| Kelley, James. "Unseen Scars: Recalling traumatic moments in individuals with ptsd in war brothers." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 91–104. |
 
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| Knopf, Christina M. "Sinne Fianna Fáil: Women, irish rebellions, and the graphic novels of gerry hunt." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 123–37. |
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| Køhlert, Frederik Byrn. Serial Selves: Identity and representation in autobiographical comics. New Brunswick: Rutgers Univ. Press, 2019. |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse: Taking risks in the service of truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Kurlat Ares, Silvia G. "The Malvinas War in Argentine Memory: Graphic representations of defeat and nationalism, 1982–2015." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 165–87. |
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| Kwa, Shiamin. Perfect Copies: Reproduction and the contemporary comic. New Brunswick: Rutgers Univ. Press, 2023. |
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| Lambert, Josh. "“Wanna watch the grown-ups doin’ dirty things?”: Jewish sexuality and the early graphic novel." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 43–63. |
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| Libicki, Miriam. "Jewish Memoir Goes Pow! Zap! Oy!." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 253–74. |
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| Lockard, Joe. "Nat Turner, Slave Revolts, and Child-Killing in US Graphic Novels." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 105–22. |
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| MacInnes, Iain A. "“A Clash of Arms to Be Eternally Remembered”: War, chivalry, and the hundred years war in le trône d’argile and crécy." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 23–40. |
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| Malcolm, Cheryl Alexander. "Witness, Trauma, and Remembrance: Holocaust representation and x-men comics." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 144–60. |
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| Malone, Paul M. "Missing in Action: The late development of the german-speaking superhero." The Superhero Symbol. Media, Culture, and Politics. Eds. Liam Burke, Ian Gordon and Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019. 253–72. |
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| McGlothlin, Erin. "“When time stands still”: Traumatic immediacy and narrative organization in art spiegelman's maus and in the shadow of no towers." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 94–110. |
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| McWilliams, Sally. "Sex in Yop City: Ivorian femininity and masculinity in abouet and oubrerie’s aya." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 45–62. |
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| Means Coleman, Robin R. and William Lafi Youman. "Graphic Remix: The lateral appropriation of black nationalism in aaron mcgruder’s the boondocks." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 117–34. |
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| Most, Andrea. "Re-Imagining the Jew’s Body: From self-loathing to “grepts”." You Should See Yourself. Jewish Identity in Postmodern American Culture. Ed. Vincent Brook. New Brunswick: Rutgers Univ. Press, 2006. 19–36. |
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| Mulman, Lisa Naomi. "A Tale of Two Mice: Graphic representations of the jew in holocaust narrative." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 85–93. |
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| Nachabe Taan, Yasmine. "Blogging in Times of War: The july 2006 war in lebanon, mazen kerbaj imaging the unimaginable." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 204–24. |
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| Nishikawa, Kinohi. "Daddy Cool: Donald goines’s visual novel." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 215–34. |
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| O'Connor, Lauren R. Robin and the Making of American Adolescence. Comics Culture. New Brunswick: Rutgers Univ. Press, 2021. |
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| Omar-Sherman, Ranen. "A Conversation with Miriam Libicki." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 244–53. |
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| Pasanovic, Emir. "War in the Bosnian Graphic Novel." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 58–72. |
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| Prager, Brad. "The Holocaust without Ink: Absent memory and atrocity in joe kubert’s graphic novel yossel: april 19, 1943." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 111–28. |
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| Prorokova, Tatiana. "The Haunting Power of War: Remembering the rwandan genocide in 99 days." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 188–203. |
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| Prorokova, Tatiana and Nimrod Tal, eds. Cultures of War in Graphic Novels: Violence, trauma, and memory. New Brunswick: Rutgers Univ. Press, 2018. |
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| Raab, Alon. "Ben Gurion’s Golem and Jewish Lesbians: Subverting hegemonic history in two isreali graphic novels." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 214–36. |
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| Roth, Laurence. "Contemporary American Jewish Comic Books: Abject pasts, heroic futures." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 3–21. |
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| Saguisag, Lara. Incorrigibles and Innocents: Constructing childhood and citizenship in progressive era comics. New Brunswick: Rutgers Univ. Press, 2018. |
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| Valenti, Peter C. "“The Children Internalize the Meaning of the Occupation”: Growing up under israeli occupation and a culture of resistance in joe sacco’s palestine." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 138–62. |
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| Walter, Patrick F. "A Postcolony in Pieces: Black faces, white masks and queer potentials in unknown soldier." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 63–92. |
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| Wanzo, Rebecca. "It’s a Hero? Black comics and satirizing subjection." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 314–32. |
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| Whitted, Qiana. EC Comics: Race, shock, and social protest. Comics Culture. New Brunswick: Rutgers Univ. Press, 2019. |
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| Whitted, Qiana, ed. Desegregating Comics: Debating blackness in the golden age of american comics. New Brunswick: Rutgers Univ. Press, 2023. |
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| Whitted, Qiana. "The Blues Tragicomic: Constructing the black folk subject in stagger lee." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 235–54. |
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| Worcester, Kent. "Graphic Narrative and the War on Terror." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 41–57. |
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| Yezbick, Daniel F. "No Sweat! Ec comics, cold war censorship, and the troublesome colors of “judgment day!”." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 19–44. |
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| Young, Paul. Frank Miller’s Daredevil and the Ends of Heroism. Comics Culture. New Brunswick: Rutgers Univ. Press, 2016. |
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| Young, Hershini Bhana. "Performance Geography: Making space in jeremy love’s bayou, volume 1." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 274–91. |
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| Ziegler, James J. "A Secret History of Miscegenation: jimmy corrigan and the columbian exposition of 1893." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 292–313. |
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| Baetens, Jan and Steven Surdiacourt. "How to ‘Read’ Images with Texts: The graphic novel case." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 590–600. |
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| Flannigan-Saint-Aubin, Arthur. "The Male Body and Literary Metaphors for Masculinity." Theorizing Masculinities. Eds. Harry Brod and Michael Kaufman. Research on Men and Masculinities. Thousand Oaks [etc.]: Sage, 1994. 239–58. |
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| Henson, Billy and Bradford W. Reyns. "Victimology and Crime Prevention in Comic Books." Encyclopedia of Victimology and Crime Prevention. Eds. Bonnie S. Fisher and Steven P. Lab. Vol. 2. Thousand Oaks [etc.]: Sage, 2010. 1003–04. |
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| Pecora, Norma. "Superman/Superboys/Supermen: The comic book hero as socializing agent." Men, Masculinity, and the Media. Ed. Steve Craig. Research on Men and Masculinities. Thousand Oaks [etc.]: Sage, 1992. 61–77. |
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| Bahr, David. "Choreographing Time: Art spiegelman’s present, past(s) and the craft of creative non fiction comics." American Creative Non-Fiction. Ed. Jay Ellis. Critical Insights. Englewood Cliffs: Salem Pr. 2015. 196–212. |
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| Beaty, Bart and Stephen Weiner, eds. Heroes & Superheroes. Critical Survey of Graphic Novels. 2 vols. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. History, Theme, and Technique. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. Independents & Underground Classics. Critical Survey of Graphic Novels. 3 vols. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. Manga. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr. 2012. |
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| Capitanio, Adam. "Marjane Satrapi’s Persepolis." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 168–82. |
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| Clark, Daniel D. "Will Eisner’s A Contract with God." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 57–68. |
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| Cogan, Brian. "Art Spiegelman’s Maus: A Survivor’s Tale." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 69–81. |
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| Darowski, Joseph J. "The Superhero Narrative and the Graphic Novel." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 3–16. |
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| Eveleth, Kyle. "“Of viewpoints, of images, of memories and puns and lost hopes”: Polyphony and narrative braiding in the sandman: worlds’ end." Neil Gaiman. Ed. Joseph Michael Sommers. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 112–28. |
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| Eveleth, Kyle and Justin Wigard. "“We have an obligation to imagine”: A critical reception of the work of neil gaiman." Neil Gaiman. Ed. Joseph Michael Sommers. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 3–16. |
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| Harper, Mary Catherine. "Neil Gaiman’s Sandman." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 123–37. |
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| Hoppenstand, Gary, ed. The Graphic Novel. Critical Insights. Englewood Cliffs: Salem Pr. 2014. |
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| Kidder, Orion Ussner. "“Everybody’s Here”: Radical reflexivity in the metafiction of the sandman." Neil Gaiman. Ed. Joseph Michael Sommers. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 146–60. |
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| Mulligan, Rikk. "The Reality/Fantasy Narrative and the Graphic Novel." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 41–54. |
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| Rosenberg, Pnina. "From Mice to Mickey to Maus: The metaphor of evil and its metamorphosis in the holocaust." Good & Evil. Ed. Margaret Sönser Breen. Critical Insights. Englewood Cliffs: Salem Pr. 2012. |
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| Rotenberg-Schwartz, Michael. "Looking at/in Maus: A survey of critical approaches." Holocaust Literature. Ed. Dorian Stuber. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 63–81. |
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| Shivener, Rich. "The Crime Narrative and the Graphic Novel." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 29–40. |
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| Sommers, Joseph Michael, ed. The American Comic Book. Critical Insights. Englewood Cliffs: Salem Pr. 2014. |
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| Wandtke, Terrence R. "Frank Miller’s Sin City." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 138–52. |
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| Weida, Jaime. "Ghosts and Girls in the Machine: Technology and the human in japanese visual popular culture." Technology & Humanity. Ed. Carol Colatrella. Critical Insights. Englewood Cliffs: Salem Pr. 2012. 256–72. |
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| Bee, Andreas. "Über die Kunst des Zeichnens, Gerhard Richter und Bernard Buffet: Ein gespräch." Richter zeichnen. Alexander Roob zeichnet den Auszug des Stammheim-Zyklus von Gerhard Richter. Ein CS-Protokoll. Ed. Andreas Bee. Schriften zur Sammlung des Museums für Moderne Kunst Frankfurt am Main. Köln: Salon, 2001. |
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| Roob, Alexander. Theorie des Bildromans. Köln: Salon, 1997. |
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| Alcover, Marta and Alicia Molina. "Mexican Comics as Culture Industry." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 196–212. |
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| Browne, Ray. "An Analysis of Comics in Britain and their Possible Contribution to a Visual Culture." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 79–95. |
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| Carano, Ranieri. "Comics in Italy." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 96–108. |
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| Fischer, Hervé. "Ecriture phonétique et pictogrammes dans les bandes dessinées." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 225–33. |
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| Fresnault-Deruelle, Pierre. "Aspects de la Bande Dessinée en France." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 62–78. |
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| Gikonyo, Waithira. "Comics and Comic Strips in the Mass Media in Kenya." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 185–95. |
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| Joshi, O. P. "Contents, Consumers and Creators of Comics in India." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 213–24. |
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| Knilli, Friedrich, et al. "Some Aspects of the Development Toward a Visual Culture: The example of comics." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 109–28. |
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| Last edited by: joachim 02/10/2011, 13:00 |
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| Loveday, Leo and Satomi Chiba. "Aspects of the Development Toward a Visual Culture in Respect of Comics: Japan." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 158–84. |
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| Last edited by: joachim 02/10/2011, 17:28 |
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| Ritter, Paul. Frans Masereel: Eine annotierte bibliographie des druckgraphischen werkes. München [etc.]: Saur, 1992. |
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| Added by: joachim 27/06/2017, 17:06 |
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| Savramis, Demosthenes. "Der moderne Mensch zwischen Tarzan und Superman." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 254–64. |
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| Last edited by: joachim 26/10/2009, 00:30 |
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| Silbermann, Alphons and Hans-Dieter Dyroff, eds. Comics and Visual Culture: Research studies from ten countries. München [etc.]: Saur, 1986. |
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| Last edited by: joachim 02/10/2011, 17:50 |
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| Silbermann, Alphons. "The Way Toward Visual Culture: Comics and comic films." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 11–27. |
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| Last edited by: joachim 02/10/2011, 17:46 |
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