| Chute, Hillary, ed. Maus Now: Selected writing. New York: Pantheon, 2022. |
 
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| Last edited by: joachim 01/02/2024, 19:52 |
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| Chute, Hillary. "Feminist Graphic Art." Feminist Studies 44. (2018): 153–70. |
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| Last edited by: joachim 15/02/2019, 16:58 |
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| Chute, Hillary. Why Comics? From underground to everywhere. New York: Harper, 2017. |
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| Last edited by: joachim 04/01/2018, 15:46 |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Last edited by: joachim 19/02/2016, 18:28 |
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| Chute, Hillary. Outside the Box: Interviews with contemporary cartoonists. Chicago: Univ. of Chicago Press, 2014. |
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| Last edited by: joachim 06/02/2019, 11:01 |
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| Chute, Hillary. "Secret Labor: Sketching the connection between poetry and comics." Poetry (2013). |
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| Chute, Hillary. "Comics as Archives: Metametamaus." emisférica 9. 1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>. |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Added by: joachim 22/06/2014, 16:16 |
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| Chute, Hillary. "An Interview with Joe Sacco: “when you draw, you can always capture that moment. you can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. i realize now there’s a lot of power in that”." The Believer (2011). |
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| Chute, Hillary. "An Interview with Phoebe Gloeckner: “the relationship of a single illustration to the text is just by nature redundant”." The Believer (2010). |
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| Added by: joachim 31/12/2020, 16:13 |
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| Chute, Hillary. "An Interview with Aline Kominsky-Crumb: “the way i drew degrading, ugly sex and everything—it was really a turn-off to men. they hate it”." The Believer (2009). |
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| Last edited by: joachim 31/12/2020, 16:04 |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36. (2008): 92–110. |
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| Last edited by: joachim 03/08/2011, 11:32 |
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| Chute, Hillary. "Ragtime, Kavalier & Clay and the Framing of Comics." Modern Fiction Studies 54. (2008): 268–301. |
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| Last edited by: joachim 14/03/2016, 03:48 |
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| Chute, Hillary. "Comics as Literature? Reading graphic narrative." PMLA 123. (2008): 452–65. |
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| Last edited by: joachim 02/02/2015, 12:41 |
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| Chute, Hillary. "An Interview with Lynda Barry: “somehow people started to actually start to like it, once they understood that i wasn’t making fun of the situation, but that a comic strip could contain something sad, like a song”." The Believer (2008). |
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| Added by: joachim 31/12/2020, 16:17 |
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| Chute, Hillary. "An Interview with Charles Burns: “i’m slowly learning to draw every human being in the united states”." The Believer (2008). |
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| Last edited by: joachim 31/12/2020, 15:56 |
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| Chute, Hillary. "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." American Periodicals 17. (2007): 228–44. |
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| Last edited by: joachim 12/05/2013, 19:43 |
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| Chute, Hillary. "An Interview with Scott McCloud: “if you did a series of stained-glass windows telling the story of your life you’d be making comics. so if that leaves the family circus on the side of the road, so be it”." The Believer (2007). |
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| Last edited by: joachim 31/12/2020, 16:01 |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52. (2006): 199–230. |
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| Last edited by: joachim 20/01/2013, 20:26 |
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| Chute, Hillary. "Decoding Comics." Modern Fiction Studies 52. (2006): 1014–27. |
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| Last edited by: joachim 14/03/2016, 03:39 |
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| Chute, Hillary. "An Interview with Alison Bechdel." Modern Fiction Studies 52. (2006): 1004–13. |
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| Last edited by: joachim 14/03/2016, 03:40 |
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| Chute, Hillary. "Literal Forms: Narrative structures in maus." Indy Magazine Winter 2005. Accessed 4 Apr. 2008. <http://web.archive.org/ ... r_2005/chute/index.html>. |
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| Chung, Christina. "Holy Fandom, Batman! Commercial fan works, fair use, and the economics of complements and market failure." Journal of Science & Technology Law 19. (2013): 367–404. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching maus." Journal of Adolescent & Adult Literacy 53. (2009): 144–53. |
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| Chudoliński, Michał. "Neurotyczny Rycerz: Reminiscencja azylu arkham granta morrisona i dave’a mckeana." Kultura popularna 61. (2019): 86–103. |
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| Christopher, Brandon. "“I will not / be haunted / by myself!”: Originality, derivation, and the hauntology of the superhero comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87. |
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| Added by: joachim 16/09/2020, 20:30 |
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| Christopher, Stephen and Gabrielle Laumonier. "The eroticization of Tibetan monks in shōnen-ai and yaoi manga." East Asian Journal of Popular Culture 9. (2023): 83–102. |
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| Christopher, Brandon. "Paratextual Shakespearings: Comics’ shakespearean frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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| Last edited by: joachim 28/11/2019, 19:57 |
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| Christopher, Brandon. "Rethinking Comics and Visuality, from the Audio Daredevil to Philipp Meyer's Life." Disability Studies Quarterly 38. 3 2018. Accessed 17 May. 2019. <http://dsq-sds.org/article/view/6477>. |
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| Last edited by: joachim 17/05/2019, 17:22 |
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| Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean allusion and the status of text in the dc comics of grant morrison." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>. |
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| Christofori, Ralf. "Eye to Eye: Anime, manga and painting in the work of amano yoshitaka." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–95. |
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| Christofori, Ralf. "Auge in Auge: Anime, manga und malerei bei amano yoshitaka." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–97. |
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| Christiansen, Steen. "Intermedial Escape: Michael chabon’s the amazing adventures of kavalier and clay." Interaktioner. Om kunstarternes produktive mellemværender. Eds. Peter Stein Larsen, et al. Interdisciplinære kulturstudier. Aalborg: Aalborg Universitetsforlag, 2009. 37–58. |
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| Christiansen, Ole Johan and Thomas Plischke. "From Perpetrator to Victim and Back Again: The supervillain magneto as a representative of the holocaust in superhero comics." The Holocaust, Art, and Taboo. Transatlantic Exchanges on the Ethics and Aesthetics of Representation. Eds. Susanne Rohr and Sophia Komor. Heidelberg: Winter, 2010. 179–201. |
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| Christiansen, Ole Johan and Thomas Plischke. "Übermenschen aus der Neuen Welt: Wie das land der freien zum land der superhelden wurde." Das Science Fiction Jahr 8. (2009): 53–75. |
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| Christiansen, Hans-Christian and Anne Magnussen. "Tegneserieanalyse." Analyse af billedmedier – en introduktion. Eds. Gitte Rose and Hans-Christian Christiansen. Frederiksberg: Samfundslitteraturs, 2006. 103–43. |
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| Christiansen, Hans-Christian. "Comics and Film: A narrative perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21. |
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| Christiansen, Steen. "The Truth of the Word, the Falsity of the Image: transmetropolitan's critique of the society of the spectacle." Elective Affinities. Testing Word and Image Relationships. Eds. Catriona MacLeod, Véronique Plesch and Charlotte Schoell-Glass. Word & Image Interactions. Amsterdam [etc.]: Rodopi, 2009. 147–58. |
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| Christiansen, Steen. "Intermedial Escape: Michael chabon’s the amazing adventures of kavalier and clay." Interaktioner. Om kunstarternes produktive mellemværender. Eds. Peter Stein Larsen, et al. Aalborg: Aalborg Universitetsforlag, 2009. 37–58. |
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| Christiansen, Steen. "Continuity Breach: The british revision of the american superhero." Transatlantic. Eds. Camelia Elias, Bent Sørensen and Andrea Birch. Cultural Text Studies. Aalborg: Aalborg Universitetsforlag, 2006. 109–32. |
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| Christiansen, Steen. "Between Media: David mack’s kabuki." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 72–88. |
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| Christiansen, Steen. "Hyper Attention Blockbusters: Christopher nolan’s batman trilogy." Akademisk kvarter 7 2013. Accessed 8 Sept. 2014. <http://www.akademiskkva ... tentionBlockbusters.pdf>. |
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| Christiansen, Hans-Christian. Tegneseriens æstetik. Teori & Æstetik. København: Museum Tusculanum, 2001. |
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| Christiansen, Hans-Christian. "Forskning i tegneserier." MedieKultur 30 1999. Accessed 25 Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1142>. |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A companion. Rantoul: Avatar, 2003. |
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| Christen, Matthias. "Düstere Clowns: Figuren des schreckens im kino der transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42. |
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| de Chosie, Bernhard. Uderzo-storix: L’aventure d’un gallo-romain. Paris: J.–C. Lattés, 1991. |
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| Chopelin, Paul and Tristan Martine, eds. Le Siècle des Lumières en bande dessinée: De poudre et de dentelles. Esprit BD. Paris: Karthala, 2014. |
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| Choo, Kukhee. "Consuming Japan: Early korean girls comic book artists’ resistance and empowerment." Complicated Currents. Media Flows, Soft Power and East Asia. Eds. Daniel Black, Stephen Epstein and Alison Tokita. Clayton: Monash Univ. ePress, 2010. 6.1–6.16. |
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| Choo, Kukhee. "Girls Return Home: Portrayal of femininity in popular japanese girls’ manga and anime texts during the 1990s in hana yori dango and fruits basket." Women 19. (2008): 275–96. |
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| Choi, Jinhee. "Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of awl social justice themes." East Asian Journal of Popular Culture 3. (2018): 111–27. |
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| Choate, Gilbert. "James Joyes, Picasso, Stravinsky, and Spiegelman." Alternative Media 10. (1978): 5–7. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." Avant Garde Critical Studies 25. (2010): 201–11. |
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| Chivington, Lauren. "Signifying Silence: The empty speech balloon." ImageTexT 12. 3 2021. Accessed 25 Oct. 2021. <https://imagetextjourna ... e-empty-speech-balloon/>. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus: Holocaust narratives in controversial media." International Journal of Comic Art 20. (2018): 615–48. |
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| Chiu, Monica. Show Me Where It Hurts: Manifesting illness and impairment in graphic pathography. Graphic Medicine. University Park: Penn State Univ. Press, 2024. |
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| Chiu, Monica, ed. Drawing New Color Lines: Transnational asian american graphic narratives. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. |
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| Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s burma chronicles and guibert, lefèvre, and lemercier’s the photographer." Asian American Literature 5 2014. Accessed 14 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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| Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46. (2008): 99–114. |
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| Chitikamoltham, Chanokporn. "Pleasure of Abjection: Cheap thai comics as cultural catharsis." Explorations: A Graduate Student Journal of Southeast Asian Studies 12 2014. Accessed 7 Jun. 2020. <https://www.cseashawaii ... /10/Explorations_12.pdf>. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three students’ think-aloud protocols of gettysburg: the graphic novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chireau, Yvonne. "Looking for Black Religions in 20th Century Comics, 1931–1993." Religions 10. 6 2019. Accessed 29 Jun. 2020. <https://www.mdpi.com/2077-1444/10/6/400>. |
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| Chin, Vivian Fumiko. "Gestures of Noncompliance: Resisting, inventing, and enduring in citizen 13660." Amerasia Journal 30. (2004): 23–42. |
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| Chimot, Jean-Philippe. "Tardi : dessiner, illustrer." Sociétés & Représentations (2010): 25–39. |
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| Chimombo, Steve. "The Dupe in Modern Context." Baraza: A Journal of the Arts in Malawi 3. (1986): 48–68. |
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| Chimombo, Steve. "The Trickster and the Media." Baraza: A Journal of the Arts in Malawi 2. (1984): 3–21. |
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| Chimeno del Campo, Ana Belén. "El Preste Juan: narrador de historias en la serie Avataars. Covenant of the Shield." Diálogos intertextuales 4: Discursos (audio)visuales para un receptor infantil y juvenil. Estudios de literatura infantil y juvenil: medios audiovisuales. Eds. Susana Pérez Pico and Manuel A. Candelas Colodrón. Frankfurt am Main [etc.]: Peter Lang, 2010. 89–100. |
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| Chimeno del Campo, Ana Belén. "El Preste Juan: ¿de héroe a villano? Adaptación de la leyenda medieval al cómic del siglo xx." Diálogos intertextuales 1: De la palabra a la imagen. Estudios de literatura infantil y juvenil. Eds. Carmen Becerra Suárez and Ana Fernández Mosquera. Frankfurt am Main [etc.]: Peter Lang, 2010. 71–80. |
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| Chimeno del Campo, Ana Belén. El Preste Juan: Mito y leyenda en la literatura infantil y juvenil contemporánea. Europäische Hochschulschriften. Frankfurt am Main [etc.]: Peter Lang, 2009. |
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| Childress, Kirby. "Abjection of the bisexual self: How haptic visuality brings internalized biphobia to screen in collard’s les nuits fauves and kechiche’s la vie d’adèle." Queer Studies in Media & Popular Culture 3. (2018): 335–45. |
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| Chiba, Shinichi, et al. "Eye Movement in Reading Comics." 14th International Display Workshops (IDW ’07). Ed. Society for Information Display. Red Hook: Curran, 2009. 1255–58. |
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| Chiba, Naoki and Hiroko Chiba. "Words of Alienation, Words of Flight: Loanwords in science fiction anime." Robot Ghosts and Wired Dreams. Japanese Science Fiction from Origins to Anime. Eds. Christopher Bolton, Istvan Csicsery-Rony Jr. and Takayuki Tatsumi. Minneapolis: Univ. of Minnesota Press, 2007. 148–71. |
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| Chiat, Kevin. "Giant Dawn and Mutant Superheroes: Joss whedon in comics." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 341–52. |
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| Chiarello, Mark and Todd Klein. The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill, 2004. |
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| Chew, Evelyn and Alex Mitchell. "Multimodality and Interactivity in “Natively” Digital Life Stories." Poetics Today 40. (2019): 319–53. |
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| Chew, Matthew M. and Lu Chen. "Media Institutional Contexts of the Emergence and Development of Xinmanhua in China." International Journal of Comic Art 12. (2010): 171–91. |
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| Cheurfa, Hiyem. "Testifying Graphically: Bearing witness to a palestinian childhood in leila abdelrazaq’s baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82. |
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| Chesneaux, Jean. "Die chinesischen Comics als Gegenkultur." Das Mädchen aus der Volkskommune. Chinesische Chomics. Eds. Gino Nebiolo, Jean Chesneaux and Umberto Eco. Das neue Buch. Reinbek bei Hamburg: Rowohlt, 1972. 306–17. |
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| Cherian, Ajith. "The Value of Comics Journalism in Our Post Truth World." Gnosis Special Issue (2019): 201–13. |
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| Cheon, Hyun Soon. Intermedialität von Text und Bild bei Alexander Kluge: Zur korrespondenz von früher neuzeit und moderne. Würzburg: Königshausen & Neumann, 2007. |
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| Cheng Chua, Karl Ian Uy. "Pinoy Manga in Philippine Komiks." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 185–97. |
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| Cheng Chua, Karl Ian Uy. "Representing the war in manga." Controversial History Education in Asian Contexts. Eds. Mark Baildon, et al. London, New York: Routledge, 2014. 123–39. |
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| Cheng Chua, Karl Ian Uy. "Boy meets world: The worldview of shōnen kurabu in the 1930s." Japan Forum 28. (2016): 74–98. |
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| Cheng Chua, Karl Ian Uy. "Educational Komiks: Shifting perspectives." Kyoto Review of Southeast Asia 16 2014. Accessed 12 Jan. 2016. <http://kyotoreview.org/ ... -shifting-perspectives/>. |
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| Cheng Chua, Karl Ian Uy. "The Stories They Tell: Komiks during the japanese occupation, 1942–1944." Philippine Studies 53. (2005): 59–90. |
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| Cheng, Kevin. See What I Mean: How to use comics to communicate ideas. New York: Rosenfeld, 2012. |
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| Cheng, Paul. "The Smartest Comic on Earth: Metafiction in chris ware’s acme novelty library #16." International Journal of Comic Art 11. (2009): 88–102. |
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| Cheng, Fang. "Long Live, Brother Bing!." International Journal of Comic Art 9. (2007): 644–46. |
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| Cheng, Fang. "Fang Cheng's Theories on Humor and Cartooning." International Journal of Comic Art 9. (2007): 478–510. |
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| Cheng, Fang. "What Is Humor?." International Journal of Comic Art 8. (2006): 347–62. |
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| Chen, Ming-Hung and I-Ping Chen. "The Relationship Between Personalities and Faces of Manga Characters." The Comics Grid 5. 3 2015. Accessed 3 Aug. 2015. <http://www.comicsgrid.com/articles/10.5334/cg.bc/>. |
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| Chen, Hsiao-ping. "The Significance of Manga in the Identity-Construction of Young American Adults: A lacanian approach." Dissertation Dr. Ohio State University, 2011. |
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| Chen, Lindsey N. "Ethnic Marked Names as a Reflection of United States Isolationist Attitudes in Uncle $crooge Comic Books." Names: A Journal of Onomastics 56. (2008): 19–22. |
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| Chen, Jin-Shiow. "A Study of Fan Culture: Adolescent experiences with animé/manga doujinshi and cosplay in taiwan." Visual Arts Research 33. (2007): 14–24. |
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| Chen, Jin-Shiow. "Meditating on the Voiceless Words of the Invisible Other: Young female animé fan artists—narratives of gender images." Journal of Social Theory in Art Education 24. (2004): 213–33. |
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| Chen, Jin-Shiow. "The Comic/Anime Fan Culture in Taiwan: With focus on adolescent’s experience." Journal of Social Theory in Art Education 23. (2003): 89–103. |
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| Chemers, Michael M. "‘With Your Shield, or On It’: Disability representation in 300." Disability Studies Quarterly 27. 3 2007. Accessed 4 Dec. 2020. <https://dsq-sds.org/article/view/37/37>. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Chekalov, Denis. "Comics: The World, If You Blink Slowly." International Journal of Comic Art 7. (2005): 39–55. |
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| Added by: Deleted user 13/08/2009, 18:47 |
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