| Konrad, Tatiana. "The Legacy of American Slavery: Contesting blackness and re-envisioning nationhood in kindred: a graphic novel adaptation." Journal of Perpetrator Research 4. 2 2022. Accessed 24 Oct. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.110/>. |
 
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| in ‘t Veld, Laurike. "Familial Complicity in Peter Pontiac’s Kraut, Nora Krug’s Belonging, and Serena Katt’s Sunday’s Child." Journal of Perpetrator Research 4. 2 2022. Accessed 24 Oct. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.117/>. |
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| Austin, Sara. Monstrous Youth: Transgressing the boundaries of childhood in the united states. Columbus: Ohio State Univ. Press, 2022. |
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| Oppolzer, Markus. Reading Autobiographical Comics: A framework for educational settings. Anglo-amerikanische Studien / Anglo-American Studies. Berlin [etc.]: Peter Lang, 2020. |
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| Linke, Kai. Good White Queers? Racism and whiteness in queer u.s. comics. Queer Studies. Bielefeld: Transcript, 2021. |
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| Hayes, David. "“You Guys Are Killing Me with This Dreck” Contemporary attitudes toward the golden, atomic, silver, and bronze eras of comic book production." Handbook of Cultural Studies and Education. Eds. Peter Pericles Trifonas and Susan Jagger. London, New York: Routledge, 2019. 255–76. |
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| Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the holocaust in twenty-first century french comics." Comic Books, Graphic Novels and the Holocaust. Beyond Maus. Ed. Ewa Stańczyk. London, New York: Routledge, 2019. 111–26. |
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| Ribbens, Kees. "The Invisible Jews in August Froehlich’s “Nazi Death Parade” (1944): An early american sequential narrative attempt to visualize the final stages of the holocaust." Beyond MAUS. The Legacy of Holocaust Comics. Eds. Ole Frahm, Hans-Joachim Hahn and Markus Streb. Schriften des Centrums für Jüdische Studien. Köln, Weimar, Wien: Böhlau, 2021. 133–65. |
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| Zberg, Ueli. Globi – ein wildes Kind: Pädagogische betrachtung einer schweizer kultfigur. München: Grin, 2012. |
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| Roth, Walter. Globi: 60 Jahre Kinderfreund, beliebter denn je! Die geschichte einer erfolgsfigur. Zürich: Globi-Verl. 1992. |
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| Etter, Lukas and Jan-Noël Thon. "Erzählen im Comic." Grundthemen der Literaturwissenschaft: Erzählen. Eds. Martin Huber and Wolf Schmid. Grundthemen der Literaturwissenschaft. Berlin, Boston: De Gruyter, 2018. 485–98. |
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| O’Connell, Sean. Release the Snyder Cut: The crazy true story behind the fight that saved zack snyder’s justice league. Lanham: Applause, 2021. |
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| O’Connell, Sean. With Great Power: How spider-man conquered hollywood during the golden age of comic book blockbusters. Lanham: Applause, 2022. |
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| Daiya, Kavita, ed. Graphic Narratives about South Asia and South Asian America: Aesthetics and politics. London, New York: Routledge, 2019. |
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| Williams, Paul. The US Graphic Novel. Critical Insights in American Studies. Edinburgh: Edinburgh University Press, 2022. |
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| Lent, John A., Wendy Siuyi Wong, and Benjamin Wai-ming Ng, eds. Transnationalism in East and Southeast Asian Comics Art. New York [etc.]: Palgrave Macmillan, 2022. |
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| Paim, Augusto. Die Comicreportage: Journalistische erzählung in comicform. Berlin: Ch.A. Bachmann, 2022. |
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| Cascarino, Adrien. "X-Men : la puissance de la défaillance, entre infirmité et post-humanité." Recherches germaniques (2022): 61–78. |
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| Knigge, Andreas C. Nick der Weltraumfahrer von Hansrudi Wäscher: Der griff nach den sternen. Hamburg: Comics etc. 2018. |
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| Braun, Alexander. Horror im Comic. Berlin: Avant, 2022. |
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| Alaniz, José. Resurrection: Comics in post-soviet russia. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2022. |
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| Venezia, Tony. "The Guy from H.O.P.P.E.R.S. – An einterview [sic] with Jaime Hernandez." The Frivolous Now 2010. Accessed 27 Sept. 2022. <https://frivolousnow.wo ... with-jaime-hernandez-6/>. |
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| Venezia, Tony. "California Gothic: Jaime hernandez’s ghost of hoppers." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 166–69. |
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| Venezia, Tony. "Harvey Pekar’s Anti-epiphanic Everyday." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 142–45. |
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| Hill, Michael. "Thor’s Comic Opera: götterdämmerung revisited." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 118–21. |
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| Domsch, Sebastian. "Growing Complexity; or, the Cerebus Effect." Cerebus the Barbarian Messiah. Essays on the Epic Graphic Satire of Dave Sim and Gerhard. Ed. Eric Hoffman. Jefferson: McFarland, 2012. 65–76. |
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| Bachrach, Nathalie and Chiara Scherner. "Intertextualität als narratologisch-subversive Praxis: Nicolas mahlers comic alice in sussex (2013)." Wiener digitale Revue 4 2022. Accessed 10 Sept. 2022. <https://journals.univie ... p/wdr/article/view/7263>. |
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| Lenhart, Johanna. "Nilpferde und Nazis: Der comicstrip herr seicherl und sein hund." Wiener digitale Revue 4 2022. Accessed 9 Sept. 2022. <https://journals.univie ... p/wdr/article/view/7252>. |
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| Parille, Ken. "Narration after Y2K: Daniel clowes and the end of style." The Art of Daniel Clowes. Modern Cartoonist. Ed. Alvin Buenaventura. New York: Abrams, 2012. 142–71. |
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| Aman, Robert and Lars Wallner, eds. Teaching with Comics: Empirical, analytical, and professional experiences. New York [etc.]: Palgrave Macmillan, 2022. |
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| Fiffe, Michael. "One-Artist Anthology Comics." The Comics Journal 2012. Accessed 5 Sept. 2022. <https://www.tcj.com/one-man-anthology-comics/>. |
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| Wilder, Nicolaus. Superheld*innen – Gottheiten der Gegenwart? Ein pädagogisch-historischer versuch zu den orientierungsmöglichkeiten des mythischen und utopischen. Kiel: Universitätsverl. Kiel, 2022. |
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| Klickstein, Mathew. See You At San Diego: An oral history of comic-con, fandom, and the triumph of geek culture. Seattle: Fantagraphics, 2022. |
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| Licari-Guillaume, Isabelle. Vertigo Comics: British creators, us editors, and the making of a transformational imprint. Routledge Advances in Comics Studies. London, New York: Routledge, 2022. |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in alan moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Langhans, Britta, Ines Paraire, and Nathalie Schnitzer. "La bande dessinée en cours d’allemand entre comic strip et roman graphique." Tréma 51 2019. Accessed 27 Aug. 2022. <https://journals.openedition.org/trema/5055>. |
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| Rakower, Josh and Ann Hallyburton. "Disease Information Through Comics: A graphic option for health education." Journal of Medical Humanities 43. (2022): 475–92. |
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| Grutschus, Anke and Beate Kern. "L’oralité mise en scène dans la bande dessinée: Marques phonologiques et (morpho)syntaxiques dans astérix et titeuf." Journal of French Language Studies 31. (2021): 192–215. |
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| Grutschus, Anke. "« Ça nous fait trop goleri » La mise en scène de la langue des jeunes dans la bande dessinée et son utilisation en tant que ressource didactique." La bande dessinée. Perspectives linguistiques et didactiques. Ed. Elissa Pustka. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. 267–95. |
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| Mälzer, Nathalie. "Le transfert de l’humour dans les traductions allemandes de Spirou et Fantasio." La bande dessinée. Perspectives linguistiques et didactiques. Ed. Elissa Pustka. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. 225–62. |
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| Kabatek, Adolf, ed. Das große Asterix-Lexikon: Asterix von a bis z. Filderstadt: Horizont, 1986. |
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| Kessler, Peter. The Complete Guide to Asterix. London: Hodder Children’s Books, 1995. |
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| Lennon, Tom. "Metal Machine Movies: The lasting influence of heavy metal and métal hurlant on blade runner and the science-fiction cinema of ridley scott." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 71–88. |
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| Escamilla, Mario. "Earth to Earth: The boom! comics." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 275–85. |
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| Carlson, Bryce. "Creating the Graphic Novelization of Do Androids Dream of Electric Sheep?." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 265–74. |
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| Darius, Julian. "On the Marvel Comic-Book Adaptation of Blade Runner." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 250–64. |
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| Hernando, David. Why Do We Fall? Examining christopher nolan’s the dark knight trilogy. Edwardsville: Sequart Research & Literacy Organization, 2022. |
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| Weatherly, Scott, ed. Judging Dredd: Examining the world of judge dredd. Edwardsville: Sequart Research & Literacy Organization, 2021. |
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| Baetens, Jan and Hugo Frey. "Continued Comics: The new ‘blake and mortimer’ as an example of continuation in european series." The Edinburgh Companion to Contemporary Narrative Theories. Eds. Zara Dinnen and Robyn Warhol. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, 2018. 215–26. |
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| Loman, Andrew. "“Well Intended Liberal Slop” Allegories of race in spiegelman’s maus." Journal of American Studies 40. (2006): 551–71. |
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| Harlock, J. D. Bryan Talbot: Father of the british graphic novel. [Self-publ.], 2022. |
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| Blue, Howard. The Man Who Sold Superman to the World: How carroll rheinstrom made dc comics go global. Copake: Snake Pond, 2022. |
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| Means-Shannon, Hannah. "The Joker Plays the King: Archetypes of the underworld in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." The Joker. A Serious Study of the Clown Prince of Crime. Eds. Robert Moses Peaslee and Robert G. Weiner. Jackson: Univ. Press of Mississippi, 2015. 194–208. |
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| Stedman, Raymond William. The Serials: Suspense and drama by installment. 2nd ed. Norman: Univ. of Oklahoma Press, 1977. |
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| Brunet, Peyton and Blair Davis. Comic Book Women: Characters, creators, and culture in the golden age. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2022. |
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| Fujimoto, Yukari. "Where Is My Place in the World? Early shōjo manga portrayals of lesbianism." Mechademia 9. (2014): 25–42. |
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| Clevenger, Shelly and Brittany L. Acquaviva. "Hulk Smash! Violence in the incredible hulk comics." Journal of Criminal Justice and Popular Culture 20. 1 2020. Accessed 16 Jul. 2022. <https://static1.squares ... k+Smash+Final+Proof.pdf>. |
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| Andrieu de Levis, Jean-Charles, et al. "Collaborer: Ce que le style doit aux collaborations." Style(s) de (la) bande dessinée. Eds. Benoît Berthou and Jacques Dürrenmatt. Perspectives comparatistes. Paris: Classiques Garnier, 2019. 11–52. |
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| Kirkpatrick, Ellen. "The Jeopardy of Genderswap Storytelling: Un/becoming captain nemo." The Break 2022. Accessed 8 Jul. 2022. <https://ellenkirkpatric ... genderswap-storytelling>. |
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| Kelp-Stebbins, Katherine. How Comics Travel: Publication, translation, radical literacies. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2022. |
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| Baetens, Jan, Hugo Frey, and Fabrice Leroy, eds. Intermediality in French-Language Comics and Graphic Novels. Lafayette: Univ. of Louisiana at Lafayette Press, 2022. |
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| Giménez Folqués, David. "El lunfardo como elemento identitario en el cómic argentino: El caso de fueye." Mitologías Hoy 20 2019. Accessed 5 Jul. 2022. <https://revistes.uab.ca ... rticle/view/v20-gimenez>. |
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| Kaur, Guneet. "Community Narrative as a Borderlands Praxis: Anzaldúa’s mestiza consciousness as explored in cortez’s sexile." Journal of Medical Humanities 43. (2022): 319–33. |
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| Mouchart, Benoît. "Le festival d’Angoulême, instrument de legitimation." Le Débat (2017): 10–15. |
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| Added by: joachim 30/06/2022, 11:16 |
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| Leclerc, Michel-Édouard. Itinéraires dans l’univers de la bande dessinée. Paris: Flammarion, 2003. |
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| Last edited by: joachim 30/06/2022, 10:56 |
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