| Andersson, Fred. "An Artist, a Cowboy and Some Ontological Jokes: A nordic contribution to the understanding of comics in art." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 44–71. |
 
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| Arnerud Mejhammar, Kristina. "On Politics, Everyday Life, and Humor in Cecilia Torudd’s Comic Strip Ensamma mamman." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 131–53. |
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| Ault, Donald. "“Cutting Up” Again Part II: Lacan on barks on lacan." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 123–40. |
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| Borggreen, Gunhild. "Drawing Disaster: Manga response to the great eastern japan earthquake." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 263–84. |
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| Christiansen, Steen. "Between Media: David mack’s kabuki." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 72–88. |
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| Added by: joachim 14/08/2015, 07:18 |
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| Christiansen, Hans-Christian. "Comics and Film: A narrative perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21. |
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| Christiansen, Hans-Christian and Anne Magnussen. "Tegneserieanalyse." Analyse af billedmedier – en introduktion. Eds. Gitte Rose and Hans-Christian Christiansen. Frederiksberg: Samfundslitteraturs, 2006. 103–43. |
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| Cortsen, Rikke Platz, et al. "Between Propaganda and Entertainment: Nordic comics 1930s–1950s." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 111–32. |
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| Cortsen, Rikke Platz and Erin La Cour. "Opening a Thirdspace: The unmasking effects of comics." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 110–30. |
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| Cortsen, Rikke Platz, Erin La Cour, and Anne Magnussen, eds. Comics and Power: Representing and questioning culture, subjects and communities. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. |
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| Frahm, Ole. "Weird Signs: Comics as means of parody." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 177–91. |
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| Gregersen, Andreas. "“You Wouldn’t Get It”: “penny arcade” as gaming communication hub and webcomic." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 23–43. |
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| Groensteen, Thierry. "Why are Comics Still in Search of Cultural Legitimization?." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 29–41. |
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| How, James. "2000AD and Hollywood: The special relationship between a british comic and american film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41. |
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| Inge, M. Thomas. "From Ahab to Peg-Leg Pete: A comic cetology." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 157–76. |
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| Kauranen, Ralf. "Transnationalism in the Finnish 1950s Debate on Comics." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 218–43. |
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| Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary narratives in contemporary comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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| Kontturi, Katja. "“Shades of Conan Doyle! A lost world!”: Fantasy and intertextuality in don rosa’s “escape from forbidden valley”." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 89–109. |
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| Lefèvre, Pascal. "The Importance of Being ‘Published’: A comparative study of different comics formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105. |
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| Legrady, Georges. "Modular Structure and Image/Text Sequences: Comics and interactive media." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 79–90. |
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| Lund, Martin. "“[A] matter of SAVED or LOST”: Difference, salvation, and subjection in chick tracts." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 173–92. |
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| Magnussen, Anne. "Bill Davis og den fiktive erindring." MedieKultur 30 1999. Accessed 26 Nov. 2009. <http://ojs.statsbibliot ... /article/view/1146/1051>. |
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| Magnussen, Anne. "Spanish Comics Semiotics and Society: Comics as representations of social reality 1975–1990." Ph.d.-afhandling PhD. Københavns Universitet, 2001. |
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| Magnussen, Anne. "Spanske tegneserier i 1970erne og 1980erne: Fra politiske budskaber til europæisk integration." Den jyske historiker (2001): 207–30. |
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| Magnussen, Anne. "Spanish Comics and Family." International Journal of Comic Art 5. (2003): 66–84. |
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| Magnussen, Anne. "Imagining the dictatorship, Argentina 1981 to 1982." Visual Communication 5. (2006): 323–44. |
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| Magnussen, Anne. "Det perverse artefakt: Konflikt og erindringer i spanske tegneserier." Kultur & klasse (2011): 97–111. |
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| Magnussen, Anne. "Mara and Paracuellos – Interpretations of Spanish Politics from the Perspective of the Comics." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 16 Jun. 2012. <http://sjoca.com/wp-con ... 1-Article-Magnussen.pdf>. |
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| Added by: joachim 16/06/2012, 14:49 |
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| Magnussen, Anne. "The New Spanish Memory Comics: The example of cuerda de presas." European Comic Art 7. (2014): 56–84. |
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| Magnussen, Anne. "Comics as historical source material: Race, ethnicity and power according to texas history movies." Studies in Comics 7. (2016): 99–126. |
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| Added by: joachim 09/12/2017, 13:57 |
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| Magnussen, Anne, ed. Spanish Comics: Historical and cultural perspectives. Oxford, New York: Berghahn Books, 2021. |
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| Magnussen, Anne and Hans-Christian Christiansen, eds. Comics & Culture. Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum, 2000. |
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| Magnussen, Anne. "Die Semiotik von C.S. Peirce als theoretisches Rahmenwerk für das Verstehen von Comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 171–85. |
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| Magnussen, Anne. "Spanish Underground Comics and Society." Reading the Popular in Contemporary Spanish Texts. Eds. S. Godsland and Nickianne Moody. Newark: Univ. of Delaware Press, 2004. 100–12. |
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| Magnussen, Anne. "El cómic como texto: Una lectura de crónicas incongruentes 7 de miguelanxo prado." La langue, les signes et les êtres. Actes du colloque de l'Institut d'Etudes Romanes de l'Université de Copenhague, le 3 octobre 1998. Ed. Hans Peter Lund. Etudes Romanes. Copenhagen: Museum Tusculanum, 1999. 111–25. |
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| Magnussen, Anne. "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 193–207. |
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| Magnussen, Anne. "Spanish Comics and Politics: From propaganda and censorship through political activism to cultural reflections." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 157–78. |
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| Meyhoff Brink, Dennis. "Fearing Religious Satire: Religious censorship and satirical counter-attacks." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 194–217. |
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| Miettinen, Mervi. "All Men Are Not Created Equal: Identity, power, and resistance in superman: red son." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 285–99. |
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| Murray, Christopher. "Popaganda: Superhero comics and propaganda in world war ii." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 141–55. |
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| Nielsen, Jesper and Søren Wichmann. "America’s First Comics? Techniques, contents, and functions of sequential text-image pairing in the classic maya period." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 59–77. |
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| Sabin, Roger. "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 43–57. |
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| Sjåstad, Øystein. "Comics: This Bitter Art." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 2–22. |
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| Vågnes, Øyvind. "Comics Reenactment: Joe sacco’s footnotes in gaza." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 154–72. |
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| Wallin Wictorin, Margareta. "Comics in Postcolonial Senegal: Suggesting and contesting national identity." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 244–62. |
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