| Zlotnick, Joan. "The Medium is the Message, Or Is It? A study of nathanael west’s comic strip novel." Journal of Popular Culture 5. (1971): 236–40. |
 
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| Ketcham, Hank. The Merchant of Dennis the Menace. 2nd ed. Seattle: Fantagraphics, 2005. |
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| Ramirez, Alexander. "The Mess and the Work: Diffusion, delimitations, and the undying labor of the batman." Journal of American Culture 43. (2020): 324–37. |
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| Feyersinger, Erwin. "The (Meta-)Metareferential Turn in Animation." The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Eds. Werner Wolf and Katharina Bantleon. Studies in Intermediality. Amsterdam [etc.]: Rodopi, 2011. 445–61. |
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| Apostolidès, Jean-Marie. The Metamorphoses of Tintin, or, Tintin for Adults. Palo Alto: Stanford Univ. Press, 2009. |
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| Fiedler, Leslie. "The Middle Against Both Ends." Encounter 5. (1955): 16–23. |
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| Fiedler, Leslie. "The Middle Against Both Ends." The Collected Essays. Vol. 2. New York: Stein and Day, 1971. 415–28. |
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| Fiedler, Leslie. "The Middle Against Both Ends." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 122–33. |
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| Featherstone, Mike and Mike Hepworth. "The Midlifestyle of ‘George and Lynne’: Notes on a popular strip." Theory, Culture & Society 1. (1983): 85–92. |
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| Hammond, S. G., ed. The Mignolaverse: Hellboy and the comics art of mike mignola. Edwardsville: Sequart Research & Literacy Organization, 2019. |
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| Russell, Vanessa. "The Mild-Mannered Reporter: How clark kent surpassed superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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| Lewis, A. David. "The Militarism of American Superheroes After 9/11." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 223–36. |
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| Pardy, Brett. "The Militarization of Marvel’s Avengers." Studies in Popular Culture 42. (2019): 103–22. |
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| Hayton, Christopher J. and David L. Albright. "The Military Vanguard for Desegregation: Civil rights era war comics and racial integration." ImageTexT 6. 2 2012. Accessed 8 Oct. 2012. <http://www.english.ufl. ... s/v6_2/hayton_albright/>. |
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| The Mindscape of Alan Moore. 2003. |
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| Rosenblatt, Adam. "The Mini and the Many." Critical Ends Accessed 5 Nov. 2009. <http://www.secretacres.com/mm1.html>. |
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| Hemry, John G. "The Mirror of Gilgamesh: The foe superman fears the most and the ally he can’t do without." The Man from Krypton. A Closer Look at Superman. Ed. Glenn Yeffeth. Smart Pop. Dallas: Benbella Books, 2006. 127–36. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing race, trauma, vermin, and spider-man." American Imago 77. (2020): 569–601. |
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| Mainon, Dominique and James Ursini. The Modern Amazons: Warrior women on-screen. Pompton Plains: Limelight Ed. 2006. |
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| Ball, Philip. The Modern Myths: Adventures in the machinery of the popular imagination. Chicago: Univ. of Chicago Press, 2021. |
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| Brown, Jeffrey A. The Modern Superhero in Film and Television: Popular genre and american culture. Routledge Advances in Comics Studies. London, New York: Routledge, 2016. |
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| Lefèvre, Pascal. "The Modes of Documentary Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 50–60. |
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| Varis, Essi. "The Monster Analogy: Why fictional characters are frankenstein’s monsters." SubStance 48. (2019): 63–86. |
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| Duda, Heather L. The Monster Hunter in Modern Popular Culture. Jefferson, London: McFarland, 2008. |
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| Harris, Sarah D. "The Monster Within and Without: Spanish comics, monstrosity, religion, and alterity." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 113–29. |
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| Alaniz, José. "The Monster’s Analyst and the Binomial Self." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 62–77. |
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| Iuliano, Fiorenzo. "The Monsters of Suburbia: black hole and the mystique of the pacific northwest." European Journal of American Studies 10. 2 2015. Accessed 16 Aug. 2015. <http://ejas.revues.org/10989>. |
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| Groensteen, Thierry. "The Monstrator, the Recitant, and the Shadow of the Narrator." European Comic Art 3. (2010): 1–21. |
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| Howell, Tracee L. "The Monstrous Alchemy of Alan Moore: promethea as literacy narrative." Studies in the Novel 47. (2015): 381–98. |
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| Bauwens-Sugimoto, Jessica. "The “Monstrous Feminine” in the work of Sakamoto Shin'ichi." 国際文化研究 (Kokusai Bunka) (2018): 3–16. |
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| Tessier, Marc. "The Montreal Comix Scene: When solitudes unite, a personal history 1987–2003." The Comics Journal. Special Edition (2005): 106–22. |
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| Fischer, Roger A. "The Monumental Lincoln as an American Cartoon Convention." Inks 2. (1995): 12–25. |
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| Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2. (2011): 177–93. |
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| Gordon, Ian. "The moral world of Superman and the American war in Vietnam." Journal of Graphic Novels and Comics 6. (2015): 172–81. |
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| Neumann, Caryn E. and Sharon Zechowski. "The Mother of All Superheroes: idealization of femininity in wonder woman." Heroines of Comic Books and Literature. Portrayals in Popular Culture. Eds. Maja Bajac-Carter, Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2014. 133–44. |
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| Norton, Bonny. "The motivating power of comic books: Insights from archie comic readers." The Reading Teacher 57. (2003): 140–47. |
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| Fresnault-Deruelle, Pierre. "The Moulinsart Crypt." European Comic Art 3. (2010): 119–44. |
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| Cao, Weidan. "The Mountains and the Moon, the Willows and the Swallows: A hybrid semiotic analysis of feng zikai’s “new paintings for old poems”." International Journal of Comic Art 12. (2010): 251–67. |
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| Telotte, Jay P. The Mouse Machine: Disney and technology. Urbana, Chicago: Univ. of Illinois Press, 2008. |
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| Davies, Sr., Lewis J. "The multidimensional language of the cartoon: A study in aesthetics, popular culture and symbolic interaction." Semiotica (1995): 165–211. |
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| Hollis-Touré, Isabel. "The multidirectional memory of Charlie Hebdo." French Cultural Studies 27. (2016): 293–302. |
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| Veloso, Francisco O. D. and John A. Bateman. "The multimodal construction of acceptability: Marvel’s civil war comic books and the patriot act." Critical Discourse Studies 10. (2013): 427–43. |
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| Hallet, Wolfgang. "The Multimodal Novel: The integration of modes and media in novelistic narration." Narratology in the Age of Cross-Disciplinary Narrative Research. Eds. Sandra Heinen and Roy Sommer. Narratologia. Berlin u. New York: de Gruyter, 2009. 129–53. |
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| Abdel-Raheem, Ahmed. "The multimodal recycling machine: Toward a cognitive-pragmatic theory of the text/image production." Journal of Graphic Novels and Comics (2019). |
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| Martin, Côme. The musical rhythm of comics. Comics Studies Conference: 20—20 Apr, 2010. |
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| Addis, Victoria. "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." Studies in Comics 8. (2017): 7–28. |
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| Lewis, A. David. The Muslim Superhero in Contemporary American Popular Culture. American Academy of Religion annual conference 2013: 23 Nov, 2013. |
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| Ilea, Romana. "The Mutant Cure or Social Change: Debating disability." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 170–82. |
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| Lund, Martin. "The Mutant Problem: X-men, confirmation bias, and the methodology of comics and identity." European Journal of American Studies 10. 2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10890>. |
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| Vadeboncoeur Jr., Jim. "The Mystery of Ace Baker." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 66–67. |
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| Fernández L’Hoeste, Héctor D. "The Mystery of Kaliman, el Hombre Increible: Race and identity in mexican comics." International Journal of Comic Art 5. (2003): 220–30. |
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| Howell, David R. "The mystery of museums in graphic novels." Journal of Graphic Novels and Comics 6. (2015): 419–29. |
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| Singer, Marc. "The myth of Eco: Cultural populism and comics studies." Studies in Comics 4. (2013): 355–66. |
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| Screech, Matthew. "The Myth of May 1968 in bandes dessinées." Belphégor 15. 2 2017. Accessed 15 May. 2019. <http://journals.openedition.org/belphegor/1012>. |
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| Eco, Umberto. "The Myth of Superman." The Role of the Reader. Explorations in the Semiotics of Texts. Advances in Semiotics. Bloomington: Indiana Univ. Press, 1979. 107–24. |
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| Eco, Umberto. "The Myth of Superman." Contemporary Literary Criticism. Modernism Through Poststructuralism. Ed. Robert Con Davis. New York: Longman, 1986. 330–44. |
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| Eco, Umberto. "The Myth of Superman." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 146–64. |
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| Lawrence, John Shelton and Robert Jewett. The Myth of the American Superhero. Grand Rapids: Eerdmans, 2002. |
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| Rossi, Umberto. "The Myth of the Great War: Hugo pratt's world war i graphic novel and stories." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 59–82. |
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| Arnaudo, Marco. The Myth of the Superhero. Baltimore: Johns Hopkins Univ. Press, 2013. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Belgian lace from hell. Vol. 3. Seattle: Fantagraphics, 2017. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Demons and angels. Vol. 2. Seattle: Fantagraphics, 2015. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Pirates in the heartland. Vol. 1. Seattle: Fantagraphics, 2014. |
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| Bahlmann, Andrew R. The Mythology of the Superhero. Jefferson: McFarland, 2016. |
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| Coughlan, David. "The Naked Hero and Model Man: Costumed identity in comic book narratives." Heroes of Film, Comics and American Culture. Essays on Real and Fictional Defenders of Home. Ed. Lisa M. De Tora. Jefferson, London: McFarland, 2009. 234–52. |
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| Dey, Subir and Prasad Bokil. "The narrative functions of sound-symbolic words in comics and graphic novels." Journal of Graphic Novels and Comics 12. (2021): 1080–101. |
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| Walsh, Richard. "The Narrative Imagination Across Media." Modern Fiction Studies 52. (2006): 855–68. |
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| Rosen, Elizabeth K. "The Narrative Intersection of Image and Text: Teaching panel frames in comics." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 58–66. |
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| Elias, Amy J. "The Narrativity of Post-Convergent Media: no ghost just a shell and rirkrit tiravanija’s “(ghost reader c.h.)”." SubStance 40. (2011): 192–202. |
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| Mikkonen, Kai. The Narratology of Comic Art. Routledge Advances in Comics Studies. London, New York: Routledge, 2017. |
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| Bolałek, Radosław. "The NARUTO fan generation in Poland: An attempt at contextualization." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 33–48. |
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| Montgomery, Michell, et al. "The Native Comic Book Project: Native youth making comics and healthy decisions." Journal of Cancer Education 27. (2012): 41–46. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| McKean, Dave. "The Need to Do Something Different." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 83–85. |
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| Schweitzer, Darrell, ed. The Neil Gaiman Reader. Rockville: Wildside, 2007. |
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| Veith, Natalie. "The (Neo-)Victorian Rhetoric of Representation and the End of Referentiality in Sebastian O." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 107–18. |
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| Markle, Christopher S. "The new Australian: An observation of inexperienced and outsider views in perth comics." Journal of Graphic Novels and Comics (2019): 1–15. |
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| Purse, Lisa. "The New Dominance: Action-fantasy hybrids and the new superhero in 2000s action cinema." A Companion to the Action Film. Ed. James Kendrick. Chichester: Wiley-Blackwell, 2019. 55–73. |
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| Edrei, Shawn. The New Fiction Technologies: Interactivity, agency and digital narratology. Jefferson: McFarland, 2021. |
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| Schechter, Harold. The New Gods: Psyche and symbol in popular art. Bowling Green: Bowling Green Univ. Popular Press, 1980. |
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| Teiwes, Jack. "The New “Man of Steel” Is a Quiche-Eating Wimp! Media reactions to the reimagining of superman in the reagan era." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 125–42. |
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| Fawaz, Ramzi. The New Mutants: Superheroes and the radical imagination of american comics. Postmillennial Pop. New York, London: New York Univ. Press, 2016. |
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| Karnicky, Jeff. The New Nancy: Flexible and relatable daily comics in the twenty-first century. Encapsulations. Lincoln: Univ. of Nebraska Press, 2023. |
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| Kuipers, Christopher M. "The new normal of literariness: Graphic literature as the next paradigm genre." Studies in Comics 2. (2012): 281–94. |
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| Magnussen, Anne. "The New Spanish Memory Comics: The example of cuerda de presas." European Comic Art 7. (2014): 56–84. |
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| Schumer, Arlen. "The New Superheros: A graphic transformation." Print 42. (1988): 112–31. |
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| Inge, M. Thomas. "The New Yorker Cartoon and Graphic Humor." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 109–15. |
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| Anton, Audrey. "The Nietzschean Influence in The Incredibles and the Sidekick Revolt." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 209–30. |
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| Vollmar, Rob. "The Night Freud Vomited Blood: Hino horror vol. 1: the red snake." The Comics Journal. Special Edition (2005): 42–45. |
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| Blumberg, Arnold T. "‘The Night Gwen Stacy Died’: The end of innocence and the birth of the bronze age." Reconstruction 3. 4 2003. Accessed 20 Jan. 2011. <http://reconstruction.e ... issues/034/blumberg.htm>. |
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| Blumberg, Arnold T. "“The Night Gwen Stacy Died”: The end of innocence and the “last gasp of the silver age”." International Journal of Comic Art 8. (2006): 197–211. |
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| Ma, Sheng-mei. "The Nine Lives of Blackhawk’s Oriental: Chop chop, wu cheng, and weng chan." International Journal of Comic Art 3. (2001): 120–48. |
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| Kunzle, David. The Nineteenth Century. The History of the Comic Strip. Berkeley: Univ. of California Press, 1990. |
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| Wagner, Peter. "The Nineteenth-century Illustrated Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 378–400. |
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