard. "Don Lomax: An interview with the creator of vietnam journal." The Comics Journal (1990): 86–103. |
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| Rifas, Leonard. "The Forgotten War Comics: The korean war and american comic books." Thesis M.A. University of Washington, 1991. |
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| Rifas, Leonard. "Korean War Comic Books and the Militarization of US Masculinity." positions. east asia cultures critique 23. (2015): 618–31. |
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| Rifas, Leonard. Korean War Comic Books. Jefferson, London: McFarland, 2021. |
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| Rifas, Leonard. "Mecanismos de censura de comic books en Estados Unidos durante la Guerra de Corea (con el Dr. Fredric Wertham)." Tebeosfera 21 2022. Accessed 26 May. 2023. <https://www.tebeosfera. ... r._fredric_wertham.html>. |
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| Roch, Axel. "Die Kunst der Störung durch adaptive Täuschung: Bugs Bunny." Signale der Störung. Ed. Albert Kümmel. München: Fink, 2003. 301–14. |
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| Roch, Axel. "Die Kunst der Störung durch adaptive Täuschung: Bugs Bunny." Wie im Film. Zur Analyse populärer Medienereignisse. Ed. Bernd Scheffer. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 201–18. |
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| Ropers, Eric. "Historical Narrative and the Misrepresentation of Wartime Labor Recruitment in Kenkanryū." Forum for World Literature Studies 3. (2011): 70–80. |
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| Ropers, Eric. "Representations of Gendered Violence in Manga: The case of enforced military prostitution." Japanese Studies 31. (2011): 249–66. |
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| Rossi, Umberto. "The Myth of the Great War: Hugo pratt's world war i graphic novel and stories." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 59–82. |
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| Russell, Vanessa. "The Mild-Mannered Reporter: How clark kent surpassed superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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| Sackmann, Eckart. "Bilderbogen vom Kriege." Deutsche Comicforschung 2. (2006): 72–82. |
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| Sackmann, Eckart. "»Bunte Kriegsbilderbogen«." Deutsche Comicforschung 4. (2008): 44–47. |
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| Sackmann, Eckart. "Arpad Schmidhammer bei Jos. Scholz: Der krieg als kinderspiel." Deutsche Comicforschung 10. (2014): 37–45. |
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| Sackmann, Eckart. "Propaganda im 1. Weltkrieg: Lustige blätter in »ernster zeit«." Deutsche Comicforschung 10. (2014): 18–36. |
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| Saleh, Rania M. R. "What Inflamed the Iraq War? The Perspectives of American Cartoonists." International Journal of Comic Art 10. (2008): 746–87. |
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| Sanderson, Peter. "Bringing Light to the World: watchmen from hiroshima to manhattan." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 109–31. |
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| Santesso, Esra Mirze. Muslim Comics and Warscape Witnessing. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2023. |
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| Scholz, Michael F. "The First World War and the German Revolution of 1918–1919 in East German Comics." European Comic Art 8. (2015): 34–60. |
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| Scott, Cord. Comics and Conflict: Patriotism and propaganda from wwii through operation iraqi. Annapolis: Naval Institute Pr. 2014. |
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| Serriere, Jérôme. Zum Bild des tirailleur sénégalais im französischen Comic: Repräsentation einer kolonialen figur in der erinnerungskultur des 1. weltkriegs. Wiesbaden: Springer VS, 2022. |
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| Southgate, Brooke. "“I didn’t come here for a whisper” Monsters, violence and heroes in world war hulk and post-9/11 america." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 193–206. |
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| Spanjers, Rik. "Wartime Weddings: Realism and war representation in shigeru mizuki’s onwards towards our noble deaths." Image [&] Narrative 17. 4 2016. Accessed 31 Mar. 2017. <http://www.imageandnarr ... ative/article/view/1333>. |
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| Staats, Hans. "Mastering Nature: War gothic and the monstrous anthropocene." War Gothic in Literature and Culture. Eds. Stefan Hantke and Agnieszka Soltysik Monnet. London: Routledge, 2016. |
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| Stemmann, Anna. "(Bio-)grafisches Erzählen von Gewalt im Kontext des Zweiten Weltkrieges: Erinnerungskulturelle perspektiven auf comics der 2000er jahre." Storylines and Blackboxes. Autobiografie und Zeugenschaft in der Nachgeschichte von Nationalsozialismus und Zweitem Weltkrieg. Eds. Johanna Gehmacher and Klara Löffler. Beiträge des VWI zur Holocaustforschung. Wien: nap, 2016. 197–220. |
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| Stitson, Roger. "Gallipoli: The Landing: Rewriting history in comic book form." Screen Education (2012): 24–30. |
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| Streb, Markus. "Early Representations of Concentration Camps in Golden Age Comic Books: Graphic narratives, american society, and the holocaust." Scandinavian Journal of Comic Art 3. 1 2016. Accessed 9 Aug. 2017. <http://sjoca.com/wp-con ... /SJoCA-3-1-03-Streb.pdf>. |
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| Teltow, Andreas. "»Bunte Kriegsbilderbogen« – zum Zweiten." Deutsche Comicforschung 10. (2014): 46–49. |
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| Tenga, Angela. "The South Will Rise Again: Contagion, war, and reconstruction in the walking dead, seasons one through five." The Last Midnight. Essays on Apocalyptic Narratives in Millennial Media. Eds. Leisa A. Clark, Amanda Firestone and Mary F. Pharr. Critical Explorations in Science Fiction and Fantasy. Jefferson: McFarland, 2016. 37–47. |
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