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| Ropers, Eric. "Historical Narrative and the Misrepresentation of Wartime Labor Recruitment in Kenkanryū." Forum for World Literature Studies 3. (2011): 70–80. |
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| Ropers, Eric. "Representations of Gendered Violence in Manga: The case of enforced military prostitution." Japanese Studies 31. (2011): 249–66. |
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| Rösch, Felix. "‘Hooray! Hooray! The End of the World has been Postponed!’: Politics of peace in the adventures of tintin?." politics (2013). |
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| Rosen, Alan C. "The Language of Survival: English as metaphor in art spiegelman's maus." Sounds of Defiance. The Holocaust, Multilingualism, and the Problem of English. Lincoln: Univ. of Nebraska Press, 2005. 157–74. |
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| Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the postmodern imagination. Lanham [etc.]: Lexington, 2008. |
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| Rosen, Barbara, et al. "The Wandering Life of Sanmao." Children’s Literature 15. (1987): 120–38. |
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| Rosen, Alan C. "The Language of Survival: English as metaphor in spiegelman’s maus." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 121–34. |
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| Rosen, Scott. "Gods and Fantastic Mortals: The superheroes of jack kirby." The Gospel According to Superheroes. Religion and Popular Culture. Ed. B. J. Oropeza. New York [etc.]: Peter Lang, 2005. 113–26. |
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| Rosen, Elizabeth K. "The Narrative Intersection of Image and Text: Teaching panel frames in comics." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 58–66. |
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| Rosenbaum, Roman. "Motomiya Hiroshi's ›The Country Is Burning‹." International Journal of Comic Art 9. (2007): 591–609. |
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| Rosenbaum, Roman. "Mizuki Shigeru’s Pacific War." International Journal of Comic Art 10. (2008): 354–79. |
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| Rosenbaum, Roman. "Tezuka Osamu: Adolf – Towards a Historio-graphic Novel." International Journal of Comic Art 12. (2010): 415–34. |
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| Rosenbaum, Roman, ed. Manga and the Representation of Japanese History. Routledge Contemporary Japan. London, New York: Routledge, 2013. |
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| Rosenbaum, Roman. "Gekiga as a site of intercultural exchange: Tatsumi yoshihiro’s a drifting life." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 73–92. |
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| Rosenbaum, Roman. "The Gekiga Tradition: Towards a graphic rendition of history." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 260–84. |
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| Rosenberg, Pnina. "Mickey Mouse in Gurs – Humour, Irony and Criticism in Works of Art Produced in the Gurs Internment Camp." Rethinking History 6. (2002): 273–92. |
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| Rosenberg, Aaron. Colleen Doran. The Library of Graphic Novelists. New York: Rosen, 2005. |
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| Rosenberg, Robin S., ed. Our Superheroes, Ourselves. New York: Oxford Univ. Press, 2013. |
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| Rosenberg, Robin S., ed. Our Superheroes: Ourselves. New York: Oxford Univ. Press, 2013. |
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| Rosenberg, Pnina. "From Mice to Mickey to Maus: The metaphor of evil and its metamorphosis in the holocaust." Good & Evil. Ed. Margaret Sönser Breen. Critical Insights. Englewood Cliffs: Salem Pr. 2012. |
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| Rosenberg, Robin S. and Peter Coogan, eds. What is a Superhero? New York: Oxford Univ. Press, 2013. |
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| Rosenberg, Robin S. "What’s Wrong with Bruce Wayne?." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 145–56. |
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| Rosenberg, Robin S. "Superman’s Personality: From krypton, kansas, or both?." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 29–49. |
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| Rosenblatt, Adam and Andrea A. Lunsford. "Critique, Caricature, and Compulsion in Joe Sacco’s Comics Journalism." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 68–87. |
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| Rosenfelder, Mark. "Love and Rockets Character Index." 2004. Accessed 28 Apr. 2013. <http://www.zompist.com/Lovinchar.html>. |
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| Rosenfelder, Mark. "The Jaime Hernandez Chronology." 2004. Accessed 28 Apr. 2013. <http://www.zompist.com/loveroc1.html>. |
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| Rosenkranz, Patrick. Rebel Visions: The underground comix revolution 1963–1975. 2. erw. ed. Seattle: Fantagraphics, 2008. |
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| Rosenkranz, Patrick. The Artist Himself: A rand holmes retrospective. Seattle: Fantagraphics, 2010. |
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| Rosenkranz, Patrick. "The ABCs of Autobio Comix." The Comics Journal 2011. Accessed 30 Apr. 2015. <http://www.tcj.com/the-abcs-of-auto-bio-comix-2/>. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Pirates in the heartland. Vol. 1. Seattle: Fantagraphics, 2014. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Demons and angels. Vol. 2. Seattle: Fantagraphics, 2015. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Belgian lace from hell. Vol. 3. Seattle: Fantagraphics, 2017. |
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| Rosenthal, Martina. "Comics auf Albumcovern: Überlegungen zu einem intermedialen phänomen." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 109–20. |
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| Ross, Ed. "The Representation of Immigrants and Immigration in UK Political Cartoons from 1968 to 2005." International Journal of Comic Art 8. (2006): 283–306. |
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| Rosset, Christian. "À la frontière: (la bande dessinée et l’autre scène)." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 199–214. |
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| Rossi, Umberto. "The Difficult Art of the Remake: Jonathan lethem’s omega the unknown." Translating America. Importing, Translating, Misrepresenting, Mythicizing, Communicating America. Eds. Marina Camboni, Andrea Carosso and Sonia Di Loreto. Torino: Otto, 2010. 368–77. |
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| Rossi, Umberto. "The Myth of the Great War: Hugo pratt's world war i graphic novel and stories." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 59–82. |
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| Rossi, Fabio. "Dannate lingue del Paz! Osservazioni linguistiche sui fumetti di andrea pazienza." Die Sprache(n) der Comics. Ed. Daniela Pietrini. München: Meidenbauer, 2012. 127–46. |
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| Rostam, Marion. "Naissance d’un imaginaire graphique dans L’Ascension du Haut-Mal de David B.." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 19–42. |
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| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman’s maus as “holocaust” production." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 137–58. |
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| von Rothenburg, Karl-Heinz. Geschichte und Funktion von Abbildungen in lateinischen Lehrbüchern: Ein beitrag zur geschichte des textbezogenen bildes. Prismata. Frankfurt am Main [etc.]: Peter Lang, 2009. |
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| Röttinger, Heinrich. Die Bilderbogen des Hans Sachs. Studien zur deutschen Kunstgeschichte. Straßburg: Heitz, 1927. |
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| Round, Julia. "Visual Perspective and Narrative Voice in Comics: Redefining literary terminology." International Journal of Comic Art 9. (2007): 316–29. |
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| Round, Julia. "London’s Calling: Alternate worlds and the city as superhero in contemporary british-american comics." International Journal of Comic Art 10. (2008): 24–31. |
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| Round, Julia. "Contrariwise!: Breaking rules in bryan talbot’s alice in sunderland." Critical Engagements 3. (2009): 180–201. |
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| Round, Julia. "Cryptomimetic tropes in Yoshinori Natsume’s Batman: Death Mask." Foundation (2010): 41–52. |
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| Round, Julia. "It’s all relative: Breaking barriers and binaries in garth ennis/steve dillon’s preacher." Popular Narrative Media 4. (2010). |
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| Round, Julia. "Reconstructing Alice Cooper: ‘from the inside’ to the last temptation." Journal of Graphic Novels and Comics 1. (2010): 151–69. |
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| Round, Julia. "Interview with Henry Jenkins." Studies in Comics 3. (2012): 191–202. |
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| Round, Julia. "Charlie Adlard on art and adaptation: Interview with charlie adlard." Studies in Comics 4. (2013): 5–14. |
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| Round, Julia. Gothic in Comics and Graphic Novels: A critical approach. Jefferson, London: McFarland, 2014. |
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| Round, Julia. "Misty, Spellbound and the lost Gothic of British girls’ comics." Palgrave Communications 3. (2017): 1–11. |
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| Round, Julia. Gothic for Girls: misty™ and british comics. Jackson: Univ. Press of Mississippi, 2019. |
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| Round, Julia. "Grant Morrison, Dave McKean, and Gaspar Saladino’s Arkham Asylum (1989) – Gothic Comics." The Gothic. A Reader. Ed. Simon Bacon. New York [etc.]: Peter Lang, 2018. 161–68. |
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| Round, Julia. "Horror Hosts in British Girl’s Comics." The Palgrave Handbook on Contemporary Gothic. Ed. Clive Bloom. New York [etc.]: Palgrave Macmillan, 2020. 623–42. |
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| Round, Julia. "The Transformations of Harvey Pekar’s American Splendor: “ordinary life is pretty complex stuff”." Real Lives, Celebrity Stories. Narratives of Ordinary and Extraordinary People Across Media. Eds. Thomas Bronwen and Julia Round. New York: Bloomsbury Academic, 2014. 95–110. |
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| Round, Julia. "Mutilation and Monsters: Transcending the human in garth ennis/steve dillon’s preacher." The Human Body in Contemporary Literatures in English. Cultural and Political Implications. Eds. Sabine Coelsch-Foisner and Marta Fernández Morales. Salzburg Studies in English Literature and Culture. Frankfurt am Main [etc.]: Peter Lang, 2009. 109–28. |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Round, Julia. "Transforming Shakespeare: Neil gaiman and the sandman." Beyond Adaptation. Essays on Radical Transformations of Original Works. Eds. Phyllis Frus and Christy Williams. Jefferson, London: McFarland, 2010. 95–110. |
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| Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A barthesian analysis of the construction of fact and fiction in alan moore and eddie campbell’s from hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201. |
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