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| Barker, Martin. "The Reception of Joe Sacco’s Palestine." Participations 9. 2 2012. Accessed 8 Dec. 2012. <http://www.participatio ... ssue%202/6%20Barker.pdf>. |
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| Barker, Kim. "Holy blurring of core copyright principles, Batmobile!." Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. 19–35. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge dredd, its friends, fans, and foes. Luton: Univ. of Luton Press, 1998. |
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| Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 ad." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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| Barker, Martin. "Taking the Extreme Case: Understanding a fascist fan of judge dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al. London: Pluto, 1997. 14–30. |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Barker, Martin. "Getting a Conviction: Or, how the british horror comics campaign only just succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Barker, Martin. "Drawing Attention to the Image: Computers and comics." The Photographic Image in Digital Culture. Ed. Martin Lister. Comedia. London, New York: Routledge, 1995. 188–214. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical essays on the series and its characters. Jefferson, London: McFarland, 2014. |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3. (2012): 127–42. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese manga, european mythology and ultimate reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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| Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do? Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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| Barman, Daisy. "Comics beyond Fun and Thrill: A critical reflection on gender dynamics and public imagination in select popular comics-based movies." Gnosis Special Issue (2019): 81–91. |
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| Barnard, Rita. "Bitterkomix: Notes from the post-apartheid underground." South Atlantic Quarterly 103. (2004): 719–54. |
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| Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing medical ethics through zombie and period fiction tropes in the new deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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| Baroni, Raphaël. "Le récit dans l’image: Séquence, intrigue et configuration." Image [&] Narrative 12. 1 2011. Accessed 6 Sept. 2011. <http://www.imageandnarr ... rticle/viewFile/136/107>. |
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| Baroni, Raphaël. "L’exploration temporelle comme modalité du voyage imaginaire dans la bande dessinée franco-belge (1930–1980)." Image [&] Narrative 16. 2 2015. Accessed 3 Sept. 2015. <http://www.imageandnarr ... rative/article/view/864>. |
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| Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9. (2016): 5–23. |
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| Baroni, Raphaël. "Le chapitrage dans le roman graphique américain et la bande dessinée européenne: Une segmentation précaire." Cahiers de Narratologie 34 2018. Accessed 2 Jul. 2020. <https://journals.openedition.org/narratologie/8594>. |
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| Baroni, Raphaël. "Of Mice as Men: A transmedial perspective on fictionality." Narrative 29. (2021): 91–113. |
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| Baroni, Raphaël. "Le suspense dans le feuilleton littéraire et dans la bande dessinée." Bédé, ciné, pub et art. D’un média à l’autre. Eds. Philippe Kaenel and Gilles Lugrin. Gollion: Infolio, 2007. 141–65. |
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| Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19. 1 2021. Accessed 15 Jul. 2023. <https://journals.openedition.org/belphegor/3948>. |
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| Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39. (2016): 139–61. |
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| Barounis, Cynthia. "Survival angst: Reading hothead paisan in the trump era." Journal of Lesbian Studies 22. (2018): 415–23. |
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| Barr, Mike W. "Batman in Outer Space." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 127–36. |
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| Barrera-Vidal, Albert. "Comics, Fumetti, Bande Dessinée – Semiotik und Didaktik eines Massenmediums." Neusprachliche Mitteilungen aus Wissenschaft und Praxis 39. (1986): 166–73. |
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| Barrera-Vidal, Albert. "La BD en Communauté française de Belgique. Essai de présentation systématique." Belgien im Blick: Interkulturelle Bestandsaufnahmen – Regards croisés sur la Belgique contemporaine – Blikken op België: Interculturele Beschouwingen. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2007. 271–302. |
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| Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52. |
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| Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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| Barrera-Vidal, Albert. "Comics und Sprachunterricht." Comics. Katalog der Comics-Ausstellung im Münchner Stadtmuseum vom 2. März bis 6. Mai 1974. Ed. Reinhold C. Reitberger. München: Icon, 1974. |
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| Barrero, Manuel. "The Evolution of Children’s Comics in Spain." International Journal of Comic Art 5. (2003): 28–49. |
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| Barrett, Matthew. "De-picturing John A. Macdonald: opportunities and challenges of representing canada’s past with graphic history." The Canadian Hiustorical Review 103. (2022): 32–74. |
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| Barrier, Michael. The Animated Man: A life of walt disney. Berkeley: Univ. of California Press, 2007. |
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| Barrier, Michael. Funnybooks: The improbable glories of the best american comic books. Berkeley: Univ. of California Press, 2014. |
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| Barrier, Michael and Martin Williams. A Smithsonian Book of Comic-Book Comics. New York: Abrams, 1981. |
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| Barris, Jeremy. "Plato, Spider-Man and the Meaning of Life." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 63–83. |
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| Barritt, Leon. How to Draw: A practical book of instruction in the art of illustration. with numerous reproductions of original drawings by america’s famous illustrators, cartoonists and comic artists. New York, London: Harper & Brothers, 1904. |
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| Barry, Lynda. Syllabus: Notes from an accidental professor. Montreal: Drawn & Quarterly, 2014. |
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| Barry, Erin. "Eight-page eroticism: Sexual violence and the construction of normative masculinity in tijuana bibles." Journal of Graphic Novels and Comics 8. (2017): 227–37. |
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| Barry, Lynda. Making Comics. Montreal: Drawn & Quarterly, 2019. |
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| Bartels-Wu, Stella. Mitatemono und kibyôshi: Edition, bearbeitung und übersetzung »myô-kinako kogome dômyôji« (1805) von takizawa bakin. Bunken. Wiesbaden: Harassowitz, 1994. |
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| Barthold, Willi Wolfgang. "Problemzone Ostdeutschland: Die post-ddr-provinz als aushandlungsraum des postmigrantischen in literatur und comic." Internationales Archiv für Sozialgeschichte der deutschen Literatur 48. (2023): 417–39. |
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| Bartlett, Myke. "A Mirror to Changing Times: x-men and x2." Screen Education (2010): 111–15. |
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| Bartlett, Myke. "The Adventures of Tintin: Drawn into motion." Screen Education (2012): 8–17. |
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| Bartley, Aryn. "The Hateful Self: Substitution and the ethics of representing war." Modern Fiction Studies 54. (2008): 50–71. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Barton, Kristin M. "Roamers versus biters: A rhetorical examination of the differences between woodbury and the prison group in the walking dead comics." Journal of Graphic Novels and Comics 6. (2015): 260–68. |
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| Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of brian fies and dylan horrocks." Journal of Graphic Novels and Comics 7. (2016): 242–53. |
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| Bartosch, Sebastian. "Die Farbe der Reflexivität im Comic." Closure 4.5 2018. Accessed 11 May. 2018. <http://www.closure.uni-kiel.de/closure4.5/bartosch>. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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| Bartra, Armando. "Dawn, Noon, and Dusk of a Tumultuous Narrative: The evolution of mexican comic art." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 253–78. |
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| Bartual, Roberto. "Towards a Panoptical Representation of Time and Memory – Chris Ware, Marcel Proust and Henri Bergson’s “Pure Duration”." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11 Jun. 2012. <http://sjoca.com/wp-con ... 1-1-Article-Bartual.pdf>. |
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| Bartual, Roberto. "Architecture and comics: citizens of no place." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 190–92. |
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| Bartual, Roberto. "Creation versus interpretation in To Boil a Bear." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 90–92. |
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| Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23. |
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| Bartual, Roberto. "Inner Focalization: A child’s game." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 46–48. |
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| Bartual, Roberto. "John Byrne’s White on White." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 62–64. |
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| Bartual, Roberto. "Peanuts, 5 October 1950." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 8–9. |
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| Baru. "The Working Class and Comics: A french cartoonist’s perspective." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 239–58. |
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| Barzi, Davide and Tito Faraci. Le Regine del Terrore. Angela e Luciana Giussani: le ragazze della Milano bene che inventarono Diabolik. Storie di segni. Milano: Edizioni BD, 2007. |
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| Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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| Basel, Marie-Catherine. "Jacky Fleming: “Falling in Love”." Image [&] Narrative 2. 2 2002. Accessed 3 Jan. 2011. <http://www.imageandnarr ... mariecatherinebasel.htm>. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9. (2010): 81–98. |
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| Baskind, Samantha. "Plain Dealing Women: Lois lane and the origin of the comic book heroine – a conversation with laura siegel larson." Journal of Graphic Novels and Comics 9. (2018): 634–44. |
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| Baskind, Samantha. The Warsaw Ghetto in American Art and Culture. University Park: Penn State Univ. Press, 2018. |
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| Baskind, Samantha. "A Conversation with Miriam Katin." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 237–43. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943: Faith and art history’s precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Baskind, Samantha and Ranen Omar-Sherman, eds. The Jewish Graphic Novel: Critical approaches. New Brunswick: Rutgers Univ. Press, 2008. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Basu, Lopamudra. "Crossing Cultures/Crossing Genres: The re-invention of the graphic memoir in persepolis and persepolis 2." Nebula 4. 3 2007. Accessed 29 May. 2012. <http://www.nobleworld.biz/images/Basu.pdf>. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bat-Tzu. "The Tao of the Bat." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 267–78. |
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| Bateman, Oliver Lee. "‘I Feel Like We’re Replaying World War I’: A conversation with ben katchor." Pacific Standard 2018. Accessed 3 Mar. 2018. <https://psmag.com/socia ... or-and-political-comics>. |
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| Bateman, John A., Annika Beckmann, and Rocio Varela. "From Empirical Studies to Visual Narrative Organization: Exploring page composition." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 127–53. |
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