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Displaying 1 - 38  of 38 (Bibliography: WIKINDX Master Bibliography)
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Ashkenazi, Ofer and Jakob Dittmar. "Negotiating Documentation in Comics." International Journal of Comic Art 20.(2018): 587–97.   
Last edited by: joachim 22/03/2021, 08:35
Baroni, Raphaël. "Of Mice as Men: A Transmedial Perspective on Fictionality." Narrative 29.(2021): 91–113.   
Last edited by: joachim 01/03/2022, 20:27
Blank, Juliane. "The Appeal of the Real: Representations of ›Authentic‹ Dreams in Comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40.   
Last edited by: joachim 22/02/2021, 16:51
Brienza, Casey E. "‘Manga Is Not Pizza’: The Performance of Ethno-racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113.   
Added by: joachim 30/07/2017, 17:33
Calonne, David Stephen. R. Crumb: Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021.   
Last edited by: joachim 17/04/2021, 16:36
Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62.   
Last edited by: joachim 28/07/2014, 11:57
Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische Graphic Novel Der Boxer zwischen Wahrheit und Fiktion." Germanica 70.(2022): 49–62.   
Last edited by: joachim 01/02/2023, 18:59
El Refaie, Elisabeth. "Visual authentication strategies in autobiographical comics." Comics Forum 2012. Accessed 25 Feb. 2019. <https://comicsforum.org ... by-elisabeth-el-refaie/>.   
Added by: joachim 25/02/2019, 17:16
Ernst, Nina. "Authenticity in Graphic Memoirs: Two Nordic Examples." Image [&] Narrative 16.2 2015. Accessed 3 Sept. 2015. <http://www.imageandnarr ... rative/article/view/814>.   
Added by: joachim 03/09/2015, 10:25
Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés Biographie eines Hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74.   
Added by: joachim 12/08/2013, 23:05
Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73.   
Added by: joachim 11/02/2014, 14:34
Gabilliet, Jean-Paul. "Reading Facsimile Reproductions of Original Artwork: The Comics Fan as Connoisseur." Image [&] Narrative 17.4 2016. Accessed 1 Apr. 2017. <http://www.imageandnarr ... ative/article/view/1318>.   
Added by: joachim 01/04/2017, 09:17
Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84.   
Added by: joachim 11/11/2018, 11:39
Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: Comics als Reflexionen von Wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88.   
Added by: joachim 23/04/2018, 22:21
Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen«: Versuch über das lebensgeschichtliche Erzählen im Comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35.   
Added by: joachim 07/03/2014, 11:04
Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen Potential der Photo-Panels in der Comicreihe Der Fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300.   
Added by: joachim 08/02/2014, 18:57
Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48.   
Added by: joachim 22/04/2018, 19:15
MacDonald, Katharine Polak. "Jason Aaron’s Scalped, Historiographic Metafiction and of [sic] Authenticity." Narrative is the Essence of History. Essays on the Historical Novel. Ed. John Cameron. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 113–23.   
Last edited by: joachim 27/04/2018, 09:39
Macklem, Lisa. "The truth is stranger than fiction: Rick Geary’s Gothic murder tales." Journal of Graphic Novels and Comics 8.(2017): 521–32.   
Last edited by: joachim 12/03/2018, 14:50
Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische Comics über den Nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206.   
Added by: joachim 14/09/2013, 23:06
Möller, Frank. "Von Mäusen und Kapuzenmännern: »Banaler Militarismus«, visuelle Repräsentationen und kollektive Erinnerung." Banal Militarism. Zur Veralltäglichung des Militärischen im Zivilen. Eds. Tanja Thomas and Fabian Virchow. Bielefeld: Transcript, 2006. 49–63.   
Added by: joachim 06/08/2020, 12:18
Murray, William. "Reimagining Terror in the Graphic Novel: Kyle Baker’s Nat Turner and the Cultural Imagination." CEA Critic 77.(2015): 329–38.   
Last edited by: joachim 12/05/2019, 23:52
Packard, Stephan. "Erfundene Umstürze in Panels: Zur Zeichnung des Dokumentarischen, des Fiktionalen und des Politischen in Comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70.   
Last edited by: joachim 17/01/2022, 20:52
Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30.   
Last edited by: joachim 09/06/2022, 14:32
Pedri, Nancy. "Cartooning Ex-Posing Photography in Graphic Memoir." Literature & Aesthetics 22.2 2012. Accessed 13 Jul. 2015. <openjournals.library.us ... hp/LA/article/view/7619>.   
Last edited by: joachim 09/01/2020, 12:38
Pedri, Nancy. "Telling It Authentically: Documents in Graphic Illness Memoirs." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/333>.   
Added by: joachim 14/06/2019, 13:29
Risner, Jonathan. "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 39–54.   
Last edited by: joachim 02/03/2020, 18:21
Rizk, Mysoon. "Looking at “Animals in Pants”: The Case of David Wojnarowicz." Topia (2009): 137–59.   
Last edited by: joachim 08/01/2014, 09:39
Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7.(2016): 254–67.   
Last edited by: joachim 21/08/2016, 10:38
Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109.   
Added by: joachim 14/06/2017, 12:54
Saouter, Catherine and Philippe Sohet. "« Histoire de voir »: Historicité et logique narrative dans l’œuvre de Jacques Martin." Urgences (1991): 30–43.   
Added by: joachim 24/10/2015, 12:21
Schmid, Johannes C. P. "Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling." International Journal of Comic Art 20.(2018): 153–69.   
Last edited by: joachim 23/05/2021, 12:34
Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1.(2012): 357–78.   
Last edited by: joachim 12/12/2013, 14:23
Trippó, Sándor. "Zeitgeschichte in Comics: Inszenierung historischer Authentizität in der Graphic Novel »Grenzfall« (2011)." Jahrbuch der ungarischen Germanistik (2014): 99–114.   
Added by: joachim 19/09/2019, 10:52
Vågnes, Øyvind. "Rudy Kelly’s Eyes: Chris Hedges and Joe Sacco’s Days of Destruction, Days of Revolt." European Journal of American Studies 10.2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10998>.   
Last edited by: joachim 08/01/2021, 10:59
Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between Paratexts and Texts." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>.   
Last edited by: joachim 14/06/2019, 11:56
Weber, Wibke and Hans-Martin Rall. "Authenticity in comics journalism: Visual strategies for reporting facts." Journal of Graphic Novels and Comics 8.(2017): 376–97.   
Added by: joachim 09/07/2017, 11:30
Zimmermann, Tanja. "Zwischen Dokumentation und Vision: Comiczeichner als Reporter und Seher." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 77–94.   
Last edited by: joachim 25/08/2018, 15:11
WIKINDX 6.8.2 | Total resources: 14513 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)