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Displaying 1 - 25  of 25 (Bibliography: WIKINDX Master Bibliography)
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Backe, Hans-Joachim. "Politrickery: Brian K. Vaughans Meta-Politik." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 443–60.   
Last edited by: joachim 20/05/2019, 16:45
Brown, Lyndsay. "Yorick, Don’t Be A Hero: Productive Motion in Y: The Last Man." ImageTexT 3.1 2006. Accessed 8 May. 2012. <http://www.english.ufl. ... xt/archives/v3_1/brown/>.   
Last edited by: joachim 15/06/2020, 18:50
Clark, Catherine and Jennifer Jacobs Henderson. "‘Oh, my god! I CAN FLY!’: Female agency in Marvel’s Runaways." Journal of Graphic Novels and Comics 10.(2019): 210–27.   
Last edited by: joachim 08/08/2020, 12:42
Connors, Sean P. "Altering Perspectives: How the Implied Reader Invites Us to Rethink the Difficulty of Graphic Novels." The Clearing House 85.(2012): 33–37.   
Added by: joachim 18/02/2012, 17:50
Donahue, James J. "From the Inner City to the Interstellar: Brian K. Vaughan’s Comix after 9/11." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 281–97.   
Last edited by: joachim 03/10/2018, 11:45
Endres, Christian. "Rücksturz in die Anonymität: Brian K. Vaughans Comic »The Private Eye« thematisiert die Post-Snowden-Ära des Internets und beschreitet neue Wege des Selfpublishings." Das Science Fiction Jahr 10.(2014): 321–33.   
Added by: joachim 20/07/2017, 12:08
Frisch, Marc-Oliver. "Armer Yorick! Y: The Last Man/The Walking Dead." Comicgate Magazin (2012): 16–25.   
Last edited by: joachim 18/02/2014, 17:28
Gartley, Elizabeth. "Speaking language? The politics of language and power in Saga." Studies in Comics 8.(2017): 51–68.   
Last edited by: joachim 14/05/2018, 12:43
Geers, Jeff. "“The Great Machine Doesn’t Wear a Cape!”: American Cultural Anxiety and the Post-9/11 Superhero." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 250–61.   
Last edited by: joachim 27/03/2019, 14:43
Hill, Mark C. "Alternative Masculine Performances in American Comics: Brian K. Vaughan and Pia Guerra’s Y: the Last Man." Studies in Popular Culture 38.(2016): 79–98.   
Last edited by: joachim 11/06/2019, 23:50
Hock, Claus Arne. "Die Darstellung des 11. Septembers in amerikanischen Comics." 1. Staatsexamensarbeit Universität Magdeburg, 2010.   
Last edited by: joachim 27/03/2019, 14:45
Hodgman, John. "Epics: (Kirby's Fourth World Omnibus; Kirby: King of Comics; Age of Bronze; Y: The Last Man)." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 240–47.   
Added by: joachim 05/11/2010, 23:39
de la Iglesia, Martin. "Formal Characteristics of Animal Liberation in Comics." Closure 7 2020. Accessed 29 Jan. 2021. <https://www.closure.uni-kiel.de/closure7/iglesia>.   
Last edited by: joachim 30/01/2021, 13:12
Jones, Clint. Apocalyptic Ecology in the Graphic Novel: Life and the Environment After Societal Collapse. Jefferson: McFarland, 2020.   
Last edited by: joachim 19/08/2020, 11:10
Keen, Suzanne. "Fast Tracks to Narrative Empathy: Anthropomorphism and Dehumanization in Graphic Narratives." SubStance 40.(2011): 135–55.   
Last edited by: joachim 15/07/2019, 01:17
Khng, Desiree L. "Philosophising gender politics in Y: The Last Man." Journal of Graphic Novels and Comics 7.(2016): 167–77.   
Last edited by: joachim 12/06/2019, 01:15
Kunz, Tobias. "“Oopsie, I made a universe!”: Narration und Metareferenz in Brian K. Vaughan und Fiona Staples’ Saga." Medienobservationen 2017. Accessed 25 Aug. 2018. <https://www.medienobser ... tion-metareferenz-saga/>.   
Last edited by: joachim 18/12/2019, 11:52
Lipenga, Ken Junior. "The New Normal: Enfreakment in Saga." The Comics Grid 9.1 2019. Accessed 18 Dec. 2019. <http://doi.org/10.16995/cg.161>.   
Last edited by: joachim 18/12/2019, 11:53
Lund, Martin. "‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics." Journal of Urban Cultural Studies 4.(2017): 241–61.   
Last edited by: joachim 27/03/2019, 14:51
Mafe, Diana Adesola. "“We Don’t Need Another Hero”: Agent 355 as an Original Black Female Hero in Y: The Last Man." African American Review 48.(2015): 33–48.   
Last edited by: joachim 20/05/2019, 16:44
Manis, Kathryn. "Neoliberal Anxiety and the Post-Apocalypse in US Comic Books: An Analysis of Y the Last Man and The Private Eye." Journal of Popular Culture 51.(2018): 1234–55.   
Last edited by: joachim 20/05/2019, 16:45
Mellette, Justin. "Of Men and Mongrels: Myth and Queer Representation in Brian K. Vaughan’s Y: The Last Man and Saga." Journal of Graphic Novels and Comics (2021): 1–16.   
Last edited by: joachim 18/04/2021, 15:02
Meteling, Arno. "A Tale of Two Cities: Politics and Superheroics in Starman and Ex Machina." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 133–49.   
Last edited by: joachim 23/03/2010, 23:31
Pallares, Bess. Representation of the Mother’s Body as a Narrative Conduit for Wartime Themes in Saga. Student Research Symposium: Portland, 12 May, 2015.   
Added by: joachim 18/12/2019, 12:17
Tembo, Kwasu D. "Magical Negress: Re-Reading Agent 355 in Brian Vaughan’s Y: The Last Man." Open Cultural Studies 3.(2019): 161–73.   
Last edited by: joachim 11/06/2019, 23:51
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)