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Displaying 1 - 13  of 13 (Bibliography: WIKINDX Master Bibliography)
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Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>.   
Added by: joachim 04/05/2013, 10:36
Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters across Old and New Media. London, New York: Continuum, 2010.   
Last edited by: joachim 14/02/2011, 18:20
de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12.3 2010. Accessed 3 Nov. 2010. <http://docs.lib.purdue.edu/clcweb/vol12/iss3/6/>.   
Last edited by: joachim 11/10/2015, 12:01
de la Iglesia, Martin. "Presence in Comics." Studies in Visual Arts and Communication 1.2 2014. Accessed 11 Jun. 2015. <http://journalonarts.or ... -Presence_in_comics.pdf>.   
Last edited by: joachim 11/06/2015, 16:40
Lund, Martin. "Persons of Mass Destruction: The War on Terror in Mark Millar’s Ultimates Comic Books." Americana 15.2 2016. Accessed 21 Nov. 2016. <http://www.americanpopu ... es/spring_2016/lund.htm>.   
Added by: joachim 21/11/2016, 10:11
Miczo, Nathan. "Aging Superheroes: Retirement and Return in Kingdom Come and Old Man Logan." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 143–55.   
Last edited by: joachim 11/10/2015, 11:25
Nehrlich, Thomas and Joanna Nowotny. "“We’re not fighting for the people anymore … We’re just fighting”: US-American Superhero Comics between Criticisms of Community and Critical Communities." SPELL 35 2017. Accessed 10 Aug. 2020. <http://dx.doi.org/10.5169/seals-737597>.   
Last edited by: joachim 10/08/2020, 11:27
Preußer, Heinz-Peter. "Mythos als Meta- und Konnotationsnarrativ: Antikenrezeption und Popkultur im Kino seit dem Jahr 2000." Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2013. 388–413.   
Last edited by: joachim 23/10/2021, 19:28
Round, Julia. "“The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010.   
Added by: joachim 27/08/2011, 12:40
Sina, Véronique. Comic – Film – Gender: Zur (Re-)Medialisierung von Geschlecht im Comicfilm. Edition Medienwissenschaft. Bielefeld: Transcript, 2016.   
Last edited by: joachim 09/02/2016, 20:19
Spahr, Clemens. "Widersprüchliche Superhelden: Erzählung und Gesellschaft in Kick-Ass und Unbreakable." Medien. Erzählen. Gesellschaft. Transmediales Erzählen im Zeitalter der Medienkonvergenz. Eds. Karl N. Renner and Dagmar von Hoff. Media Convergence / Medienkonvergenz. Berlin u. Boston: de Gruyter, 2013. 139–62.   
Last edited by: joachim 25/03/2022, 14:42
Taylor, James. "Kick-Ass Version 2.0: The Superhero’s Navigation of Comic Books, Film and Digital Media." Writing Visual Culture 7 2015. Accessed 28 Sept. 2016. <http://www.herts.ac.uk/ ... 788/wvc-dc-7-taylor.pdf>.   
Added by: joachim 28/09/2016, 01:15
Weston, Gavin. "Superheroes and comic-book vigilantes versus real-life vigilantes: An anthropological answer to the Kick-Ass paradox." Journal of Graphic Novels and Comics 4.(2013): 223–34.   
Last edited by: joachim 22/08/2015, 07:13
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)